Marko Marulić - Knowledge (XXG)

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satirical impulse is startling, even in such conventional poems as epitaphs. Three poems reveal his love of animals. The greatest revelation are the verses which show Marulić as the author of love poems. This aspect represents the most serious challenge to the traditional picture of the poet: the last epigram in the collection is a true Priapeum marked with lascivious ambiguity.

375:, once adored and envied across Europe, shared the destiny that befell most Renaissance Humanist literature and faded into obscurity. According to Lučin, however, the passage of time has slowly revealed the important web of influence that the poet and writer wove all over Europe and far beyond its borders. Marulić's writings were admired by churchmen such as Saints 614:. Maximus had intended in the writing of his book, "to spare those who want to learn the lessons of history the trouble of prolonged researches" and accordingly organized the nine books of his volume, "to illustrate a particular virtue or vice", and it became a widely used textbook in Medieval and Renaissance Europe, both of 3162:

Thus it seems that identity as "Croat", and particularly one with a feeling for such as an ethnic identity, was missing - at least at the time when those men wrote their texts - in all these figures. And they I might add included two figures placed in the "Croat" camp at the beginning of the chapter:

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According to Edward Mulholland, "In it he makes the argument that one who has conquered beasts and monsters, as Hercules did, is not as strong as one who has mastered himself, which is the ideal of every Christian. But Marulić also shares his thoughts on the use of mythology and epic. The dialogue is

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threw new light on his work and persona. It was discovered in 1995 by Darko Novaković, who stated that, in comparison with Marulić's known carmina minora, the poems in the codex introduce three thematic novelties. Unexpectedly vehement, satirical epigrams are featured and the intensity of his

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emphasizes that Marulić belongs to a group of humanists and clerics placed in the "Croat" camp who, at least at the time they wrote their texts, did not seem to have a Croatian ethnic identity. It must be noted however, that a critical review of Fine's work highlighted subjective conclusions.

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Very little is known about his life, and the few facts that remain are often unreliable. It is certain that he attended a school in Split run by the Italian Renaissance humanist scholar Tideo Acciarini (1430–1490). Marulić's education is known also to have included instruction in the

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between a theologian and a poet. The question underlying the dialogue seems to be which way is the most secure to arrive at the truth... For Marulic, as Elisabeth von Erdmann points out, pagan myth and poetry gained a certain legitimacy when employed in the service of theology."

1284:('Happy is he who always puts his life to good use.') It is vital to choose true values, not those which pass, to choose genuine truth, not half-truths and pseudo-truths. Do not trust those who promise you easy solutions. Nothing great can be built without sacrifice." 3672:

Zbornik radova o Marku Maruliću; u povodu 550. obljetnice rođenja i 500. obljetnice njegove Judite 1450.-1501.-2001 = Collected Papers on Marko Marulić. In celebration of 550th anniversary of his birth and 500th anniversary of the birth of his Judita

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printers, their collected writings make no mention of each other. In the absence of evidence to the contrary, it must be assumed that both theologians were simply unaware of the other's existence. At the same time, both men shared a common belief in

880:. He is retelling the Biblical story first and foremost, but from the fullness of his multifaceted persona as, in Baumann's words, 'a Croat, a humanist, a conservative Catholic, an intellectual and a patrician of Split." 1352:

more often than Latin does." For this reason, Mulholland decided to publish his translation side by side with the Latin original, so that those able to read both languages could compare them to one another.

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Libar Marca Marula Splichianina V chomse sdarsi Istoria Sfete udouice Iudit u uersih haruacchi slosena chacho ona ubi uoiuodu Olopherna Posridu uoische gnegoue i oslodobi puch israelschi od ueliche pogibili

959:, the titan of the pagans, compete with the titan of the Christians, that is, Jesus Christ, who, of course, is ultimately the victor", was posthumously published in 1524. It is also known under the title 1854:, prepared by Zadar publisher Jerolim Mirković, dated 30 May 1522, is adorned with nine woodcuts, the last of which is signed "M". It is assumed that the illustrations were created by Marulić himself. 529:, after which he spent much of his life in his home town. His star-crossed love affair with a Split noblewoman ended when her father, the commander of the city's Venetian military garrison, allegedly 1603:

noted "ideological prejudices", "omission of historical facts" and "preconceived conclusions" due to Fine's alleged personal bias regarding the former Yugoslavia and its various ethnic groups.

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In his introduction Mulholland explained, "The translation of a Vergilian epic owes much to translators of Vergil." Mulholland according expressed gratitude to the previous translators of the

43: 872:(1480), or, most frequently, contemporary rulers. Marulić was the very first author to write a Neo-Latin Biblical poem, and he would remain unique in having found his inspiration in the 358:

Marulić's work was admired both by many of the greatest and most influential Catholic saints of the Counter-Reformation and also, since much of Marulić could be read without violating

3711:(in Croatian, English, French, German, and Italian), Zagreb-Split: Erasmus naklada – Književni krug Split, Marulianum – Zavod za znanost o književnosti Filozofskog fakulteta u Zagrebu 1061:("Poem about the Teaching of Our Lord Jesus Christ Hanging on the Cross"), was first published in 1506 in Venice. The final poem, which remains Marulić's most famous work of Latin 987:("Fifty Parables"). By 1680, these three books had been republished more than eighty times not only in the original Latin, but also in many European vernacular languages, including 486:. He was the first of seven children. The palazzo in which he was born still stands on Papalić Street in Split. His father, Nikola Marulić, was descended from the Pečenić family ( 522:

by Hieronymus Genesius Picentinus. Although his library later contained many textbooks on the language, Marulić read and spoke it imperfectly and only rarely used Greek words.

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Marko Marulić Marulus: An Outstanding Contribution to European Humanism; in Croatia and Europe II – Croatia in the late Middle Ages and the Renaissance: A Cultural Survey

3569: 1825: 1797:("Against Discord between the Princes of the Christians"), Marulić denounced the monarchs of Europe for warring among themselves at a time when the Sultan of the 709:, a highly important literary and devotional work of the movement, from Medieval Latin into Croatian. His translation, however, remained unpublished until 1989. 3476: 285:("universal man"). To this end, he was interested in painting and drawing, local and national history, languages, and poetry. His overall goal always remained 3177:"Kako se doista s jugonostalgičarskih pozicija može negirati hrvatska povijest ili o knjizi Johna V. A. Fine Ml. When Ethnicity did not Matter in the Balkans" 3147:

When Ethnicity Did Not Matter in the Balkans: A Study of Identity in Pre-Nationalist Croatia, Dalmatia, and Slavonia in the medieval and early modern p1eriods

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According to Fisković, Marulić was an accomplished illustrator. In his will he left to his sister a book he illustrated and conceived. The second edition of

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as a rich source of stories for use during their preaching and was "considered the work most useful for Catholics in the defense of their ancestral Faith."

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The Festival of Croatian Drama in Split – 'Festival Marulićevi dani' (Festival of Marulić days) – is named after Marulić and gives annual MARUL awards.

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In his Croatian-language works, Marulić achieved a permanent status and position that has remained uncontested. His central Croatian oeuvre, the epic

560:("Evangelistary"), a moral and theological compendium of Old and New Testament texts, was first published in 1487. The book was later republished by 3821: 3617: 3871: 3108: 2264: 1357: 1070: 740:, they consist in moral lessons in elegant Latin prose drawn from simple stories". Both books were first published in 1510. He finished writing 3836: 3816: 3390:"Dva nepoznata Marulićeva rukopisa u Velikoj Britaniji: MS. ADD. A. 25 u oxfordskoj Bodleiani i Hunter 334 u Sveučilišnoj knjižnici u Glasgowu" 1636: 3052: 2306: 1739: 1217:("An Epistle in the Person of Jesus Christ to the Faithful Soule") during his imprisonment in the Tower, which was posthumously published at 1123:

announced that recent inquiries about the volume had come up empty and that he believed the Saint's copy must have been destroyed during the

553:, examiner of notarial entries and executor of wills. Owing to his work, he became the most distinguished member of Split's humanist circle. 3931: 3826: 1746:, but this work "proved to be a failure," as whole verses were left out and many words were misread by the editor. Several years later, in 1019:. For this reason, Marulić is considered one of the most dynamic and influential theological and devotional writers of the Renaissance. 1190: 1124: 424: 3124: 1914:. Sabor declared 2021 in Croatia as a Year of Marko Marulić and Year of reading in Croatia, marking 500 years since the publication of 3831: 1198: 687: 683: 1687:. Indeed, the work was so heavily indebted to the Aeneid that Marulić's contemporaries called him the "Christian Virgil from Split." 3911: 3698: 3254: 3155: 1724:

in 1922. News of its existence and the fact that it had never previously been published was spread throughout Classical academia by

1721: 3881: 3771: 1750:, Miroslav Marcovich overcame many of the difficulties that plagued Badalić's work and produced a more usable critical edition. 431:, and Edward Mulholland. Furthermore, manuscripts of Marulić works previously thought lost, such as his Christian epic poem the 2028: 1039: 317:("Gospel Truth") and "theology for piety". They both built their differing theology upon the similar training they received in 3787: 3301: 2917: 2524: 1244: 1162:, namely, "that lying may sometimes be licit, although always undesirable", the same volume was temporarily placed upon the 248:. At the same time, Marulić also attentively read the Pre-Christian Greek and Latin classics. He read and interpreted Latin 761:, which was considered lost for more than 400 years, only rediscovered in 1952, and published for the first time in 1954. 2179: 1754:

Veljko Gortan eventually corrected around 50 instances of misread words and published his own critical edition in 1974. A

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Marko Marulić died in Split on 5 January 1524 and was buried in the Church of St. Francis in the historic city center.

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According to Edward Mulholland, "Most early modern poets chose as their heroes either ancient historical characters -

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against the Jesuit monastery in Madrid. Further research, however, will be needed to determine whether excerpts from

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in the Croatian language, which he produced between 1520 and 1522. The latter, which also drew very heavily upon the

1209:("A Dialogue Betwixt a Christian and Christ Hanging on the Crosse"). Howard also produced an English translation of 670:

According to his friend and early biographer Franjo Božičević, "for nearly forty years he sweated, shut up with the

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in 1989, and the Glasgow Codex in 1995, continue to resurface and to belatedly see publication for the first time.

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are named after him. Marulianum is a scientific centre of Split Literary Circle dedicated to research on Marulić.

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Links to translations of Marulić's works in English, French, German, Icelandic, Italian, Portuguese, and Spanish

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reprinted it at Basel in 1513. The compendium was widely and repeatedly reprinted and translated into many

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C. Fisković: O Marulićevu slikanju, Prilozi povijesti umjetnosti u Dalmaciji, Split 1986–87, str. 393–424.

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was considered lost by 1567 and long remained so. After a search lasting nearly two centuries by Croatian

1404: 1186: 1449:) written in 1501 and published in Venice in 1521, is based on the Biblical tale from a Deuterocanonical 1553: 1536:"Only God with his infinite might can save us from the misery of our enemies, the Turks", discovered by 1107:. St. Francis Xavier's copy of the book was returned to Spain after his death and was long treasured in 1026: 805: 392: 298: 245: 1767: 1276:("Poem about the Teaching of Our Lord Jesus Christ Hanging on the Cross") during an apostolic visit to 934: 1416: 1078: 3811: 3806: 3493: 1755: 1720:

at libraries and archives throughout Europe, Marulic's original manuscript (Ms. T) resurfaced at the

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One of Marulić's books published in the 1510s is also the first time a literary work used the term "

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with the face of Marko Marulić is a Croatian state decoration awarded for special merit in culture.

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branch of the family whose founder was named Petar, and who only began calling themselves Marulić,

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Solus deus potes nos liberare de tribulatione inimicorum nostrorum Turcorum sua potentia infinita,

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Marko Marulić Splićanin ("Marko Marulić of Split") is the form he himself used to sign his works.

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