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170:, and Kostia Terechkovitch. For this reason, his art bears many a characteristic of French painting and French tradition. Much of Čelebonović's work is parallel to the tradition exhibited by the 1930 generation of French artists. However, be nonetheless maintained a more Balkan and Oriental tone in his works. Čelebonović's best works are characterized by an
204:"My life and work have been determined by my attitude towards Yugoslavia. I have linked the fate of my art with Yugoslav painting. How one grows and attains maturity is a question apart. The influence of French painting upon myself and others is natural enough. After all, who has ever been free from influence?
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touch, Oriental preference for ripeness and violence of color, such as the meaning of silence and its light, of gentle restrained gesture, the weight of the seated or lying human body. The rational element is present in his painting, but always submerged under authentic affective attitude to life.
216:, the 7th of July award for life achievement, golden plaque for painting at the third triennial of visual arts in Belgrade, Order of brotherhood and unity, Order of merit to the people, Order of labour and Order of the Republic with golden wreath.
146:. However, already in summer 1923 he began painting in his own studio and from then on completely devoted himself to painting. In May 1925 he exhibited for the first time in the
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Although he spent his years in France, he was always closely attached to the
Yugoslav painters who occasionally visited France (
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In the spring of 1923, upon his return from
England, he appeared at the free Paris school Grande Chaumière in the studio of
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monasteries and was an active presence in the art of the period. In his later years, Celebonovic quoted
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An exhibition featuring his selected works was opened in the
Gallery of SANU in early 2019.
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group. In those years he occasionally visited
Yugoslavia, painted in Belgrade and on the
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His decorations and awards include: award for painting at the first memorial of
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he resided in Saint Tropez. During the years of war, he was a member of the
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135:. In 1963 he was awarded the "7th July" prize for life's work.
95:. During this time, he had numerous shows in Paris, Belgrade,
154:. He worked with many colleagues including, most notably,
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91:and from 1948 to 1960, he was a professor at the
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142:, with the intention of devoting himself to
351:Yugoslav expatriates in the United Kingdom
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36:by Čelebonović on a 1973 Yugoslav stamp
75:. His first public exhibition was in
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271:Serbian Academy of Sciences and Arts
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67:. He studied law and economics in
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361:20th-century Serbian male artists
93:Academy of Fine Arts in Belgrade
295:"MARKO ČELEBONOVIĆ (1902–1986)"
87:. After the war he returned to
356:Yugoslav expatriates in France
55:painters of the 20th century.
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341:20th-century Serbian painters
229:List of painters from Serbia
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150:, and in June he left for
168:André Dunoyer de Segonzac
284:. pavle-beljanski.museum
63:Čelebonović was born in
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346:Serbian male painters
336:Artists from Belgrade
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265:3 March 2016 at the
148:Salon des Tuileries
198:Littoral, visited
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282:Marko Čelebonović
260:Marko Čelebonović
180:Sreten Stojanović
140:Antoine Bourdelle
85:French Resistance
49:Марко Челебоновић
41:Marko Čelebonović
25:Marko Čelebonović
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210:Nadežda Petrović
184:Marino Tartaglia
156:Édouard Vuillard
79:in 1925. Before
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302:. Retrieved
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152:Saint Tropez
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81:World War II
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331:1986 deaths
326:1902 births
234:Serbian art
196:Montenegrin
160:Paul Signac
129:Netherlands
320:Categories
304:30 January
240:References
89:Yugoslavia
144:sculpture
59:Biography
263:Archived
223:See also
200:medieval
172:Oriental
105:Sarajevo
65:Belgrade
121:Belgium
69:England
53:Serbian
192:Twelve
133:Brazil
131:, and
127:, the
109:Skopje
101:Geneva
97:Zürich
73:France
214:Čačak
125:Italy
117:Italy
77:Paris
306:2019
111:and
71:and
212:in
113:Niš
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