Knowledge (XXG)

Marry the Girl (play)

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was stolen. It was too late to come back to London by train, and they took a room each at the pub. Wally is greatly agitated, expressing concern for Doris's reputation. It is clear that she will suffer at the hands of her bullying mother if it emerges that she has been out overnight with a man she has just met. Mrs Chattaway returns; they try to bluff things out, but a police inspector arrives to report the finding of Wally's car. He hands over a vanity bag found in the vehicle, which Mrs Chattaway recognises as Doris's. She assumes it was Wally, not Hugh, who took Doris for a ride. Jane enters, encounters Doris, and leaps to the same conclusion as Mrs Chattaway. She breaks off the engagement and leaves.
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The judge tries to restore order, but is shouted down by Wally and Hugh. Wally proposes in open court to Doris, who accepts; Hugh counters by revealing that he has married Jane. The hullabaloo in court engulfs the hapless judge and even the incandescent Mrs Chattaway, as each character expresses his
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Mrs Chattaway intrudes again, accompanied by her son. Doris has not been home overnight, and they accuse of Wally of abducting her. He allows them to search his rooms, and they depart, threatening to call in the police. Hugh and Doris enter. While they were having dinner in a country pub Wally's car
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Wally tells Hugh about Mrs Chattaway's threats. The solution, he feels, is for Hugh to charm Doris and lure her affections away from Wally. He emphasises that Doris is a very attractive and genuinely nice young woman. Hugh reluctantly agrees. They spin Doris a yarn that he is desolate after a broken
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Wally hopes to marry Jane Elliott. He seeks Mrs Elliott's approval, which she gives, though shrewdly assessing his playboy character. When Wally is alone, Mrs Chattaway is shown in. She accuses him of playing fast and loose with the affections of her daughter Doris. He admits that they have been on
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predicted a run of more than 100 nights, but "the credit for this will be due to the actors rather than the authors, who have not been lavish in their wit or in inventing notably original or humorous situations". The paper added that the last act was extremely funny and sent the audience from the
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Before the trial begins Wally and Doris confer privately. Each expresses a warm regard for the other, and it is clear that the case has been brought entirely under pressure from Mrs Chattaway. The trial begins, presided over by a judge who makes dreadful jokes throughout. Hugh outlines the case
255:, but not a prosperous one, preferring to go to the races than appear in court. Unlike the equally idle Wally he has no private income. He too loves Jane, but magnanimously congratulates his friend on being the victor in the contest for her love. 325:
said, "But the Court scene, though it could make no claim to originality, was good fun from beginning to end. Mr Hare, as the presiding Judge, had the best of it but the inanity of Mr Lynn in the witness box was extremely felicitous."
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There was a general view among the critics that although the third act was exceptionally funny, the first two were slow, with some good comic scenes but also quite a lot of not particularly amusing exposition of the plot.
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Cross-examined, Wally says that though he never proposed marriage to Doris he might have done had it not been for her mother. Hugh reads aloud from some of Wally's love letters to Doris, which are so
359:); it was not directed by Walls, who had directed eight of the first nine; and neither Walls, Lynn nor Hare featured in it: the only member of the original stage cast who appeared was 65:, who presented the farces and co-starred in most of them, gathered a regular company of players for the series. All the chief members of the company took part in 306:. Wally announces to the court in general and Hugh in particular that he did not realise how much Doris meant to him until the night Hugh took her away. 727: 571: 352: 116:
had long runs, averaging more than 400 performances each. The next three were less outstandingly successful, with progressively shorter runs:
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as to have Wally cowering below the top of the witness box from embarrassment. Hugh and Wally engage in mutual acrimony that verges on
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romantic terms, but denies that he ever asked Doris to marry him. Mrs Chattaway departs, threatening him with an action for
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in a breach of promise case. Hugh looks at the brief and announces in dismay that the plaintiff's name is Doris Chattaway.
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was unlike the nine earlier film versions of the Aldwych series in several respects: it was made by a different company (
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The piece opened on 24 November 1930 and ran until 16 May 1931, a total of 195 performances. The actor-manager
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engagement and in need of consolation. He borrows Wally's car to take her for a drive in the country.
603: 217: 162: 145:, a specialist in playing "silly ass" characters. The regular company of supporting actors included 100: 717: 611: 106: 686: 670: 348: 275:
to whom he owes money, arrives in search of him. He insists that Hugh should accept a lucrative
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against Wally, painting a deeply unflattering picture of his character.
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in London nearly continuously from 1923 to 1933. The play centres on a
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as the sprightly young female lead; and the saturnine
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The Cambridge Illustrated History of British Theatre
646: 587: 149:, who played a figure of harassed respectability; 137:Like its predecessors, the play was directed by 58:case brought before a British court of justice. 499:, British Film Institute, accessed 3 March 2013 397:, British Film Institute, accessed 2 March 2013 46:and Arthur Miller. It was one of the series of 251:. Wally's best friend, Hugh, arrives. He is a 565: 469:British Film Institute, accessed 3 March 2013 8: 572: 558: 550: 535:. Cambridge: Cambridge University Press. 353:British & Dominions Film Corporation 371: 449: 447: 363:, reprising her stage role as Doris. 88:, and only the second not written by 7: 377: 375: 271:Hugh's brother-in-law, a prosperous 263:Act II – The same, the next morning 157:as the severe voice of authority; 14: 213:Sergeant Burrows – Philip Carlton 122:(1928) ran for 344 performances, 92:. The first four in the series, 728:British plays adapted into films 333:theatre shaking with laughter. 238:Act I – Wally Gibbs's rooms in 228:Mervyn Parkes – Archibald Batty 484:(1933), which was directed by 310:or her enthusiasm or outrage. 198:Cyril Chattaway – Denis O'Neil 1: 341:The play was filmed in 1935. 153:in eccentric old lady roles; 84:was the eighth of the twelve 177:Jane Elliott – Doreen Bendix 455:The Illustrated London News 329:The Illustrated London News 749: 478:Walls directed all except 457:, 6 December 1930, p. 1046 441:, 25 November 1930, p. 12 428:, 30 November 1930, p. 13 222:Mr Justice Sparrowhawk – 531:Trussler, Simon (2000). 216:Sir Anthony Plumstead – 385:, 10 August 1962, p. 11 174:Banks – George Barrett 141:, who co-starred with 30: 25:(Hugh) cross examines 516:. London: W H Allen. 512:Travers, Ben (1978). 21: 604:A Cuckoo in the Nest 596:It Pays to Advertise 128:(1929) for 291, and 101:A Cuckoo in the Nest 95:It Pays to Advertise 514:A-sitting on a Gate 437:"Aldwych Theatre", 453:"The Playhouses", 424:"Marry The Girl", 381:"Mr. Ralph Lynn", 349:British Lion Films 314:Critical reception 279:to appear for the 207:Doris Chattaway – 31: 705: 704: 655:A Night Like This 636:A Cup of Kindness 304:contempt of court 249:breach of promise 201:Hugh Delafield – 131:A Night Like This 125:A Cup of Kindness 56:breach of promise 740: 574: 567: 560: 551: 546: 527: 500: 497:"Marry the Girl" 494: 488: 476: 470: 464: 458: 451: 442: 435: 429: 422: 416: 413: 407: 406:Trussler, p. 278 404: 398: 395:"Marry the Girl" 392: 386: 379: 361:Winifred Shotter 209:Winifred Shotter 192:Mrs Chattaway – 186:Walford Gibbs – 159:Winifred Shotter 50:that ran at the 748: 747: 743: 742: 741: 739: 738: 737: 708: 707: 706: 701: 695:A Bit of a Test 642: 583: 578: 543: 530: 524: 511: 508: 503: 495: 491: 477: 473: 465: 461: 452: 445: 436: 432: 423: 419: 414: 410: 405: 401: 393: 389: 380: 373: 369: 357:Gaumont British 339: 316: 235: 182:Ethel Coleridge 171: 155:Ethel Coleridge 79: 52:Aldwych Theatre 12: 11: 5: 746: 744: 736: 735: 730: 725: 720: 710: 709: 703: 702: 700: 699: 691: 683: 675: 667: 663:Marry the Girl 659: 650: 648: 644: 643: 641: 640: 632: 624: 616: 608: 600: 591: 589: 585: 584: 581:Aldwych farces 579: 577: 576: 569: 562: 554: 548: 547: 541: 528: 522: 507: 504: 502: 501: 489: 471: 459: 443: 430: 417: 415:Travers, p. vi 408: 399: 387: 370: 368: 365: 344:Marry the Girl 338: 335: 315: 312: 292: 291: 289:The Law Courts 265: 264: 244: 243: 234: 231: 230: 229: 226: 224:Robertson Hare 220: 214: 211: 205: 199: 196: 190: 184: 180:Mrs Elliott – 178: 175: 170: 167: 147:Robertson Hare 86:Aldwych farces 82:Marry the Girl 78: 75: 67:Marry the Girl 48:Aldwych farces 44:George Arthurs 35:Marry the Girl 13: 10: 9: 6: 4: 3: 2: 745: 734: 731: 729: 726: 724: 723:Aldwych farce 721: 719: 716: 715: 713: 697: 696: 692: 689: 688: 684: 681: 680: 676: 673: 672: 668: 665: 664: 660: 657: 656: 652: 651: 649: 645: 638: 637: 633: 630: 629: 625: 622: 621: 617: 614: 613: 609: 606: 605: 601: 598: 597: 593: 592: 590: 586: 582: 575: 570: 568: 563: 561: 556: 555: 552: 544: 538: 534: 529: 525: 519: 515: 510: 509: 505: 498: 493: 490: 487: 483: 482: 475: 472: 468: 463: 460: 456: 450: 448: 444: 440: 434: 431: 427: 421: 418: 412: 409: 403: 400: 396: 391: 388: 384: 378: 376: 372: 366: 364: 362: 358: 354: 350: 346: 345: 336: 334: 331: 330: 324: 323: 313: 311: 307: 305: 301: 296: 290: 286: 285: 284: 282: 278: 274: 269: 262: 261: 260: 256: 254: 250: 241: 237: 236: 232: 227: 225: 221: 219: 215: 212: 210: 206: 204: 200: 197: 195: 191: 189: 185: 183: 179: 176: 173: 172: 169:Original cast 168: 166: 164: 160: 156: 152: 148: 144: 140: 135: 134:(1930), 267. 133: 132: 127: 126: 121: 120: 115: 114: 109: 108: 103: 102: 97: 96: 91: 87: 83: 76: 74: 72: 68: 64: 59: 57: 53: 49: 45: 41: 37: 36: 28: 24: 20: 16: 733:Comedy plays 693: 685: 677: 669: 662: 661: 653: 634: 626: 618: 612:Rookery Nook 610: 602: 594: 532: 513: 492: 486:Jack Raymond 481:Just My Luck 479: 474: 462: 454: 438: 433: 426:The Observer 425: 420: 411: 402: 390: 382: 351:rather than 342: 340: 327: 320: 317: 308: 297: 293: 270: 266: 257: 245: 218:Gordon James 163:Gordon James 136: 129: 123: 117: 111: 107:Rookery Nook 105: 99: 93: 81: 80: 66: 60: 34: 33: 32: 15: 687:Fifty-Fifty 671:Turkey Time 467:"Tom Walls" 337:Adaptations 242:. Afternoon 194:Mary Brough 151:Mary Brough 90:Ben Travers 718:1930 plays 712:Categories 679:Dirty Work 542:0521794307 523:0491022751 506:References 287:Act III – 240:Staple Inn 188:Ralph Lynn 143:Ralph Lynn 77:Background 71:same title 27:Ralph Lynn 439:The Times 383:The Times 322:The Times 281:plaintiff 273:solicitor 253:barrister 203:Tom Walls 139:Tom Walls 63:Tom Walls 23:Tom Walls 233:Synopsis 628:Plunder 119:Plunder 29:(Wally) 698:(1933) 690:(1932) 682:(1932) 674:(1931) 666:(1930) 658:(1930) 639:(1929) 631:(1928) 623:(1927) 615:(1926) 607:(1925) 599:(1923) 539:  520:  647:1930s 620:Thark 588:1920s 367:Notes 277:brief 113:Thark 40:farce 38:is a 537:ISBN 518:ISBN 355:and 300:twee 110:and 42:by 714:: 446:^ 374:^ 165:. 104:, 98:, 73:. 573:e 566:t 559:v 545:. 526:.

Index


Tom Walls
Ralph Lynn
farce
George Arthurs
Aldwych farces
Aldwych Theatre
breach of promise
Tom Walls
same title
Aldwych farces
Ben Travers
It Pays to Advertise
A Cuckoo in the Nest
Rookery Nook
Thark
Plunder
A Cup of Kindness
A Night Like This
Tom Walls
Ralph Lynn
Robertson Hare
Mary Brough
Ethel Coleridge
Winifred Shotter
Gordon James
Ethel Coleridge
Ralph Lynn
Mary Brough
Tom Walls

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