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67:, the Etruscan god of war. It had been buried in antiquity under travertine stones, perhaps ritually, and left undisturbed until its discovery in 1835. It is an example of the highest-quality "prestige" works from Etruria found in Umbria during this period, and probably came from a workshop in
111:
plate armor from the period looked like. While after its discovery in the 19th century, the statue of a warrior was said to represent a god equivalent to the Roman Mars, others see the represented act of libation would not befit a god, thus that the statue depicts a human soldier and devotee.
107:(libation bowl) in his extended right hand, and a spear in the left. His helmet is missing, but his intricate body armor, depicted with "pedantic accuracy," is one of the best examples showing what
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and marks the beginning of the epigraphic tradition in this part of Umbria. The man dedicating it, however, has a name that appears to have a
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The work is a "typical military figure" with "conspicuously
Etruscan" facial features. It is an Etruscan realization of
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19:
522:
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51:(ancient Tuder), on the slope of Montesanto, in the property of the Franciscan Convent of Montesanto.
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Ancient Umbria: State, Culture, and
Identity in Central Italy from the Iron Age to the Augustan Era
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warrior, dating from the late 5th or early 4th century BC, believed to have been produced in
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188:, translated by Jane K. Whitehead (University of Wisconsin Press, 2005), p. 165.
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The sculpture is currently held by the Museo
Etrusco Gregoriano section of the
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The dedication is inscribed on the skirt of the breastplate. It is written in
75:). Velzna was known for its bronze sculptures, more than 2,000 of which were
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304:(Yale University Press, 1995, originally published 1978), pp. 316–317
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origin, an indication of Tuder's "cosmopolitian" character in the
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The Roman
Imperial Army of the First and Second Centuries A.D.
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Detail of the warrior's "large, empty face," as described by
360:(University of Oklahoma Press, 1979, 1998 3rd ed.), p. 2.
313:
Erika Simon, "Gods in
Harmony: The Etruscan Pantheon," in
467:(Manchester University Press, 1983, 2002 rev.ed.), p. 26.
63:
likely placed at a religious sanctuary, possibly to
317:(University of Texas Press, 2006), p. 55; Kleiner,
162:(Wadsworth, 2007, 2010 "enhanced edition"), p. xl.
283:(Yale University Press, 1976, 1988), pp. 32–33.
8:
387:(Oxford University Press, 1998), p. 393.
432:http://www.univie.ac.at/lexlep/trutitis
175:(Oxford University Press, 2000), p. 92.
151:
465:The Etruscan Language: An Introduction
372:, by Fred S. Kleiner (2016), page 19.
7:
384:Rome: An Oxford Archaeological Guide
101:posture. The figure probably held a
59:The bronze warrior was an expensive
513:Archaeological discoveries in Italy
279:Donald Strong and J.M.C. Toynbee,
14:
528:Sculptures in the Vatican Museums
478:"Musei Vaticani – Sito ufficiale"
158:Fred S. Kleiner, introduction to
16:Ancient bronze statue from Italy
508:1835 archaeological discoveries
459:p. 393; Giuliano Bonfante and
135:, "Ahal Trutitis gave gift".
55:Description and Interpretation
1:
413:, p. 73, note 127; Claridge,
315:The Religion of the Etruscans
398:Religion in Ancient Etruria
238:Religion in Ancient Etruria
199:Religion in Ancient Etruria
186:Religion in Ancient Etruria
544:
503:4th-century BC sculptures
498:5th-century BC sculptures
47:tribe. It was found near
133:Ahal Trutitis dunum dede
131:. The inscription reads
71:(Etruscan Velzna, Roman
97:, and makes use of the
95:Greek formal Classicism
370:A History of Roman Art
332:A History of Roman Art
319:A History of Roman Art
294:A History of Roman Art
255:A History of Roman Art
242:A History of Roman Art
160:A History of Roman Art
90:
28:
227:, pp. 68, 71–72, 200.
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35:is a near life-sized
27:, a life-sized bronze
22:
426:Lexicum Leponticum:
77:looted by the Romans
518:Etruscan sculptures
240:, p. 165; Kleiner,
121:Etruscan characters
184:Jean-René Jannot,
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523:Bronze sculptures
381:Amanda Claridge,
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61:votive offering
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129:Archaic period
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25:"Mars" of Todi
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99:contrapposto
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88:Otto Brendel
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33:Mars of Todi
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79:in 265 BC.
492:Categories
455:Claridge,
146:References
442:Bradley,
409:Bradley,
400:, p. 136.
347:, p. 317.
343:Brendel,
330:Kleiner,
296:, p. xl;
292:Kleiner,
281:Roman Art
266:Brendel,
253:Kleiner,
223:Bradley,
210:Bradley,
201:, p. 136.
428:Trutitis
396:Jannot,
334:, p. xl.
321:, p. xl.
257:, p. xl.
244:, p. xl.
236:Jannot,
214:, p. 72.
197:Jannot,
109:lamellar
73:Volsinii
43:for the
417:p. 393.
117:Umbrian
69:Orvieto
45:Umbrian
41:Etruria
270:, 317.
125:Celtic
104:patera
37:bronze
457:Rome,
415:Rome,
65:Laran
49:Todi
31:The
23:The
119:in
494::
463:,
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300:,
142:.
480:.
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