186:"I guess subconsciously, there’s always a message whatever you draw. I try to make some kind of joke, some kind of meaning to it, I want to have lots of things happening. When I was a kid and went into the skateshop, I looked at everything and it looked so cool and I was like, “Oh this is so cool, I don’t really understand what it is but it’s gotta mean something really cool”. You made up your own story about what it’s about. I really like making people building their own stories around an image (...)."
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and his later works draw significant inspiration from this scene. For a period from 1991 on, he participated actively in the
Stockholm graffiti scene, but realized soon after that " was never going to be a hard core train writer or bomber, so stuck to just being in the culture, sketching, painting
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When Martin Ander came back to
Stockholm in the late 1990s after a period of moving between different cities he started to professionalize his graphic design work. As a designer of skateboard graphics, he has received major attention in the international skateboarding community when starting to
162:"(...) I never really had any interests or a plan on what to do but I always liked drawing so I just kept on drawing. When I got a little bit older, people started asking me if I could draw something and it’s just continued from that. I don’t have any education or anything like that."
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Drawing has always been a part of his life. As a teenager he started to combine his creative work with his involvement in the skateboarding community, for example by drawing for the local skateboard shop. Together with a friend, he also started a skateboarding
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Apart from designing skateboard graphics, Martin Ander got involved with other industries interested in his art and design in the 2000s. Since then, he has designed album covers (among others for
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in 2012. During a period of four to five years, he designed about 150 graphics for them. He has also worked with
European brands like Bellows Skateboards, Sweet Skateboards, and Sour skateboards.
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The
Stockholm-based community around skateboarding, music, and graffiti influenced his work and became the basis for his later success. He became involved with the Swedish graffiti magazine
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that was an active contributor to the debate around the
Swedish capital's Zero Tolerance Policy against graffiti in the public space. He later became the art director of the magazine.
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217:) as well as worked on different product designs, advertising campaigns and signature collaborations with, among others, clothing brand
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127:. His mother was a journalist, while his father was a graphic designer and art director at an advertising agency.
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As major sources of inspiration and artistic influences, he cites the global skateboarding community, artists
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408:"Interview with Martin "Mander" Ander, a Artist and Professional Illustrator from Sweden"
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became an influential trend in
Northern Europe. As a teenager, he also experimented with
541:"Anlitas av Netflix och internationella skateboardföretag – nu ställer han ut i Laholm"
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It was in the
Swedish capital that he started to get involved with the
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When interviewed about the creative messages of his designs, he said:
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Martin Ander grew up in the 1970s and 80s in a suburb of
354:, group show. Exhibit A Gallery, Los Angeles, USA (2017)
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walls, partying, and hanging out with other writers".
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539:Loth, Alice; Widgren, Rickard (8 September 2019).
524:(in Swedish). Svenska Tecknare. 14 February 2020.
305:Sheraton Years – Stockholm Skateboarding 1991–1999
231:Sheraton Years – Stockholm Skateboarding 1991–1999
134:scene and culture in the mid-1980s. That was when
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16:Swedish graphic designer, illustrator, and artist
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457:"Martin Ander. Still Living the Punk Life"
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198:award competition 2008), album art (for
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318:Mander. Teckning, posters och grafik
255:Nowadays, Martin Ander is based in
194:which made the third place in the
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377:"Bokaktuell doldis syns överallt"
281:Slajs – En rappa-med-bok om Pizza
111:(born 6 April 1976) is a Swedish
287:Cut and Fold Subway Sketch Book
233:and a review of his own works,
151:and did all the illustrations.
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74:"Ouff! Mander selected works"
205:), posters (for example for
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427:Ouff! Mander Selected Works
269:Ouff! Mander Selected Works
235:Ouff! Mander Selected Works
34:1976 (age 47–48)
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375:Tt, TT (13 October 2018).
484:. Teckningsmuseet. 2019.
340:Mander at Teckningsmuseet
500:"Martin Ander Portfolio"
425:Almqvist, Björn (2018).
221:, watch brand CHPO, and
275:Stockholm Coloring Book
156:Underground Productions
502:. Illustratörcentrum.
293:The Hip Hop Board Book
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109:Martin "Mander" Ander
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381:Svenska Dagbladet
299:Subway Sketchbook
223:Pabst Blue Ribbon
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547:(in Swedish).
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70:Notable work
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569:1976 births
545:SVT Nyheter
328:Mander 2020
324:(2021-2022)
312:Exhibitions
246:Hans Arnold
173:US-American
39:Nationality
563:Categories
359:References
192:Fever Ray
125:Stockholm
549:Archived
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209:and the
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140:graffiti
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79:Movement
227:hip hop
213:series
211:Netflix
203:KRS-ONE
167:design
149:fanzine
93:Website
42:Swedish
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301:(2010)
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257:Gnesta
200:rapper
98:mander
50:Mander
431:ISBN
244:and
219:RVCA
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31:Born
100:.nu
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