335:
509:(who have worked with The Police, Madonna and R.Kelly) and Andy Knowles (musical credits include stints with the Fiery Furnaces & Franz Ferdinand) playing drums on If You're Lonely, You Return and Don't Tell Me. Keiko Owada plays bass on Gift Attack / Don't Won't. Co-produced by Martin with Andy Knowles, the album was recorded in London, Chicago and the Czech Republic. Nick McCarthy of Franz Ferdinand and Mark Ralph (who works with Hot Chip) provided additional production. The Chicago songs, which form the heart of the album, were recorded all-analogue at John McEntire's (Tortoise) Soma Studios. Engineered by Bill Skibbe (The Kills/Franz Ferdinand). It also includes 3 specially commissioned orchestral works:
242:
1001:
Creed's largest survey show to date took place at Park Avenue Armory, New York from June - August 2016, curated by Tom Eccles and Hans-Ulrich Obrist. Entitled ’The Back Door,’ using both the Wade
Thompson Drill Hall and the historic interiors of the building, the show brought together a sequence of
944:
To me it’s emotional. Aye. To me that’s the starting point. I mean, I do it because I want to make something. I think that’s a desire, you know, or a need. I think that I recognise that I want to make something, and so I try to make something. But then you get to thinking about it and that’s where
521:
was commissioned by the London
Sinfonietta. These pieces were recorded for the album by the Brno Philharmonic Orchestra conducted by Mikel Toms. All lyrics and music on the album are written by Martin Creed, with the exception of the New Shutters which is Martin's arrangement of a traditional
249:
His work has often excited controversy: a visitor threw eggs at the walls of Creed's empty room as a protest against the prize, declaring that Creed's presentations were not real art and that "painting is in danger of becoming an extinct skill in this country". In recent years Creed has been
312:
Many of his works are on free public view, like the
Scotsman Steps in Edinburgh, DON'T WORRY at St Peter's Church, Cologne, The singing lifts at The Royal Festival Hall, London, and also at the Centro Botin in Santander, and the huge spinning sign MOTHERS on a roof in Fort Worth, Texas.
477:
Creed started his own label, Telephone
Records, and released the single "Thinking/ Not Thinking" in early 2011, following it up with the single "Where You Go" in 2012. Releases accelerated in 2012, with the Double AA Side single "Fuck Off" and "Die" coming out on
190:
Films, installations, paintings, theatre and live-action sculptures are all characteristic of his work. Making use of whatever medium seems suitable. Since 1987 he has numbered each of his works, and most of his titles are descriptive: for example
453:'s Piano label. Sound has also featured in his gallery-based work, with pieces using doorbells, drum machines and metronomes. Since 1999 he has not used the band name "Owada". In 2000, he published a recording of his songs titled
237:
as this could be considered art at all. Nevertheless, the jury praised this work, saying they "admired the audacity in presenting a single work in the exhibition and noted its strength, rigour, wit and sensitivity to the site".
935:
Creed says that he makes art works not as part of an academic exploration of 'conceptual' art, but rather from a wish to connect with people, 'wanting to communicate and wanting to say hello'. The work is therefore primarily
922:, Creed explains that he used to 'make paintings' but never liked having to decide what to paint. He decided to stop making paintings and instead to think about what it meant, and why he wanted to make things. He says:
233:. The work was an empty room in which the lights switched on and off at 5-second intervals. As so often with the Turner Prize, this created a great deal of press attention, most of it questioning whether something as
926:
The only thing I feel like I know is that I want to make things. Other than that, I feel like I don’t know. So the problem is in trying to make something without knowing what I want. I think it’s all to do with
413:
where every single piece of cutlery, glass, chair and table was different and brought together a mix of the mass-produced and hand-crafted, from classic antiques to contemporary design from all around the world.
408:
In 2012, Creed was the first artist to participate in the long-term programme of artist-conceived restaurants at Sketch, London. Together with a series of paintings and wall drawings, Creed specifically created
973:
The first major survey show of Creed's, 'What's the point of it?', took place at the
Hayward Gallery, London, in January 2014. The exhibition included a number of his best-known works, from the installation
498:). The Vinyl Factory worked with Creed to produce a limited edition of the release which featured hand-painted covers by Creed. The single "You're The One For Me" came out at the same time as the album.
1237:
316:
Many works too are in Museum collections worldwide, from the floor work at
Colleccion Jumex in Mexico City (permanently installed) to The lights going on and off at the Museum of Modern Art New York.
319:
Some of his works have not just been on display, but originated as the converted space of an art hall working with the concurrent art hall both from the inside and from the outside. One such work is
537:. The double A-side single “Let Them In / Border Control” was made available via Telephone Records as free downloads on SoundCloud. Both songs are accompanied by videos which Creed made himself.
1319:
334:
1162:
962:. In the decade since winning the Turner Prize he has exhibited extensively throughout the world, including large survey shows at Trussardi Foundation, Milan ('I Like Things'),
1013:. In this exhibition he showed a wall with 1000 broccoli prints in various colors, he filled a room with blue balloons for walking through. In another room he showed many
1571:
505:, an album that featured songs alongside instrumental pieces for orchestra. Creed sings and plays the instruments, supported by gospel singers Dee Alexander and
931:
to communicate. I mean, I think I want to make things because I want to communicate with people, because I want to be loved, because I want to express myself.
1586:
229:
138:
79:
1054:
945:
the problems start because you can’t help thinking about it, wondering whether it’s good or bad. But to me it’s emotional more than anything else.
353:
1404:
1591:
1581:
1144:
486:, released on Moshi Moshi in July 2012. The album is produced by David Cunningham, Martin Creed and The Nice NIce Boys (Andrew Knowles of
1107:
526:
and was designed by Andy
Knowles, who has recently directed videos for Franz Ferdinand and The Cribs. Martin Creed is also much loved by
1561:
1024:
It ran from 6 April to 9 June and features several new installations including one put amongst some trees which surround the building.
1301:
1507:
1337:
347:
534:
1576:
136:
in 2001 for exhibitions during the preceding year, with the jury praising his audacity for exhibiting a single installation,
544:. The album includes the singles "Understanding" and "Princess Taxi Girl" for which accompanying videos have been released.
530:- regular attendees at his gigs and co-producers on his album 'Mind Trap' - as well as Moshi Moshi label-mates Slow Club.
418:
still on display at the restaurant, consists of 96 different types of marble, in a herringbone formation across the floor.
376:
2007), and another text in white neon ran the 23 metre length of the Rennie Museum's façade in
Vancouver's Chinatown (
1566:
1459:
360:
is a unique sculpture, the phrase has been used on several related works, each assigned its own work number. Previous to
1148:
1129:
445:
Creed's first band, Owada, was formed in 1994 with Adam McEwen and Keiko Owada. In 1997, they released their first CD,
450:
473:
465:
158:
at age 3 when his silversmith father got a job teaching there. He grew up revering art and music. His parents were
323:(installation art hall) which consists of an art hall filled to the brink with Creed's prints made with broccoli.
1390:
282:
175:
63:
381:
1556:
527:
495:
182:, an island off Sicily in the South of Italy. He currently lives and works back in London. He is a vegan.
955:
326:
Creed continues to exhibit work internationally and regularly gives talks and plays live with his band.
399:
was subsequently installed, cladding each of the 104 steps and landings in a different type of marble.
255:
Work No. 1197: All the bells in the country rung as quickly and as loudly as possible for three minutes
1551:
1028:
290:
259:
1432:
1418:
479:
388:
171:
59:
1264:
405:
art critic
Jonathan Jones called it "a generous, modest masterpiece of contemporary public art".
392:
86:
223:
shown across
England during the preceding year. His submission for the Turner Prize show at the
178:
from 1986 to 1990. Since then he has lived in London, apart from a period (2000—2004) living in
1286:
1513:
1503:
1104:
1006:
959:
270:
1183:
472:
on bass, Genevieve Murphy on keyboards, Ben Kane on drums and Anouchka Grose on steel guitar.
1224:
987:
298:
278:
990:
commissioned Martin to compose a new piece for the Royal Festival Hall organ, resulting in
1477:
1114:
1111:
369:
294:
1372:
384:, in the advent of its reopening after almost five years of earthquake-related closure.
1187:
1166:
1079:
163:
269:, a live performance of Creed's music, ballet, words and film, originally produced by
241:
1545:
1179:
1163:
Artist in paper chase for prize:Controversial Turner award down to short-list of four
533:
A new body of audiovisual work was released in late November 2015 in response to the
491:
458:
254:
93:
967:
963:
401:
302:
224:
212:
193:
Work No. 79: some Blu-tack kneaded, rolled into a ball and depressed against a wall
133:
107:
506:
487:
430:
1354:
132:(born 21 October 1968) is a British artist, composer and performer. He won the
469:
468:
single, while supporting its launch with an appearance with his own band with
234:
1517:
1320:"British artist Martin Creed brings 'ironic' message of hope to Christchurch"
1014:
380:
2008). Most recently, a 46-metre multicoloured version was commissioned for
151:
47:
522:
Neapolitan folk song. The album sleeve features one of Martin's paintings,
426:
203:(1998) is a room which has half of its cubic space filled with balloons.
1238:"Victoria Beckham Collaborates With Sotheby's Ahead of Old Masters Sale"
1035:. It ran from 12 February to 2 May and features several installations.
937:
306:
179:
159:
155:
1202:
966:, New York ('Feelings'), and a touring exhibition which started at
121:
333:
240:
1105:
Martin Creed: What’s the point of it?, 29 January – 27 April 2014
998:
a performance alongside some of J.S Bach's greatest organ works.
434:
1139:
1137:
513:
was originally written for the Birmingham Symphony Orchestra,
167:
118:
1531:
273:, London and performed in the Lilian Baylis Studio. In 2010,
250:
exhibiting paintings in nearly every exhibition he has done.
142:, in the Turner Prize show. Creed lives and works in London.
1502:(25th anniversary ed.). Köln: Taschen. pp. 68–71.
341:
artwork, Christchurch Art Gallery, Christchurch, New Zealand
245:
Work No. 850 an athlete running through Tate Britain gallery
1536:
1020:
In 2019, the Centro BotĂn Centre held an exhibition called
986:(2011). Coinciding with the exhibition at the Hayward, the
391:
to make a work as part of the restoration of the historic
540:
In July 2016, Martin Creed released a new album entitled
372:), a thirty-metre-long version was installed in Detroit (
162:, and he was taken often to Quaker meetings. He attended
1227:
www.bbc.co.uk, 31 October 2002. Accessed 8 January 2007
1498:
Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
517:
was composed for the Hiroshima Symphony Orchestra and
1537:
Artkrush.com interview with Martin Creed (April 2006)
1460:"NEW MARTIN CREED EXHIBITION AMIGOS OPENS THIS APRIL"
364:
a red neon text appeared in New York's Times Square (
197:
Work No. 88, a sheet of A4 paper crumpled into a ball
737:
Telephone Records / The Vinyl Factory / MCA Chicago
114:
103:
69:
55:
30:
23:
980:Work No. 293 A sheet of paper crumpled into a ball
768:CD, 12" Vinyl, Special Edition 12" Vinyl, Digital
700:CD, 12" Vinyl, Special Edition 12" Vinyl, Digital
1302:"Martin Creed finds a home in Vancouver's Rennie"
1203:"It's pretty good rubbish and I'm not binning it"
1130:My London: Martin Creed | London Evening Standard
802:CD & DVD, Special Edition 12" Vinyl, Digital
1125:
1123:
293:in connection with Creed's retrospective at the
285:and at The Kitchen, New York, in December 2013.
970:Birmingham and toured to Hiroshima and Seoul.
958:and Roger Ackling selected Creed to exhibit at
942:
924:
348:Work No. 975 EVERYTHING IS GOING TO BE ALRIGHT
1433:"Martin CreedSAY CHEESE! - Museum Voorlinden"
1338:'Martin Creed's light goes on and off for me'
1002:works from Creed's more than 20-year career.
8:
1049:
1047:
258:was commissioned to herald the start of the
1074:
1072:
918:In an interview published in the 2002 book
839:In collaboration with Hiromi Yoshii, Japan
457:under his own name with the arts publisher
201:Work No. 200: Half the air in a given space
20:
1055:"Turner Prize 2001 artists: Martin Creed"
464:In 2010, he provided the cover art for a
230:Work No. 227: The lights going on and off
139:Work No. 227: The lights going on and off
80:Work No. 227: The lights going on and off
976:Work No. 227 The Lights Going On and Off
551:
425:was placed on the roof of a building in
1043:
920:Art Now: Interviews with Modern Artists
354:Scottish National Gallery of Modern Art
154:, England. He moved with his family to
1572:Alumni of the Slade School of Fine Art
1184:The Bearable Lightness of Martin Creed
297:, London. He designed an artpiece for
16:British artist, composer and performer
482:in May 2012, in advance of the album
7:
265:In 2009, he wrote and choreographed
387:In 2011, Creed was commissioned by
352:was installed on the facade of the
1080:"Critics split over Turner winner"
1017:were ticking at different speeds.
878:EVERYTHING IS GOING TO BE ALRIGHT
437:sign showing the word “WHATEVER”.
289:was also performed in 2014 at the
14:
1587:People educated at Lenzie Academy
1225:"The art of Turner protests", BBC
339:Everything is Going to be Alright
87:Work No. 1059: The Scotsman Steps
1300:Lederman, Marsha (20 May 2011).
1287:"Martin Creed - Ronnen Fine Art"
1143:Farah Nayeri (24 January 2014),
1005:In 2017 he had an exposition in
827:Thinking / Not Thinking / Words
122:http://www.martincreedmusic.com/
1458:Westall, Mark (25 March 2019).
1265:"Counting Up With Martin Creed"
1263:Sheerin, Mark (21 March 2014).
1201:Johnson, David (3 June 2001).
982:(2003), to his epic sculpture
433:. It is a large multicoloured
1:
1592:Scottish contemporary artists
1582:People from Milton of Campsie
1344:. Retrieved 29 December 2013.
674:Let Them In / Border Control
501:January 2014 saw the release
488:Johnny Marr & The Healers
1391:"Martin Creed at the Armory"
1336:Jones, J. 3 September 2013.
1149:International Herald Tribune
1145:When Art Is Beside the Point
94:Work No. 1197: All The Bells
708:Blow And Suck / I Want You
356:in November 2009. Although
281:, Edinburgh as part of the
119:http://www.martincreed.com/
1608:
1562:British conceptual artists
1031:held an exhibition called
1009:in the Netherlands titled
734:Special Edition 12" Vinyl
717:Special Edition 12" Vinyl
572:What The Fuck Am I Doing?
466:Futuristic Retro Champions
283:Edinburgh Festival Fringe
176:University College London
150:Martin Creed was born in
64:University College London
1110:30 December 2013 at the
810:Thinking / Not Thinking
382:Christchurch Art Gallery
1419:"Martin Creed and Bach"
1405:"Martin Creed in Seoul"
1033:Thinking / Not Thinking
524:Work No. 1674: Anouchka
423:Work No. 2950: WHATEVER
330:Permanent installations
1577:Artists from Wakefield
1478:"MARTIN CREED: AMIGOS"
947:
933:
873:Art Metropole, Canada
819:CD & DVD, Digital
742:You're The One For Me
395:in Edinburgh. Creed's
368:1999, commissioned by
342:
246:
984:Work No. 1092 MOTHERS
779:Double A-Side Single
677:Double A-Side Single
535:Syrian refugee crisis
337:
277:was performed at the
275:Work No. 1020: Ballet
267:Work No. 1020: Ballet
244:
221:Art Now: Martin Creed
215:for two exhibitions,
199:(1995). Creed's work
1567:Turner Prize winners
1326:. 25 September 2015.
1039:Notes and references
1029:Museum of Recent Art
788:Moshi Moshi Records
771:Moshi Moshi Records
754:Moshi Moshi Records
291:Queen Elizabeth Hall
260:2012 Summer Olympics
623:Princess Taxi Girl
480:Moshi Moshi Records
389:Fruitmarket Gallery
211:Creed won the 2001
172:Slade School of Art
60:Slade School of Art
1306:The Globe and Mail
1289:. Ronnen Fine Art.
1223:Youngs, Ian (2002)
1205:. The Sunday Times
1086:. 10 December 2001
856:Smart Guy Records
822:Telephone Records
805:Telephone Records
720:The Vinyl Factory
703:Telephone Records
686:Telephone Records
669:Telephone Records
652:Telephone Records
640:Thoughts Lined Up
635:Telephone Records
618:Telephone Records
601:Telephone Records
584:Telephone Records
343:
309:, London in 2015.
247:
217:Martin Creed Works
146:Life and education
1437:Museum Voorlinden
1007:Museum Voorlinden
960:EASTinternational
911:
910:
542:Thoughts Lined Up
127:
126:
1599:
1521:
1486:
1485:
1474:
1468:
1467:
1455:
1449:
1448:
1446:
1444:
1429:
1423:
1422:
1415:
1409:
1408:
1401:
1395:
1394:
1387:
1381:
1380:
1369:
1363:
1362:
1351:
1345:
1334:
1328:
1327:
1316:
1310:
1309:
1297:
1291:
1290:
1283:
1277:
1276:
1274:
1272:
1260:
1254:
1253:
1251:
1249:
1234:
1228:
1221:
1215:
1214:
1212:
1210:
1198:
1192:
1182:(13 July 2007),
1177:
1171:
1159:
1153:
1141:
1132:
1127:
1118:
1102:
1096:
1095:
1093:
1091:
1076:
1067:
1066:
1064:
1062:
1051:
988:Southbank Centre
895:Nothing (Owada)
552:
451:David Cunningham
299:Victoria Beckham
279:Traverse Theatre
72:
44:
40:
38:
21:
1607:
1606:
1602:
1601:
1600:
1598:
1597:
1596:
1542:
1541:
1528:
1510:
1497:
1494:
1492:Further reading
1489:
1476:
1475:
1471:
1457:
1456:
1452:
1442:
1440:
1431:
1430:
1426:
1417:
1416:
1412:
1403:
1402:
1398:
1389:
1388:
1384:
1371:
1370:
1366:
1353:
1352:
1348:
1335:
1331:
1318:
1317:
1313:
1299:
1298:
1294:
1285:
1284:
1280:
1270:
1268:
1267:. Hyperallergic
1262:
1261:
1257:
1247:
1245:
1236:
1235:
1231:
1222:
1218:
1208:
1206:
1200:
1199:
1195:
1178:
1174:
1161:Lenzie Academy
1160:
1156:
1142:
1135:
1128:
1121:
1115:Hayward Gallery
1112:Wayback Machine
1103:
1099:
1089:
1087:
1078:
1077:
1070:
1060:
1058:
1053:
1052:
1045:
1041:
952:
916:
776:Fuck Off / Die
550:
528:Franz Ferdinand
496:Franz Ferdinand
443:
370:Public Art Fund
332:
295:Hayward Gallery
209:
188:
148:
99:
70:
51:
45:
42:
41:21 October 1968
36:
34:
26:
17:
12:
11:
5:
1605:
1603:
1595:
1594:
1589:
1584:
1579:
1574:
1569:
1564:
1559:
1554:
1544:
1543:
1540:
1539:
1534:
1527:
1526:External links
1524:
1523:
1522:
1508:
1493:
1490:
1488:
1487:
1469:
1450:
1424:
1410:
1396:
1382:
1373:"Martin Creed"
1364:
1355:"Martin Creed"
1346:
1329:
1311:
1292:
1278:
1255:
1229:
1216:
1193:
1188:New York Times
1172:
1167:Glasgow Herald
1154:
1133:
1119:
1097:
1068:
1042:
1040:
1037:
951:
948:
915:
912:
909:
908:
905:
902:
899:
896:
892:
891:
888:
885:
882:
879:
875:
874:
871:
868:
865:
862:
858:
857:
854:
851:
848:
845:
841:
840:
837:
834:
831:
828:
824:
823:
820:
817:
814:
811:
807:
806:
803:
800:
797:
794:
790:
789:
786:
783:
780:
777:
773:
772:
769:
766:
763:
760:
756:
755:
752:
749:
746:
743:
739:
738:
735:
732:
729:
726:
722:
721:
718:
715:
712:
709:
705:
704:
701:
698:
695:
692:
688:
687:
684:
681:
678:
675:
671:
670:
667:
664:
661:
658:
657:Understanding
654:
653:
650:
647:
644:
641:
637:
636:
633:
630:
627:
624:
620:
619:
616:
613:
610:
607:
603:
602:
599:
596:
593:
590:
589:Blow And Suck
586:
585:
582:
579:
576:
573:
569:
568:
565:
562:
559:
556:
549:
546:
461:, in Toronto.
442:
439:
416:Work No. 1347,
393:Scotsman Steps
331:
328:
271:Sadler's Wells
208:
205:
187:
184:
166:, and studied
164:Lenzie Academy
147:
144:
125:
124:
116:
112:
111:
105:
101:
100:
98:
97:
90:
83:
75:
73:
67:
66:
57:
53:
52:
46:
32:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1604:
1593:
1590:
1588:
1585:
1583:
1580:
1578:
1575:
1573:
1570:
1568:
1565:
1563:
1560:
1558:
1557:Living people
1555:
1553:
1550:
1549:
1547:
1538:
1535:
1533:
1532:Official site
1530:
1529:
1525:
1519:
1515:
1511:
1509:9783822840931
1505:
1501:
1496:
1495:
1491:
1483:
1479:
1473:
1470:
1465:
1461:
1454:
1451:
1438:
1434:
1428:
1425:
1420:
1414:
1411:
1406:
1400:
1397:
1392:
1386:
1383:
1378:
1374:
1368:
1365:
1360:
1356:
1350:
1347:
1343:
1339:
1333:
1330:
1325:
1321:
1315:
1312:
1307:
1303:
1296:
1293:
1288:
1282:
1279:
1266:
1259:
1256:
1244:. 7 June 2018
1243:
1239:
1233:
1230:
1226:
1220:
1217:
1204:
1197:
1194:
1190:
1189:
1185:
1181:
1180:Roberta Smith
1176:
1173:
1169:
1168:
1164:
1158:
1155:
1151:
1150:
1146:
1140:
1138:
1134:
1131:
1126:
1124:
1120:
1116:
1113:
1109:
1106:
1101:
1098:
1085:
1081:
1075:
1073:
1069:
1056:
1050:
1048:
1044:
1038:
1036:
1034:
1030:
1027:In 2019, the
1025:
1023:
1018:
1016:
1012:
1008:
1003:
999:
997:
993:
989:
985:
981:
977:
971:
969:
965:
961:
957:
949:
946:
941:
939:
932:
930:
923:
921:
913:
906:
903:
900:
897:
894:
893:
889:
886:
883:
880:
877:
876:
872:
869:
866:
863:
861:I Can't Move
860:
859:
855:
852:
849:
846:
844:Work No. 815
843:
842:
838:
835:
832:
829:
826:
825:
821:
818:
815:
812:
809:
808:
804:
801:
798:
796:Split Single
795:
793:Where You Go
792:
791:
787:
784:
781:
778:
775:
774:
770:
767:
764:
761:
758:
757:
753:
750:
747:
744:
741:
740:
736:
733:
730:
727:
724:
723:
719:
716:
713:
710:
707:
706:
702:
699:
696:
693:
690:
689:
685:
682:
679:
676:
673:
672:
668:
665:
662:
659:
656:
655:
651:
648:
645:
642:
639:
638:
634:
631:
628:
625:
622:
621:
617:
614:
611:
608:
605:
604:
600:
597:
594:
591:
588:
587:
583:
580:
577:
574:
571:
570:
566:
563:
560:
557:
554:
553:
547:
545:
543:
538:
536:
531:
529:
525:
520:
519:Work No. 1375
516:
512:
508:
504:
499:
497:
493:
492:Nick McCarthy
489:
485:
481:
475:
474:
471:
467:
462:
460:
459:Art Metropole
456:
452:
448:
440:
438:
436:
432:
428:
424:
419:
417:
412:
411:Work No. 1343
406:
404:
403:
398:
397:Work No. 1059
394:
390:
385:
383:
379:
375:
371:
367:
363:
362:Work No. 975,
359:
355:
351:
349:
340:
336:
329:
327:
324:
322:
321:Work No. 1000
317:
314:
310:
308:
304:
300:
296:
292:
288:
287:Work No. 1020
284:
280:
276:
272:
268:
263:
261:
257:
256:
251:
243:
239:
236:
232:
231:
226:
222:
218:
214:
206:
204:
202:
198:
194:
185:
183:
181:
177:
173:
169:
165:
161:
157:
153:
145:
143:
141:
140:
135:
131:
123:
120:
117:
113:
109:
106:
102:
96:
95:
91:
89:
88:
84:
82:
81:
77:
76:
74:
68:
65:
61:
58:
54:
49:
43:(age 55)
33:
29:
22:
19:
1499:
1481:
1472:
1463:
1453:
1441:. Retrieved
1436:
1427:
1413:
1399:
1385:
1376:
1367:
1358:
1349:
1342:The Guardian
1341:
1332:
1323:
1314:
1305:
1295:
1281:
1269:. Retrieved
1258:
1246:. Retrieved
1241:
1232:
1219:
1207:. Retrieved
1196:
1186:
1175:
1165:
1157:
1147:
1100:
1088:. Retrieved
1083:
1059:. Retrieved
1032:
1026:
1021:
1019:
1010:
1004:
1000:
995:
991:
983:
979:
975:
972:
968:Ikon Gallery
964:Bard College
956:Richard Long
953:
943:
934:
928:
925:
919:
917:
759:Love To You
649:CD, Digital
541:
539:
532:
523:
518:
515:Work No. 994
514:
511:Work No. 955
510:
502:
500:
483:
476:
463:
455:I Can't Move
454:
446:
444:
422:
420:
415:
410:
407:
400:
396:
386:
377:
373:
365:
361:
358:Work No. 975
357:
346:
344:
338:
325:
320:
318:
315:
311:
303:Dover Street
301:'s store on
286:
274:
266:
264:
253:
252:
248:
228:
225:Tate Gallery
220:
216:
213:Turner Prize
210:
200:
196:
192:
189:
149:
137:
134:Turner Prize
130:Martin Creed
129:
128:
108:Turner Prize
92:
85:
78:
71:Notable work
25:Martin Creed
18:
1552:1968 births
1482:centrobotin
1464:fadmagazine
1377:hauserwirth
1359:michaellett
1209:23 December
950:Exhibitions
890:Pier Trust
548:Discography
507:Yvonne Gage
484:Love To You
470:Keiko Owada
431:New Zealand
378:Work No.851
374:Work No.790
366:Work No.225
195:(1993) and
1546:Categories
1439:(in Dutch)
1090:13 January
1061:13 January
1015:metronomes
1011:Say Cheese
691:Mind Trap
235:minimalist
37:1968-10-21
1518:191239335
1242:Sotheby's
1117:, London.
954:In 1996,
938:emotional
853:7" Vinyl
836:7" Vinyl
606:It's You
503:Mind Trap
421:In 2019,
152:Wakefield
56:Education
50:, England
48:Wakefield
1271:25 April
1108:Archived
1084:BBC News
978:(2000),
785:Digital
751:Digital
725:Chicago
683:Digital
666:Digital
632:Digital
615:Digital
598:Digital
581:Digital
427:Auckland
402:Guardian
345:Creed's
207:Projects
1500:Art Now
1484:. 2019.
1248:15 June
1022:Amigos.
992:Work No
929:wanting
881:Single
847:Single
830:Single
813:Single
745:Single
711:Single
660:Single
626:Single
609:Single
592:Single
575:Single
564:Format
447:Nothing
307:Mayfair
180:Alicudi
170:at the
160:Quakers
156:Glasgow
115:Website
1516:
1506:
1443:30 May
1057:. Tate
914:On art
907:Piano
898:Album
762:Album
694:Album
643:Album
567:Label
555:Title
110:(2001)
104:Awards
1324:Stuff
996:1815,
901:1997
884:1999
867:2000
850:2008
833:2009
816:2011
799:2012
782:2012
765:2012
748:2012
731:2012
714:2013
697:2014
680:2015
663:2016
646:2016
629:2016
612:2016
595:2017
578:2017
561:Date
558:Type
449:, on
441:Music
1514:OCLC
1504:ISBN
1445:2017
1273:2024
1250:2018
1211:2022
1092:2018
1063:2018
490:and
435:neon
227:was
219:and
186:Work
31:Born
904:CD
887:CD
870:CD
864:EP
728:EP
494:of
305:in
174:at
168:art
62:at
1548::
1512:.
1480:.
1462:.
1435:.
1375:.
1357:.
1340:.
1322:.
1304:.
1240:.
1136:^
1122:^
1082:.
1071:^
1046:^
994:.
940::
429:,
262:.
39:)
1520:.
1466:.
1447:.
1421:.
1407:.
1393:.
1379:.
1361:.
1308:.
1275:.
1252:.
1213:.
1191:.
1170:.
1152:.
1094:.
1065:.
350:,
35:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
