411:. Within days of the legal action, Filler issued a public statement stating, in part, “I wrote that an 'estimated one thousand laborers...have perished while constructing her project thus far' ... there have been no worker deaths on the Al Wakrah project.” He added that "I regret the error." In early 2015 Hadid withdrew her complaint and under the terms of a confidential settlement agreement donated "an undisclosed sum of money to a charitable organization that protects and champions labor rights."
332:, was published by New York Review Books in the fall of 2013. According to the historian George Baird, "In the wake of a significant shift in the tenor or architectural criticism . . . can claim to have launched the new tone, and a new social orientation to architectural design . . . The strength of Filler's writing has steadily grown over time and . . . t seems to me that he can now lay claim to the mantel of the late
31:
279:
His writings on architecture, art, and design–more than 1,000 articles to date–have appeared in a broad range of periodicals, newspapers, scholarly journals, and exhibition catalogues in the United States, Europe, and Japan, including some 50 pieces for
320:
praised it as "by far the most intelligent and shapely writing on architecture done in recent years," and called Filler the "one regular critic in the
American press whose pieces are a guaranteed pleasure to revisit–or to read for the first time."
464:
building to make way for MoMA's further expansion has been widely credited with prompting the institution to reconsider its plans. As Baird noted, "It is hard to imagine that Filler's voice did not have a significant effect on the situation."
389:. When Koolhaas wrote the NYRB to correct the errors, Filler responded by blaming Koolhaas for not correcting his own Knowledge (XXG) page (those errors were corrected in the revised version of the Koolhaas essay that appears as Chapter 13 in
362:
he termed the rebuilding of post-reunification Berlin "a fiasco of immense proportions, the greatest lost opportunity in postwar urbanism," and characterized the bird-like structures of the
Spanish architect-engineer
518:
New York
Chapter, to honor a media professional for his/her "influence on the practice of architecture and on helping those in the architectural profession by promoting and elevating its standards."
505:
811:
666:
801:
796:
806:
477:, with whom he collaborated on the Whitney show. Together they wrote and conducted interviews for three documentary films by Michael Blackwood:
147:(born September 17, 1948) is an American architecture critic. He is best known for his long essays on modern architecture that have appeared in
791:
499:
268:
174:
73:
457:
453:
355:
555:
515:
816:
407:
381:
351:
227:
149:
123:
105:
682:
628:
222:
170:
58:
461:
217:
129:
786:
474:
317:
233:
190:
117:
711:
420:
309:
158:
647:
231:
until the magazine ceased publication in 2007. From 1990 to 1994 he was also a contributing editor at
781:
559:
449:
211:
135:
333:
178:
77:
364:
282:
202:
99:
735:
263:
258:
242:
111:
428:
385:
attracted the architect's attention for its factual errors based on what Filler found on
292:
ran his eleven-part series on an emerging generation of avant-garde architects including
288:
775:
762:
206:
376:
350:
Op-Ed Page piece he denounced the
Gwathmey Siegel addition to Frank Lloyd Wright's
238:
386:
514:
2017 Stephen A. Kliment Oculus Award in
Architectural Journalism, awarded by the
293:
254:
246:
198:
30:
402:
354:
as "the most appalling act of architectural vandalism since the demolition of
250:
62:
667:"Case Closed: Zaha Hadid v. New York Review of Books and Martin Filler,"
609:
590:
536:
401:
From August 2014 until
January 2015 he was the subject of a lawsuit by
215:
magazine in 1974, and three years later became an associate editor at
712:"Longlists Announced for the 2014 PEN Literary Awards - PEN America"
237:, where he wrote profiles on major figures in the arts including
153:
since 1985, and which served as the basis for his 2007 book
479:
Beyond Utopia: Changing
Attitudes in American Architecture
506:
PEN/Diamonstein-Spielvogel Award for the Art of the Essay
189:
Filler began his career in 1973 at
Columbia University's
346:
Filler's criticism is often acerbic and outspoken: in a
339:
The series was further extended with the publication of
261:. From 1999 to 2003 he was the architecture critic for
433:
Vital Forms: American Art and Design in the Atomic Age
267:, and in that latter year was elected a fellow of the
181:'s department of art history and archaeology in 1972.
221:. In 1979 Filler started his long association with
92:
84:
69:
37:
21:
296:and others yet to achieve widespread recognition.
473:In 1978 he married the architectural historian
201:, where he produced anthologies of writings by
425:High Styles: Twentieth Century American Design
448:Filler's May 23, 2013 article denouncing the
316:, will be published by Alba in October 2012.
8:
574:Playing 'Beat the Clock' With the Guggenheim
336:, the most admired critic of recent times."
80:'s Department of Art History and Archaeology
173:, Filler received a BA in art history from
193:. From 1974 to 1977 he was the editor of
29:
18:
419:Filler served as a guest curator for the
341:Makers of Modern Architecture, Volume III
209:. He began contributing book reviews to
545:. Published: September 27, 2007, p.46-48
510:Makers of Modern Architecture, Volume II
391:Makers of Modern Architecture, Volume II
330:Makers of Modern Architecture, Volume II
812:Writers from Colorado Springs, Colorado
618:. Published: December 15, 2005, p.28-34
528:
314:La arquitectura moderna y sus creadores
683:"MoMA: A Needless Act of Destruction,"
599:. Published: November 1, 2001, p.28-31
500:American Academy of Arts and Sciences
269:American Academy of Arts and Sciences
7:
736:"Chapter Recognition — AIA New York"
802:Columbia College (New York) alumni
665:Suzanne Stephens and Anna Fixsen.
405:for erroneous comments he made in
14:
797:American male non-fiction writers
375:Filler's May 10, 2012 profile of
580:. Published: July 30, 1988, p.25
516:American Institute of Architects
807:The New York Times journalists
763:Filler author page and archive
312:and Spanish-language edition,
1:
792:American architecture critics
306:Makers of Modern Architecture
155:Makers of Modern Architecture
767:The New York Review of Books
686:The New York Review of Books
654:The New York Review of Books
635:The New York Review of Books
616:The New York Review of Books
597:The New York Review of Books
592:Berlin: The Lost Opportunity
543:The New York Review of Books
408:The New York Review of Books
382:The New York Review of Books
360:The New York Review of Books
225:, where he was an editor of
150:The New York Review of Books
106:The New York Review of Books
556:"A Voice for Here and Now,"
498:2003 Elected Fellow of the
324:A second collection of his
286:. During the early 1980s,
833:
656:. Published: July 12, 2012
195:Architectural Record Books
171:Colorado Springs, Colorado
637:. Published: May 10, 2012
452:'s intention to demolish
28:
462:American Folk Art Museum
218:Progressive Architecture
130:Progressive Architecture
688:, May 23, 2013, pp. 4-6
371:Rem Koolhaas correction
223:Condé Nast Publications
177:in 1970 and an MA from
817:Writers from Manhattan
563:, September 2013, p.47
475:Rosemarie Haag Bletter
191:Teachers College Press
670:Architectural Record,
649:The Master of Bigness
630:The Master of Bigness
421:Whitney Museum of Art
397:Zaha Hadid correction
343:in the fall of 2018.
310:New York Review Books
159:New York Review Books
560:Architectural Record
450:Museum of Modern Art
435:, 1940-1960 (2001).
356:Pennsylvania Station
212:Architectural Record
136:Architectural Record
334:Ada Louise Huxtable
179:Columbia University
145:Martin Myles Filler
88:Architecture critic
78:Columbia University
42:Martin Myles Filler
578:The New York Times
365:Santiago Calatrava
283:The New York Times
228:House & Garden
203:Frank Lloyd Wright
124:House & Garden
100:The New York Times
52:September 17, 1948
493:Awards and honors
352:Guggenheim Museum
308:was published by
142:
141:
94:Notable credit(s)
824:
750:
749:
747:
746:
732:
726:
725:
723:
722:
708:
702:
695:
689:
679:
673:
672:January 23, 2015
663:
657:
644:
638:
625:
619:
606:
600:
587:
581:
570:
564:
552:
546:
533:
508:, Longlist, for
264:The New Republic
259:Jacob Rothschild
243:Roy Lichtenstein
175:Columbia College
112:The New Republic
95:
74:Columbia College
59:Colorado Springs
55:
51:
49:
33:
19:
832:
831:
827:
826:
825:
823:
822:
821:
772:
771:
759:
754:
753:
744:
742:
734:
733:
729:
720:
718:
710:
709:
705:
696:
692:
681:Martin Filler,
680:
676:
664:
660:
646:Martin Filler.
645:
641:
627:Martin Filler.
626:
622:
608:Martin Filler.
607:
603:
589:Martin Filler.
588:
584:
572:Martin Filler.
571:
567:
553:
549:
538:Master Builders
535:Robert Hughes.
534:
530:
525:
495:
471:
446:
441:
429:Brooklyn Museum
427:(1984) and the
417:
415:Other endeavors
399:
387:Knowledge (XXG)
373:
326:New York Review
302:
277:
187:
167:
157:, published by
93:
65:
56:
53:
47:
45:
44:
43:
24:
17:
16:American writer
12:
11:
5:
830:
828:
820:
819:
814:
809:
804:
799:
794:
789:
784:
774:
773:
770:
769:
758:
757:External links
755:
752:
751:
727:
703:
690:
674:
658:
639:
620:
601:
582:
565:
554:George Baird,
547:
527:
526:
524:
521:
520:
519:
512:
502:
494:
491:
487:James Stirling
470:
467:
445:
444:MoMa Expansion
442:
440:
437:
431:'s exhibition
423:'s exhibition
416:
413:
398:
395:
372:
369:
348:New York Times
304:His 2007 book
301:
298:
289:Art in America
276:
273:
186:
183:
166:
163:
140:
139:
96:
90:
89:
86:
82:
81:
71:
67:
66:
57:
41:
39:
35:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
829:
818:
815:
813:
810:
808:
805:
803:
800:
798:
795:
793:
790:
788:
787:Living people
785:
783:
780:
779:
777:
768:
764:
761:
760:
756:
741:
737:
731:
728:
717:
713:
707:
704:
700:
694:
691:
687:
684:
678:
675:
671:
668:
662:
659:
655:
651:
650:
643:
640:
636:
632:
631:
624:
621:
617:
613:
612:
605:
602:
598:
594:
593:
586:
583:
579:
575:
569:
566:
562:
561:
557:
551:
548:
544:
540:
539:
532:
529:
522:
517:
513:
511:
507:
503:
501:
497:
496:
492:
490:
488:
484:
483:Arata Isozaki
480:
476:
469:Personal life
468:
466:
463:
459:
455:
451:
443:
438:
436:
434:
430:
426:
422:
414:
412:
410:
409:
404:
396:
394:
392:
388:
384:
383:
378:
370:
368:
367:as "kitsch."
366:
361:
357:
353:
349:
344:
342:
337:
335:
331:
327:
322:
319:
318:Robert Hughes
315:
311:
307:
299:
297:
295:
291:
290:
285:
284:
274:
272:
270:
266:
265:
260:
256:
252:
248:
244:
240:
236:
235:
230:
229:
224:
220:
219:
214:
213:
208:
207:Lewis Mumford
204:
200:
196:
192:
184:
182:
180:
176:
172:
164:
162:
160:
156:
152:
151:
146:
138:
137:
132:
131:
126:
125:
120:
119:
114:
113:
108:
107:
102:
101:
97:
91:
87:
83:
79:
75:
72:
68:
64:
60:
54:(age 75)
40:
36:
32:
27:
23:Martin Filler
20:
766:
743:. Retrieved
740:AIA New York
739:
730:
719:. Retrieved
715:
706:
698:
693:
685:
677:
669:
661:
653:
648:
642:
634:
629:
623:
615:
611:The Bird Man
610:
604:
596:
591:
585:
577:
573:
568:
558:
550:
542:
537:
531:
509:
486:
485:(1985), and
482:
478:
472:
460:'s adjacent
458:Billie Tsien
454:Tod Williams
447:
432:
424:
418:
406:
400:
390:
380:
377:Rem Koolhaas
374:
359:
347:
345:
340:
338:
329:
325:
323:
313:
305:
303:
300:Publications
287:
281:
278:
262:
239:Lucian Freud
232:
226:
216:
210:
194:
188:
168:
154:
148:
144:
143:
134:
128:
122:
116:
110:
104:
98:
782:1948 births
294:Frank Gehry
255:Irving Penn
247:Paul Mellon
234:Vanity Fair
199:McGraw-Hill
118:Vanity Fair
776:Categories
745:2018-09-26
721:2018-09-26
523:References
403:Zaha Hadid
85:Occupation
48:1948-09-17
165:Education
70:Education
489:(1987).
481:(1983),
328:essays,
251:I.M. Pei
169:Born in
63:Colorado
716:pen.org
697:Baird,
358:". In
275:Writing
699:op cit
257:, and
185:Career
765:from
504:2014
439:Views
456:and
205:and
133:and
38:Born
393:).
379:in
197:at
778::
738:.
714:.
652:.
633:.
614:.
595:.
576:.
541:.
271:.
253:,
249:,
245:,
241:,
161:.
127:,
121:,
115:,
109:,
103:,
76:,
61:,
50:)
748:.
724:.
701:.
46:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
