Knowledge (XXG)

Martin Nürenbach

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than the theater plays, which is why dance performances were mixed with the plays. Aside from Nürenbach himself, nothing is known about the members of his cast, other than that they were said to have been Norwegians performing in the Danish language. Nürenbach's wife Anna Katarina Rancke is not mentioned at all during their stay in Norway (though it is known that she was present) and it is unknown if she performed.
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were performed mixed with dance performances. Not much is known of the activity of the Nürembach theatre. Martin Nürenbach himself was evidently an appreciated and popular dancer, but not considered as good in the capacity of an actor, and it seems as if the dance performances were more appreciated
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in companionship with the actor Beckman. From 1774 to 1780, Nürenbach-Beckman would have been the only travelling theater company active in Finland, but not much information is known of their activity. In 1781, Nürenbach's colleague Beckman returned to Stockholm where he sued Nürenbach for having
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Nürenbach later stated (1769) that he was the "stepson" of Carl Seuerling, but this statement is unclear and is familial relation to Seuerling is unconfirmed. If the identification of stepson is to be taken literarally, he could have been the son of Carl Seuerling's first wife Maria Heidensköld in
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In February 1772, the theater of Martin Nürenbach was closed and he and his wife departed Norway for Sweden. Not long after, the Norwegian theater ban of 1738 was reintroduced in Norway, but he is noted to have closed his theater and left prior to this, of unknown causes. The theater of Martin
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stage actors. In December 1771, Nürenbach was given royal permission upon application to perform theatre performances in Oslo, thus founding the first permanent theatre in a city where previously only travelling theatre companies or private amateur societies similar to
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Nürenbach was active as a dance instructor and advertised extensively and offered dance lessons in the cities he passed on his tours, which was evidently an important side income. He was at one point active as the "city dancing master" in
125:. He also participated in plays as an actor, though he had only moderate success in this field. As a member of the Stenborg and Seuerling theatre companies, he toured both Sweden and Finland, which was at that time a Swedish Province. 94:
The early life of Martin Nürenbach is sketchy. He was from Germany, but his year of birth is unknown. He likely came to Sweden in the travelling theater company of the German theater director
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in 1767, and as a member of the Seuerling troupe in 1767–68. As a member of the theatre company, he performed rope- and wire-dancing and acrobatics, and identified himself as an
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had performed. Between December 1771 and February 1772, the theatre staged a number of theatrical pieces, pantomimes, dancing, and acrobatics by Norwegian artists, performing in
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her previous marriage, but this is unconfirmed. A woman by the name of Jacobina Nürembach is listed as a maid of the Seuerling theater company, and may have been a relative.
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broken their contract by abandoning him and taken all their actors with him: however, the court protocol simply stated that Nürenbach was "No longer present in the Kingdom."
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Nürenbach was the first permanent theater in the history of Norway and was as such a pioneer institution for which Nürenbach is remembered, though it was not to last.
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active in Sweden, Norway and Finland. He was a pioneer in Norwegian theater history by founding the first public theater in Oslo in the year 1771.
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In September 1773, Martin Nürenbach, again a member of the Stenborg Company, is known to have performed as an acrobat in the
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Where highbrow taste met itinerant dance in eighteenth century Scandinavia: The dance entrepreneur Martin Nürenbach
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Where highbrow taste met itinerant dance in eighteenth century Scandinavia: The dance entrepreneur Martin Nürenbach
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Where highbrow taste met itinerant dance in eighteenth century Scandinavia: The dance entrepreneur Martin Nürenbach
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Where highbrow taste met itinerant dance in eighteenth century Scandinavia: The dance entrepreneur Martin Nürenbach
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Where highbrow taste met itinerant dance in eighteenth century Scandinavia: The dance entrepreneur Martin Nürenbach
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Birger Schöldström, Seuerling och hans "comædietroupp". Ett blad ur svenska landsortsteaterns historia, 1889
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Birger Schöldström, Seuerling och hans "comædietroupp". Ett blad ur svenska landsortsteaterns historia, 1889
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Johan Flodmark: Stenborgska skådebanorna: bidrag till Stockholms teaterhistoria, Norstedt, Stockholm, 1893
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Johan Flodmark: Stenborgska skådebanorna: bidrag till Stockholms teaterhistoria, Norstedt, Stockholm, 1893
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Johan Flodmark: Stenborgska skådebanorna: bidrag till Stockholms teaterhistoria, Norstedt, Stockholm, 1893
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Johan Flodmark: Stenborgska skådebanorna: bidrag till Stockholms teaterhistoria, Norstedt, Stockholm, 1893
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in Norway. From October 1771, he performed in companionship with the professional dancer and musician
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Seuerling och hans "comædietroupp". Ett blad ur svenska landsortsteaterns historia
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In July 1770, Martin Nürenbach made his debut as a dance teacher and performer in
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At some point, he married his colleague, the dancer Anna Katarina Rancke.
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In the end of 1770, he had formed a small theatre company of
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In 1780, it was succeeded by the private amateur theatre
40: 28: 21: 113:Martin Nürenbach is listed as a member of the 8: 170:. According to advertisements, comedies by 18: 276: 7: 460:18th-century Norwegian male actors 14: 495:18th-century Swedish male actors 450:18th-century German male actors 515:18th-century circus performers 190:Christiania Offentlige Theater 69:(unknown – 1780) was a German 1: 510:18th-century theatre managers 106:, thereby staying in Sweden. 520:German emigrants to Finland 500:18th-century German dancers 465:18th-century Finnish people 440:Norwegian theatre directors 435:Norwegian male stage actors 536: 150:Christina Doreothea Stuart 445:Finnish theatre directors 430:Finnish male stage actors 233:in Finland in late 1780. 229:Martin Nürenbach died in 455:German male stage actors 364:Anne Margrete Fiskvik, 343:Anne Margrete Fiskvik, 322:Anne Margrete Fiskvik, 301:Anne Margrete Fiskvik, 261:Anne Margrete Fiskvik, 185:Det Dramatiske Selskap 163:Det Dramatiske Selskab 194:Johan Peter Strömberg 505:Gustavian era people 490:Swedish entertainers 480:Finnish male dancers 475:Swedish male dancers 420:18th-century births 372:2018-07-07 at the 351:2018-07-07 at the 330:2018-07-07 at the 309:2018-07-07 at the 218:on the 8 October. 207:Humlegårdsteatern 117:in a passport to 100:Margareta Lindahl 58: 57: 527: 404: 401: 395: 392: 386: 383: 377: 362: 356: 341: 335: 320: 314: 299: 293: 290: 284: 281: 245: 115:Stenborg Company 61:Martin Nürenbach 23:Martin Nürenbach 19: 535: 534: 530: 529: 528: 526: 525: 524: 485:Finnish dancers 410: 409: 408: 407: 402: 398: 393: 389: 384: 380: 374:Wayback Machine 363: 359: 353:Wayback Machine 342: 338: 332:Wayback Machine 321: 317: 311:Wayback Machine 300: 296: 291: 287: 282: 278: 273: 243: 239: 223:Petter Stenborg 202: 192:was founded by 142: 92: 87: 73:, stage actor, 54: 45: 36: 33: 24: 17: 12: 11: 5: 533: 531: 523: 522: 517: 512: 507: 502: 497: 492: 487: 482: 477: 472: 467: 462: 457: 452: 447: 442: 437: 432: 427: 422: 412: 411: 406: 405: 396: 387: 378: 357: 336: 315: 294: 285: 275: 274: 272: 269: 268: 267: 259: 254: 250: 246: 238: 235: 201: 198: 141: 138: 96:Carl Seuerling 91: 88: 86: 83: 56: 55: 46: 42: 38: 37: 34: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 532: 521: 518: 516: 513: 511: 508: 506: 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 463: 461: 458: 456: 453: 451: 448: 446: 443: 441: 438: 436: 433: 431: 428: 426: 423: 421: 418: 417: 415: 400: 397: 391: 388: 382: 379: 376: 375: 371: 368: 361: 358: 355: 354: 350: 347: 340: 337: 334: 333: 329: 326: 319: 316: 313: 312: 308: 305: 298: 295: 289: 286: 280: 277: 270: 266: 265: 260: 258: 255: 253: 251: 249: 247: 241: 240: 236: 234: 232: 227: 224: 219: 217: 213: 209: 208: 199: 197: 195: 191: 187: 186: 180: 176: 173: 169: 165: 164: 158: 153: 151: 147: 139: 137: 134: 132: 126: 124: 120: 116: 111: 107: 105: 104:Peter Lindahl 101: 97: 89: 84: 82: 80: 76: 72: 68: 67: 62: 53: 49: 43: 39: 31: 27: 20: 399: 390: 381: 365: 360: 344: 339: 323: 318: 302: 297: 288: 279: 262: 244:(in Swedish) 228: 220: 205: 203: 183: 181: 177: 161: 154: 143: 135: 127: 112: 108: 93: 90:Early career 65: 64: 60: 59: 16:German actor 425:1780 deaths 200:Late career 123:equilibrist 79:equilibrist 414:Categories 237:References 131:Gothenburg 216:Harlequin 212:Stockholm 196:in 1827. 157:Norwegian 66:Nurembach 470:Acrobats 370:Archived 349:Archived 328:Archived 307:Archived 231:Tavastia 48:Tavastia 172:Holberg 119:Uppsala 71:acrobat 35:Germany 32:unknown 168:Danish 140:Norway 75:dancer 52:Sweden 271:Notes 146:Oslo 85:Life 77:and 44:1780 41:Died 29:Born 210:in 63:or 416:: 152:. 133:. 50:,

Index

Tavastia
Sweden
acrobat
dancer
equilibrist
Carl Seuerling
Margareta Lindahl
Peter Lindahl
Stenborg Company
Uppsala
equilibrist
Gothenburg
Oslo
Christina Doreothea Stuart
Norwegian
Det Dramatiske Selskab
Danish
Holberg
Det Dramatiske Selskap
Christiania Offentlige Theater
Johan Peter Strömberg
Humlegårdsteatern
Stockholm
Harlequin
Petter Stenborg
Tavastia


Seuerling och hans "comædietroupp". Ett blad ur svenska landsortsteaterns historia
Where highbrow taste met itinerant dance in eighteenth century Scandinavia: The dance entrepreneur Martin Nürenbach

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