Knowledge

Marva (thaat)

Source šŸ“

226: 412:. There is only one Author (B. Subba Rao) mentioning a raga Māravā Gaurī, thus Moutal does not consider this an own form. Aspects of Marwa are also incorporated in Mali Gaura. 212: 205: 198: 70: 553: 534: 225: 572: 29: 338: 401: 369: 264: 384: 349: 364: 355: 344: 549: 530: 405: 394: 379: 511: 260: 166: 360: 328: 161: 156: 141: 284: 186: 146: 93: 45: 566: 388: 332: 318: 176: 113: 314: 299: 171: 151: 60: 20: 524: 287:. The mood of the Marva family of ragas is strongly and easily recognisable. 249: 374: 118: 88: 65: 36: 324: 304: 123: 108: 103: 409: 309: 272: 256: 224: 132: 98: 79: 50: 268: 244: 55: 516:
The Rags of North Indian Music: Their Structure & Evolution
404:
is Marwa with Pa and less emphasis on komal Re. R. Jha treats
283:
Marva thaat is obtained by adding a komal Rishabh to the
529:. Nimbus Records with Rotterdam Conservatory of Music. 548:. New Delhi: Munshiram Manoharlal Publishers Pvt Ltd. 546:A Comparative Study of Selected Hindustāni Rāga-s 526:The Raga Guide: A Survey of 74 Hindustani Ragas 206: 8: 440: 213: 199: 25: 327:(two other types of Bibhas are placed in 232:, from 1628 until 1685, Mewar, Rajasthan 421: 131: 78: 35: 28: 428: 7: 523:Bor, Joep; Rao, Suvarnalata (1999). 317:(although it is sometimes placed in 19:For the raga of the same name, see 14: 363:(Jayat) (not to be confused with 16:Basic thaat of Hindustani music 1: 518:. Bombay: Popular Prakashan. 295:Other ragas in Marva thaat: 267:. It is also the name of a 250: 589: 408:as a mixture of Marwa and 255:) is one of the ten basic 30:Hindustani classical music 18: 544:Moutal, Patrick (1991). 573:Hindustani music theory 400:According to O. Thakur 230:Ragini Maru of Sri Raga 233: 387:(sometimes placed in 228: 265:Indian subcontinent 429:Bor & Rao 1999 234: 223: 222: 580: 559: 540: 519: 512:Jairazbhoy, N.A. 498: 495: 489: 486: 480: 477: 471: 468: 462: 459: 453: 452:Kaufmann p 315ff 450: 444: 438: 432: 426: 341:(Hindol Pancham) 261:Hindustani music 253: 215: 208: 201: 26: 588: 587: 583: 582: 581: 579: 578: 577: 563: 562: 556: 543: 537: 522: 510: 507: 502: 501: 496: 492: 487: 483: 478: 474: 469: 465: 460: 456: 451: 447: 441:Jairazbhoy 1995 439: 435: 427: 423: 418: 293: 281: 219: 24: 17: 12: 11: 5: 586: 584: 576: 575: 565: 564: 561: 560: 554: 541: 535: 520: 506: 503: 500: 499: 490: 488:Moutal p. 257 481: 472: 463: 454: 445: 433: 420: 419: 417: 414: 398: 397: 392: 382: 377: 372: 367: 358: 353: 347: 342: 336: 322: 312: 307: 302: 292: 289: 280: 277: 221: 220: 218: 217: 210: 203: 195: 192: 191: 190: 189: 184: 179: 174: 169: 164: 159: 154: 149: 144: 136: 135: 129: 128: 127: 126: 121: 116: 111: 106: 101: 96: 91: 83: 82: 76: 75: 74: 73: 68: 63: 58: 53: 48: 40: 39: 33: 32: 15: 13: 10: 9: 6: 4: 3: 2: 585: 574: 571: 570: 568: 557: 555:81-215-0526-7 551: 547: 542: 538: 536:9780954397609 532: 528: 527: 521: 517: 513: 509: 508: 504: 494: 491: 485: 482: 479:Moutal p. 207 476: 473: 467: 464: 458: 455: 449: 446: 442: 437: 434: 430: 425: 422: 415: 413: 411: 407: 403: 402:PÅ«rvā Kalyāį¹‡a 396: 393: 390: 386: 383: 381: 378: 376: 373: 371: 370:Varati (raga) 368: 366: 362: 359: 357: 354: 351: 348: 346: 343: 340: 337: 334: 330: 326: 323: 320: 316: 313: 311: 308: 306: 303: 301: 298: 297: 296: 290: 288: 286: 278: 276: 274: 270: 266: 262: 258: 254: 252: 246: 242: 238: 231: 227: 216: 211: 209: 204: 202: 197: 196: 194: 193: 188: 185: 183: 180: 178: 175: 173: 170: 168: 165: 163: 160: 158: 155: 153: 150: 148: 145: 143: 140: 139: 138: 137: 134: 130: 125: 122: 120: 117: 115: 112: 110: 107: 105: 102: 100: 97: 95: 92: 90: 87: 86: 85: 84: 81: 77: 72: 69: 67: 64: 62: 59: 57: 54: 52: 49: 47: 44: 43: 42: 41: 38: 34: 31: 27: 22: 545: 525: 515: 497:Moutal p.493 493: 484: 475: 466: 461:Moutal p.77 457: 448: 436: 431:, p. 3. 424: 399: 385:Lalita Gauri 294: 285:Kalyan thaat 282: 271:within this 248: 240: 236: 235: 229: 181: 21:Marva (raga) 470:Vol 1 p 116 365:Jait Kalyan 356:Purvakalyan 279:Description 71:Instruments 505:References 345:Maligaura 331:thaat or 263:from the 567:Category 514:(1995). 375:Bhatiyar 352:(Purbya) 167:Bhairavi 37:Concepts 406:Bhaį¹­iya 395:Sazgiri 380:Bhankar 339:Pancham 329:Bhairav 162:Bhairav 157:Asavari 142:Bilaval 119:Qawwali 89:Dhrupad 66:Gharana 552:  533:  391:thaat) 335:thaat) 325:Bibhas 321:thaat) 305:Puriya 257:thaats 187:Kalyan 147:Khamaj 133:Thaats 124:Ghazal 109:Thumri 104:Tarana 94:Dhamar 80:Genres 46:Shruti 416:Notes 410:Maand 389:Purvi 350:Purba 333:Purvi 319:Purvi 315:Lalit 310:Sohni 300:Marva 291:Ragas 273:thaat 251:Mārvā 241:Marwa 237:Marva 182:Marva 177:Purvi 114:Dadra 99:Khyal 51:Swara 550:ISBN 531:ISBN 361:Jait 269:raga 245:IAST 172:Todi 152:Kafi 61:Tala 56:Raga 259:of 239:or 569:: 275:. 247:: 558:. 539:. 443:. 243:( 214:e 207:t 200:v 23:.

Index

Marva (raga)
Hindustani classical music
Concepts
Shruti
Swara
Raga
Tala
Gharana
Instruments
Genres
Dhrupad
Dhamar
Khyal
Tarana
Thumri
Dadra
Qawwali
Ghazal
Thaats
Bilaval
Khamaj
Kafi
Asavari
Bhairav
Bhairavi
Todi
Purvi
Marva
Kalyan
v

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