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in 1788. Her father was a musician, William Ivers, and her mother was an actress who allowed her daughter to appear. At a young age she was being carried on to the stage and she was on the playbill at the age of five. By the age of nine she was singing in
Brighton and at age eleven she was taking the
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By the age of fifteen she was admired by Thomas Orger who married her in 1804. Thomas had been a Quaker, who did not visit theatres, so he had to leave that group when he married her. She was well read and her husband, Dr Thomas Orger was a translator of
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Patrick
Waddington, ‘Reinagle , Caroline (1817–1892)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2007
168:. She did not get on with the manager there so she headed north to appear in Aberdeen. She then moved to Glasgow in 1806 when the company included
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on 4 October 1808. Despite the fire in the following year she was at Drury Lane until 1831 although this was not an exclusive arrangement.
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Joseph Knight, ‘Orger , Mary Ann (1788–1849)’, rev. J. Gilliland, Oxford
Dictionary of National Biography, Oxford University Press, 2004
108:(25 February 1788 – 1 October 1849) was a leading actress in Scotland and Drury Lane. She was a playwright and the mother of composer
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She had a pause after her marriage before she returned to the stage in
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287:. Vol. 1 (online ed.). Oxford University Press.
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She was a leading actress and the mother of the composer
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The
Daughters of Thespis, Or A Peep Behind the Curtain
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In 1807 she appeared in
Glasgow as Caroline Sedley in
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Mrs Mary Ann Orger as
Flippanta from an 1821 engraving
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129:at a fête organised by
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185:benefit performance
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