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Mary Anne and Robert Keeley had two daughters, Mary Lucy (circa 1830-1870) and Louise (1835-1877), both of whom followed their parents on to the stage. Mary Lucy married the writer
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My 90th birthday message to my sisters of the stage: I send you all my love, and say God bless you; and may you live as long as I have, and be just as happy!
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and she encouraged her to take to the stage. After some experience in the provinces, she first appeared on the stage in London on 2 July 1825 in the opera
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J. M. Blatchly, ‘Cobbold , Elizabeth (1765–1824)’, Oxford
Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2014
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Joseph Knight, ‘Foote, Lydia (1843–1892)’, rev. J. Gilliland, first published 2004; online edn, Oct 2007, 365 words, with portrait illustration
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that Keeley lived in the memory of playgoers, despite her long subsequent career in plays more worthy of her remarkable gifts.
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In 1839 came her decisive triumph with her picturesque and spirited acting as the hero of a play founded upon
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ultimately forbade the performance of any piece upon the subject. It is perhaps mainly as
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Goward (22 November 1805 – 12 March 1899) was an
English actress and
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and tinman. Her sister Sarah Judith Goward was the mother of
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Goward's singing talents were noticed by the
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