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Mary Harrison (artist)

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Her art, though of limited scope, was of a very delicate and refined nature. Her fruit and flower pieces bore unmistakable marks of taste, feeling, and close observation of nature. Her first works, in the 1810s, were of detached specimens of fruit, cut sprigs of garden or wild flowers, and sometimes
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Settling again in Liverpool her husband, who had up to then been comfortably off, became a partner in a brewery, in which he lost much of his fortune in 1830. His health also failed around the same time, and Mary had to deploy her artistic talents in order to support her family. She became a popular
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and Liverpool. She was a talented amateur artist from an early age though, from all accounts, she received little encouragement from her parents, even having to improvise paint-brushes from locks of her own hair, and make up pigments from household products; She practiced her art by copying from art
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birds' nests. As she progressed, she painted living, growing plants, especially wild flowers, depicting violets, cowslips, wood anemones, primroses, snowdrops, crocuses and the most beautiful roses, in her annual supply of work to art exhibitions. She exhibited over 50 pictures in total.
19:(1788 – 25 November 1875) was an English flower and fruit painter, and illustrator. She became popularly called the "Rose and Primrose painter". She has also been known as Mary P. Harrison and Mary Rossiter Harrison. 98:. Probably her best known work is "The History of a Primrose" (1862) executed in three panels representing 'Infancy, maturity, Decay'. She also provided some illustrations for 401: 120:(1815–1880) was a good amateur painter who exhibited at the Royal Academy and other galleries. Two of her daughters, Maria (fl. 1845-93) and Harriet also became painters. 75:
she became one of the original members. As well as exhibiting at the Watercolour society gallery in London for over 40 years, she also showed her work at the
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Harrison's work became much sought after and she was known as the 'Rose and Primrose painter'. During her lifetime two of her works were purchased by
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prints. She also had to look after her invalid mother and sister, which left little time for painting.
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English women painters from the early 19th century who exhibited at the Royal Academy of Art
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A gallery of her own: an annotated bibliography of women in Victorian painting
200: 150: 106: 32: 28: 64: 68: 52: 48: 40: 31:, the daughter of William Rossiter, a prosperous hat manufacturer of 394: This article incorporates text from a publication now in the 116:(1816–1846) was a professional landscape painter; the eldest son, 44: 349:
Dictionary of British and Irish botanists and horticulturists
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Mary worked up to the final day of her life, dying in
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Index

Liverpool
Stockport
France
Paris
Louvre
Amiens
Battle of Waterloo
Chester
London
New Society of Painters in Watercolours
Royal Academy
British Institution
Society of British Artists
Queen Victoria
Curtis's Botanical Magazine
Hampstead
George Henry Harrison
William Frederick Harrison
Sophie Gengembre Anderson
Mary Baker
Ann Charlotte Bartholomew
Maria Bell
Barbara Bodichon
Joanna Mary Boyce
Margaret Sarah Carpenter
Fanny Corbaux
Rosa Corder
Mary Ellen Edwards
Harriet Gouldsmith
Jane Benham Hay

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