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Mary
Lovelace O'Neal's paintings have progressed through different phases over her long career, beginning with loose forms and evolving to more precise patterns. O'Neal has received numerous awards and exhibited in many national and international exhibitions throughout her career. She was invited as
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O'Neal developed these paintings while earning her MFA at
Columbia University. This series of monochromes, made in the late 1960s-early 70s, were monumental and made using ebony pigment that was rubbed into raw unstretched canvas using a chalkboard eraser or her hands. The deep black of the surface
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in 1978. In 1985 she became the first
African American artist to receive tenure in the department of art, and then appointed in 1999 as the Chair of the Department of Art Practice until her retirement in 2006. She has taught at several institutions in the U.S. including the
329:" meaning "Power to the People". O’Neal traces her activism to Stokley, and in an interview with Bomb Magazine, O’Neal recalls how a chance encounter living in Morocco with other printmakers and creatives inspired her famous 1984 series
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reveals the ways in which O'Neal has engaged abstraction and materiality exuberantly for political ends, marrying experimental black aesthetics with influences of
Minimalism. She was engaged with issues taken up by
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who pushed her to make images of the Black Power movement instead of abstraction. During the 60s and 70s O'Neal's abstraction went against the emphasis placed on figuration by the Black Arts
Movement and the
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In
February 2020, Mnuchin Gallery held O'Neal's first solo exhibition in New York since 1993, which surveyed over five decades of her work, from the late 1960s through 2000s. The mini retrospective,
161:, on February 10, 1942. She credits her father for nurturing her love of the arts. During her childhood and adolescence O'Neal's father, Ariel Lovelace, was choir director and professor of music at
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series from the 1970s. These expressionist abstract landscapes were made in response to her first visit to the Bay Area that decade. They are made using oil paint, glitter and tape.
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in
Santiago, Chile, "17 Artistas Latino y Afro Americanos en USA" in 1991. Two years later, she received the Artist En France Award sponsored by the French government and
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and retired from teaching in 2006. O'Neal's art has been exhibited widely throughout North
America and internationally, with group and solo shows in Italy, France, Chile,
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in New York City. She enjoyed the process so much and she explored various other printing processes and printed over 200 prints at
Blackburn's shop over the years.
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as a means for Black empowerment. O'Neal's work, "insists on the aesthetic integration of experiences and styles once construed to be mutually exclusive."
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O’Neal's involvement with civil rights movements, and how they are represented in her art, can not be fully understood without mentioning the influence of
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129:(born February 10, 1942) is an American artist and arts educator. Her work is focused on abstracted mixed-media (primarily painting and printmaking) and
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505:"At 77, the Abstract Painter Mary Lovelace O'Neal Will Be the Latest Artist to Get the Rediscovery Treatment at Mnuchin Gallery"
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in New York City, which further influenced her work. She received her M.F.A. from
Columbia University in 1969.
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in Maine during the summer of 1963. During her time at Howard University, O'Neal became active in the
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the show included monumental canvases made over the past three years in the artist’s studio in
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could, "absorb and silence the noise of ideology, activate space, and impact the body."
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935:"Whitney Biennial 2024: Even Better Than the Real Thing | 20 March - 11 August 2024"
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833:"When the Muse Comes a-Callin': In the Print Lab with Mary Lovelace O'Neal"
715:"When the Muse Comes a-Callin': In the Print Lab with Mary Lovelace O'Neal"
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at the Musee d’Art Contemporaine de Chemalieres, France from 1994 to 1997.
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961:"Painter Mary Lovelace O'Neal Finds Interviews Stupid. But Not This One"
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608:"A Painter and Social Activist With an 'Unruly Nature' (Published 2020)"
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resident artist to participate in the international arts festival in
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and mentored by many influential leaders in the movement, including
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with one of the theatre founders, her first husband John O'Neal.
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Her work is in various permanent art collections including the
788:"Mary Lovelace O'Neal by Suzanne Jackson – BOMB Magazine"
852:"A Painter and Social Activist With an 'Unruly Nature'"
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Rehistoricizing Abstract Expressionism in the Bay Area
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series (1990s), and one from her newest body of work,
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in Washington, DC, from 1960 to 1964 and studied with
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321:(O’Neal's former boyfriend) who coined the terms "
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831:LeFalle-Collins, Lizzetta (Spring–Summer 2013).
423:HECHO EN MÉXICO—a mano (MADE IN MEXICO—by hand),
255:, in 1983. O'Neal curated an exhibition for the
1167:on the African American Visual Artists Database
1143:. Art & Beyond Publications. March 10, 2015
378:while simultaneously having conversations with
584:"The Art and Passions of Mary Lovelace O'Neal"
1196:Columbia University School of the Arts alumni
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713:LeFalle-Collins, Lizzetta (August 10, 2013).
467:National Museum of Fine Arts, Santiago, Chile
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839:– via GALE Literature Resource Center.
215:O'Neal continued her fine arts education at
1216:University of California, Berkeley faculty
888:"Mary Lovelace O'Neal: Whales, A Romance…"
409:series (1979 – early 1980s), one from her
190:Skowhegan School of Painting and Sculpture
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1062:"...And a Twinkle in Your Eye"/Daddy #6"
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339:Troisieme Triennale Mondiale d’Estampes
818:Columbia University School of The Arts
394:mounted a solo exhibition of O'Neal's
1251:21st-century African-American artists
679:"Jan Avgikos on Mary Lovelace O'Neal"
312:Robert Blackburn Printmaking Workshop
285:California College of Arts and Crafts
270:O'Neal started teaching full-time at
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1221:San Francisco Art Institute faculty
837:Black Renaissance/Renaissance Noire
812:DENG, AUDREY (February 28, 2020).
582:Resmer, Emily (December 6, 2002).
451:San Francisco Museum of Modern Art
272:University of California, Berkeley
139:University of California, Berkeley
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1011:"2005.124.3 Mary Lovelace O'Neal"
447:Kemper Museum of Contemporary Art
16:American artist and arts educator
1211:People from Jackson, Mississippi
1206:People from Oakland, California
892:MoAD Museum of African Diaspora
850:Moonan, Wendy (March 1, 2020).
606:Moonan, Wendy (March 1, 2020).
483:, whom she eventually married.
1231:21st-century American painters
1191:African-American women artists
959:Nevins, Jake (April 2, 2024).
758:10.1080/00064246.1997.11430870
392:Museum of the African Diaspora
257:Museo Nacional de Bellas Artes
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277:University of Texas at Austin
439:Oakland Museum of California
208:. She worked briefly at the
721:. New York University (NYU)
719:NYU Black Renaissance Noire
281:San Francisco Art Institute
210:Free Southern Theater (FST)
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1137:"Patricio Moreno Toro bio"
986:"HECHO EN MÉXICO – A MANO"
540:"Mary Lovelace O'Neal bio"
411:Two Deserts, Three Winters
302:In 1984, O'Neal worked on
157:Mary Lovelace was born in
51:Jackson, Mississippi, U.S.
1241:African-American painters
1042:. National Gallery of Art
1236:American women academics
1201:Howard University alumni
459:Smithsonian Institutions
153:Early life and education
990:Marianne Boesky Gallery
939:Jenkins Johnson Gallery
463:Baltimore Museum of Art
443:National Gallery of Art
363:Chasing Down the Image,
240:Baltimore Museum of Art
1105:"Mary Lovelace O'Neal"
1080:"Mary Lovelace O'Neal"
740:Cobb, Charlie (1997).
565:"Mary Lovelace O'Neal"
475:O'Neal dated activist
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204:and his wife, painter
167:University of Arkansas
403:2024 Whitney Biennial
331:Panthers in my Father
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194:Civil Rights Movement
91:Painting, Printmaking
1165:Mary Lovelace O’Neal
1036:"O'Neal artist Info"
481:Patricio Moreno Toro
267:in Washington, D.C.
159:Jackson, Mississippi
127:Mary Lovelace O'Neal
116:Patricio Moreno Toro
25:Mary Lovelace O'Neal
390:In March 2020, the
348:series, 1960s–1970s
289:Oakland, California
217:Columbia University
100:Black Arts Movement
74:Columbia University
965:Interview Magazine
856:The New York Times
654:. November 1, 2007
612:The New York Times
588:Jackson Free Press
511:. December 3, 2019
477:Stokely Carmichael
433:Public collections
319:Stokley Carmichael
293:Jorge Tadeo Lozano
261:Moet & Chandon
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221:Black Art Movement
206:Gwendolyn Lawrence
198:Stokely Carmichael
135:Professor Emeritus
746:The Black Scholar
652:art ltd. magazine
306:printmaking with
238:(c. 1990) at the
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174:Howard University
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1181:1942 births
1147:February 8,
1046:February 9,
1020:February 9,
725:February 8,
658:February 8,
515:December 5,
509:artnet News
376:Sam Gilliam
368:Donald Judd
357:Exhibitions
323:Black Power
133:. She is a
57:Nationality
1175:Categories
685:. May 2020
544:ArtNet.com
487:References
465:, and the
421:. Titled,
131:minimalism
41:1942-02-10
864:0362-4331
797:April 10,
766:0006-4246
648:"m. l. o"
625:March 10,
620:0362-4331
346:Lampblack
1089:March 9,
774:41068743
683:Artforum
335:s Palace
304:monotype
165:and the
96:Movement
60:American
1040:nga.gov
995:May 30,
970:May 30,
944:May 30,
919:May 30,
897:July 6,
869:July 6,
689:July 6,
325:" and "
310:at the
253:Morocco
242:in 2022
147:Nigeria
143:Senegal
106:Spouses
1084:SFMOMA
1066:Cuseum
862:
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461:, the
457:, the
453:, the
374:, and
249:Asilah
227:Career
770:JSTOR
1149:2018
1091:2021
1048:2018
1022:2018
997:2024
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946:2024
921:2024
899:2020
871:2020
860:ISSN
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762:ISSN
727:2018
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660:2018
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616:ISSN
517:2019
184:and
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31:Born
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