Knowledge (XXG)

Mary Rose (play)

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This is the fictional story of Mary Rose, a girl who vanishes twice. As a child, Mary Rose was taken by her father to a remote Scottish island. While she is briefly out of her father's sight, Mary Rose vanishes. The entire island is searched exhaustively. Twenty-one days later, Mary Rose reappears as
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Norman O'Neill's original music for the 1920 production gained widespread acclaim. At the end of the first night, Barrie greeted the composer with "Well, O'Neill, I think we have made a success", and later wrote him a letter that "it was a lucky day for me when you had that inspiration." Barrie also
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Years later, as a young wife and mother, the adult Mary Rose persuades her husband to take her to the same island. Again she vanishes: this time for a period of decades. When she is found again, she is not a single day older and has no awareness of the passage of time. In the interim, her son has
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described the effect of the music in the stage directions of the published text, effectively incorporating the music into the play. Fay Compton wrote of "that beautiful, haunting music which in turn inspired us; the tremendous debt of gratitude I owed to that music I can never hope to repay."
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Of its London revival in 2012, a reviewer wrote that the play "...reveals a somewhat uncomfortable preoccupation with childhood innocence extending some of the themes of Pan; the child who cannot grow up, and meditation on death and loss."
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reviewer called the 2007 revival of the play an "elegantly plotted ghost story". He noted: "The play is in many ways a more mature and mournful reworking of themes Barrie explored in the tale of the boy
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by the Vineyard Theater in 2007. The play was produced in a London revival in 2012 at Riverside Studios. A further production appeared in the 2017 summer season at Pitlochry Festival Theatre.
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who refused to grow up. Time is seen as a quiet despoiler of happiness and innocence, and the lure of another world unblemished by its passing has an irresistible seduction."
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mysteriously as she disappeared...but she shows no effects of having been gone for three weeks, and she has no knowledge of any gap or missing time.
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at the time, and the studio believed that the project was "too troubling", with not enough commercial appeal, so would not approve production.
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opened in Chicago, with book and lyrics by Ed Rutherford and music and lyrics by Jeff Bouthiette, produced by Black Button Eyes Productions.
556:"Supernatural Thriller 'The Island Between Tides', Based On Storied J.M. Barrie Play, Sets Cast, XYZ Films, First Look As Shoot Kicks Off" 608: 335: 198:
had seen the play as a young man in its original production. Later in his career as a film director, he wanted to film it, asking
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as Mary Rose, a role which was written for her by Barrie. It was revived (with many of the same cast still in place) in 1926.
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starring Paloma Kwiatkowski, Donal Logue, David Mazouz, Camille Sullivan and Adam Beach was filmed in Prince Rupert, Canada.
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gave the novel a starred review, calling the adaptation "a ghost story that should be suggested to a wide range of readers."
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A revival ran on Broadway at the ANTA Playhouse, running from 4 March 1951 to 16 March 1951. The play was directed by
40:. The play was produced in New York that year. Its most recent revival in New York was in 2007 and in London in 2012. 349: 36:. It was first produced in April 1920 at the Haymarket Theatre, London, with incidental music specially composed by 442: 219:. It was adapted and directed by Abigail le Fleming with music composed and performed by cellist Laura Moody. 603: 427: 502: 126: 588: 560: 304: 209: 111: 319: 199: 78: 37: 195: 92: 227: 104: 174: 100: 529: 257: 582: 204: 150: 119: 137: 27: 216: 202:
to write a screenplay after she had written the screenplay for Hitchcock's film
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without O'Neill's music to "a dance by a fairy with a wooden leg."
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An Old Master's Unheard Cri de Coeur: Alfred Hitchcock's Mary Rose
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grown to adulthood and is now physically older than his mother.
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In 2016, a radio play adaptation of Mary Rose was broadcast on
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Fay Compton, for whom the title role of Mary Rose was written
464:, Cineaste volume 26, issue 2 (01/Mar/2001), pages 24-28 81:, running from 22 April 1920 to 26 February 1921, with 384:
Internet Broadway Database, accessed November 11, 2012
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Internet Broadway Database, accessed November 11, 2012
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Barrie, who normally wrote with his right hand, wrote
208:(1964). However, Hitchcock was under contract to 133:in 1988, under the direction of Hugh Hodgart. 73:with his left hand due to a "writer's cramp". 8: 222:In 2017, Adaptive Books published the novel 443:"Review: 'Mary Rose', Riverside Studios" 300: 298: 294: 534:Black Button Eyes Productions Website 530:"Mary Rose, A World Premiere Musical" 475:"Mary Rose, Drama on 3 - BBC Radio 3" 404:, Issue 72, 5 - 11 August 1988, p. 14 283:List of unproduced Hitchcock projects 7: 258:The published 1925 text of Barrie's 501:Becky Spratford (1 October 2017). 165:In 1921, the play was included in 14: 554:Andreas Wiseman (29 March 2022). 237:In 2022, a musical adaptation of 266: 77:first opened in London at the 1: 428:"Theater Review. 'Mary Rose'" 125:The play was produced by the 276:public domain audiobook at 118:, with Mary Rose played by 625: 609:Works about missing people 153:compared a performance of 413:Hudson, Derek. Letter to 246:The Island Between Tides 30:, who is best known for 167:Best Plays of 1920–1921 322:Seeing Things at Night 127:Lyceum Theatre Company 91:opened in New York on 66: 599:Plays set in Scotland 594:Plays by J. M. Barrie 417:, 9 April 1959, p 639 306:Everybody's magazine, 136:The play was revived 64: 447:Fourth Wall Magazine 426:Isherwood, Charles. 16:Play by J. M. Barrie 433:, February 21, 2007 244:A 2024 film titled 561:Deadline Hollywood 431:The New York Times 308:Volume 43, page 30 210:Universal Pictures 67: 353:, 22 January 1926 200:Jay Presson Allen 79:Haymarket Theatre 616: 573: 572: 570: 568: 551: 545: 544: 542: 540: 526: 520: 519: 517: 515: 498: 492: 491: 489: 487: 471: 465: 458:Joseph McBride, 456: 450: 440: 434: 424: 418: 411: 405: 391: 385: 376: 370: 361: 355: 347: 341: 333: 327: 317: 311: 310:, December 1920. 302: 270: 269: 196:Alfred Hitchcock 624: 623: 619: 618: 617: 615: 614: 613: 579: 578: 577: 576: 566: 564: 553: 552: 548: 538: 536: 528: 527: 523: 513: 511: 500: 499: 495: 485: 483: 473: 472: 468: 457: 453: 449:, April 4, 2012 441: 437: 425: 421: 412: 408: 398:by Nigel Billen 392: 388: 377: 373: 362: 358: 348: 344: 339:, 23 April 1920 334: 330: 320:Heywood Broun, 318: 314: 303: 296: 291: 267: 254: 228:Geoffrey Girard 193: 163: 146: 105:Ruth Chatterton 59: 46: 17: 12: 11: 5: 622: 620: 612: 611: 606: 604:West End plays 601: 596: 591: 581: 580: 575: 574: 546: 521: 493: 466: 451: 435: 419: 406: 386: 371: 356: 342: 328: 312: 293: 292: 290: 287: 286: 285: 280: 264: 262:on archive.org 253: 250: 192: 189: 175:New York Times 162: 159: 145: 142: 114:, produced by 107:as Mary Rose. 101:Ben Iden Payne 97:Empire Theatre 58: 55: 45: 42: 38:Norman O'Neill 15: 13: 10: 9: 6: 4: 3: 2: 621: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 586: 584: 563: 562: 557: 550: 547: 535: 531: 525: 522: 510: 509: 504: 497: 494: 482: 481: 476: 470: 467: 463: 462: 455: 452: 448: 444: 439: 436: 432: 429: 423: 420: 416: 410: 407: 403: 399: 397: 390: 387: 383: 381: 375: 372: 368: 366: 360: 357: 354: 352: 346: 343: 340: 338: 332: 329: 325: 323: 316: 313: 309: 307: 301: 299: 295: 288: 284: 281: 279: 275: 274: 265: 263: 261: 256: 255: 251: 249: 247: 242: 240: 235: 233: 229: 225: 220: 218: 213: 211: 207: 206: 201: 197: 190: 188: 184: 182: 177: 176: 170: 168: 160: 158: 156: 152: 151:Ernest Irving 143: 141: 139: 134: 132: 128: 123: 121: 120:Bethel Leslie 117: 113: 108: 106: 102: 98: 94: 90: 86: 84: 80: 76: 72: 63: 56: 54: 50: 43: 41: 39: 35: 34: 29: 26:is a play by 25: 24: 19: 565:. Retrieved 559: 549: 537:. Retrieved 533: 524: 512:. Retrieved 506: 496: 484:. Retrieved 478: 469: 459: 454: 446: 438: 430: 422: 415:The Listener 414: 409: 401: 395: 389: 379: 374: 364: 359: 350: 345: 336: 331: 321: 315: 305: 272: 259: 245: 243: 238: 236: 231: 223: 221: 214: 203: 194: 185: 173: 171: 166: 164: 154: 147: 138:off-Broadway 135: 124: 109: 88: 87: 74: 70: 68: 51: 47: 31: 28:J. M. Barrie 22: 21: 20: 18: 539:28 December 503:"Mary Rose" 217:BBC Radio 3 191:Adaptations 116:Helen Hayes 83:Fay Compton 57:Productions 589:1920 plays 583:Categories 567:16 October 486:23 October 394:review of 324:, page 127 396:Mary Rose 380:Mary Rose 365:Mary Rose 351:The Times 337:The Times 273:Mary Rose 260:Mary Rose 239:Mary Rose 224:Mary Rose 181:Peter Pan 161:Reception 155:Mary Rose 131:Edinburgh 112:John Stix 89:Mary Rose 75:Mary Rose 71:Mary Rose 33:Peter Pan 23:Mary Rose 508:Booklist 402:The List 278:LibriVox 252:See also 232:Booklist 93:Broadway 514:18 June 95:at the 382:, 1951 367:, 1920 326:, 1921 205:Marnie 289:Notes 144:Music 103:with 569:2021 541:2021 516:2022 488:2016 172:The 44:Plot 480:BBC 226:by 129:in 585:: 558:. 532:. 505:. 477:. 445:, 400:, 297:^ 169:. 122:. 571:. 543:. 518:. 490:.

Index

J. M. Barrie
Peter Pan
Norman O'Neill

Haymarket Theatre
Fay Compton
Broadway
Empire Theatre
Ben Iden Payne
Ruth Chatterton
John Stix
Helen Hayes
Bethel Leslie
Lyceum Theatre Company
Edinburgh
off-Broadway
Ernest Irving
New York Times
Peter Pan
Alfred Hitchcock
Jay Presson Allen
Marnie
Universal Pictures
BBC Radio 3
Geoffrey Girard
The published 1925 text of Barrie's Mary Rose on archive.org
Mary Rose
LibriVox
List of unproduced Hitchcock projects

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