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The film faced some remarks from the censorship authority but was ultimately allowed to be shown commercially to audiences aged 12 or older. Ali had initially wanted to adapt the novel into a television series but secured the necessary funds to create a film instead. Several actors were convinced of
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praises "The
Preacher" for its bold and focused critique of the way politics manipulates religion, capturing the dark atmosphere of the times with verve, emotion, and humor. It notes that the film's message of religious tolerance seems daring and gives the film a modern edge, while the only downside
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The film sparked criticism from Sunni Muslim clerics, leading some to demand a ban. Al-Azhar clerics argued that the film damaged the reputation of institutional Islam during a period when the organization was actively working to curb violent extremism. Director Magdy Ahmed Ali countered by saying,
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Islamic institution in Cairo as he attempts to balance his religious beliefs with the expectations and pressures from politicians, security agencies, and everyday temptations. The film examines the intricate and concerning relationship between the government, religious authorities, mass media, and
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Hatem finds himself caught in a web of conflict, dealing with a partially lost son receiving treatment abroad and a wife whose love has grown cold. Security institutions attempt to control him and exploit his vulnerabilities to serve their interests. Meanwhile, a sovereign entity involves him in
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The film's release coincided with Egypt's ongoing struggle with
Islamist extremism under the leadership of President Abdel Fattah al-Sisi, a former army chief who overthrew the Muslim Brotherhood government in 2013. Al-Sisi prioritized the fight against extremism and designated Al-Azhar as the
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Hatem, a young sheikh at a government mosque, transitions from leading prayers to becoming a TV celebrity issuing "fatwas" that captivate millions due to his courage and deviation from traditional religious rhetoric in a society heavily influenced by fundamentalism. While Hatem eloquently and
188:"Mawlana" received multiple awards, including three Horus Awards at the Cairo National Festival for Egyptian Cinema (2018) for Best Actor (Amr Saad), Best Screenplay (Magdy Ahmed Aly), and Best Dialogue (Ibrahim Issa). The film also won the Interfaith Award for Feature Film at the
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As Hatem tries to create a small fracture in the thick wall of hypocrisy and fear, he struggles to maintain his integrity while navigating a complex network of relationships and challenges. He asserts, "I cannot tell the entire truth, but I do my very best to speak nothing else."
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Additionally, Amr Saad was nominated for Best Actor at The
Critics Awards for Arab Films (2018). Egyptian actor Amr Saad won the Best Actor Award for his role in the film "Mawlana" at the 23rd Tetouan International Mediterranean Film Festival in
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sarcastically answers questions from callers on his TV show, behind the scenes, he becomes entangled in bloody power struggles he has tried to avoid. As his fame increases, so do the temptations and complexities in his life.
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central force in defending mainstream Islam. The film's premiere occurred one day before a suicide bomber killed 28 people in an attack on Cairo's primary Coptic
Christian cathedral, an event claimed by the Islamic State.
171:"Mawlana" is a film with a timely and important message but falls short in terms of storytelling subtlety and character depth, according to Yasmine Zohdi. She notes, "By playing it safe, the story loses its resonance."
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the importance of the work and participated for free or in exchange for symbolic gains. The film marks the beginning of a collaboration between Ali and Eissa on several adaptation projects.
213:"This is the ideal time for the film. The military is combating terrorism, extremism is growing, and people are advocating for a revitalization of religious discourse."
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192:(2017), the Audience Award for Best Narrative Feature at the Twin Cities Film Fest (2017), and the Circle Award for Best Film at the Washington DC Filmfest (2017).
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solving a problem for the president, whose son causes the family an embarrassment that their fragile society cannot handle.
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404:"Critical film unnerves Egypt's religious scholars - Al-Monitor: Independent, trusted coverage of the Middle East"
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310:"'Mawlana': Mindsets of religious preachers captured in new Egyptian film - Screens - Arts & Culture"
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was a financial success in Egypt, earning 7.3 million
Egyptian pounds ($ 388,300) by its third week.
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123:. The film follows the journey of a renowned television preacher from the historic
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431:"Egyptian film 'Mawlana' provokes outcry over view of religion and state"
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355:"Egyptian film "Mawlana" wins Circle Award in Washington DC"
290:"Three takes on Mawlana: A timely film that plays it safe"
380:"Egyptian film provokes outcry over religion and state"
265:"'The Preacher' ('Mawlana'): Film Review | Dubai 2016"
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168:was some awkward plotting at the end.
190:St. Louis International Film Festival
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288:Zohdi, Yasmine (January 15, 2017).
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202:Dubai International Film Festival
30:Magdy Ahmed Ali,Essam Abdel Hamid
200:. The film was selected in the
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263:Young, Deborah (2016-12-10).
240:"Film Review: 'The Preacher'"
238:Weissberg, Jay (2016-12-21).
128:Islamist extremism in Egypt.
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65:December 10, 2016
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269:The Hollywood Reporter
335:Mawlana (2016) - IMDb
487:2010s Egyptian films
482:Egyptian drama films
408:www.al-monitor.com
204:'s Muhr category.
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208:Controversy
86:107 minutes
27:Directed by
477:2016 films
471:Categories
441:2023-03-19
413:2023-03-19
389:2023-03-19
365:2023-03-19
359:EgyptToday
341:2023-03-19
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226:References
217:Background
175:Production
69:2016-12-10
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295:Mada Masr
149:Reception
121:same name
125:Al-Azhar
99:Language
50:Amr Saad
46:Starring
458:Mawlana
435:Reuters
244:Variety
198:Morocco
158:Variety
154:Mawlana
119:of the
109:Mawlana
91:Country
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