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313:, a reactionary group, who plan to use him as a thug against the instigators of a planned workers' strike at the factory. During the mayhem of the failed strike, Vlasov is accidentally shot to death by a revolutionary. Pelageya is devastated and pleads with her son to cooperate with the Tsarist police and army who are pressing his case. He refuses. Naively thinking that revealing her son's hidden cache will redeem him, Pelageya betrays her son's secret to the authorities. He is, nevertheless, arrested and tried for sedition under the cool gaze of a bust of
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at a factory, an alcoholic, and an abusive husband and father. His long-suffering wife, Pelageya, is protected by their adult son, Pavel. Pavel later agrees to hide a small cache of handguns for local revolutionary socialists under the floorboards of the family home. His mother secretly observes
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and the contemptuous glare of local bourgeois society. His judges are bored with the proceedings and his defense council is incompetent. He receives a sentence of heavy labor for life. Pelageya now makes common cause with the revolutionaries who are planning to foment a prison break during a
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protest. In the prison yard, the inmates overwhelm the guards and escape. Pavel escapes separately and makes a daring flight across the river on ice floes while under fire. Pavel and his mother are briefly reunited, but he is shot dead by
Tsarist troops in the very act of embracing her. Now
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and is gloriously trampled to death under the hooves of a cavalry charge. A final montage presents images of fortresses, churches, factories and, lastly, the battlements and towers of the
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praised
Pudovkin for his innovative style; "Being the first to introduce the idea of creating characterizations by means of montage in films, he has done in the cinema what
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The film was banned in the United
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411:, I tried to affect the spectators, not by the psychological performances of an actor, but by plastic synthesis through editing."
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thoroughly radicalized, Pelageya becomes a defiant standard-bearer holding aloft the
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this. Vlasov — a large, hulking man — is plied with vodka by agents of the
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Film technique and Film acting. The cinema writings of V.I. Pudovkin
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222:. It depicts the radicalization of a mother, during the
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630:is available for free viewing and download at the
619:is available for free viewing and download at the
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440:Historical Dictionary of Russian and Soviet Cinema
331:with the same flag waving triumphantly on top.
258:The film was voted number 8 on the prestigious
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589:. The Grey Walls Press Ltd. pp. 157–159.
442:. US: Rowman & Littlefield. p. 470.
8:
358:Anna Zemtsova as Anna, a Revolutionary Girl
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553:, Tikhon Nikolaevich Khrennikov home page
382:Ivan Bobrov as Young Prisoner (uncredited)
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373:V. Savitsky as Isaik Gorbov, the Foreman
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379:F. Ivanov as Prison Warden (uncredited)
343:as Pelageya Nilovna Vlasova, the Mother
949:Soviet revolutionary propaganda films
572:. Vision Press Limited. p. xvii.
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974:Films directed by Vsevolod Pudovkin
969:Films based on works by Maxim Gorky
364:as Vessovchtchnikov, Pavel's Friend
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544:"Музыка к фильмам" (film music)
804:The Return of Vasili Bortnikov
405:Film technique and Film acting
27:1926 film by Vsevolod Pudovkin
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780:In the Name of the Fatherland
394:as Revolutionary (uncredited)
376:N. Vidonov as Misha, a Worker
262:list at the 1958 World Expo.
999:1920s Russian-language films
984:Russian-language drama films
959:Soviet black-and-white films
964:Soviet silent feature films
583:Roger Manvell, ed. (1949).
533:"Tikhon Khrennikov – Works"
403:Pudovkin wrote in his book
269:underwent a restoration at
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566:Vsevolod Pudovkin (1954).
407:that "In my earlier film,
304:Russia, 1905. Vlasov is a
224:Russian Revolution of 1905
716:The End of St. Petersburg
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538:18 September 2008 at the
520:British Newspaper Archive
273:, adding a soundtrack by
239:The End of St. Petersburg
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149:11 October 1926
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772:The Murderers Are Coming
349:as Pavel Vlasov, the Son
250:The Heir to Genghis Khan
954:Gorky Film Studio films
469:The Film and the Public
438:Peter Rollberg (2009).
388:as Student (uncredited)
700:Mechanics of the Brain
586:Experiment in the Film
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549:17 March 2014 at the
503:"Russian Film Banned"
355:as Vlasov, the Father
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362:Ivan Koval-Samborsky
353:Aleksandr Chistyakov
756:Minin and Pozharsky
508:Belfast News-Letter
476:. pp. 112–116.
994:Silent drama films
979:Soviet drama films
678:Films directed by
510:. 25 February 1930
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680:Vsevolod Pudovkin
449:978-0-8108-6072-8
370:as Police Officer
368:Vsevolod Pudovkin
341:Vera Baranovskaya
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275:Tikhon Khrennikov
220:Vsevolod Pudovkin
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87:Vera Baranovskaya
53:Vsevolod Pudovkin
16:(Redirected from
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989:1926 drama films
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512:. Retrieved
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281:Plot summary
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218:directed by
211:) is a 1926
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177:Soviet Union
165:Running time
142:Release date
70:
29:
848:Maxim Gorky
692:Chess Fever
514:28 December
490:. VokrugTV.
315:Nicholas II
260:Brussels 12
242:(1927) and
234:Maxim Gorky
191:intertitles
186:Silent film
110:David Blok
77:Maxim Gorky
49:Directed by
944:1926 films
938:Categories
921:The Mother
886:Die Mutter
425:References
306:pipefitter
252:) (1928).
229:The Mother
216:drama film
203:(Russian:
169:89 minutes
153:1926-10-11
126:Production
72:The Mother
59:Written by
796:Zhukovsky
265:In 1968,
182:Languages
902:Ilaignan
643:AllMovie
547:Archived
536:Archived
466:(1955).
189:Russian
107:Music by
83:Starring
67:Based on
764:Suvorov
748:Victory
419:Dickens
329:Kremlin
320:May Day
271:Mosfilm
174:Country
151: (
128:company
924:(play)
905:(2011)
897:(1990)
894:Mother
889:(1958)
881:(1955)
878:Mother
873:(1926)
870:Mother
856:(1906)
853:Mother
807:(1952)
799:(1950)
791:(1947)
783:(1943)
775:(1942)
767:(1941)
759:(1939)
751:(1938)
743:(1933)
735:(1932)
727:(1927)
719:(1927)
711:(1926)
708:Mother
703:(1926)
695:(1925)
638:Mother
616:Mother
605:Mother
488:"Мать"
446:
409:Mother
300:(1926)
298:Mother
267:Mother
213:Soviet
200:Mother
119:(1970)
112:(1935)
35:Mother
913:Stage
862:Films
399:Style
248:(aka
610:IMDb
516:2018
444:ISBN
335:Cast
205:Мать
850:'s
641:at
627:Mat
608:at
232:by
209:Mat
75:by
940::
506:.
472:.
277:.
207:,
840:e
833:t
826:v
671:e
664:t
657:v
522:.
452:.
155:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.