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Matrix Feminist Design Co-operative

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121:, collaborative ways of working with people, groups and organisations that were traditionally excluded from architectural design processes. The type of projects undertaken by the practice also extended beyond the range of standard architectural services, to include design guidance and training support. Along with other architectural organisations at the time across the UK, Matrix provided 'technical aid' to community and women's groups. The aim of Community Technical Aid Centres (CTAC) was to provide free or funded support services in a locality such as in construction, how to obtain funding, create neighbourhood organisations and building projects, and how to campaign for change. 137:. Some of this work helped the development of a Women into Architecture and Building (WIAB) access course at the Polytechnic of North London (later University of North London, then London Metropolitan University) founded by Yvonne Dean with many women from Matrix involved as tutors, and with Matrix co-founder Susan Francis as course leader for a number of years. 22: 132:
A course on technical drawing that started as a consultative tool for Dalston Children's Centre (now the Bathhouse Children’s Community Centre) was developed further for use on women builders' training schemes, particularly at Women's Education in Building (WEB), a group delivering projects on behalf
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was formed in London in 1981. It was one of the first architectural organisations worldwide to bring a feminist approach to architecture and the design of the built environment and to challenge patriarchal spatial systems. Matrix pursued these objectives through built projects, theoretical analysis,
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in 1990 (also on Channel 4, with an associated publication). Matrix led and took part in many events of the period, including Women and Space at the Architectural Association in 1979, ‘Women’s Realm’ (Feminist Architects’ Network, North London Polytechnic 1987) and Alterities, a major international
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Matrix originated as a feminist offshoot of the New Architecture Movement (NAM) in London. In the late 70s a group of women involved in NAM began meeting separately to discuss feminist perspectives and specific issues facing women in the built environment. This led to the formation of the Feminist
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Matrix were part of a much bigger second wave international feminist movement in the 1980s and 90s that campaigned to increase the number of women going into the architectural profession, to challenge conventional design practices and to enable women influence the design of built space. They were
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Matrix had many contributing members involved across a range of projects and affiliated groups between 1978 and 1994. These included the Women and Space conference (1979), the Home Truths exhibition (1980), the Matrix book group (1980–84), the Matrix support group (1980–84), and the architectural
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to provide technical advice. The GLC enabled over 40 voluntary organisations which benefitted women to develop their premises. Client organisations for feasibility studies and/or for projects that did not go ahead included Brixton Black Women’s Centre, The Calthorpe Project, Bermondsey Women’s
105:. Benedicte Foo was likely to also be an early member. Some of the founding members lived in squats or short-life housing while the collective was starting up, which meant living costs were minimal and energy could be directed to the work of the collective. 124:
Methods for working with clients stemmed from Matrix's founding commitments to involving women in the design and production of buildings. Women from the practice used models and building visits to empower their clients to share in making design decisions.
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The Matrix Feminist Design Cooperative design cooperative was a women-led and multi-racial architectural practice. Set up as a workers’ cooperative, it was run using a non-hierarchical management approach, with everyone paid at the same rate.
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The Cooperative also provided courses on technical drawing for trainee tradeswomen, on the building process for workers and client groups, and on building law, casting general structures and construction for practising tradeswomen.
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Matrix is probably best known for the Jagonari Educational Resource Centre, a project for women from the largely Bangladeshi community of Whitechapel, London. An unsuccessful application was made to list the Centre in 2018.
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Particularly in the later years Matrix members published and gave presentations on race and gender discrimination in the profession; including Women Architects, a UK research booklet funded by the UK Arts Council (1996);
327:, Doina Petrescu, Katie Lloyd Thomas, Brigid McLeer, Helen Stratford, Miche Fabre Lewin, Angie Pascoe and Teresa Hoskyns. Spatial practice was also developed by the Julia Dwyer and the Sue Ridge partnership. 94:
Design Collective (1978–80) which then split into Matrix and Mitra. The latter focusing on enabling more women into the architectural profession; whilst Matrix focused on changing existing practices.
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published in 1984. The book explores relationships between gender and architecture, building on the then emerging work from feminist geographers and historians in the UK and USA, including
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contributors to the seminal Paradise Circus: Women and the City film shown on Channel 4 in 1988, directed by Heather Powell for the Birmingham Film and Video Workshop, as well as to
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Centre, Hackney Asian Women’s Centre, Maxilla and Defoe Nurseries, Lambeth African Women’s Centre, Haringey Women’s Training/Education Centre and Charterhouse Women’s Project,
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Related groups include the Women in Manual Trades (WAMT) a pioneering charity supporting women in construction, and the Women's Design Service, founded in 1985.
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Dubeissy, Rana (2018). "Gender in Architecture: A Feminist Critique on Practice and Education". In Serazin, Helena; Franchini, Caterina; Garda, Emilia (eds.).
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Architects and Audley English Associates to produce Accommodating Diversity, a booklet on housing design for minority ethnic, cultural and religious groups.
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1984-87: Jagonari Educational Resource Centre, Tower Hamlets: new build for Asian women’s organisation including crèche and large kitchen.
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practice (1980–1994). Key initial members include Frances Bradshaw, Susan Francis, Barbara McFarlane, Anne Thorne, Julia Dwyer, and
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methodologies, and is an important precursor to later feminist groups and organisations. Recognition is increasing, the editors of
1209:"Design Diaspora: Black Architects and International Architecture, 1970-1990 | Collections Search Center, Smithsonian Institution" 228:
Building = Equality, a Working Paper promoting equality of opportunity for black professionals within construction industry (1996)
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AA XX 100 Women in Architecture 1917-2017, in 2017, with an associated publication edited by Lynne Walker and Elizabeth Darling
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Morton, Patricia (2002). "The Social and the Poetic: Feminist Practices in Architecture, 1970–2000". In Jones, Amelia (ed.).
234:(Paper presented to International Conference on Gender and Urbanisation, sponsored but United Nations in Kenya (1994); and 1208: 909:""We don't have leaders! We're doing it ourselves!": Squatting, Feminism and Built Environment Activism in 1970s London" 167:
1988-91: Grosvenor Terrace Housing, Southwark new build housing comprising 18 independent living flats for single people
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Dwyer, Julia; Thorne, Anne (2007). "Evaluating Matrix: Notes from Inside the Collective". In Petrescu, Doina (ed.).
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de Graft Johnson, Ann (1999). "Gender, race and culture in the urban built environment". In Greed, Clara (ed.).
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Matrix were a member of the Association of Community Technical Aid Centres (ACTAC) and gained funding from the
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Contested spaces : abortion clinics, women's shelters and hospitals : politicizing the female body
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Some ex-Matrix members have developed feminist spatial practices such as through Taking Place formed by
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de Graft-Johnson, Ann (1991). "Where Are They? Black Women: Architecture and the Built Environment".
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Hoskyns, Teresa; Stratford, Helen (2 September 2017). "Was (is) taking place a Nomadic Practice?".
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The impact of the collective was reinforced in 2019 and 2020 when Matrix was nominated for the
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Diaspora: Black Architects and International Architecture 1970 – 1990 Exhibition, Chicago 1993
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Owens, Ruth (18 October 1989). "Childcare Challenge: Building Feature: Jumoke Nursery".
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1987-88: Pluto Lesbian and Gay Housing Co-operative, Islington: housing conversions
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Drawing on Diversity: women, architecture and practice at RIBA Heinz Gallery, 1997
207:(London: Pluto Press, 1984) and two pamphlets funded by the GLC Women's Committee 479:
Why architects matter : evidencing and communicating the value of architects
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Noticing the unnoticed in JMAG, N° 1 : Identities Geneva Fribourg Burghof
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Making Space: Housing Feminism and Urban Change at Guest Projects London, 2019
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A Job Designing Buildings: For Women Interested in Architecture and Buildings
1509: 1476: 1253: 868: 835: 757: 680: 518:(2012). "Tendencies and Trajectories: Feminist Approaches in Architecture". 421: 155:
1991: Al-Hasaniya, The Moroccan Women’s Centre, Trellick Tower, West London
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Desiring practices : architecture, gender, and the interdisciplinary
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1984-85: Dalston Children’s Centre, Hackney: conversion of disused baths
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1988-90: Half Moon Young People’s Theatre, Tower Hamlets: conversion of
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Still I Rise: feminisms, gender, resistance at Nottingham Contemporary,
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1990s: Little Crackle Nursey for Holy Trinity Church Institute, Hackney
213: Building for Childcare: Making Better Buildings for the Under-5s 21: 339: 1713:"Six women architects that deserve to win the RIBA Royal Gold Medal" 559:
Architecture and feminisms : ecologies, economies, technologies
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Grote, Janie (1992). "Matrix: A Radical Approach to Architecture".
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Matrix has had ongoing impact on feminist approaches to design and
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Desiring Practices: Architecture, Gender and the Interdisciplinary
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Where Are They? Black Women: Architecture and the Built Environment
792:"The Forgotten Feminist Architects Who Changed the Face of London" 404:
Gender space architecture : an interdisciplinary introduction
323:, Julia Dwyer, (who were Matrix members) together with Sue Ridge, 31:
may have been created or edited in return for undisclosed payments
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In 1993, they collaborated with Penoyre & Prasad architects,
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Altering practices : feminist politics and poetics of space
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muf (2007). "An Invisible Privilege". In Petrescu, Doina (ed.).
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Altering practices : feminist politics and poetics of space
1433:"Only resist: a feminist approach to critical spatial practice" 1688:"Campaigners nominate leading women for RIBA Royal Gold Medal" 15: 203:
Matrix produced a range of publications, including the book
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Garland, Annette (8 July 1983). "Co-operating for Change".
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commissioned research and publications, including the book
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conference in Paris on feminism and architecture in 1999.
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Thomas, Katie Lloyd (2009). "the other side of waiting".
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Women and the making of built space in England, 1870-1950
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Women on the Defensive: Living Through Conservative Times
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Women and the Making of Built Space in England, 1870-1950
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Women's Creativity Since the Modern Movement (1918-2018)
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Bartlett Innovation Fund to develop an online resource.
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Learning and Skills Councils in West and Central London
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Making space : women and the man-made environment
641:. World of art. London New York: Thames & Hudson. 1328:"Still I Rise: Feminisms, gender, resistance - Act 3" 934:"Spatial Agency: Matrix Feminist Design Co-operative" 215:(London: Matrix Feminist Design Co-operative, 1986). 1490:
Darling, Elizabeth; Whitworth, Lesley, eds. (2007).
1353:"STILL I RISE: FEMINISMS, GENDER, RESISTANCE, ACT 2" 1303:"Still I Rise: Feminisms, Gender, Resistance, Act 1" 771:
Francis, Susan (1971). "Women's Design Collective".
665:. Matrix (Organization). London: Pluto Press. 1985. 37:. It may require cleanup to comply with Knowledge's 1357:
DLWP, The De La Warr Pavilion, Bexhill, East Sussex
1282:"AA Women in Architecture 1917-2017 | AA Bookshop" 816:Carson, Fiona; Pajaczkowska, Claire, eds. (2001). 173:1986-88: Jumoke Training Nursery, Southwark London 1494:. Aldershot, Hants, England: Ashgate. p. 5. 1195:Ordinary People : Why Women Become Feminists 1023:Swenarton, Mark (9 June 1989). "Guiding Lights". 999:"Spatial Agency: Community Technical Aid Centres" 232:Black Women in Architecture from a UK Perspective 1120:Feminism and Politics: A Comparative Perspective 205:Making Space: Women and the Man Made Environment 179:1984-85: Hackney Women’s Centre: shop conversion 67:Making Space: Women and the Man-made Environment 371:Journal of Architectural and Planning Research 1122:. University of California Press. p. 86. 594:(Second ed.). London. pp. 287–279. 8: 1137:. University of Chicago Press. p. 107. 709:"Spatial Agency: New Architecture Movement" 249:Ordinary People: Why Women Become Feminists 1040:'Working with Women', Matrix, Making Space 622:: CS1 maint: location missing publisher ( 561:. Milton Park, Abingdon, Oxon: Routledge. 522:. SAGE Publications Ltd. pp. 85–106. 977:. Ljubljana: ZRC SAZU. pp. 108–115. 520:The SAGE Handbook of Architectural Theory 1815:Architecture firms of the United Kingdom 1634:Hoskyns, Teresa (2000). "Taking Place". 1150:ISSUE: The Magazine of the Design Museum 354: 1820:History of women in the United Kingdom 1378:"MAKING SPACE — Soft Fiction Projects" 1259: 1042:. London: Pluto Press. pp. 89–10. 686: 615: 592:The feminism and visual culture reader 316:as “highly important but underrated.” 291:How We Live Now, an exhibition at the 149:1993: Pier Training Workshop, Woolwich 733: 731: 729: 7: 1671:Dwyer, Julia (2010). Radu, F (ed.). 549: 547: 510: 508: 506: 433: 431: 386: 384: 364: 362: 360: 358: 790:Olah, Nathalie (12 November 2015). 285:De La Warr Pavilion, Bexhill, 2019 255:Exhibitions of their work include: 62:Matrix Feminist Design Co-Operative 1744:The Bartlett Real Estate Institute 853:. London: Routledge. p. 110. 338:following a campaign by the group 14: 1795:Feminist organisations in England 1461:. London: Routledge. p. 60. 742:. London: Routledge. p. 54. 445:. London: Routledge. p. 33. 282:Arnolfini Gallery Bristol, 2019 20: 1307:www.nottinghamcontemporary.org 1: 1686:Youde, Kate (8 August 2019). 1562:10.1080/20507828.2017.1379310 238:, published in ISSUE (1993). 33:, a violation of Knowledge's 377:: 158–186 – via JSTOR. 266:exhibition 1995 (curated by 117:The practice specialised in 1836: 1133:Bashevkin, Sylvia (1998). 1038:Bradshaw, Frances (1984). 152:1992: Essex Women’s Refuge 344:University College London 1550:Architecture and Culture 1164:"Paradise Circus (1988)" 907:Wall, Christine (2018). 528:10.4135/9781446201756.n6 145:Built projects include: 1382:softfictionprojects.com 820:. New York: Routledge. 818:Feminist visual culture 1810:Architecture academics 1528:www.takingplace.org.uk 1266:: CS1 maint: others ( 693:: CS1 maint: others ( 192:Greater London Council 109:Architectural practice 1740:"Inclusive Practices" 1648:10.4324/9781315851617 1193:Jones, Derek (1991). 1098:www.spatialagency.net 1003:www.spatialagency.net 938:www.spatialagency.net 713:www.spatialagency.net 637:Massey, Anne (2022). 406:. London: Routledge. 43:neutral point of view 1738:UCL (9 March 2020). 1437:Architectural Review 1431:(19 February 2018). 1118:Gelb, Joyce (1989). 851:Social town planning 334:Gold Medal Award by 306:participatory design 1675:. pp. 197–217. 1805:English architects 1800:British architects 1692:Architects Journal 1636:Public Art Journal 1605:10.1057/fr.2009.35 1213:collections.si.edu 1073:surveyoflondon.org 1055:Architects Journal 887:www.aaschool.ac.uk 268:Sarah Wigglesworth 1501:978-0-7546-5185-7 1468:978-0-415-35785-2 984:978-961-05-0106-0 749:978-0-415-35785-2 648:978-0-500-20482-5 601:978-0-415-54369-9 568:978-0-203-72971-7 488:978-1-315-76837-3 452:978-1-315-57400-4 59: 58: 1827: 1780: 1779: 1777: 1775: 1761: 1755: 1754: 1752: 1750: 1735: 1729: 1728: 1726: 1724: 1709: 1703: 1702: 1700: 1698: 1683: 1677: 1676: 1668: 1662: 1661: 1631: 1625: 1624: 1588: 1582: 1581: 1545: 1539: 1538: 1536: 1534: 1520: 1514: 1513: 1487: 1481: 1480: 1454: 1448: 1447: 1445: 1443: 1425: 1419: 1418: 1416: 1414: 1399: 1393: 1392: 1390: 1388: 1374: 1368: 1367: 1365: 1363: 1349: 1343: 1342: 1340: 1338: 1324: 1318: 1317: 1315: 1313: 1299: 1293: 1292: 1290: 1288: 1278: 1272: 1271: 1265: 1257: 1230: 1224: 1223: 1221: 1219: 1205: 1199: 1198: 1190: 1184: 1183: 1181: 1179: 1170:. 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(2000). 396:Penner, Barbara 390: 389: 382: 368: 367: 356: 352: 336:Harriet Harriss 302: 295:, London, 2021. 293:Barbican Centre 244: 201: 143: 111: 91: 55: 49: 46: 41:, particularly 25: 12: 11: 5: 1833: 1831: 1823: 1822: 1817: 1812: 1807: 1802: 1797: 1787: 1786: 1782: 1781: 1756: 1730: 1704: 1678: 1663: 1656: 1626: 1599:(1): 122–127. 1583: 1556:(3): 407–421. 1540: 1524:"Taking Place" 1515: 1500: 1482: 1467: 1449: 1420: 1394: 1369: 1344: 1319: 1294: 1273: 1244: 1225: 1200: 1185: 1174:on 19 May 2021 1155: 1140: 1125: 1110: 1085: 1060: 1045: 1030: 1015: 990: 983: 965: 950: 925: 899: 874: 859: 841: 826: 808: 782: 763: 748: 725: 700: 671: 654: 647: 629: 600: 582: 567: 543: 536: 502: 487: 466: 451: 439:Brown, Lori A. 427: 412: 380: 353: 351: 348: 301: 298: 297: 296: 289: 286: 283: 280: 277: 274: 271: 260: 243: 240: 200: 197: 184: 183: 180: 177: 174: 171: 168: 165: 159: 156: 153: 150: 142: 139: 110: 107: 90: 87: 83:Dolores Hayden 75:Linda McDowell 57: 56: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 1832: 1821: 1818: 1816: 1813: 1811: 1808: 1806: 1803: 1801: 1798: 1796: 1793: 1792: 1790: 1770: 1766: 1760: 1757: 1745: 1741: 1734: 1731: 1719:. 28 May 2020 1718: 1714: 1708: 1705: 1693: 1689: 1682: 1679: 1674: 1667: 1664: 1659: 1657:9781315851617 1653: 1649: 1645: 1641: 1637: 1630: 1627: 1622: 1618: 1614: 1610: 1606: 1602: 1598: 1594: 1587: 1584: 1579: 1575: 1571: 1567: 1563: 1559: 1555: 1551: 1544: 1541: 1529: 1525: 1519: 1516: 1511: 1507: 1503: 1497: 1493: 1486: 1483: 1478: 1474: 1470: 1464: 1460: 1453: 1450: 1438: 1434: 1430: 1429:Rendell, Jane 1424: 1421: 1409:. 19 May 2021 1408: 1404: 1398: 1395: 1383: 1379: 1373: 1370: 1358: 1354: 1348: 1345: 1333: 1329: 1323: 1320: 1308: 1304: 1298: 1295: 1283: 1277: 1274: 1269: 1263: 1255: 1251: 1247: 1245:0-9521773-9-0 1241: 1237: 1236: 1229: 1226: 1214: 1210: 1204: 1201: 1196: 1189: 1186: 1173: 1169: 1165: 1159: 1156: 1151: 1144: 1141: 1136: 1129: 1126: 1121: 1114: 1111: 1099: 1095: 1089: 1086: 1074: 1070: 1064: 1061: 1057:(16 Vol 190). 1056: 1049: 1046: 1041: 1034: 1031: 1026: 1019: 1016: 1004: 1000: 994: 991: 986: 980: 976: 969: 966: 961: 954: 951: 939: 935: 929: 926: 921: 917: 910: 903: 900: 888: 884: 878: 875: 870: 866: 862: 860:0-203-15919-5 856: 852: 845: 842: 837: 833: 829: 827:0-415-93686-1 823: 819: 812: 809: 797: 793: 786: 783: 778: 774: 767: 764: 759: 755: 751: 745: 741: 734: 732: 730: 726: 714: 710: 704: 701: 696: 690: 682: 678: 674: 672:0-86104-601-3 668: 664: 658: 655: 650: 644: 640: 633: 630: 625: 619: 611: 607: 603: 597: 593: 586: 583: 578: 574: 570: 564: 560: 556: 550: 548: 544: 539: 537:9781412946131 533: 529: 525: 521: 517: 516:Rendell, Jane 511: 509: 507: 503: 498: 494: 490: 484: 480: 476: 475:Samuel, Flora 470: 467: 462: 458: 454: 448: 444: 440: 434: 432: 428: 423: 419: 415: 413:0-203-44912-6 409: 405: 401: 397: 393: 392:Rendell, Jane 387: 385: 381: 376: 372: 365: 363: 361: 359: 355: 349: 347: 345: 341: 337: 333: 328: 326: 322: 317: 315: 311: 307: 299: 294: 290: 287: 284: 281: 278: 275: 272: 269: 265: 261: 258: 257: 256: 253: 250: 241: 239: 237: 233: 229: 223: 221: 216: 214: 210: 206: 198: 196: 193: 188: 181: 178: 175: 172: 169: 166: 164: 160: 157: 154: 151: 148: 147: 146: 140: 138: 136: 130: 126: 122: 120: 115: 108: 106: 104: 98: 95: 88: 86: 84: 80: 76: 72: 71:Doreen Massey 68: 63: 53: 44: 40: 36: 32: 29:This article 27: 23: 18: 17: 1772:. 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Index


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Doreen Massey
Linda McDowell
Susana Torre
Dolores Hayden
Jos Boys
co-design
Learning and Skills Councils in West and Central London
Poplar Town Hall
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Elsie Owusu
RIBA
Sarah Wigglesworth
Barbican Centre
participatory design
Jos Boys
Jane Rendell
RIBA
Harriet Harriss
Part W
University College London





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