146:
51:
395:
119:
adequately define the importance for the history of
Venetian painting of the first '600, although the significance was detected only in recent years. Similarly, the caliber of orders received -those of particular importance include works in the churches of
145:
81:
Matteo
Ponzone operated mainly in Venice, unless an interim period of ten years spent in Dalmatia, leaving their works in various locations of the coast.
322:), the Ponzone received a series procurement in Dalmatia thanks to the fact that his brother was the archbishop of Split Sforza from 1616 to 1640.
416:
381:
227:
426:
421:
121:
431:
96:
of Venice from 1613 to 1633, being one of the busiest in town throughout this period. In his workshop he had as pupils
50:
85:
92:, who was probably one of his teachers and whose influence is evident in the work of Ponzone. He joined the
129:
173:
160:
152:
125:
39:
191:
109:
75:
132:- account for the great success and wide contribution of Ponzone to Venetian artistic history.
270:
Attributed to
Ponzone are twenty paintings in the ceiling of the church of San Francesco
66:
November 9, 1583. Some other sources reported his date of birth approximately in 1586 in
101:
97:
60:«Mathi et Simon fiol de noble Patron Claudio Bolzon et Agnesina Negro equal in Madonna»
54:
The
Basilica of San Giorgio Maggiore, where the main works of Matteo Ponzone are kept.
410:
89:
31:
400:
182:
105:
63:
261:
in the same cathedral. The work was begun in 1639 by
Ponzone but not completed.
390:
271:
199:
67:
112:, who assist him in various paintings orders of the last Venetian period.
234:
71:
58:
According to several sources, Ponzone was born in Venice, identified as
220:
23:
380:
Bryan, Michael (1889). Walter
Armstrong; Robert Edmund Graves (eds.).
35:
27:
34:. Several of his works are in the churches and public buildings of
244:
144:
49:
281:
383:
Dictionary of
Painters and Engravers, Biographical and Critical
386:. Vol. II L-Z. London: George Bell and Sons. p. 309.
163:(Our Lady of the Garden): a series of portraits of saints, the
198:. Considered one of his masterpieces, is clearly inspired by
165:
St George slaying the dragon with Saints Jerome and
Tryphon
333:The Venetian painting of the seventeenth century
26:period, active between 1630 and 1700 mainly in
280:in the refectory of the Franciscan convent of
42:, and in the church of the "Padri Croceferi".
22:(17th century) was an Italian painter of the
8:
374:Istria e Dalmazia, Uomini e Tempi. Dalmazia
233:A series of paintings now in the museum of
372:, in Francesco Semi-Vanni Tacconi (cur.),
251:Stories of the Eucharist (eight paintings)
207:In other regions of the Republic of Venice
331:See in this regard Rodolfo Pallucchini ,
294:
274:, as well as other paintings of saints.
359:Le opere di Matteo Ponzone in Dalmazia
303:New Documents on Ponzone and Forabosco
7:
255:Saints Jerome, Francis and Catherine
265:Portrait of San Lorenzo Giustiniani
187:Christ on the cross and four Saints
344:significant Dalmatian iconography.
228:Basilica of Saint Anthony of Padua
14:
88:, and was related to the painter
393:
226:A series of paintings for the
196:St John writing the Apocalypse
115:The large amount of work left
1:
417:17th-century Italian painters
365:, XX, 1966, pp. 153–154.
257:, in the Cathedral of Split.
84:Ponzone was young student of
178:St George slaying the dragon
448:
219:, today in the museum of
427:Italian Baroque painters
376:, Del Bianco, Udine 1992
335:, Mondadori, Milan 1981.
86:Jacopo Palma the Younger
370:Matteo e Sforza Ponzone
309:Veneta, XL, Milan 1986.
318:According to Moretti (
169:Flagellation of Jesus.
155:
150:Flagellation of Jesus.
70:, in the far north of
62:born in the parish of
55:
422:Italian male painters
259:Il Ciclo di San Doimo
213:Adoration of the Magi
192:Church of San Martino
148:
74:, that time owned by
53:
432:Painters from Venice
243:at the Cathedral of
174:San Giorgio Maggiore
122:San Giorgio Maggiore
40:San Giorgio Maggiore
30:. He was a pupil of
110:Giovanni Carboncino
94:Fraglia dei Pittori
156:
76:Republic of Venice
56:
38:, particularly in
357:Kruno Prijateli,
161:Madonna dell'Orto
153:Madonna dell'Orto
126:Madonna dell'Orto
439:
403:
398:
397:
396:
387:
345:
342:
336:
329:
323:
316:
310:
299:
447:
446:
442:
441:
440:
438:
437:
436:
407:
406:
399:
394:
392:
379:
354:
349:
348:
343:
339:
330:
326:
317:
313:
300:
296:
291:
278:The Last Supper
209:
143:
138:
48:
17:
16:Italian painter
12:
11:
5:
445:
443:
435:
434:
429:
424:
419:
409:
408:
405:
404:
389:
388:
377:
368:Luciano Rota,
366:
353:
350:
347:
346:
337:
324:
311:
301:Lino Moretti,
293:
292:
290:
287:
286:
285:
275:
268:
267:also in Split.
262:
248:
247:(Capodistria).
238:
231:
224:
208:
205:
204:
203:
189:
180:
171:
142:
139:
137:
134:
102:Andrea Celesti
98:Antonio Zanchi
47:
44:
20:Matteo Ponzone
15:
13:
10:
9:
6:
4:
3:
2:
444:
433:
430:
428:
425:
423:
420:
418:
415:
414:
412:
402:
391:
385:
384:
378:
375:
371:
367:
364:
360:
356:
355:
351:
341:
338:
334:
328:
325:
321:
315:
312:
308:
304:
298:
295:
288:
283:
279:
276:
273:
269:
266:
263:
260:
256:
252:
249:
246:
242:
241:Santa Barbara
239:
236:
232:
229:
225:
222:
218:
214:
211:
210:
206:
201:
197:
193:
190:
188:
184:
181:
179:
175:
172:
170:
166:
162:
158:
157:
154:
151:
147:
140:
135:
133:
131:
127:
123:
118:
113:
111:
107:
103:
99:
95:
91:
90:Sante Peranda
87:
82:
79:
77:
73:
69:
65:
61:
52:
45:
43:
41:
37:
33:
32:Santo Peranda
29:
25:
21:
401:Italy portal
382:
373:
369:
362:
358:
352:Bibliography
340:
332:
327:
319:
314:
306:
302:
297:
277:
264:
258:
254:
250:
240:
217:Annunciation
216:
212:
195:
186:
183:San Cassiano
177:
168:
164:
149:
130:San Cassiano
116:
114:
106:Pietro Negri
93:
83:
80:
59:
57:
19:
18:
363:Arte Veneta
136:Major works
64:Saint Moses
411:Categories
200:Tintoretto
159:Church of
141:In Venice
235:Cividale
72:Dalmatia
272:Ĺ ibenik
221:Treviso
117:in situ
24:Baroque
320:cit. .
167:, the
128:, and
108:, and
36:Venice
28:Venice
361:, in
305:, in
289:Notes
245:Koper
282:Hvar
215:and
46:Life
307:Art
68:Rab
413::
253:,
194::
185::
176:;
124:,
104:,
100:,
78:.
284:.
237:.
230:.
223:.
202:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.