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Augustinus were active. When the latter died in 1711, he succeeded him as court painter in Berlin, while Ezaias went to Italy, where he married and settled permanently. He also became professor at the
Academy of Berlin. He returned to The Hague in 1710. He married that same year Thedora van Rheenen with whom he had five children. Two of them, Augustinus the Younger and Pieter also became painters.
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for which he received a certificate. In the spring of 1696 he travelled via
Leipzig and Neurenberg to Augsburg where to his regret no family members were still living. He then continued on to Florence and Siena to arrive in Rome. Here he produced in 1697 an extensive album of drawings after Antique
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during his three-month stay in Vienna. He then continued on via Prague to Berlin where he resided in the years 1698/99. In June 1699 he was back in The Hague, where he worked on commissions from important public figures. He was recorded back in Berlin in April 1710 where his brothers Ezaias and
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who both worked in the Dutch
Republic during their careers are among his known collaborators. These collaborations were usually on decorative ceiling paintings, as well as chimney pieces and overdoors. When one of the flower painters was without a commission, Terwesten would occasionally paint a
118:. He is known for his portraits as well as of mythological and allegorical subjects. He was a decorative painter he painted chimney pieces, overdoors, wall hangings and ceilings for the luxurious buildings of his time. He was director of The Hague Drawing Academy. He became
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He was active in the drawing academy of The Hague throughout his professional life. He worked until old age. As late as 1751, at the age of 81, he was commissioned to decorate a courtroom and executed it. After two strokes he died in The Hague on 11 June 1757.
203:, an association of mainly Dutch and Flemish artists working in Rome. It was customary for new members of the Bentvueghels to adopt an appealing nickname, the so-called 'bent name'. Terwesten took the nickname "Arend", "Arents" or "Aquila", meaning "eagle".
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simple background motif such as a vase with drapery or playing putti and the specialist would add the flowers and have the finished painting offered for sale. Such a work was signed, if at all, by the flower painter.
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while his mother
Catharina came from Berlin. They had married in The Hague in 1648, where Hans Jacob worked as a goldsmith. The marriage produced ten children, of whom three sons and two daughters survived.
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was the oldest son. In his father's workshop
Augustinus learned the art of engraving, goldsmithing and wax modelling. This was followed by two years of apprenticeship with the history painter
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He travelled to Berlin to visit his sick mother. He passed via Loreto, Bologna, Venice and Vienna. He stayed one month in Venice and met the
Flemish painter
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He collaborated with his brothers and specialist still life painters on his decorative paintings. The
Flemish still life painters
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Terwesten was born in The Hague of parents of German origin. His father, Hans Jacob
Terwesten or Zurwesten, was originally from
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In 1695 he traveled via Berlin to Rome, where his mother and brother
Augustinus were living. He took drawing classes at the
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He initially studied under his 21 years older brother
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He painted portraits and wall and ceiling decorations with historical allegories.
114:(23 February 1670, The Hague - 11 June 1757, The Hague) was a Dutch painter and
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Sheila D. Muller, Dutch Art: An Encyclopedia, Routledge, 2013, p. 179
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His pupils were Herman Diederik Cuipers, Pieter van Cuyck (I),
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Michael Lausberg, ââPrunkschlösser: Schloss Charlottenburgââ
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