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brothers would mock him for not catching any fish and he would retaliate with mischievous tricks against them. Māui and all his brothers were sons to a divine father and mother but only Māui was granted miraculous powers, which is why Māui was able to possess this magical hook made from the bones of his divine ancestors. One day, his brothers went fishing but would not permit Māui to join them on the canoe, and this irritated Māui. When they returned, Māui told them that, had he gone with them, they would have caught many more fish rather than just a single shark. His brothers considered his remark and then took him out on their next trip. They asked him where all the "good" fish were. Māui then threw in his magical hook baited with Alae birds, sacred to his mother Hina. The ocean floor began to move and generate huge waves while Māui asked his brothers to paddle fast to accommodate for the oncoming fish. They paddled with great power and were getting tired but Māui told them not to look back because if they did the fish would run away. One of the brothers disobeyed and the fishing line snapped, revealing new islands. Had nobody looked back, there would have been more islands.
451:, to put it in. His idea was to cook the taro that they had been harvesting. The god came and blew the fire up scattering the rocks and angered Tiʻitiʻi. As he goes to talk to the god, Mafui‘e was determined to punish Tiʻitiʻi severely for daring to rebel against the power of fire. Their great duel ultimately ended with Tiʻitiʻi triumphant. The young demigod broke off Mafuiʻe's right arm and caught the left arm right after. Scared that Tiʻitiʻi was going to break off that arm, Mafuiʻe pleaded with him to spare the left arm so he could still fulfill his duty of keeping Samoa flat with earthquakes. The god offered him one hundred wives should he spare his left arm. The hero declined; the god offered the secrets of fire that he can take to the upper world. Tiʻitiʻi accepted this offer and learned that the gods had hidden eternal fire in trees, to be extracted by rubbing sticks from the trees together.
447:, the earthquake god. When Tiʻitiʻi got the chance, he went up to the wall and imitated the voice of his father, saying "O rock! Divide, I am Talaga, I come to work on my land given by Mafuiʻe". As Tiʻitiʻi passed through to the underworld, his father was surprised and told his son to help quietly so he doesn't anger Mafui‘e. While working, Tiʻitiʻi noticed smoke and asked his father where it was coming from. Talaga explained that the smoke was from Mafuiʻes fire. Tiʻitiʻi went to see the god and ask for fire. Mafuiʻe gave him a little bit of the fire; then he quickly built a stone oven, or
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79:. Some exploits common to most Polynesian traditions are stealing fire for humans from the underworld, fishing up islands with his magical hook, and capturing the Sun to lengthen the days. There is a great deal of variation in the representations of Māui from nation to nation, from being a handsome young man, to being an old wise wandering priest. Although Māui was said to be very rascally or "kolohe", many of his deeds were to better the lives of his fellow people.
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trees, and their melodious music, however, no one else could join him in enjoying what was apparent to his vision. For, although Māui's friends could hear their wonderful bird songs, none perceived the true source of the sounds. Māui felt compassion for his friends, for humanity, and their inability to behold with their eyes the colorful, musical creatures as they flitted from tree to tree, so, Māui caused the creatures to become visible to the naked eye.
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who lived in Manuka (located to the east on the island of Tonga). Tongafusifonua allowed him to take the fishhook, under the condition that he could find it in his collection of countless hooks. But his wife, Tavatava betrayed the secret, allowing Māui to pick the right hook. And so he was able to fish up the coral islands from the bottom of the ocean (Volcanic islands are supposed to have fallen down from heavens).
602:. Abandoned by his human parents as a baby, the gods took pity on him and made him a demigod and gave him a magic fishhook that gives him the ability to shape-shift. He went on to perform miracles to win back the love of humanity, each of which earned him an animated tattoo. He is fabled to have stolen the heart of Te Fiti, a powerful island goddess who creates life. The protagonist of the film,
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378:. Māui then dwelt in Tonga. Māui had two sons: the eldest, Māui-Atalanga, and the younger Māui-Kisikisi. The latter discovered the secret of fire, and taught people the art of cooking food: he made fire dwell in certain kinds of wood. Māui-Motu'a bears the earth on his shoulders, and when he nods in sleep it causes earthquakes, therefore the people have to stamp on the ground to waken him.
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cold winds, he decided upon a simpler solution. He would bring the fire to him. Māui knew of a tribe of intelligent birds that mastered the art of fire-making. His plan was to capture their leader, and coerce from him the secret of fire. The bird taught him that he should rub certain sticks together in order to produce fire, and this is how the secret of fire was brought to humanity.
179:, the goddess of fire, for more. So Māui (a grandson of Mahuika) offered to go and find her. Mahuika lived in a cave in a burning mountain at the end of the earth. She gave Māui one of her burning fingernails to relight the fires, but Māui extinguished fingernail after fingernail until Mahuika became angry and sent fire to pursue Māui, who survived only by calling upon
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Other sources say that in Tonga there were three Māui brothers: Māui-motuʻa (old Māui), Māui-atalanga, and Māui-kisikisi (dragonfly Māui), the last one being the trickster. He also got the name Māui-fusi-fonua (Māui land puller) when he begged the magic fishhook from the old fisherman
Tongafusifonua,
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In former days, the sun used to travel quickly across the sky, leaving not enough daylight time for working and eating. Māui proposed to catch the sun and slow it down. Armed with
Murirangawhenua's magic jawbone and a large amount of rope, Māui and his brothers journeyed to the east and found the pit
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Before Māui's involvement in the matter, the Sun (Lā) notoriously traveled on irregular paths in the sky, coming and going unexpectedly at times, which made activities such as farming very difficult for man. To this end, Māui crafted snares made of his hair in order to trap the sun and compel it to
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As humans had not yet discovered fire, during Māui's tenure in a land of perpetual volcanic eruptions and fire in the mountaintops, Māui decided that rather than periodically hike for dozens of miles across corals just to obtain glowing embers of the extinguished fires put out the previous night by
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Māui also is credited with the creation of the
Hawaiian islands, when he went on a fishing expedition with his friends, and, using a magic fish hook, pulled up various island groups from the oceanic depths. In some versions of the Hawaiian fisherman story, Māui is said to be a bad fisherman. His
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Some of Māui's most renowned feats included causing birds (which were invisible to mortal eyes) to become visible. In this long ago, forgotten time, the music of the birds delighted Māui. He observed them with keen interest, their varied and beautiful plumage which adorned the foliage of fragrant
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slept during the night-time. There they tied the ropes into a noose around the pit and built a wall of clay to shelter behind. Tama-nui-te-rā was caught in the noose and Māui struck him with the jawbone until he surrendered and agreed to travel slowly across the sky.
141:. The next morning, when the waka was too far from land to return, he emerged from his hiding place. His brothers would not lend him any bait, so he struck himself on the nose and baited the hook with his blood. He pulled up a giant fish which would become the
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Disney's story is a twist on traditional lore in which Maui shapeshifts into a worm and then enters the toothed vagina of Hine-nui-te-pō. Maui's invasion prompts her to crush him with obsidian teeth lining her vagina, an object lesson discouraging
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In the original myth, when Māui attempted to reverse the natural birth process by entering Hine-nui-te-pō's vagina and exiting via her mouth he was crushed to death between the obsidian teeth of Hine-nui-te-pō's
406:(sacred place), and the sun getting low while Māui's work was unfinished, he laid hold of the hihi, or sun-rays, and stopped his course for some time. As the discoverer of fire, Māui was named
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to give it strength; to this he attached the magic fish-hook made from the jawbone that his grandmother
Murirangawhenua had given him. Then he stowed away in the hull of his brothers'
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358:, Māui lifted up the heavens, which, for a long time, had lain heavily upon the plants of the Earth, leaving insufficient room for growth and for humanity to move about with ease.
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There were eight Māui: Māui-mua, Māui-muri, Māui-toere-mataroa, Tumei-hauhia, Māui-tikitiki-toga, Māui-matavaru, Māui-taha, Māui-roto. Māui the eight-eyed (matavaru) is the
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284:). This couple has four sons, Māui-mua, Māui-waena, Māui-kiʻikiʻi and Māui-a-kalana. Māui-a-kalana's wife is named Hinakealohaila; his son is Nanamaoa. Māui is one of the
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Māui wanted to know where fire came from, so one night he went among the villages of his people and put all the fires out. Māui's mother
Taranga, who was their
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Māui's older brothers always refused to let him come fishing with them. One night, he wove for himself a flax fishing line and enchanted it with a
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183:, the god of weather, to put it out with his rain. Mahuika threw her last nail at Māui, but it missed him and flew into some trees including the
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travel more slowly and adhere to regular courses of travel. In this manner, Māui regulated the sun's activities for the benefit of mankind.
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191:. Māui brought back dry sticks of these trees to his village and showed his people how to rub the sticks together and make fire.
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demigod that he is, Tiʻitiʻi concealed himself closely to a wall that allowed his father, Talaga, to get to work in the
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because he taught the art of obtaining fire by friction of wood. Before this time people ate their food raw. See also
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version of his tales, Māui drew up the Tongan
Islands from the deep: first appeared Lofanga and the other
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68:. His origins vary from culture to culture, but many of his main exploits remain relatively similar.
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by reversing the natural birth process, he transformed into a worm and entered Hine-nui-te-pō's
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and a trickster, famous for his exploits and cleverness. Māori names of Māui include
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Parade in Hilo performs as Māui, based largely on his depiction in the 2016 film
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Mercer, Erin (27 March 2017). "The Gothic in
Oceania". In Jackson, Anna (ed.).
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853:"From Shapeshifter to Lava Monster: Gender Stereotypes in Disney's Moana"
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945:"VARIATIONS OF MYTHS CONCERNING THE ORIGIN OF FIRE IN EASTERN POLYNESIA"
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Tales of Māui's exploits and adventures are told throughout most of
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Legends of Ma-ui: A demi god of
Polynesia, and of his mother Hina.
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621:'s song "Maui Hawaiian Sup'pa Man" in his most well-known album,
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Westervelt, W. D. (n.d.). II. Retrieved April 10, 2019, from
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Westervelt, W. D. (n.d.). V. Retrieved April 10, 2019, from
648:, another mythological figure armed with a magical fish hook
56:. Very rarely was Māui actually worshipped, being less of a
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Māui was included as a playable hero in the video game
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he is the son of ʻAkalana and his wife Hina-a-ke-ahi (
159:. (Other traditions make the South Island the waka of
1001:. Berkeley: University of California Press. pp.
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who appears in several different genealogies. In the
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1109:(The Museum of Polynesian Religion: Honolulu, 1927).
933:(Lyon and Blair: Lambton Quay, 1891). 1891:235-236).
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Streiff, Madeline; Dundes, Lauren (September 2017).
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New
Directions in Children's Gothic: Debatable Lands
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787:(1 ed.). New York: Routledge. p. 123.
213:Māui's last trick led to his death and involved
1127:http://www.sacred-texts.com/pac/maui/maui05.htm
1121:http://www.sacred-texts.com/pac/maui/maui08.htm
1100:Legends of Gods and Ghosts (Hawaiian Mythology)
905:Legends of Gods and Ghosts (Hawaiian Mythology)
435:gave fire to his people. Being the curious and
1102:(Press of George H. Ellis, Co.: Boston, 1915).
907:. Boston: George Ellis, Co. pp. vi–viii.
1088:(University of Hawaii Press: Honolulu, 1970).
475:. His father was Ataraga; his mother, Uaega.
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536:. Unsourced material may be challenged and
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27:Polynesian mythological hero and trickster
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556:Learn how and when to remove this message
588:appears as a main character in the 2016
1078:Maori-Polynesian Comparative Dictionary
1028:Maori-Polynesian Comparative Dictionary
930:Maori-Polynesian Comparative Dictionary
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1116:Honolulu, HI: The Hawaiian Gazette Co.
417:Māui was responsible for earthquakes.
288:. His name is the same as that of the
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1081:(Lyon and Blair: Lambton Quay, 1891).
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729:"How Māui brought fire to the world"
534:adding citations to reliable sources
1095:(Hawaiian Gazette: Honolulu, 1910).
824:Williams, Lewis (4 November 2021).
592:3D computer-animated musical film
463:, Māui hauls the land up from the
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333:Tamer of the Sun and the Heavens
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125:("Māui the house of trouble").
1166:Heroes in mythology and legend
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617:Māui was also the subject of
431:In Samoan mythology, Māui or
414:, Tahitian guardian of fire.
167:Māui brings fire to the world
903:Westervelt, William (1915).
443:. The underworld is home to
242:. The story now serves as a
121:("Māui the last born"), and
1171:Legendary Polynesian people
762:. Te Tāhuhu o te Mātauranga
735:. Te Tāhuhu o te Mātauranga
708:. Te Tāhuhu o te Mātauranga
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1059:University of Hawaii Press
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29:
1112:Westervelt, W.D. (2010).
952:Asian and African Studies
943:Buckova, Martina (2009).
830:. Routledge. p. 20.
756:"How Māui slowed the sun"
702:"Māui and the giant fish"
681:Craighill Handy 1927: 118
260:Māui (Hawaiian mythology)
145:of New Zealand, known as
1026:Tregear, E. R. (1970).
113:("Māui the top-knot of
111:Māui-tikitiki-a-Taranga
109:("Māui the top-knot"),
1105:E.S. Craighill Handy,
993:Salmond, Anne (2010).
983:Tregear 1891, 194, 235
754:Grace, Wiremu (2016).
727:Grace, Wiremu (2016).
700:Grace, Wiremu (2016).
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129:Islands of New Zealand
89:Māui (Māori mythology)
1049:Beckwith, M. (1970).
870:10.3390/socsci6030091
793:10.4324/9781315695877
619:Israel Kamakawiwoʻole
612:Polynesian narratives
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425:Further information:
374:Islands, and finally
258:Further information:
99:Polynesian traditions
87:Further information:
32:Maui (disambiguation)
1147:at Wikimedia Commons
652:Warohunugamwanehaora
530:improve this section
490:and a hatchet named
459:In the mythology of
455:Mangarevan mythology
398:In the mythology of
54:Polynesian mythology
30:For other uses, see
1107:Polynesian Religion
572:Participant of the
315:Creation of Hawai'i
240:teeth in her vagina
1086:Hawaiian Mythology
1051:Hawaiian Mythology
997:Aphrodite's Island
608:Lin-Manuel Miranda
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498:In popular culture
394:Tahitian mythology
324:The secret of fire
306:Revelator of Birds
254:Hawaiian mythology
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195:Māui slows the sun
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1091:W.D. Westervelt,
837:978-1-000-47233-2
802:978-1-315-69587-7
660:(1999 video game)
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969:25 November
346:Similar to
153:, known as
119:Māui-pōtiki
1155:Categories
1070:References
914:0898755905
766:19 January
739:19 January
712:19 January
441:underworld
299:Hawaiʻiloa
228:pīwakawaka
77:New Guinea
879:2076-0760
863:(3): 91.
666:Footnotes
517:does not
488:Atua-tane
461:Mangareva
189:kaikōmako
173:rangatira
73:Polynesia
66:folk hero
50:trickster
1055:Honolulu
960:Archived
640:See also
433:Tiʻitiʻi
427:Tiʻitiʻi
380:Hikule'o
352:Heracles
290:Hawaiian
278:Kumulipo
246:against
237:obsidian
233:fantails
219:immortal
187:and the
538:removed
523:sources
445:Mafuiʻe
412:Mahui'e
372:Haʻapai
366:In the
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177:Mahuika
135:karakia
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400:Tahiti
384:Pulotu
376:Vavaʻu
368:Tongan
223:vagina
161:Aoraki
963:(PDF)
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884:rape.
633:Smite
604:Moana
595:Moana
579:Moana
484:staff
404:marae
348:Atlas
286:Kupua
274:chief
185:māhoe
58:deity
1007:ISBN
971:2021
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768:2019
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586:Maui
521:any
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350:and
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