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499:. Hegele's project for the church was already well defined in 1899, though it needed some improvement, but construction did not start until eight years later. Groundbreaking took place on 11 May 1908, with Vienna's Mayor Karl Lueger laying the first stone, and the building was ultimated in October 1910, opening the following year. Lueger, who had died in the meantime, was buried in the crypt; for this reason the church is sometimes referred to as "Dr. Karl Lueger's Memorial Church" (
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1121:'s Regional Health Insurance building (in collaboration with Florian Prantl), designed in 1925‒1926 in an architectural style typical of interwar Austria: elementary geometrical shapes, rigid lines, very simple ornamentation and pointed arches. Heavily altered and simplified between the late 1950s and the early 1960s, the building was torn down in the 2000s.
882:, by academic painters Franz Wilhelm Ladewig and Robert Jüttner following Krupp's original idea. In the same year, Hegele collaborated once again with Rehak for the Flözersteig Bridge, that links Vienna's 14th and 16th districts. The bridge is an example of functional structure within the Vienna Secession aesthetics. His monument to polish pianist
1203:(1903‒1907). Indeed, despite being built when the St. Leopold Church was already complete, the St. Charles Borromeo Church was based on a project that dated back to 1899. Furthermore, Wagner had examined Hegele's plans during the contest. An exhibition about Hegele, also exploring this possibility, was held at the Penzing District Museum in 2010.
291:) The two halls show similarities as both are shallow buildings, with a central tower covered by a pyramidal copper roof. They are white on the exterior with geometric decorations. Each entrance is surmounted by anornamental arch with a clock placed at its center. The main hall of the first pavilion is lavishly decorated, with metallic
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block. Decoration is simple and its disposition differentiate one section from the other; as usual Hegele paid much attention to details, in particular the entrances. Other two buildings were erected in 1914 in
Kriemhildplatz, at the corners with Markgraf-RĂĽdiger StraĂźe, opposing each other and designed to look symmetrical.
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503:). The church is an imposing building, reaching the height of 58.5 meters and occupying an area of 2231 square meters. Hegele was probably influenced by the historical architecture of Vienna since he chose an elliptical plan, typical of the city's baroque churches, and the structure is reminiscent of the
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decorations in the upper floors enrich the otherwise strikingly plain facades. This stripped down appearance reflects a general trend of viennese architecture: in the 1910s many architects tended to move towards simpler designs with little ornament and occasionally austere stone facades (Otto Wagner
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From this projects and considering also the ones that were not realized, it appears more clearly that, despite being regarded primarily as a secessionist architect, Hegele's style was nonetheless deeply rooted in historicism and even ancient rural
English churches may have had some influence on his
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and artworks by Anton Kaan, Franz Klug, Karl
Philipp and Adolf Pohl enrich the main altar; a Last Judgement was painted by Hans Zatzka in the lunette above it. Lamps, chandeliers, and wall ornaments are notable examples of secessionist metalwork. The ceiling of the dome is painted blue, dotted with
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Regarding Hegele's artistic evolution, from his early concepts owing much to Wagner, to his own style emerging in the Vienna's
Cemetery project, art critic and his contemporary Ferdinand Fellner von Feldegg described him as: "Another talent who, caught in his early days by the fever for modernity,
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Except for this early example, it was in the 1910s that Hegele's activity in the field of residential architecture intensified. In 1912 he completed three adjacent apartment buildings in
WiesbergaĂźe, Vienna. The facades were designed to raccord with each other, giving the impression of one single
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culminating in a belltower. A wide semicircular window characterizes the facade. External ornamentation is purely geometric, except for an elaborate crucifix at the top of the back wall. Murals with stylised angels and friezes of vegetal motifs embellish the interiors, while stained glass windows
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emerges in multiple aspects: the metallic geometric ornamentation that appears both inside and outside, the disposition of elements on the facade, the Art
Nouveau furniture (wooden pews, confessionals and wrought iron chandeliers) and the way the tower adjoins its pointed roof, recalling Hegele's
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inside the St. Charles
Borromeo Church acknowledges his work. Nonetheless, during his lifetime he produced a great number of designs and took part in several architectural contests since the beginning of his career. However, despite usually ranking high in such competitions, many of his projects
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district of Vienna, raccording the streets of
Fillgradergasse and Theobaldgasse, on different levels. Built in the Secessionist style, with stone and cast iron, in 2004 the staircase was named the fourth most beautiful of Europe in a contest. In 1908 Austrian industrialist Arthur Krupp hired Max
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In 1907 the municipal committee of
Hadersdorf-Weidlingau decided to have a chapel for services built in the town cemetery. The chapel had to be funded by private donations and the then mayor Eduard Herzmansky contributed a significant sum for it. A special committee was formed and Max Hegele was
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separating floors and polygonal windows. Another representative example of Hegele's later style is the apartment building in
Roseggerstraße, St. Pölten (1929). Quiet traditional in its layout, it is characterized by the use of black bricks creating vertical stripes that enhance the structure's
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The commission for the Central Cemetery's redevelopment was a turning point in Hegele's life and career. The plan consisted of a monumental entrance, two funerary halls and the central church, all designed in the Secession style. Work lasted from 1903 to 1911 and proceeded in stages. The first
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Hegele's early designs show the influence that Otto Wagner, 32 years his senior, had on him as a secessionist architect. Wagner during his career developed an architectural language that inspired younger architects like Hegele and his aesthetic experimentation provided many ideas to them; the
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He continued to design residential buildings in Vienna and in smaller towns as well. One notable example is the apartment block built in the early 1930s in Brigittenauer Lände, 20th district of Vienna. A symmetrical imposing structure, it is characterised by horizontal lines, with
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with pointed roof and the presence of both geometric and floral ornamentation. Hegele carefully studied every single detail, even the chimneys. The influence of the Vienna Secession appears from the roof as well, where the architects made use of metal and glass to shape the attic.
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In 1937 Hegele ceased his activity as professor at the Trade School and retired in Hadersdorf-Weidlingau where he lived with his wife until his death in 1945. He is buried in the Hadersdorf-Weidlingau cemetery, not far from the chapel he had designed in the heyday of his career.
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Hegele married Wilhelmine Stelzer in 1908, they had children but he was survived by none of them. After wedding the couple settled in Hadersdorf-Weidlingau, today part of Vienna's 14th district, but then an independent municipality. Wilhelmine lived until 1963. Max Hegele was a
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The year 1908 was a crucial one for Hegele's career: now a member of the Central Association of Austrian Architects, he presided over the Wiener BauhĂĽtte's Exhibition Committee of Architects, joined the Austrian Society for Christian Art and was appointed professor of
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geometric ornamentation is an example of how Wagner's concept was further developed by Hegele. Moreover, Wagner may have significantly contributed to Hegele's breakthrough as he was a member of the jury that selected his project for Vienna's Central Cemetery.
1077:), in central Vienna, which had started in 1913. Ironworkers had to serve in arms factories to sustain the war effort and, even after the end of the conflict, a lack of coal (needed for the concrete production) further delayed the resumption of work. The
515:(its diameter being of 22.7 meters for a height of 39) dominates the whole structure. Hegele designed the interiors as well, collaborating with several decorative artists: sculptors Georg Leisek and Hans Rathausky provided reliefs for the lobby,
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669:, in occasion of the Emperors 60th year of reign. The structure is a remarkable example of secessionist architecture blended with Austrian traditional architecture. The layout is substantially traditional, with a longitudinal nave and a high
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661:), the only known example of secessionist church in Lower Austria. The building was meant to replace the old baroque church of Pressbaum and Max Hegele and his assistant August Rehak were appointed to ideate it. After an initial
511:). The exterior is painted white and richly decorated with geometric patterns. Two towers topped with a pyramidal roof flank the entrance while two higher belltowers are placed at the back of the church. An impressive copper
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contribute to the lighting. Two family tombs are hosted within the chapel: the one of Eduard Herzmansky, again designed by Hegele in 1909‒1910, and the one of Jean Herzmansky, created by sculptor Theodor Khuen in 1912.
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in the presence of the Emperor. It was meant to celebrate the completion of the Marchfeld Dam, after forty years of works. The chapel, a collaboration with August Rehak, is a historicist stone building where the
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208:, and Maria Hegele. From 1889 he studied at the State Trade School of Civil Engineering, where he attended the Building of Constructions course, graduating in 1893. He subsequently enrolled in
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495:) is considered to be Max Hegele's masterpiece and it is probably the most renowned work by him. It is regarded as well as one of the best examples of Secessionist Church, along with Wagner's
261:. In 1900 he was announced as the winner of the first prize and, after having revised and adapted his plans, he received the opportunity bring his project to life. Among the jury members sat
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design, they came up with the definitive concept. Construction started in 1906 (Franz Josef attended the laying of the first stone) and ended in 1908, when the church was dedicated as the
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selected to design the new building. Work started in 1908 and ended the following year, with the chapel being opened on 31 October 1909. Like in previous occasions, Hegele applied the
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886:, in TĂĽrkenschanzpark (18th district), was completed in 1911; it consists of a curving wall with a bench. A medallion with a relief by sculptor Hugo Taglang depicts the musician.
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corners. The disposition of windows, chimneys and mouldings contributes to its balanced and symmetrical look. In the gable of the central block is a rilief with a couple of
224:. After having successfully completed his studies there, as a gifted student he earned the prestigious "Prix de Rome", a scholarship that allowed him to study for a year in
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Commemorative plaque, reading: "The buildings of Vienna's Central Cemetery were realized under the direction of the City's Building Office following plans by architect and
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Hegele's project for Vienna's Cemetery took eight years to be completed and in the meantime he produced several other designs; among them is that for the Parish Church of
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287:) on both sides of the Cemetery path, which were completed in 1905. The pavilion 1 today is still used for ceremonies, while the pavilion 2 now hosts the Funerary Museum (
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A prolific architect, Hegele produced a great number of designs, among them: churches, museums, private houses, bridges and monuments; but many remained on paper.
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In 1906‒1907 Hegele and Rehak conceived and built an apartment block in Breitenseer Straße, Vienna. This four storey building is characterised by a
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180:, was developed within this project and is regarded as an example of Art Nouveau church. In the subsequent years he continued to work in Vienna and
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365:), built in 1905‒1906. It stands out for its high secessionist obelisks; at the base of each, facing the street, is a couple of statues holding
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1117:; given the lack of commissions in the capital, Hegele worked mainly in Lower Austria. One of the major projects he realized in this period is
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elements in his style. From the 1910s he concentrated mostly on residential buildings and in his later years he moved towards a simpler style.
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Hegele temporarily stopped his teaching activity as he was appointed director of works for the Imperial Military Academy, with the rank of
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2182:
The "unknown" Max Hegele, Biography and works by the Viennese Architect (1873‒1914) since 1914 in the context of contemporary architecture
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The "unknown" Max Hegele, Biography and works by the Viennese Architect (1873‒1914) since 1914 in the context of contemporary architecture
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It has also been argued that Hegele himself could have inspired Wagner, with his St. Charles Borromeo Church being a model for Wagner's
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1085:, was finally opened on 1 December 1919, but was not actually complete until 1922. Unfortunately, it was destroyed in 1945 during the
1937:
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The St. Charles Borromeo Church (east side). On the foreground is the right wing, on the background the left colonnade can be seen.
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257:. In 1899 he became member of the architects association "Wiener BauhĂĽtte" and participated at the competition for redesigning
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393:) is the work of Carl Anselm Zinsler. At the back of the obelisks are two inscriptions reading "Erected during the reign of
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After practicing with established architects in Vienna, in 1899 Hegele debuted with a plan for the renovation of the city's
401:". The already existing administrative buildings on each side of the gate were also remodeled to harmonize with its style.
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Hegele designed several public buildings in his career, mostly in the years between 1904 and 1911. The March Dam Chapel (
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In his early projects like this (Kaiser Franz Joseph City Museum, ca. 1901), Hegele was inspired by Wagner's work.
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2009:
Dehio-Handbuch: Niederösterreich, südlich der Donau, Teil 2, S. 1738f; Verlag Berger, Horn/Wien 2003 (German)
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branch, representing resurrection. On both sides of the gate is placed a relief: the one on the left (
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Hegele's original project. The two colonnades opposing the church were removed from the final design.
161:(25 May 1873 – 12 March 1945) was an Austrian architect, regarded as one of the leading exponents of
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Two curving colonnades embrace the square in front of the entrance, visually extending the wings of
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at the State Trade School of Vienna, his alma mater, a position he would keep for many years.
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Back in Vienna, the following year he practiced with several architectural firms, among them
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features are also present such as pointed arches and neo-medieval stained glass windows.
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and colonnades with columbarium, Central Cemetery, Vienna 11th (1899 contest, 1st prize)
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1283:", Margaretenplatz 2 and 5, Berndorf, (with Hans Peschl from Ludwig Baumann's concept)
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Hegele is mainly remembered for his redevelopment of Vienna's Central Cemetery and a
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on both sides of the church. Those colonnades, erected between 1906 and 1907, host a
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1985:"Project for the Pfarrkirche Pressbaum, "Bauindustrie-Zeitung", issue 29, table 34"
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on the walls. A huge mosaic behind the altar stands out from the white interiors.
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in which he applied the principles of Vienna Secession. His most famous work, the
866:. The schools' exterior display a historicist palace-like design (hence the name
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Belltower. Clock numbers are replaced by letters, reading "tempus fugit" (Latin:
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Maximilian Hegele was born in Vienna on 12 March 1873, the son of Karl Hegele, a
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influence appears only in some details, in particular the entrance. Hegele's
1616:, Vienna 3rd (with F. Pindt, contest entry, 3rd prize, no 1st prize awarded)
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1322:, Dr. Karl Renner Promenade 14, St. Pölten (with Florian Prantl, destroyed)
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architecture, whose work had played a great influence on the young Hegele.
37:
Max Hegele with his project for the St. Charles Borromeo Church. (ca. 1900)
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1343:, Huttengasse 55 / Wiesberggasse 2, 4, 6 / EnenkelstraĂźe 10, Vienna 16th
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Hegele and Baurat Hans Peschl as architects for two school buildings in
1336:, Breitenseer StraĂźe 37 / Muthsamgasse, Vienna 14th (with August Rehak)
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1417:, Vienna 1st (with F. Neumann e A. Wildhack, contest entry, 2nd prize)
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Interior, note the secessionist furniture and metallic wall ornaments.
1290:, Hadersdorf-Weidlingauer Cemetery, Friedhofstraße 12–14, Vienna 14th
1129:
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984:
520:
216:) where, between 1893 and 1896, he specialised in architecture under
162:
82:
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1262:, Pressbaum, Lower Austria (with August Rehak, selected competition)
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The church lobby, with chandelier, mosaics and stained glass window.
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761:. The chapel is cross-shaped, white on the outside, with a copper
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1818:"Vienna's Central Cemetery Secessionist Church under a new light"
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Eduard Herzmansky's family tomb, note the stained glass windows.
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and this may explain why he designed many religious buildings.
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Detail of the facade: gothic and secessionist elements coexist.
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in TĂĽrkenschanzpark, Vienna 18th (with sculptor Hugo Taglang)
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Breitenseer StraĂźe apartment building, drawing by Max Hegele.
2188:(Master) (in German). University of Vienna. pp. 221‒224
2160:(Master) (in German). University of Vienna. pp. 208‒209
1214:
389:) was realised by Georg Leisek, the other one on the right (
2208:"Max Hegele's exhibition at the Penzing district's museum"
2127:"Vienna Postcard, Urania, Aspern Bridge, Federal Ministry"
1248:, Markthof an der March, Lower Austria (with August Rehak)
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buildings to be finished were the two funerary pavilions (
1073:. The war halted the construction of his Aspern Bridge (
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principles to the building, combining architecture with
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Colonnade on the right, with columbarium and tombstones.
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professor Max Hegele and city councilor Ludwig Zatzka."
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Kriemhildplatz 1, detail of the upper floor with gable.
251:, who at the time were moving from historicism towards
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1594:, Vienna 1st (contest entry, won one of the 5 prizes)
1484:(with the Drexler brothers, contest entry, 3rd prize)
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Property of Imperial-Royal court painter Leopold Jell
844:, Lower Austria, from 1904 to 1906, and dedicated to
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The Hadersdorf-Weidlingau Cemetery Chapel (1908‒1909)
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The Flözersteig Bridge, 14th‒16th districts, Vienna.
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was decorated in a different historical style, from
1211:This is an incomplete list of works by Max Hegele.
528:golgen stars and with stylized rays all around the
369:. Each figure has a funerary symbol in its hand: a
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469:Administrative building restyled by Hegele (left).
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1951:
1717:"Max Hegele - Architektenlexikon, Wien 1770-1945"
1580:, Vienna (contest entry, won one of the 5 prizes)
1426:, Karlsplatz, Vienna 1st (pre-competition entry)
425:The obelisks on the left, from the street side.
1368:, Roseggerstraße 9, St. Pölten, Lower Austria
1132:. Built in 1931‒1932 following Hegele's plans.
323:Secessionist chandelier in the first pavilion.
2017:
2015:
857:is a staircase completed in 1905‒1907 in the
8:
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243:, a prominent historicist, and the brothers
1748:"Hegele, Maximilian (1873-1945), Architekt"
1547:, Czech Republic; contest entry, 2nd prize)
1128:Apartment building in Brigittenauer Lände,
619:Lunette with mosaic representing suffering.
493:Friedhofskirche zum heiligen Karl Borromäus
455:People at the Gate for a Place of no Return
391:People at the Gate for a Place of no Return
1959:"The Parish Church of Pressbaum - History"
1614:New buildings for the Technical University
1375:, Brigittenauer Lände 138–142, Vienna 20th
1060:Kriemhildplatz 10, detail of the entrance.
949:Monument with bench, 18th district Vienna.
649:The Parish Church of Pressbaum (1906‒1908)
31:
20:
2023:"Hadersdorf Weidlingau Cemetry - History"
1844:"Site of the Museum - Aufbahrungshalle 2"
361:Next came the main entrance or 2nd Gate (
1525:, Vienna 15th (contest entry, 3rd prize)
1315:, Uferbauten, Vienna 1st-2nd (destroyed)
673:on the left of the facade, but Hegele's
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1389:(for Vienna's Jubilee Trade Exhibition)
1302:Theodor Leschititzky monument and bench
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403:
301:
1903:"St. Charles Borromeo Cemetery Church"
1742:
1740:
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1350:, Kriemhildplatz 1 and 10, Vienna 15th
870:, "School Palaces") while inside each
347:The pavilion 2, today occupied by the
1870:"Wiener Zentralfriedhof - Geschichte"
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1530:Resting place for the Knights of the
1445:Museum of popular arts and crafts of
1440:(for the 1908 Congress of Architects)
1274:Hadersdorf-Weidlingau Cemetery Chapel
802:Murals and friezes inside the chapel.
273:Vienna's Central Cemetery (1903‒1911)
7:
2049:"The most beautiful steps of Europe"
1541:Cemetery complex of Tetschen on Elbe
1514:, Czech Republic; competition entry)
1327:Residential and commercial buildings
1276:, Friedhofstrasse 12–14, Vienna 14th
1239:St. Charles Borromeo Cemetery Church
489:St. Charles Borromeo Cemetery Church
178:St. Charles Borromeo Cemetery Church
147:St. Charles Borromeo Cemetery Church
1929:Die neue Kirche im Zentralfriedhofe
1479:Seats and observation tower of the
1357:, Schindeltal 2, Inner-Wiesenbach,
955:Residential buildings and war years
2075:"Berndorfer Stilklassen - History"
1320:Regional Health Insurance building
607:Decorative pattern of the columns.
265:, one of the pioneers of Viennese
214:Akademie der bildenden KĂĽnste Wien
14:
826:Detail of Art Nouveau candelabra.
678:previous creations. Medieval and
667:Kaiser Franz Josef Jubilee Church
381:, symbolising immortality, and a
1569:, Czech Republic; contest entry)
1552:Chamber of commerce and industry
1519:Emperor Franz Joseph City Museum
1423:Emperor Franz Joseph City Museum
1187:managed to recover by himself."
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1936:, 12 May 1908, p. 7 (Online at
1621:Barcelona Riding Club clubhouse
1565:in Franzensbad, Bohemia (today
1558:, Upper Austria (with F. Pindt)
694:The Parish Church of Pressbaum.
413:The 2nd gate, seen from inside.
1574:completion of the Schottenring
1048:Building at Kriemhildplatz 10.
1000:himself went down this path).
991:adorn the ground floor, while
1:
2079:www.berndorfer-stilklassen.at
1943:Template:ANNO/Maintenance/rpt
1793:www.geschichtewiki.wien.gv.at
1474:, Vienna 14th (contest entry)
1318:1925‒1926: Lower Austria's
1288:Eduard Herzmansky family tomb
1255:, Fillgradergasse, Vienna 6th
1113:was over and out of style in
1024:Building at Kriemhildplatz 1.
210:Vienna's Academy of Fine Arts
2179:Winkelhofer, Robert (2014).
2151:Winkelhofer, Robert (2014).
1633:, Vienna 1st (contest entry)
1012:Building at Wiesberggasse 6.
790:Rear view, showing the apse.
123:Wilhelmine Stelzer (m. 1908)
2055:(in German). 30 August 2004
1623:, Spain (competition entry)
1510:in Komotau, Bohemia (today
1297:in Pressbaum, Lower Austria
475:The central Cemetery Church
311:The pavilion 1, front view.
106:Academy of Fine Arts Vienna
87:Alpin and Danube Reichsgaue
2271:
1191:Max Hegele and Otto Wagner
184:, sometimes incorporating
1721:www.architektenlexikon.at
1609:, Germany (contest entry)
730:Project for the church's
397:" and "Built under mayor
335:The pavilion 1, interior.
259:Vienna's Central Cemetery
152:
138:
30:
2101:"AspernbrĂĽcke - History"
1848:www.bestattungsmuseum.at
1626:1926: Project for the
1583:1915: Project for the
1536:, Vienna (contest entry)
1438:Exhibition Hall entrance
1410:1898: Project for the
1359:Sankt Veit an der Gölsen
1154:Personal life and legacy
832:Other public commissions
439:Christ receives the Dead
387:Christ receives the Dead
200:Early life and education
1471:Vienna Technical Museum
1394:various other interiors
1103:Austro-Hungarian Empire
567:The church, front view.
2255:Architects from Vienna
1963:www.pfarrepressbaum.at
1532:Order of Maria Theresa
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1133:
964:
902:The March Dam Chapel,
747:structural engineering
484:
377:, for time passing, a
236:
2027:www.friedhoefewien.at
1907:www.friedhoefewien.at
1874:www.friedhoefewien.at
1752:www.biographien.ac.at
1572:1915: Plan for the
1183:remained unrealized.
1161:
1127:
962:
659:Pfarrkirche Pressbaum
482:
367:Vienna's coat of arms
234:
1503:; competition entry)
1431:countryside churches
1105:disintegrated and a
922:, Mariahilf, Vienna.
509:St. Charles Borromeo
373:, meaning death, an
1630:Vienna KĂĽnstlerhaus
1481:Trabrennbahn Krieau
1405:Unrealized projects
1348:Apartment buildings
1341:Apartment buildings
1101:After the war, the
947:Theodor Leschetizky
884:Theodor Leschetizky
507:(also dedicated to
1628:rebuilding of the
1366:Apartment Building
1334:Apartment building
1269:, Vienna 14th‒16th
1267:Flözersteig Bridge
1201:St. Leopold Church
1168:
1134:
987:with secessionist
965:
543:and other graves.
497:St. Leopold Church
485:
278:The cemetery halls
237:
222:Karl von Hasenauer
16:Austrian architect
1642:
1641:
1567:Františkovy Lázně
1543:, Bohemia (today
1412:redevelopment of
1180:historical marker
357:The cemetery gate
349:Bestattungsmuseum
289:Bestattungsmuseum
285:Aufbahrungshallen
241:Franz von Neumann
159:Maximilian Hegele
156:
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132:Friedrich Schmidt
47:Maximilian Hegele
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1465:, Vienna 1st-2nd
1459:Ferdinand Bridge
1380:Interior designs
1355:Villa Bistritzky
1253:Fillgraderstiege
1246:March Dam Chapel
1227:Cemetery Halls I
1220:Public buildings
1215:
1109:was proclaimed.
1087:Second World War
1083:tied arch bridge
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1454:(contest entry)
1399:
1373:Apartment block
1361:, Lower Austria
1209:
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1067:First World War
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102:Alma mater
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2105:www.wien.gv.at
2092:
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2053:www.wien.gv.at
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1585:rebuilding of
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1576:, part of the
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1534:in the Schmelz
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1279:1908‒1909: "
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2131:www.akpool.de
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1563:New Colonnade
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1491:in Karlsbad,
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1463:Sweden Bridge
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1371:1931‒1932:
1370:
1367:
1363:
1360:
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1353:1914‒1916:
1352:
1349:
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1332:1906‒1907:
1331:
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1329:
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1309:Aspern Bridge
1307:1913‒1919:
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1286:1909‒1910:
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1260:Parish Church
1258:1906‒1908:
1257:
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1251:1905‒1907:
1250:
1247:
1244:1904‒1906:
1243:
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1235:Cemetery Gate
1232:
1228:
1225:1903‒1911:
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1111:Secessionstil
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1080:
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869:
868:Schulpalästen
865:
860:
856:
852:
851:Secessionstil
847:
843:
839:
831:
822:
817:
810:
805:
798:
793:
786:
781:
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769:
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756:
755:Secessionstil
750:
748:
739:
733:
726:
721:
714:
709:
702:
697:
690:
685:
683:
681:
676:
675:Secessionstil
672:
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622:
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531:
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518:
517:stained glass
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440:
433:
428:
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409:
404:
402:
400:
396:
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388:
384:
380:
379:laurel wreath
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368:
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307:
302:
300:
298:
295:and matching
294:
290:
286:
277:
270:
268:
264:
260:
256:
255:
254:Secessionstil
250:
249:Josef Drexler
246:
242:
233:
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227:
223:
219:
215:
211:
207:
199:
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192:
189:
187:
183:
182:Lower Austria
179:
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133:
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75:12 March 1945
74:
70:
66:
62:
45:
41:
34:
29:
22:
19:
2216:. Retrieved
2211:
2202:
2190:. Retrieved
2181:
2174:
2162:. Retrieved
2153:
2146:
2134:. Retrieved
2130:
2121:
2109:. Retrieved
2104:
2095:
2083:. Retrieved
2078:
2069:
2057:. Retrieved
2052:
2043:
2031:. Retrieved
2026:
2005:
1993:. Retrieved
1988:
1979:
1967:. Retrieved
1962:
1933:
1928:
1923:
1911:. Retrieved
1906:
1878:. Retrieved
1873:
1864:
1852:. Retrieved
1847:
1838:
1826:. Retrieved
1821:
1797:. Retrieved
1792:
1789:"Max Hegele"
1756:. Retrieved
1751:
1725:. Retrieved
1720:
1636:
1627:
1620:
1613:
1598:
1584:
1573:
1562:
1551:
1540:
1529:
1518:
1507:
1497:Karlovy Vary
1489:Nursing Home
1488:
1478:
1469:
1462:
1458:
1444:
1437:
1430:
1429:1903: Two
1421:
1411:
1404:
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1393:
1386:
1379:
1378:
1372:
1365:
1354:
1347:
1340:
1333:
1326:
1325:
1319:
1313:Danube Canal
1308:
1301:
1295:Savings Bank
1294:
1293:before 1911
1287:
1280:
1273:
1266:
1259:
1252:
1245:
1238:
1234:
1230:
1226:
1219:
1218:
1210:
1198:
1194:
1185:
1177:
1169:
1148:
1135:
1110:
1100:
1079:AspernbrĂĽcke
1078:
1075:AspernbrĂĽcke
1074:
1064:
978:
966:
888:
867:
850:
837:
835:
759:applied arts
754:
751:
743:
674:
666:
658:
652:
580:
534:
519:windows and
501:Luegerkirche
500:
492:
486:
454:
438:
390:
386:
362:
360:
348:
288:
284:
281:
252:
238:
218:Victor Luntz
213:
203:
190:
171:
167:Secessionist
158:
157:
134:Prize (1895)
77:(1945-03-12)
18:
2250:1945 deaths
2245:1873 births
2214:(in German)
2107:(in German)
2081:(in German)
2029:(in German)
1991:(in German)
1965:(in German)
1932:. In:
1909:(in German)
1876:(in German)
1850:(in German)
1824:(in German)
1795:(in German)
1754:(in German)
1723:(in German)
1607:Brandenburg
1508:Public Bath
1392:Designs of
1097:Later years
1091:German Army
1089:, when the
1065:During the
995:and simple
969:picturesque
846:St. Florian
778:Front view.
663:neo-baroque
631:Main altar.
541:columbarium
505:Karlskirche
399:Karl Lueger
395:Franz Josef
293:chandeliers
267:Art Nouveau
263:Otto Wagner
186:historicist
94:Nationality
57:25 May 1873
2239:Categories
2212:www.ots.at
1934:Reichspost
1822:www.ots.at
1646:References
1578:RingstraĂźe
1433:(sketches)
1414:Karlsplatz
1119:St. Pölten
1115:Red Vienna
1093:mined it.
1071:lieutenant
763:gable roof
732:altarpiece
680:neo-gothic
581:time flies
453:Zinsler's
112:Occupation
53:1873-05-25
25:Max Hegele
1587:Stadtpark
1452:Innsbruck
1311:over the
1139:mouldings
872:classroom
859:Mariahilf
655:Pressbaum
437:Leisek's
375:hourglass
206:goldsmith
143:Buildings
115:Architect
2218:28 March
2192:27 March
2164:27 March
2136:27 March
2111:27 March
2085:24 March
2059:23 March
2033:23 March
1995:26 March
1969:22 March
1913:21 March
1880:20 March
1854:20 March
1828:20 March
1799:19 March
1758:19 March
1727:19 March
1619:1920:
1612:1920:
1603:Oderberg
1597:1919:
1591:Kursalon
1561:1914:
1550:1914:
1539:1913:
1528:1913:
1517:1912:
1512:Chomutov
1506:1911:
1487:1910:
1477:1910:
1468:1909:
1457:1909:
1443:1907:
1436:1907:
1420:1901:
1385:1908:
1364:1929:
1346:1914:
1339:1912:
1300:1911:
1265:1908:
1107:republic
989:capitals
864:Berndorf
457:(right).
97:Austrian
1523:Schmelz
1495:(today
1493:Bohemia
985:lesenes
971:corner
890:style.
671:steeple
537:arcades
521:mosaics
441:(left).
297:sconces
1637:
1130:Vienna
997:stucco
993:gables
982:Fluted
973:turret
880:Empire
530:oculus
363:2° Tor
163:Vienna
128:Awards
120:Spouse
83:Vienna
61:Vienna
2186:(PDF)
2158:(PDF)
1545:DěčĂn
1447:Tyrol
1207:Works
1144:putti
876:Doric
371:skull
245:Anton
226:Italy
2220:2020
2194:2020
2166:2020
2138:2020
2113:2020
2087:2020
2061:2020
2035:2020
1997:2020
1971:2020
1938:ANNO
1915:2020
1882:2020
1856:2020
1830:2020
1801:2020
1760:2020
1729:2020
1556:Linz
1229:and
1081:, a
918:The
513:dome
487:The
383:palm
247:and
220:and
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