143:
25:
480:
357:
In 1965, the Nippon Design
Committee organised an exhibition of his work at Matsuya Design Gallery in Tokyo. This trip was the beginning of the designer's close ties with Japan, that would culminate with him marrying the artist and illustrator Aoi Kono.
361:
In his later years, he alternated between commercial commissions, personal visual experimentation and teaching graphic design at Scuola
Umanitaria in Milan, at
514:
313:
The following years were marked by some of his most iconic and influential designs. With Albe
Steiner, he worked for the VIII Triennale di Milano. A keen
504:
142:
445:
92:
64:
111:
273:
appointed him to creative director for the publishing house. The job put him in contact with the post-war
Italian intelligentsia:
71:
509:
49:
78:
362:
323:
60:
351:
317:
fan, he designed a series of stunning records covers, music magazines and the set stage for a jazz festival. He met
182:
474:
270:
340:
200:, where he worked for an advertising agency and later with Emil Schultness at Conzett&Huber. He met
85:
457:
403:
499:
494:
296:
190:
300:
216:
166:
350:. In 1958, he traveled to the US as a speaker to the First International Seminar on Typography (
441:
347:
162:
278:
247:
131:
34:
318:
292:
259:
186:
288:
283:
232:
178:
488:
328:
274:
212:
205:
128:
305:
382:, a museum dedicated to his name and preserving his personal archive, opened in
327:
Grand Prix and two years later the corporate identity for the supermarket chain
228:
154:
39:
24:
365:
also in Milan and finally at CSIA (Centro
Scolastico Industrie Artistiche) in
255:
373:
467:
170:
251:
201:
383:
146:
331:. With Achille Castiglioni, he designed large-scale installations for
477:
366:
197:
458:
http://www.eyemagazine.com/review.php?id=143&rid=685&set=753
266:
224:
220:
141:
314:
336:
332:
18:
462:
227:
entered the war in 1941, Huber was forced to move back to
45:
246:, and in 1942, he exhibited his abstract work at the
235:
and Emil
Schultness for the influential art magazine
127:(5 June 1919 – 16 November 1992) was an influential
52:. Unsourced material may be challenged and removed.
321:. In 1948, he designed the seminal poster for the
153:, at Palazzo del Lavoro, by Max Huber. Photo by
32:An editor has performed a search and found that
8:
265:With the end of the war, he went back to
215:– in order to avoid being drafted in the
112:Learn how and when to remove this message
346:In 1954, he was awarded the prestigious
395:
426:Max Huber | Progetti Grafici 1936_1981
231:, where he began a collaboration with
7:
50:adding citations to reliable sources
149:, Turin. Details of the exhibition
470:on Max Huber at Iconofgraphics.com
16:Swiss graphic designer (1919–1992)
14:
177:. In his formative years, he met
61:"Max Huber" graphic designer
23:
515:Compasso d'Oro Award recipients
1:
505:People from Baar, Switzerland
432:Lo Studio Boggeri | 1933–1981
223:to join Studio Boggeri. When
363:Scuola Politecnica di Design
324:Autodromo Nazionale di Monza
196:His career began in 1935 in
352:New York Art Directors Club
165:in 1919. He graduated from
38:to establish the subject's
531:
404:"PRINTED PLASTIC SHEETING"
269:. The Italian publisher
35:sufficient sources exist
510:Swiss graphic designers
463:http://www.maxmuseo.ch/
475:Museo Cantonale d’Arte
434:, Electa, CL 35-0686-X
428:, Electa, CL 35-0704-1
211:With the beginning of
183:Josef Müller-Brockmann
161:Max Huber was born in
158:
145:
258:, Richard Lohse and
242:He joined the group
46:improve this article
297:Achille Castiglioni
167:Kunstgewerbeschule
159:
446:978-0-7148-4547-0
440:, Phaidon Press,
408:ADI Design Museum
163:Baar, Switzerland
122:
121:
114:
96:
522:
418:
417:
415:
414:
400:
309:
279:Natalia Ginzburg
248:Kunsthaus Zurich
132:graphic designer
117:
110:
106:
103:
97:
95:
54:
27:
19:
530:
529:
525:
524:
523:
521:
520:
519:
485:
484:
454:
422:
421:
412:
410:
402:
401:
397:
392:
319:Louis Armstrong
303:
293:Ettore Sottsass
260:Camille Graeser
187:Carlo Vivarelli
173:under the name
140:
118:
107:
101:
98:
55:
53:
43:
28:
17:
12:
11:
5:
528:
526:
518:
517:
512:
507:
502:
497:
487:
486:
483:
482:
471:
465:
460:
453:
452:External links
450:
449:
448:
435:
429:
420:
419:
394:
393:
391:
388:
348:Compasso d'Oro
289:Franco Fortini
284:Elio Vittorini
233:Werner Bischof
219:– he moved to
179:Werner Bischof
139:
136:
120:
119:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
527:
516:
513:
511:
508:
506:
503:
501:
498:
496:
493:
492:
490:
481:
479:
476:
473:Max Huber by
472:
469:
466:
464:
461:
459:
456:
455:
451:
447:
443:
439:
436:
433:
430:
427:
424:
423:
409:
405:
399:
396:
389:
387:
385:
381:
377:
375:
370:
368:
364:
359:
355:
353:
349:
344:
342:
338:
334:
330:
329:La Rinascente
326:
325:
320:
316:
311:
307:
302:
298:
294:
290:
286:
285:
280:
276:
275:Cesare Pavese
272:
268:
263:
261:
257:
253:
249:
245:
240:
238:
234:
230:
226:
222:
218:
214:
209:
207:
203:
199:
194:
192:
188:
184:
180:
176:
175:Hans Williman
172:
168:
164:
156:
152:
151:La pubblicità
148:
144:
137:
135:
133:
130:
126:
116:
113:
105:
94:
91:
87:
84:
80:
77:
73:
70:
66:
63: –
62:
58:
57:Find sources:
51:
47:
41:
37:
36:
30:
26:
21:
20:
437:
431:
425:
411:. Retrieved
407:
398:
379:
378:
371:
360:
356:
345:
322:
312:
301:Albe Steiner
282:
264:
243:
241:
236:
213:World War II
210:
206:Hans Neuburg
195:
174:
160:
150:
124:
123:
108:
99:
89:
82:
75:
68:
56:
44:Please help
33:
500:1992 deaths
495:1919 births
380:m.a.x.museo
372:He died in
341:Montecatini
304: [
229:Switzerland
155:Paolo Monti
489:Categories
413:2024-06-29
390:References
256:Leo Leuppi
217:Swiss army
72:newspapers
40:notability
468:Biography
438:Max Huber
386:in 2005.
376:in 1992.
374:Mendrisio
191:Hans Falk
138:Biography
125:Max Huber
102:June 2024
252:Max Bill
202:Max Bill
384:Chiasso
271:Einaudi
244:Allianz
147:Expo 61
86:scholar
478:Lugano
444:
367:Lugano
198:Zurich
171:Zurich
88:
81:
74:
67:
59:
308:]
267:Milan
250:with
225:Italy
221:Milan
129:Swiss
93:JSTOR
79:books
442:ISBN
354:).
339:and
315:jazz
299:and
204:and
189:and
65:news
337:Eni
333:RAI
169:in
48:by
491::
406:.
369:.
343:.
335:,
310:.
306:it
295:,
291:,
287:,
281:,
277:,
262:.
254:,
239:.
237:Du
208:.
193:.
185:,
181:,
134:.
416:.
157:.
115:)
109:(
104:)
100:(
90:·
83:·
76:·
69:·
42:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
