615:. Mazeppa replies that he can easily apply to the church for an exemption. Kochubey orders Mazeppa to leave. Mazeppa replies that he has already asked Mariya's hand, and been accepted, with a slight hint that he may already have had his way with Mariya. Kochubey still refuses, and Mazeppa calls in his guard. Mazeppa demands submission, everyone else curses his immoral desires and rise up against him, but just as battle is about to break out, Mariya throws herself between the two groups. As he leaves, Mazeppa calls for Mariya to decide whether she wishes to stay at home and never see him again, or to come with him. She chooses him to everyone's surprise and distress.
642:
hears the priest coming to hear his last confession – but instead, it turns out to be Orlik, Mazeppa's henchman and torturer. Kochubey asks what more he could want – he had agreed under torture to everything that had been asked of him. But he hadn't revealed the location of his hidden treasures. He tells them to send Mariya, who will show them everything, and let him pray before his execution: he has already lost his treasures – his honour to a false confession extracted under torture, Mariya's honour to
Mazeppa, and now has only the prospect of God's vengeance after his death. This is not enough for Orlik – the tortures recommence.
753:
2046:
214:
2056:
655:
eventually succeeds. He reveals his plan to gain independence for
Ukraine, making himself King and Mariya queen. Mariya thinks the crown would suit him very well. He then begins testing her out about her father – who does she care for more – her husband or her family? Eventually Mariya says she would give up – indeed, has given up, everything for him. Mazeppa leaves, reassured.
701:
apologises: She had thought him someone else, but the person she thought he was had white hair, and his is covered with blood. Orlik returns and warns
Mazeppa that troops approach – Mazeppa wants to take Mariya, but Orlik points out she'd slow them down. He asks whether Mazeppa cares more for a mad woman or his own head, and Mazeppa reluctantly leaves Mariya behind.
270:(this music later became Mazeppa and Mariya's Act 2 duet). Librettist Burenin followed Pushkin's poem, incorporating large excerpts from Poltava into his libretto, but Tchaikovsky was not very pleased with Burenin's work: he felt "no special enthusiasm for the characters", and went on to make some critical changes of his own, adding more of Pushkin's lines back in.
1221:
258:. Pushkin took some creative freedom in order to create powerful characters and grand passions. For example, Kochubey (the wealthy Cossack whose daughter elopes with Mazeppa) actually managed to successfully keep Mariya from him. He turned Mazeppa in to the Tsar four years after Mazeppa asked for her hand.
704:
Mariya finds Andrei, and the blood on him – she cries out at finding blood everywhere, and remembers "dreams" of an execution. Andrei stirs, not quite dead, and Mariya mistakes him for a young child. He begs Mariya to look at him so he can see her face one last time – but she is in her own world, and
650:
Mazeppa ponders the terrible blow that will befall Mariya when she learns what he has done to her father – he has to be strong whilst he's trying to consolidate his power, but Mariya... Orlik arrives. Kochubey has revealed nothing about his treasure as yet. The execution is set for dawn, and Orlik is
658:
Lyubov arrives, and pleads with Mariya to go to
Mazeppa to save Kochubey – only she can save him. Mariya, not knowing anything about it, takes some time to figure out what was going on, but then is horrified and faints, unable to bear it. Lyubov shakes her awake – the procession is already leaving.
623:
Lyubov mourns Mariya's loss, the women of the house trying to comfort her, to no avail. She sends them away and tries to stir
Kochubey to rouse the Cossacks to war and go to attack Mazeppa – but he has a better plan: Whilst the two were still friends, Mazeppa hinted at a plan to ally with Sweden and
328:
At both performances, the work was brilliantly staged but marred by the uneven vocal and acting abilities of the cast. But audiences responded warmly and the critical notices, in Moscow at least, were kind. Tchaikovsky's brother, Modest, hid the truth about the critical roasting the opera got in St.
606:
Then
Mazeppa draws Kochubey aside, and asks for his daughter's hand. Kochubey thinks he's joking at first – he is, after all, very old. Mazeppa claims that the passions of an old heart, once lit, are not like those of a young heart that burn brightly but then fade – they smoulder forever. Kochubey
598:
Mazeppa, and so she cannot stay with them. After they leave, she reveals that games have no temptation for her anymore, for she is in love with
Mazeppa. Her childhood friend, Andrei, overhears her, and tries to comfort her, but when she thanks him for his kind friendship, he reveals he always loved
667:
The poor of the city have gathered for the execution, but their grim fears for
Kochubey and hatred of Mazeppa are interrupted by a drunken Cossack singing a cheery little folk song. Mazeppa and Orlik arrive, Kochubey and Iskra are dragged on as prisoners and pray to God to forgive them. They are
277:
The libretto was revised over and over again, even after the opera's premieres. Choosing to focus primarily on the love story at the heart of the opera, the composer added the character Andrei, a lovesick boy whose unrequited love for the beautiful Mariya gives her tragic fate a special poignancy.
641:
The plan has not gone well. Peter the Great sided with
Mazeppa, and turned Kochubey over to him, sending, as Kochubey puts it, a loyal servant into the hand of a treasonous one. Under torture, Kochubey has made a false confession. Kochubey is trying to make himself right with God, and thinks he
700:
Mariya arrives, completely mad. She does not recognise
Mazeppa, and has convinced herself that her father's trick was just a joke played on her by her mother. But she sees blood everywhere. Mazeppa tries to comfort her – she starts to be, and babbles to him, but then sees blood on his face, and
696:
Mazeppa and Orlik are fleeing the battle, Mazeppa brooding over having once been powerful, but now, in one day, having lost everything. He sends Orlik off to prepare camp. Andrei springs out and challenges Mazeppa with his sword. Mazeppa warns Andrei he is armed. Andrei charges at him, sword
654:
Mariya arrives, and flirts with him, but her thoughts turn darker – why is he spending so much time away from her of late? Why did he toast Poltava the other night? Who is she? She gave up everything for him – if he rejected her now... Mazeppa tries to calm her, unsuccessfully at first, but
599:
her. She wishes it could be different, that she could love him too – but fate will not allow it. Andrei rushes off in despair. Mariya's father and mother, Vasily and Lyubov Kochubey arrive with the guests, and dance and song are provided for Mazeppa's entertainment, including the famous
593:
A group of peasant girls sail on the river, singing of making garlands of flowers to cast on the river and so divine their husband as a fortune-telling game. Mariya arrives, and they all plead with her to join them, but there is company at her house: The
628:'s rule. Iskra, Kochubey's friend, is all for denouncing Mazeppa to Peter, but they need a messenger. Andrei, who feels his life is over after having lost Mariya, agrees to deliver it. Everyone curses Mazeppa and relishes the thought of his execution.
668:
dragged to the stocks – the crowd gathers round – The axes are raised. Mariya and Lyubov arrive – just in time to see the axes fall. Lyubov rejects Mariya, who collapses in tears as the grim final chords of the chorus echo over the stage. Curtain.
705:
just sings a lullaby to him, not realising what's happening or who he is. Part way through it, he dies, giving her one last farewell. Mariya continues rocking his corpse, singing the lullaby and staring into the distance as the opera ends.
265:
to his publisher in the summer of 1881. Soon, he became obsessed with Poltava's story of tragic love and political betrayal and quickly produced four numbers plus sketching a duet based on material from his symphonic poem
145:
2029:
2059:
693:
Andrei has fought in the Battle of Poltava, but was unable to find Mazeppa. He wanders around the ruins of the estate, remembering happier times. Horsemen approach and he hides.
2085:
1295:
278:
Mazeppa shares many characteristics with Tchaikovsky's Eugene Onegin: they both center on a young woman whose powerful love draws her into a catastrophic downward spiral.
1337:
1315:
717:
1754:
1726:
1820:
735:
1781:
2120:
2080:
1910:
1238:
1083:
40:
2110:
1637:
1325:
1288:
1078:
2024:
1905:
1332:
1253:
2115:
1749:
1744:
1739:
1885:
1802:
1841:
1836:
1831:
1764:
1579:
1574:
1563:
2049:
1994:
1682:
1342:
1320:
1281:
1172:
1158:
1150:
1141:
1114:
1099:
189:
is a blood-thirsty tale of crazy love, abduction, political persecution, execution, and vengeful murder. The action takes place in
2090:
1538:
1125:
1705:
329:
Petersburg; when he finally learned the truth, Tchaikovsky wrote to thank him: "You did well, the truth might have killed me."
1268:
2105:
2014:
1999:
1654:
1590:
1605:
1094:. Indiana University Press, 2002, Vol. 1. Thematic Catalogue of Works, Catalogue of Photographs, Autobiography. 636 pages.
2004:
1788:
1618:
1021:
198:
1624:
1528:
1523:
1508:
1498:
1488:
1478:
1454:
998:(Kochubey), Vera Davydova (Lyubov), Grigoriy Bolshakov (Andrey), Vsevolod Tyutyunnik (Orlik), Tikhon Tchernyakov (Iskra)
1611:
1422:
1394:
1853:
716:
180:
752:
1959:
1899:
1733:
1661:
1121:
1859:
1304:
158:
31:
1232:
393:
303:
1689:
1415:
612:
734:
408:
1059:
Orchestra and Chorus; Nikolai Putilin (Mazepa), Irina Loskutova (Mariya), Sergei Aleksashkin (Kochubey),
426:
322:
1387:
1243:
995:
682:
271:
2095:
2019:
1864:
1795:
1668:
1366:
1359:
963:Несчастный! видит Бог, я не хотел твоей погибели (Nescastniy! Vidit Bog, ya ne khotel tvoey pogibeli)
299:
1109:. Indiana University Press, 2002. Vol. 2. Catalogue of Letters, Genealogy, Bibliography. 832 pages.
2009:
1696:
1225:
1001:
1982, Fuat Mansurov (conductor), Bolshoy Theatre Orchestra and Chorus; Vladimir Valaitis (Mazepa),
295:
1971:
1933:
1892:
1598:
1006:
915:Скоро ли? Везут аль нет?... Молодушка, молода (Skoro Li? Vezut al' net? ... Molodushka, moloda)
462:
354:
291:
1977:
1675:
1631:
1168:
1154:
1146:
1110:
1095:
1033:
1002:
759:
678:
489:
457:
318:
247:
239:
217:
170:
1965:
1941:
1513:
1380:
1060:
1037:
1029:
1025:
994:, Bolshoy Theatre Orchestra and Chorus; Aleksey Ivanov (Mazepa), Nina Pokrovskaya (Mariya),
991:
135:
39:
2100:
1010:
625:
583:
570:
385:
287:
251:
112:
1248:
1461:
1052:
1017:
723:
378:
234:
202:
175:
166:
88:
69:
44:
2074:
1712:
1373:
1136:
441:
403:
1719:
1045:
1041:
1263:
1192:
193:
at the beginning of the 18th century. The protagonists are the historical figures
523:: Piccolo, 3 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets (B-flat and A), 2 Bassoons
1408:
1056:
921:Ой, гой, чумандра, чумандриха молода! (Oy, goy, chumandra, chumandrikha Moloda!)
814:Нету, нету тут мосточка, нету переходу (Netu, netu tut mostocka, netu perekhodu)
741:
651:
sent off to resume what needs to be done. Mazeppa ponders Mariya and the night.
448:
362:
255:
213:
194:
317:
Four days later, on 19 February , the St. Petersburg premiere followed at the
307:
1447:
608:
1273:
1220:
659:
The two run off in an attempt to plead with Mazeppa for Kochubey's life.
373:
162:
2055:
981:
The work was also arranged by Tchaikovsky for voices with piano (1883).
832:Мазепа, ты меня смущаешь речью (Mazeppa, ty menya smushchayesh' rech'yu)
1429:
563:
498:
421:
243:
190:
595:
587:
367:
1063:(Lyubov), Viktor Lutsiuk (Andrey), Nikolai Gassiev (Drunken Cossack)
808:Ну, чествуешь, Василий, ты меня" (Nu, Cestvuyes', Vasiliy, ti menya)
205:(c.1640–1708), a very prosperous Ukrainian nobleman and statesman.
969:Ушёл старик, как сердце бьётся (Ushol starik, kak serdtse byotsya)
819:
802:Вам любы песни, милые подружки (Vam lyuby pesni, miliye podruzhki)
600:
436:
212:
154:
27:
1258:
286:
The premiere performance took place on 15 February 1884 at the
1277:
951:В бою кровавом, на поле чести (V boyu krovavom, na pole chesti)
1120:
Program brochure of the performance of Mazeppa in 2006 by the
535:: Timpani, Triangle, Tambourine, Side Drum, Cymbals, Bass Drum
1044:(Andrey), Richard Margison (Iskra), Monte Pederson (Orlik),
689:
Scene 1: The ruins of Kochubey's estate, near the battlefield
845:Не гроза небеса кроет тучею (Ne groza nebesa kroyet tucheyu)
274:
contributed the text for Mazeppa's aria in Act 2, Scene 2.
1107:
The Tchaikovsky Handbook: A guide to the man and his music
1092:
The Tchaikovsky Handbook: A guide to the man and his music
796:Я завью венок мой душистый (Ya zav'yu venok moy dushistiy)
261:
Tchaikovsky first mentioned the idea of an opera based on
2030:
International Tchaikovsky Competition for Young Musicians
225:
The opera was composed between June 1881 and April 1883.
517:: Violin I, Violin II, Violas, Cellos, and Double Basses
957:Невдалеке я слышу топот (Nevdaleke ya slishu topot...)
851:Очнись от горя, Кочубей! (Ochnis' ot gorya, Kochubey!)
646:
Scene 2: A terrace of Mazeppa's castle. The same night
902:Как блещут звёзды в небе (Kak blescut zvyozdi v Nebe)
611:, which is considered closer than a blood tie in the
501:, women, guests, Kochubey's servants, monks, henchmen
1987:
1952:
1925:
1877:
1813:
1773:
1646:
1556:
1471:
1439:
1351:
871:Так вот награда за донос (Tak Vot Nagrada Za Donos)
339:
332:The American premiere took place on March 6, 2006.
97:
83:
75:
65:
52:
21:
242:. Pushkin based his story on historical events at
882:No.10 Mazeppa's Monologue and Scene with Orlik:
1727:Festival Overture on the Danish National Anthem
1167:, Praeger Publishers, 30 May 2005. Hardcover
1145:. New York, 1992. Vol. Four, pp. 287–288.
913:No.13 Crowd Scene and Drunken Cossack's Song:
826:Вот хорошо, люблю... (Vot khoroso, lyublyu...)
637:Scene 1: A dungeon in Mazeppa's castle, night.
607:points out, however, that Mazeppa is Mariya's
1289:
884:Тиха украинская ночь (Tikha ukraynskaya noch)
8:
900:No.12 Scene Between Mariya and her Mother:
2086:Operas based on works by Aleksandr Pushkin
1296:
1282:
1274:
681:: Peter the Great's defeat of Mazeppa and
38:
18:
1239:International Music Score Library Project
529:: 4 Horns, 2 Trumpets, 3 Trombones, Tuba,
1184:
1165:An Introduction to Tchaikovsky's Operas
1105:Poznansky, Alexander; Langston, Brett,
1090:Poznansky, Alexander; Langston, Brett,
1024:, Chorus of the Royal Opera Stockholm;
712:
800:No.2 Scene, Mariya's Arioso and Duet:
2025:International Tchaikovsky Competition
2010:Moscow State Tchaikovsky Conservatory
1254:Russian libretto in zip file for Word
1087:. New York: G.P. Putnam's Sons, 1976.
7:
890:О Мария, Мария! (O, Mariya, Mariya!)
1084:The New Kobbé's Complete Opera Book
1013:(Lyubov), Vladislav Pyavko (Andrey)
894:No.11 Mazeppa's Scene with Mariya:
619:Scene 2: A room in Kochubey's manor
2121:Cultural depictions of Ivan Mazepa
2081:Operas by Pyotr Ilyich Tchaikovsky
794:No.1 Chorus of Maidens and Scene:
697:waving... and Mazeppa shoots him.
14:
1755:Orchestral Suite No. 4 in G major
1750:Orchestral Suite No. 3 in G major
1745:Orchestral Suite No. 2 in C major
1740:Orchestral Suite No. 1 in D minor
1142:The New Grove Dictionary of Opera
961:No.18 Onset of Mariya's Madness:
896:Мой милый друг! (Moy Miliy Drug!)
843:No.7 Chorus and Mother's Lament:
824:No.5 Scene and Mazeppa's Arioso:
47:in the title role in the premiere
16:Opera by Pyotr Ilyich Tchaikovsky
2054:
2045:
2044:
1219:
1126:Edinburgh International Festival
751:
733:
715:
556:: Beginning of the 18th century
199:Hetman of the Ukrainian Cossacks
1837:String Quartet No. 2 in F major
1832:String Quartet No. 1 in D major
1575:Piano Concerto No. 2 in G major
1193:"Mazepa - Tchaikovsky Research"
949:No.16 Scene and Andrei's Aria:
2111:Operas set in the 18th century
2015:Tchaikovsky Symphony Orchestra
2000:Tchaikovsky State House-Museum
586:'s estate on the banks of the
157:in three acts (six scenes) by
1:
2005:Tchaikovsky Museum (Votkinsk)
1906:Grand Piano Sonata in G major
1782:Liturgy of St John Chrysostom
1022:Gothenburg Symphony Orchestra
663:Scene 3: By the town ramparts
545:Source: Tchaikovsky Research
1625:Variations on a Rococo Theme
992:Vasiliy Nebolsin (conductor)
709:Historical basis of the plot
2116:Operas based on real people
1197:en.tchaikovsky-research.net
624:fight to free Ukraine from
203:Vasyl Leontiyovych Kochubey
2137:
1865:String Sextet in D minor (
1619:Violin Concerto in D major
677:Orchestral Interlude: The
181:cultural legacy of Mazeppa
102:15 February 1884
2040:
1960:Modest Ilyich Tchaikovsky
1842:String Quartet No. 3 in E
1734:Festival Coronation March
1580:Piano Concerto No. 3 in E
1564:Piano Concerto No. 1 in B
1311:
888:No.10a Mazeppa's Arioso:
495:
139:
58:
37:
26:
1305:Pyotr Ilyich Tchaikovsky
1249:Russian libretto in HTML
294:with stage Direction by
232:s libretto was based on
195:Ivan Stepanovych Mazeppa
159:Pyotr Ilyich Tchaikovsky
2091:Russian-language operas
1911:Piano Sonata No. 2 in C
1854:Souvenir d'un lieu cher
812:No.4 Chorus and Dance:
613:Russian Orthodox Church
290:in Moscow conducted by
1122:Opéra National de Lyon
955:No.17 Scene and Duet:
496:Chorus, silent roles:
254:defeated Swedish King
238:, a narrative poem by
222:
2106:Operas set in Ukraine
1860:Piano Trio in A minor
1821:Quartet Movement in B
1606:Sérénade mélancolique
1228:at Wikimedia Commons
1163:Zajaczkowski, Henry,
938:The Battle Of Poltava
683:Charles XII of Sweden
216:
2020:Chaikovskij (crater)
1867:Souvenir de Florence
1765:Serenade for Strings
1316:List of compositions
1264:Tchaikovsky Research
1131:Taruskin, Richard, "
1081:, (Ed. & Rev.),
869:No.9 Dungeon Scene:
830:No.6 Quarrel Scene:
471:a friend of Kochubey
409:Aleksandra Krutikova
1683:Francesca da Rimini
1514:Symphony in B minor
1455:The Sleeping Beauty
1423:The Queen of Spades
1402:Mazepa (or Mazeppa)
1395:The Maid of Orleans
427:Emiliya Pavlovskaya
282:Performance history
209:Composition history
1972:Antonina Miliukova
1893:Souvenir de Hapsal
1886:Scherzo à la russe
1599:Andante and Finale
1007:Yevgeny Nesterenko
483:A drunken Cossack
351:15 February , 1884
223:
2068:
2067:
1978:Nadezhda von Meck
1676:Capriccio Italien
1632:Pezzo capriccioso
1549:
1224:Media related to
1048:(Drunken Cossack)
1034:Galina Gorchakova
1003:Tamara Milashkina
936:No.15 Entr'acte:
679:Battle of Poltava
506:
505:
490:Aleksandr Dodonov
400:Lyubov, his wife
319:Mariinsky Theatre
240:Alexander Pushkin
218:Aleksandr Pushkin
197:(1639–1709), the
121:
120:
2128:
2058:
2048:
2047:
1995:In popular media
1966:Vladimir Davydov
1942:The Music Lovers
1916:
1915:
1847:
1846:
1826:
1825:
1655:Romeo and Juliet
1647:Orchestral works
1592:Concert Fantasia
1585:
1584:
1569:
1568:
1547:
1544:
1543:
1529:No. 6 in B minor
1524:No. 5 in E minor
1509:No. 4 in F minor
1499:No. 3 in D major
1489:No. 2 in C minor
1483:Winter Daydreams
1479:No. 1 in G minor
1381:Vakula the Smith
1298:
1291:
1284:
1275:
1237:: Scores at the
1223:
1208:
1207:
1205:
1203:
1189:
1079:Earl of Harewood
1061:Larissa Diadkova
1038:Anatoly Kocherga
1030:Larissa Diadkova
1026:Sergei Leiferkus
755:
737:
719:
340:
323:Eduard Nápravník
304:Mikhail Bocharov
298:, set design by
272:Vasily Kandaurov
268:Romeo and Juliet
231:
169:and is based on
152:
151:
150:
148:
141:
109:
107:
60:
42:
19:
2136:
2135:
2131:
2130:
2129:
2127:
2126:
2125:
2071:
2070:
2069:
2064:
2036:
1983:
1948:
1921:
1913:
1912:
1873:
1844:
1843:
1823:
1822:
1809:
1789:All-Night Vigil
1769:
1642:
1582:
1581:
1566:
1565:
1552:
1541:
1540:
1467:
1435:
1416:The Enchantress
1347:
1338:Belyayev circle
1307:
1302:
1269:French Libretto
1217:
1212:
1211:
1201:
1199:
1191:
1190:
1186:
1070:
1011:Irina Arkhipova
987:
979:
772:
765:
764:
762:
756:
747:
746:
744:
738:
729:
728:
726:
720:
711:
674:
634:
626:Peter the Great
579:
551:
511:
509:Instrumentation
386:Vasily Kochubey
355:Ippolit Al'tani
352:
350:
338:
300:Matvey Shishkov
292:Ippolit Al'tani
288:Bolshoi Theatre
284:
252:Peter the Great
229:
220:
211:
165:was written by
146:
144:
143:
142:
117:
116:
113:Bolshoi Theatre
110:
105:
103:
92:
61:
48:
17:
12:
11:
5:
2134:
2132:
2124:
2123:
2118:
2113:
2108:
2103:
2098:
2093:
2088:
2083:
2073:
2072:
2066:
2065:
2063:
2062:
2052:
2041:
2038:
2037:
2035:
2034:
2033:
2032:
2022:
2017:
2012:
2007:
2002:
1997:
1991:
1989:
1985:
1984:
1982:
1981:
1975:
1969:
1963:
1956:
1954:
1950:
1949:
1947:
1946:
1938:
1929:
1927:
1923:
1922:
1920:
1919:
1908:
1903:
1896:
1889:
1881:
1879:
1875:
1874:
1872:
1871:
1862:
1857:
1850:
1839:
1834:
1829:
1817:
1815:
1811:
1810:
1808:
1807:
1799:
1792:
1785:
1777:
1775:
1771:
1770:
1768:
1767:
1762:
1752:
1747:
1742:
1737:
1730:
1723:
1716:
1709:
1702:
1693:
1686:
1679:
1672:
1665:
1658:
1650:
1648:
1644:
1643:
1641:
1640:
1638:Cello Concerto
1635:
1628:
1621:
1616:
1609:
1602:
1595:
1588:
1577:
1572:
1560:
1558:
1554:
1553:
1551:
1550:
1536:
1526:
1521:
1511:
1506:
1496:
1493:Little Russian
1486:
1475:
1473:
1469:
1468:
1466:
1465:
1462:The Nutcracker
1458:
1451:
1443:
1441:
1437:
1436:
1434:
1433:
1426:
1419:
1412:
1405:
1398:
1391:
1384:
1377:
1370:
1363:
1355:
1353:
1349:
1348:
1346:
1345:
1340:
1335:
1330:
1329:
1328:
1318:
1312:
1309:
1308:
1303:
1301:
1300:
1293:
1286:
1278:
1272:
1271:
1266:
1261:
1256:
1251:
1246:
1241:
1216:
1215:External links
1213:
1210:
1209:
1183:
1182:
1176:
1175:
1161:
1129:
1118:
1103:
1088:
1069:
1066:
1065:
1064:
1053:Valery Gergiev
1049:
1014:
999:
986:
983:
978:
975:
974:
973:
972:
971:
967:No.19 Finale:
965:
959:
953:
942:
941:
940:
926:
925:
924:
923:
919:No.14 Finale:
917:
906:
905:
904:
898:
892:
886:
875:
874:
873:
856:
855:
854:
853:
847:
836:
835:
834:
828:
822:
816:
810:
804:
798:
781:
780:
779:
778:
771:
768:
767:
766:
758:
757:
750:
748:
740:
739:
732:
730:
724:Vasyl Kochubey
722:
721:
714:
710:
707:
673:
670:
633:
630:
578:
575:
571:Mazeppa's ride
550:
547:
543:
542:
536:
530:
524:
518:
510:
507:
504:
503:
493:
492:
487:
484:
480:
479:
476:
473:
466:
465:
460:
455:
445:
444:
439:
434:
430:
429:
424:
419:
417:their daughter
412:
411:
406:
401:
397:
396:
391:
388:
382:
381:
379:Bogomir Korsov
376:
371:
359:
358:
347:
344:
337:
334:
283:
280:
210:
207:
179:, part of the
167:Victor Burenin
119:
118:
111:
101:
99:
95:
94:
85:
81:
80:
77:
73:
72:
70:Victor Burenin
67:
63:
62:
56:
54:
50:
49:
45:Bogomir Korsov
43:
35:
34:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
2133:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2079:
2078:
2076:
2061:
2057:
2053:
2051:
2043:
2042:
2039:
2031:
2028:
2027:
2026:
2023:
2021:
2018:
2016:
2013:
2011:
2008:
2006:
2003:
2001:
1998:
1996:
1993:
1992:
1990:
1986:
1979:
1976:
1973:
1970:
1967:
1964:
1961:
1958:
1957:
1955:
1951:
1944:
1943:
1939:
1936:
1935:
1931:
1930:
1928:
1924:
1918:
1909:
1907:
1904:
1902:
1901:
1897:
1895:
1894:
1890:
1888:
1887:
1883:
1882:
1880:
1876:
1870:
1868:
1863:
1861:
1858:
1856:
1855:
1851:
1849:
1840:
1838:
1835:
1833:
1830:
1828:
1819:
1818:
1816:
1814:Chamber music
1812:
1805:
1804:
1800:
1798:
1797:
1793:
1791:
1790:
1786:
1784:
1783:
1779:
1778:
1776:
1772:
1766:
1763:
1760:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1735:
1731:
1729:
1728:
1724:
1722:
1721:
1717:
1715:
1714:
1713:1812 Overture
1710:
1708:
1707:
1703:
1701:
1700:
1699:
1694:
1692:
1691:
1687:
1685:
1684:
1680:
1678:
1677:
1673:
1671:
1670:
1666:
1664:
1663:
1659:
1657:
1656:
1652:
1651:
1649:
1645:
1639:
1636:
1634:
1633:
1629:
1627:
1626:
1622:
1620:
1617:
1615:
1614:
1613:Valse-Scherzo
1610:
1608:
1607:
1603:
1601:
1600:
1596:
1594:
1593:
1589:
1587:
1578:
1576:
1573:
1571:
1562:
1561:
1559:
1555:
1546:
1539:Symphony in E
1537:
1534:
1530:
1527:
1525:
1522:
1519:
1515:
1512:
1510:
1507:
1504:
1500:
1497:
1494:
1490:
1487:
1484:
1480:
1477:
1476:
1474:
1470:
1464:
1463:
1459:
1457:
1456:
1452:
1450:
1449:
1445:
1444:
1442:
1438:
1432:
1431:
1427:
1425:
1424:
1420:
1418:
1417:
1413:
1411:
1410:
1406:
1404:
1403:
1399:
1397:
1396:
1392:
1390:
1389:
1388:Eugene Onegin
1385:
1383:
1382:
1378:
1376:
1375:
1374:The Oprichnik
1371:
1369:
1368:
1364:
1362:
1361:
1357:
1356:
1354:
1350:
1344:
1341:
1339:
1336:
1334:
1331:
1327:
1324:
1323:
1322:
1321:Musical style
1319:
1317:
1314:
1313:
1310:
1306:
1299:
1294:
1292:
1287:
1285:
1280:
1279:
1276:
1270:
1267:
1265:
1262:
1260:
1257:
1255:
1252:
1250:
1247:
1245:
1242:
1240:
1236:
1235:
1231:
1230:
1229:
1227:
1222:
1214:
1198:
1194:
1188:
1185:
1181:
1180:
1174:
1173:0-275-97949-0
1170:
1166:
1162:
1160:
1159:1-56159-228-5
1156:
1152:
1151:0-333-73432-7
1148:
1144:
1143:
1138:
1137:Stanley Sadie
1134:
1130:
1127:
1123:
1119:
1116:
1115:0-253-33947-2
1112:
1108:
1104:
1101:
1100:0-253-33921-9
1097:
1093:
1089:
1086:
1085:
1080:
1077:
1076:
1075:
1074:
1067:
1062:
1058:
1055:(conductor),
1054:
1050:
1047:
1043:
1039:
1035:
1031:
1027:
1023:
1020:(conductor),
1019:
1015:
1012:
1008:
1004:
1000:
997:
993:
989:
988:
984:
982:
977:Related works
976:
970:
966:
964:
960:
958:
954:
952:
948:
947:
946:
943:
939:
935:
934:
933:
932:
931:
930:
922:
918:
916:
912:
911:
910:
907:
903:
899:
897:
893:
891:
887:
885:
881:
880:
879:
876:
872:
868:
867:
866:
863:
862:
861:
860:
852:
849:No.8 Finale:
848:
846:
842:
841:
840:
837:
833:
829:
827:
823:
821:
817:
815:
811:
809:
805:
803:
799:
797:
793:
792:
791:
788:
787:
786:
785:
776:
775:
774:
773:
769:
761:
754:
749:
743:
736:
731:
727:(c.1640–1708)
725:
718:
713:
708:
706:
702:
698:
694:
691:
690:
686:
685:
684:
680:
671:
669:
665:
664:
660:
656:
652:
648:
647:
643:
639:
638:
631:
629:
627:
621:
620:
616:
614:
610:
604:
602:
597:
591:
590:
589:
585:
576:
574:
573:
572:
566:
565:
561:
557:
555:
548:
546:
540:
537:
534:
531:
528:
525:
522:
519:
516:
513:
512:
508:
502:
500:
494:
491:
488:
485:
482:
481:
478:P. Grigoriev
477:
474:
472:
468:
467:
464:
461:
459:
456:
454:
450:
447:
446:
443:
442:Dmitri Usatov
440:
438:
435:
432:
431:
428:
425:
423:
420:
418:
414:
413:
410:
407:
405:
404:mezzo-soprano
402:
399:
398:
395:
394:Pavel Borisov
392:
389:
387:
384:
383:
380:
377:
375:
372:
370:
369:
364:
361:
360:
356:
349:Premiere cast
348:
345:
342:
341:
335:
333:
330:
326:
324:
321:conducted by
320:
315:
313:
312:Balletmeister
309:
305:
301:
297:
296:Anton Bartsal
293:
289:
281:
279:
275:
273:
269:
264:
259:
257:
253:
249:
245:
241:
237:
236:
228:
219:
215:
208:
206:
204:
200:
196:
192:
188:
184:
182:
178:
177:
172:
168:
164:
160:
156:
149:
137:
133:
132:
127:
126:
114:
100:
96:
90:
86:
82:
78:
74:
71:
68:
64:
55:
51:
46:
41:
36:
33:
29:
25:
20:
1940:
1932:
1898:
1891:
1884:
1866:
1852:
1803:Six Romances
1801:
1794:
1787:
1780:
1758:
1732:
1725:
1720:Marche slave
1718:
1711:
1706:The Voyevoda
1704:
1697:
1695:
1688:
1681:
1674:
1667:
1660:
1653:
1630:
1623:
1612:
1604:
1597:
1591:
1548:(unfinished)
1532:
1517:
1502:
1492:
1482:
1460:
1453:
1446:
1428:
1421:
1414:
1407:
1401:
1400:
1393:
1386:
1379:
1372:
1365:
1360:The Voyevoda
1358:
1233:
1218:
1200:. Retrieved
1196:
1187:
1178:
1177:
1164:
1140:
1132:
1106:
1091:
1082:
1072:
1071:
1046:Heinz Zednik
1042:Sergej Larin
1040:(Kochubey),
1009:(Kochubey),
980:
968:
962:
956:
950:
944:
937:
928:
927:
920:
914:
908:
901:
895:
889:
883:
877:
870:
864:
858:
857:
850:
844:
838:
831:
825:
813:
807:
806:No.3 Scene:
801:
795:
789:
783:
782:
777:Introduction
703:
699:
695:
692:
688:
687:
676:
675:
666:
662:
661:
657:
653:
649:
645:
644:
640:
636:
635:
622:
618:
617:
605:
592:
581:
580:
568:
567:
559:
558:
553:
552:
544:
538:
532:
526:
520:
514:
497:
470:
452:
416:
366:
363:Ivan Mazeppa
353:(Conductor:
331:
327:
316:
311:
285:
276:
267:
262:
260:
233:
226:
224:
186:
185:
174:
130:
129:
124:
123:
122:
53:Native title
2096:1884 operas
1945:(1971 film)
1937:(1970 film)
1934:Tchaikovsky
1900:The Seasons
1878:Piano music
1774:Vocal music
1662:The Tempest
1557:Concertante
1409:Cherevichki
1057:Kirov Opera
1018:Neeme Järvi
996:Ivan Petrov
763:(1672–1725)
745:(1672–1742)
742:Pylyp Orlyk
463:Otto Führer
346:Voice type
256:Charles XII
250:where Tsar
221:(1799–1837)
128:, properly
32:Tchaikovsky
2075:Categories
1926:Portrayals
1759:Mozartiana
1533:Pathétique
1472:Symphonies
1326:Symphonies
1068:References
1036:(Mariya),
1032:(Lyubov),
1028:(Mazepa),
1005:(Mariya),
985:Recordings
569:Overture:
533:Percussion
308:Lev Ivanov
248:the battle
106:1884-02-15
93:by Pushkin
66:Librettist
1962:(brother)
1690:The Storm
1448:Swan Lake
1179:Citations
770:Structure
609:godfather
582:Scene 1:
521:Woodwinds
153:), is an
57:Russian:
2050:Category
1980:(patron)
1968:(nephew)
1914:♯
1845:♭
1824:♭
1806:(Op. 38)
1583:♭
1567:♭
1542:♭
1333:The Five
1259:Belcanto
1244:Synopsis
584:Kochubey
549:Synopsis
499:Cossacks
453:henchman
415:Mariya,
374:baritone
173:'s poem
163:libretto
115:, Moscow
98:Premiere
84:Based on
76:Language
1988:Related
1518:Manfred
1440:Ballets
1430:Iolanta
1234:Mazeppa
1226:Mazeppa
1139:(ed.),
1133:Mazeppa
1124:at the
1073:Sources
909:Scene 3
878:Scene 2
865:Scene 1
839:Scene 2
790:Scene 1
760:Peter I
564:Ukraine
515:Strings
469:Iskra,
433:Andrei
422:soprano
263:Poltava
244:Poltava
235:Poltava
227:Mazeppa
191:Ukraine
187:Mazeppa
176:Poltava
171:Pushkin
136:Russian
125:Mazeppa
104: (
89:Poltava
79:Russian
22:Mazeppa
2101:Operas
1974:(wife)
1953:People
1796:Moscow
1669:Hamlet
1503:Polish
1367:Undina
1352:Operas
1202:May 3,
1171:
1157:
1149:
1113:
1098:
1051:1996,
1016:1993,
990:1949,
818:No.4a
596:Hetman
588:Dniepr
541:: Harp
486:tenor
475:tenor
368:hetman
306:, and
201:, and
161:. The
147:listen
140:Мазепа
131:Mazepa
59:Мазепа
2060:Audio
1917:minor
1848:minor
1827:major
1698:Fatum
1586:major
1570:minor
1545:major
1343:Death
1135:" in
945:Scene
929:Act 3
859:Act 2
820:Hopak
784:Act 1
672:Act 3
632:Act 2
601:Hopak
577:Act I
560:Place
539:Other
527:Brass
449:Orlik
437:tenor
390:bass
343:Role
336:Roles
230:'
155:opera
28:Opera
1204:2023
1169:ISBN
1155:ISBN
1153:and
1147:ISBN
1111:ISBN
1096:ISBN
554:Time
458:bass
302:and
310:as
30:by
2077::
1195:.
603:.
562::
451:,
365:,
357:)
325:.
314:.
246:,
183:.
138::
1869:)
1761:)
1757:(
1535:)
1531:(
1520:)
1516:(
1505:)
1501:(
1495:)
1491:(
1485:)
1481:(
1297:e
1290:t
1283:v
1206:.
1128:.
1117:.
1102:.
134:(
108:)
91:"
87:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
