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as a righteous force, is discussed for its emboldening of racist depictions of black characters in later films. The minimal representation of black people in horror films released between the 1930s and 1950s is considered, with them often being relegated to roles as servants or background characters,
517:
movement during the film's production, and the film's ending. The documentary concludes with its subjects holding that
African-American-centered films have proved to be marketable and profitable, and hoping that positive African-American representation in horror films will continue in the future.
616:
is always entertaining, but more importantly, it is an opportunity to acknowledge and advance the narrative about the contributions of Black talent in front and behind the camera", and suggests the documentary as "essential viewing for horror audiences". Similarly, Richard Newby of
40:
439:
such as black characters being the first to die (it is noted that a large percentage do not die first, though they often die at some other point nonetheless), black characters sacrificing themselves to help save white characters, and the concept of the
649:'s Matt Goldberg gave the documentary a grade of "A", writing that it demonstrates that "the horror genre is perhaps most worthy of study because of how it shows us how black people are depicted in American popular cinema."
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on
Shudder. It received critical acclaim, with critics praising its informativeness, entertainment value, and variety of interview subjects in the fields of both filmmaking and academia.
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called the film "essential viewing for the genre fan. But more than that, for the black horror fan it's a historical document that charts our place in the genre". Jonathan Barkan of
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commended the film's structure and concluded that "if you've got even a little bit of interest in film history, especially if you like horror, it's definitely worth your time."
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referred to it as "an excellent example of how to make cinema history accessible, informative, and even moving for a broader audience", and "an essential reclamation project."
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called the documentary "enlightening", and wrote that its "greatest strength may be the way it manages to embrace the viewpoints of scholars and fans at the same time."
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called the film "always informative, and expertly crafted", as well as "a triumph of masterful execution, engaging storytelling, and brutal honesty." Noah
Berlatsky of
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s Jenna
Stoeber also gave the film a positive review, calling it "a timely and engaging perspective on black representation in American cinema." Rathan Krueger of
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called the film "a fantastic history lesson", and wrote that it "crams a lot within its short time frame, but it's always entertaining". Kieran Fisher of
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The documentary features interviews with a number of
African-Americans with experience or expertise in horror films: Meosha Bean, Ashlee Blackwell,
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is discussed, with attention given to its black protagonist, its white antagonists, its themes, the state of
American politics and the rise of the
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as its protagonist, is highlighted for its portrayal of a heroic black character amid a turbulent decade marked by significant events in the
601:, the film holds an approval rating of 100% based on 32 reviews, with an average rating of 8.8/10. The website's critical consensus reads: "
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more than lives up to its title, offering a smart and entertaining overview of
American film history through an overlooked lens."
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We spoke to Ashlee
Blackwell, creator of the site Graveyard Shift Sisters and writer and producer of the documentary
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greenlit an anthology sequel spin-off TV series based on the film. It premiered on their horror streaming platform
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Increased positive representation of
African-Americans in 21st-century horror films is examined, with films like
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called it "powerful" and "an accessible, informative, and important addition to film discourse." Bob
Chipman of
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2013:
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1514:"Shudder's New Arrivals for February Include 'My Bloody Valentine' Remake and 'Return of the Living Dead 3'"
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1184:"[Trailer] Shudder Original Documentary 'Horror Noire: A History of Black Horror' Coming Next Month"
786:
670:
808:
Science of Women in Horror: The Special Effects, Stunts, and True Stories Behind Your Favorite Fright Films
431:. The role of African-Americans in 1980s and 1990s horror films is examined, with attention being given to
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1075:"'Horror Noire' Review: A Captivating Deep Dive into the History of Black Cinema and the Horror Genre"
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1355:"Film Review: Horror Noire Sinks Its Teeth into the Genre's Sordid History of Representation"
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1111:"Horror Noire: A History Black Horror Review – A Celebration of Horror's Unheard Voices"
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on October 28, 2021. The series later premiered on AMC on February 4, 2022 as part of
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959:"The enlightening doc Horror Noire lays out black history through black horror films"
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1483:"Here are the Winners of the (Gasp!) 18th Annual Rondo Hatton Classic Horror Awards"
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880:"For the Filmmakers Behind This Timely Documentary, Black History Is Black Horror"
846:"Shudder Announces Horror Noire: A History of Black Horror, Premiering February 7"
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1003:"[Review] Shudder's 'Horror Noire' is Essential Viewing for Horror Fans"
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genre which emerged in the 1970s is explored. Blaxploitation films such as
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Horror Noire: Blacks in American Horror Films from the 1890s to Present
1322:"Shudder's Horror Noire provides a timely look at black horror history"
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Horror Noire: Blacks in American Horror Films from the 1890s to Present
72:
Horror Noire: Blacks in American Horror Films from the 1890s to Present
369:, which portrayed African-Americans (many played by white actors in
2043:
1388:"'Horror Noire' Is a Powerful Documentation of Black Film History"
435:, the use of black characters as "sidekicks" for white leads, and
1039:"From Blacula to Get Out: the documentary examining black horror"
230:
directed by Xavier Burgin and based on the 2011 non-fiction book
1652:
1253:"How 'Horror Noire' Primes Viewers for a Year of Black Horror"
537:, California. On February 4, 2019, the film was shown on a
419:
are discussed, along with the role of voodoo in films like
1453:"The 2019 Detroit Film Critics Society Awards Nominations"
378:
or perhaps implied in the form of lustful monsters like
772:
documentary, premiered on Shudder on February 7, 2020.
373:) as sexually aggressive towards white women and the
1289:"Horror Noire Is a Lively, Essential History Lesson"
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238:. The film examines the evolution of the genre of
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529:had its world premiere on February 1, 2019 at
452:the vengeful spirit of an African-American man
280:, California, before being made available for
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1216:"Horror Noire: A History of Black Horror"
1037:Adjei-Kontoh, Hubert (February 7, 2019).
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268:was produced by Stage 3 Productions for
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1623:Horror Noire: A History of Black Horror
1612:Horror Noire: A History of Black Horror
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768:featuring extended interviews from the
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603:Horror Noire: A History of Black Horror
488:. The intersection of horror films and
223:Horror Noire: A History of Black Horror
33:Horror Noire: A History of Black Horror
1051:from the original on February 10, 2019
806:Hafdahl, Meg; Florence, Kelly (2020).
1301:from the original on October 25, 2020
1109:Barkan, Jonathan (February 6, 2019).
878:Obenson, Tambay (February 15, 2019).
840:
838:
836:
834:
7:
1400:from the original on August 17, 2023
1353:Krueger, Rathan (February 8, 2019).
1149:Millican, Josh (February 18, 2020).
1073:Goldberg, Matt (February 15, 2019).
957:Berlatsky, Noah (February 8, 2019).
697:
450:is highlighted for its portrayal of
1546:"What to Stream on Valentine's Day"
1493:from the original on March 21, 2019
1386:Fisher, Kieran (February 7, 2019).
1320:Stoeber, Jenna (February 7, 2019).
1251:Newby, Richard (February 7, 2019).
1015:from the original on March 14, 2020
892:from the original on March 11, 2020
708:Detroit Film Critics Society Awards
425:, and the production and themes of
1558:from the original on June 13, 2020
1526:from the original on June 13, 2020
1512:Squires, John (January 23, 2020).
1487:Rondo Hatton Classic Horror Awards
1459:. December 9, 2019. Archived from
1419:Chipman, Bob (February 22, 2019).
1367:from the original on June 11, 2020
971:from the original on June 11, 2020
925:from the original on July 17, 2020
911:Kelley, Sonaiya (March 15, 2019).
741:Rondo Hatton Classic Horror Awards
726:Online Film Critics Society Awards
25:
1433:from the original on June 8, 2020
1334:from the original on June 8, 2020
1265:from the original on June 9, 2020
1196:from the original on June 9, 2020
1182:Squires, John (January 7, 2019).
1163:from the original on June 9, 2020
1123:from the original on June 8, 2020
1087:from the original on June 8, 2020
1001:Lipsett, Joe (February 7, 2019).
856:from the original on June 8, 2020
1581:Coleman, Robin R. Means (2011).
1232:from the original on 2020-06-14
507:being mentioned. The 2017 film
2417:Documentary films about horror
27:2019 American documentary film
1:
730:Best Non-Theatrical Releases
2437:2010s English-language films
1457:Detroit Film Critics Society
2196:Satan's Slaves 2: Communion
504:The Girl with All the Gifts
382:and the prominently-lipped
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2432:American documentary films
2024:May the Devil Take You Too
531:Grauman's Egyptian Theatre
274:Grauman's Egyptian Theatre
178:February 7, 2019
173:Grauman's Egyptian Theatre
163:February 1, 2019
44:Promotional release poster
721:
557:on the streaming service
547:Brooklyn Academy of Music
37:
389:Night of the Living Dead
2014:The Mortuary Collection
1994:Random Acts of Violence
1736:The Witch in the Window
1683:films and documentaries
810:. Skyhorse Publishing.
787:History of horror films
553:was made available for
480:is noted for featuring
2427:2019 documentary films
2297:It's a Wonderful Knife
1258:The Hollywood Reporter
782:Racism in horror films
620:The Hollywood Reporter
294:Robin R. Means Coleman
236:Robin R. Means Coleman
116:Robin R. Means Coleman
77:Robin R. Means Coleman
2136:They Live in the Grey
2065:Stay Out of the Attic
1854:Dogs Don't Wear Pants
1766:Party Hard, Die Young
1554:. February 13, 2020.
1287:(February 11, 2019).
561:on February 7, 2019.
398:civil rights movement
366:The Birth of a Nation
2442:2010s American films
2383:Dario Argento Panico
1914:Warning: Do Not Play
1360:Consequence of Sound
661:Consequence of Sound
186: (United States)
2328:In a Violent Nature
1393:Film School Rejects
852:. January 7, 2019.
762:Horror Noire: Uncut
666:Film School Rejects
578:Black History Month
543:Tales from the Hood
457:Tales from the Hood
352:, Monica Suriyage,
338:Miguel A. Núñez Jr.
272:, and premiered at
226:is a 2019 American
139:Stage 3 Productions
2004:The Cleansing Hour
1824:Christmas Presence
1551:The New York Times
515:Black Lives Matter
482:Jada Pinkett Smith
324:, Mark H. Harris,
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1519:Bloody Disgusting
1489:. April 6, 2020.
1189:Bloody Disgusting
1008:Bloody Disgusting
918:Los Angeles Times
754:
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745:Best Documentary
712:Best Documentary
610:Bloody Disgusting
595:review aggregator
589:Critical response
492:is also covered.
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498:Attack the Block
466:police brutality
428:Ganja & Hess
386:. The 1968 film
342:Paula Jai Parker
314:Ernest Dickerson
228:documentary film
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118:Ashlee Blackwell
88:Danielle Burrows
86:Ashlee Blackwell
63:Danielle Burrows
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1596:978-0415880206
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405:blaxploitation
363:The 1915 film
326:Richard Lawson
318:Tananarive Due
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1560:. Retrieved
1549:
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1477:
1465:. Retrieved
1461:the original
1447:
1435:. Retrieved
1426:The Escapist
1424:
1414:
1402:. Retrieved
1391:
1381:
1369:. Retrieved
1358:
1348:
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1325:
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1292:
1285:Ebiri, Bilge
1279:
1267:. Retrieved
1256:
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1219:
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1187:
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1165:. Retrieved
1154:
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1114:
1089:. Retrieved
1078:
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1044:The Guardian
1042:
1017:. Retrieved
1006:
973:. Retrieved
962:
927:. Retrieved
916:
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894:. Retrieved
883:
858:. Retrieved
850:AMC Networks
824:Horror Noire
823:
821:
807:
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770:Horror Noire
769:
761:
760:
671:The Escapist
669:
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645:
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618:
614:Horror Noire
613:
612:wrote that "
607:
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551:Horror Noire
550:
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527:Horror Noire
526:
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477:Demon Knight
475:
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375:Ku Klux Klan
364:
362:
346:Jordan Peele
291:
266:Horror Noire
265:
264:
256:Jordan Peele
240:black horror
231:
222:
221:
220:
195:Running time
101:Jordan Peele
71:
2247:Brooklyn 45
2226:Skinamarink
2115:The Sadness
1844:The Marshes
1236:October 30,
635:Bilge Ebiri
539:double bill
484:as a black
471:Eve's Bayou
444:. The film
394:Duane Jones
358:Rachel True
306:Keith David
254:, director
252:Rachel True
244:Keith David
105:Rachel True
97:Keith David
83:Produced by
50:Directed by
18:Meosha Bean
2407:2019 films
2401:Categories
2267:Bad Things
2146:Hellbender
2105:Good Madam
1984:La Llorona
1964:Impetigore
1757:The Ranger
1628:Metacritic
793:References
715:Nominated
486:final girl
422:Sugar Hill
350:Ken Sagoes
330:Tina Mabry
199:83 minutes
182:2019-02-07
167:2019-02-01
132:Production
58:Written by
2075:Violation
2034:Lingering
1805:The Wrath
1795:Belzebuth
1726:Terrified
1587:Routledge
964:The Verge
885:IndieWire
691:Category
678:Accolades
630:The Verge
584:Reception
565:TV series
555:streaming
535:Hollywood
380:King Kong
371:blackface
354:Tony Todd
322:Ken Foree
282:streaming
278:Hollywood
248:Tony Todd
109:Tony Todd
2307:Infested
2287:V/H/S/85
2216:V/H/S/99
2166:The Twin
2095:V/H/S/94
2085:The Seed
1904:Monstrum
1874:The Room
1562:June 13,
1556:Archived
1530:June 13,
1524:Archived
1491:Archived
1431:Archived
1398:Archived
1365:Archived
1332:Archived
1305:June 11,
1299:Archived
1263:Archived
1230:Archived
1226:Fandango
1194:Archived
1161:Archived
1121:Archived
1085:Archived
1080:Collider
1049:Archived
1013:Archived
969:Archived
929:June 11,
923:Archived
890:Archived
854:Archived
776:See also
647:Collider
597:website
447:Candyman
433:tokenism
384:Gill-man
288:Synopsis
212:Language
93:Starring
68:Based on
2156:Mad God
1884:0.0 MHz
1706:Revenge
1680:Shudder
1497:June 8,
1467:June 8,
1437:June 8,
1404:June 8,
1371:June 8,
1338:June 8,
1327:Polygon
1294:Vulture
1269:June 9,
1200:June 8,
1167:June 8,
1127:June 8,
1091:June 8,
1055:June 9,
1019:June 8,
975:June 8,
896:June 7,
860:June 8,
766:podcast
757:Podcast
694:Result
652:Polygon
640:Vulture
574:Shudder
559:Shudder
545:at the
522:Release
510:Get Out
410:Blacula
270:Shudder
215:English
204:Country
180: (
165: (
149:Shudder
134:company
2386:(2023)
2376:(2023)
2366:(2019)
2341:(2024)
2331:(2024)
2310:(2023)
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2290:(2023)
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2270:(2023)
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2199:(2022)
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2186:Saloum
2179:(2022)
2169:(2022)
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2098:(2021)
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2047:(2020)
2037:(2020)
2027:(2020)
2017:(2020)
2007:(2020)
1997:(2020)
1987:(2020)
1977:(2020)
1967:(2020)
1957:(2020)
1947:(2020)
1937:(2020)
1927:(2020)
1917:(2020)
1907:(2020)
1897:(2020)
1887:(2020)
1877:(2020)
1867:(2020)
1857:(2020)
1847:(2020)
1826:(2019)
1818:(2019)
1808:(2019)
1798:(2017)
1788:(2019)
1778:(2019)
1768:(2019)
1760:(2019)
1739:(2018)
1729:(2018)
1719:(2018)
1709:(2018)
1593:
826:(2019)
814:
698:Ref(s)
688:Award
464:, and
437:tropes
356:, and
250:, and
171: (
2044:Slaxx
1815:Yummy
1690:Films
722:2020
704:2019
685:Year
656:'
541:with
2319:2024
2238:2023
2127:2022
2056:2021
1974:Host
1835:2020
1785:Gwen
1748:2019
1697:2018
1617:IMDb
1591:ISBN
1564:2020
1532:2020
1499:2020
1469:2020
1439:2020
1406:2020
1373:2020
1340:2020
1307:2020
1271:2020
1238:2021
1202:2020
1169:2020
1129:2020
1093:2020
1057:2020
1021:2020
977:2020
931:2020
898:2020
862:2020
812:ISBN
748:Won
733:Won
501:and
416:Abby
413:and
403:The
1642:at
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637:of
593:On
570:AMC
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