Dubstep - Knowledge (XXG)

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gaining significant popularity around 2015. It is said that those who enjoy this style of music describe it as the "dirtier, swaggier" side of dubstep, whereas those looking at this from the outside, claim that it is "repetitive and chaotic". Notable artists of the genre include Subfiltronik, Bukez Finezt, P0gman, Badklaat, 50 Carrot, Dubloadz and Coffi. Notable tracks of the genre include "Yasuo" by Bommer and Crowell, "Orgalorg" by Infekt, and "Jotaro" by Phiso. Some commentators have suggested that Riddim is not a genre in its own right and is instead just a style of dubstep. Riddim producer Oolacile states "A lot of people who have been around a lot longer have a different idea of what riddim is. Older fans consider riddim to be the swampy, repetitive sound, and newer fans will associate riddim with the sound of the underground."

771:, east London. Founded in 2001, Forward>> was critical to the development of dubstep, providing the first venue devoted to the sound and an environment in which dubstep producers could premier new music. Around this time, Forward>> was also incubating several other strains of dark garage hybrids, so much so that in the early days of the club the coming together of these strains was referred to as the "Forward>> sound". An online flyer from around this time encapsulated the Forward>> sound as "b-lines to make your chest cavity shudder." 992: 834: 802: 930: 332: 1606: 719: 1343:, a YouTube channel brand was founded by Luke Hood which introduced Dubstep to many young generations internationally at the time. UKF Dubstep has exploded in popularity as the music genre has hit the mainstream. In November 2010 the channel had 100,000 subscribers, and as of November 2019 has over one million. "UKF features established and up and coming producers from around the world, featuring artists from 1224: 1355:/ Hybrid Minds. We're sent a huge amount of music so it's our job to pick the best to upload on the channel for our audience to listen to. In just over 3 years our channels now have more than 2m subscribers and 4 channels – UKF Dubstep, Drum & Bass, Music and Mixes. The audience is getting more and more International and younger." Luke said on the interview with SoSoActive. 914:. The first featured Plasticman, Mark One and Slaughter Mob, with Kode9, Loefah, and Digital Mystikz appearing on the second. These compilations helped to raise awareness of dubstep at a time when the grime sound was drawing more attention, and Digital Mystikz and Loefah's presence on the second release contributed to the success of their DMZ club night. Soon afterwards, the 504:, with a clap or snare usually inserted every third beat in a bar. With a large majority of releases at 140bpm, the genre (as well as others, including grime) is sometimes referred to as "140". In its early stages, dubstep was often more percussive, with more influences from two‑step drum patterns. Many producers were also experimenting with tribal drum samples, such as 1184:, hand percussion and lushly arranged strings. Mary Anne Hobbs commented that, unlike "Grime and drum 'n' bass raves, the mood at dubstep nights is less aggressive, or more meditative, leading to a larger female attendance at events than with the genre's precursors. You see the female-to-male ratio constantly going up – it's got the potential to be 40:60". 1519: 860:, and partner David Carlisle started happening regularly. It was there that Skream, Benga, N Type, Walsh, Chef, Loefah, and Cyrus made their debuts as DJs. South London collective Digital Mystikz (Mala and Coki), along with labelmates and collaborators Loefah and MC Sgt Pokes soon came into their own, bringing sound system thinking, 1164:

As the genre has spread to become an international rather than UK-centric scene, it has also seen a number of women making headway into the scene in a variety of ways. Alongside Soulja of Ammunition Promotions and Mary Anne Hobbs, an influx of female producers, writers, photographers and DJs all have

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music. Riddim is characterised by repetitive and minimalist sub-bass and triplet percussion arrangements, similar to original dubstep, with a sound described as "wonky". Riddim is looked upon as a subgenre of dubstep, similarly to other sub genres like brostep, drum-step, and wobble-step. It started

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Commenting on the success of American producers such as Skrillex, Skream stated: "I think it hurts a lot of people over here because it's a UK sound, but it's been someone with influences outside the original sound that has made it a lot bigger. The bad side of that is that a lot of people will just

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writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas ... you can't dismiss all these acts as unrelated"

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Towards the end of the 2000s and into the early 2010s, the genre started to become more commercially successful in the UK, with more singles and remixes entering the music charts. Music journalists and critics also noticed a dubstep influence in several pop artists' work. Around this time, producers

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shifted their sounds from post-dubstep into more experimental or soulful electronic influenced music. Pioneers of dubstep such as Skream and Loefah moved away from the genre, moving on to other genres instead. Loefah stopped playing and producing dubstep and moved on to UK bass, founding his record

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The sound's first North American ambassador, Baltimore DJ Joe Nice helped kickstart its spread into the continent. Regular Dubstep club nights started appearing in cities like New York, San Francisco, Seattle, Montreal, Houston, and Denver, while Mary Anne Hobbs curated a Dubstep showcase at 2007's

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coined the term "dubstep" in 2002. Ammunition Promotions, who run the influential club night Forward>> and have managed many proto-dubstep record labels (including Tempa, Soulja, Road, Vehicle, Shelflife, Texture, Lifestyle and Bingo), began to use the term "dubstep" to describe this style of

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Around the early to mid 2010s, a niche development of dubstep began to emerge which combines the aggression and impact of brostep with the rich tonality and musicality of melodic dubstep, drawing on the best elements of both sides and fusing tonality with mid-range bass sound design. Artists like

1796:" describing this style of dubstep due to its focus on vibrant, bright and colourful production, and founded the record label Rushdown in 2016 to promote it. Despite the overall declining popularity of dubstep in mainstream culture, colour bass has been promoted by veteran electronic labels like 2443:

No summary of the year in dubstep would be complete without the ever-expanding wobble side of the scene, recently hilariously and accurately renamed "brostep". In the UK, the wobble sound is now the default dubstep position for many fans, as the scene commands an increasing share of the Friday

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In the summer of 2005, Forward>> brought grime DJs to the fore of the line up. Building on the success of Skream's grimey anthem "Midnight Request Line", the hype around the DMZ night and support from online forums (notably dubstepforum.com) and media, the scene gained prominence after

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or more, as in the audio example). It is very common for the bass to drop at or very close to 55 seconds into the song, because 55 seconds is just over 32 measures at the common tempo of 140 bpm. However, this (or the existence of a bass drop in general) is by no means a

821:. Key artists such as Hatcha and later Skream worked in the shop (which initially sold early UK Hardcore / Rave, Techno and House and later, garage and drum and bass, but evolved with the emerging dubstep scene in the area), while Digital Mystikz were frequent visitors. El-B, Zed Bias, 891:, the United States, and Australia, leading to a queue of 600 people at the event. This forced the club to move from its regular 400-capacity space to Mass' main room, an event cited as a pivotal moment in dubstep's history. Later Mala would also found the influential label 595:

Many early dubstep tracks incorporate one or more "bass drops", a characteristic inherited from drum and bass. Typically, the percussion will pause, often reducing the track to silence, and then resume with more intensity, accompanied by a dominant sub-bass (often passing

988:, Hyaku-mado, Ena and Doppelganger are major figures in the Tokyo scene. Joe Nice has played at DMZ, while the fifth instalment of Tempa's "Dubstep Allstars" mix series (released in 2007) included tracks by Finnish producer Tes La Rok and Americans JuJu and Matty G. 621:

Rewinds (or reloads) are another technique used by dubstep DJs. If a song seems to be especially popular then someone, most often the DJ, will rewind the record by hand without lifting the stylus and play the track again. Because the stylus has not been lifted (or, on

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Beginning in mid-2014, dubstep began to decline drastically in mainstream popularity, particularly in the United States, where many formerly successful dubstep artists became popular. Artists such as Skrillex, for instance, moved on to producing tracks for

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that is punctuated by rhythmic variations in volume, filter cutoff, or distortion. This style of bass is a driving factor in some variations of dubstep, particularly at the more club-friendly end of the spectrum. Wobble bass has been nicknamed Wobble-step.

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EDM special referred to brostep as a "lurching and aggressive" variant of dubstep that has proven commercially successful in the United States. Unlike traditional dubstep production styles, which emphasise sub-bass content, brostep accentuates the middle

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in the UK) incorporated extensive use of heavily manipulated, mostly female, 'girl next door' vocal samples. Burial has spoken at length regarding his intent to reincorporate elements of musical precursors such as 2-step garage and house into his sound.

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However, the year 2009 saw the dubstep sound gaining further worldwide recognition, often through the assimilation of elements of the sound into other genres, in a manner similar to drum and bass before it. At the start of the year, UK electronic duo

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festival in Barcelona. Non-British artists have also won praise within the larger Dubstep community. The dynamic dubstep scene in Japan is growing quickly despite its cultural and geographical distance from the West. Such DJ/producers as

212:, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the 1779:

label Swamp81 in the process. Skream shifted away from dubstep, choosing to instead produce and play house and techno music in his DJ sets and releasing various techno songs on Alan Fitzpatrick's record label We Are The Brave.

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album released such content the very year dubstep saw a spike, containing three dubstep tracks. Such events propelled the genre into the biggest radio markets overnight, with considerable airplay. Other hip-hop artists like

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say 'dubstep equals Skrillex'. But in all honesty it genuinely doesn't bother me. I like the music he makes." Other North American artists that were initially associated with the brostep sound were Canadian producers

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commented on "a whole new sound", at a time when both genres were becoming popular, stating that "grime" and "dubstep" were two names for the same style, which was also known as "sublow", "8-bar", and "eskibeat".

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label, using 1970s funk and soul reference points, a departure from the familiar strains of dub and UK garage. The sound also continued to interest the mainstream press with key articles in magazines like

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and aided the growth of the scene, such as dubstepforum, the download site Barefiles and blogs such as gutterbreakz. Simultaneously, the genre was receiving extensive coverage in music magazines such as

1672:, the record was a muddled attempt by Rusko to realign his music with a "Jamaican inheritance" and distance it from the "belching, aggressive, resolutely macho" dubstep produced by his contemporaries. 1666:

that "brostep is sort of my fault, but now I've started to hate it in a way ... It's like someone screaming in your face ... you don't want that." According to a BBC review of his 2012 album

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Much like drum and bass before it, dubstep started to become incorporated into other media. In 2007, Benga, Skream, and other dubstep producers provided the soundtrack to much of the second series of

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track, observing that listeners "have internalized the double-time rhythm" and the "track is so empty it makes nervous, and you almost fill in the double time yourself, physically, to compensate".

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and Coki's single "Night" still continued to be a popular track on the UK dance chart more than a year after its release in late 2007, still ranking in the top five at the start of April 2008 on

1041:'s "Hammer of Thor" are other examples of dubstep-influenced techno. Berlin's Hard Wax record store (operated by influential dub techno artists Basic Channel) has also championed Shackleton's 5507: 4999: 4357: 350: 2784: 393:

has described dubstep's overall sound as "tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals." According to

5737: 4061: 4648: 1537:" or simply "bass music") was used to describe club music that was influenced by certain aspects of dubstep. Such music often references earlier dubstep productions as well as 1056:

scoring a crossover hit (in a similar manner to Skream's "Midnight Request Line") with the track "Night", which gained widespread play from DJs in a diverse range of genres.

5187: 626:, the channel has not been muted), a whirring noise is produced. Rewinds are also an important live element in many of dubstep's precursors; the technique originates in dub 5910: 5775: 3366: 1730:

In the early 2010s, UK artists began to play with a style of dubstep reminiscent of a resurgence or continuation of original British dubstep styles. This became known as

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reaching number 10 in the UK singles chart. This presented a turning point in the popularity of mainstream dubstep amongst UK listeners as it was placed on rotation on

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All throughout 2003, DJ Hatcha pioneered a new direction for dubstep on Rinse FM and through his sets at Forward>>. Playing sets cut to 10" one-off reggae-style

413:, 2 step." Reynolds comments that the traces of pre-existing styles "worked through their intrinsic sonic effects but also as signifiers, tokenings-back addressed to 5572: 5803: 4502: 220:, which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used by around 2002 by 5638: 4956: 2128: 871:

Digital Mystikz brought an expanded palette of sounds and influences to the genre, most prominently reggae and dub, as well as orchestral melodies. After releasing

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Excerpt demonstrating the rhythmic tension generated between the drum rhythm and bassline. This song features a very sparse rhythm almost entirely composed of

6075: 4121: 3228: 8648: 5943: 5279: 4845: 3906: 3788: 4763: 4172: 1431:(produced by Benga) followed, debuting at number 5 in the UK singles chart, and stayed in the top 10 for five more weeks. Also, in 2010, American producer 349: 5096: 2822: 5726:"Metalhead turned dance-music star Bassnectar is happy to headline this weekend's Summer Set fest because its lineup is more eclectic than "electronic."" 6190: 4787: 5540: 3722: 8573: 4933: 2320: 5155: 5073: 4225: 4146: 8355: 5121: 3968: 341: 7427: 5257: 1211:

and 8-bit music. Several prominent purple sound artists cite video game music as a large influence. Purple sound later led to the development of

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have more experimental song structures which do not rely on a drop for a dynamic peak – and in some instances do not feature a bass drop at all.

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features several collaborations with electronic music producers, including Skrillex and Excision. This style of dubstep is sometimes known as

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used Benga's "E Trips"; adding her own verses over the beat to create a new tune called "Me N My"; the first single from her unreleased album

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has moved toward productions which fall outside the usual dubstep tempo, and sometimes entirely lack most of the common tropes of the genre.

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on Big Apple, they founded DMZ Records, which has released fourteen 12"s to date. They also began their night DMZ, held every two months in

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and Lethal Bizzle. He has also released tracks with a dubstep foundation and grime verses over the beats. Dubstep artist and label co-owner

3937: 2884: 5879: 5366: 4550: 5725: 5469: 1946: 825:, Plastician, N Type, Walsh and a young Loefah regularly visited the shop as well. The shop and its record label have since closed. 6538: 6290: 4524: 4013: 4638: 8633: 6137: 4039: 2045: 1658:

has been used by some as a pejorative descriptor for a style of popular dubstep developed in the United States. The producer known as

879:, a part of London already strongly associated with reggae. DMZ has showcased new dubstep artists such as Skream, Kode 9, Benga, 5603: 8578: 6106: 5447: 3831: 2278: 655:

from Trinidad. Production in a studio environment seems to lend itself to more experimentation. Kode9 collaborated extensively with

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Techno artists and DJs began assimilating dubstep into their sets and productions. Shackleton's "Blood on My Hands" was remixed by

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The breadth of styles that have come to be associated with the term post-dubstep preclude it from being a specific musical genre.

8653: 7736: 6232: 5765: 5337: 4707: 3532: 2483: 887:, and Vex'd. DMZ's first anniversary event (at the Mass venue, a converted church) saw fans attending from places as far away as 790:, and others, plus regular guests. The line up of residents has changed over the years to include Youngsta, Hatcha, Geeneus, and 3633: 3376: 3292: 3251: 1835: 942:

Radio 1 DJ Mary Anne Hobbs gathered top figures from the scene for one show, entitled "Dubstep Warz", (later releasing the

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The production duo Mount Kimbie is often associated with the origination of the term post-dubstep. English music producer

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The influence of dubstep on more commercial or popular genres can be identified as far back as 2007, with artists such as

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when it spread beyond small local scenes in late 2005 and early 2006; many websites devoted to the genre appeared on the

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Dubstep's early roots are in the more experimental releases of UK garage producers, seeking to incorporate elements of

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have experimented upon this style of production in the earlier 2010s. English dubstep producer Chime coined the term "

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within a riff. Compared to other styles of garage music, dubstep tends to be more minimalistic, focusing on prominent

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The early sounds of proto-dubstep originally came out of productions during 1999–2000 by producers such as Oris Jay,

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At the end of 2003, running independently from the pioneering FWD night, an event called Filthy Dub, co promoted by

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In a move foreshadowed by endorsements of the sound from R&B, hip-hop and recently, mainstream figures such as

1284: 397:, dubstep's constituents originally came from "different points in the 1989—99 UK lineage: bleep 'n' bass, jungle, 251:, who started playing it from 2003 onwards. In 2004, the last year of his show, a listeners vote included songs by 5933: 4837: 4449: 1064:

named it his record of 2007, and it was also a massive hit in the equally bassline-orientated, but decidedly more

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and DJ Pinch. Ammunition also released the first retrospective compilation of the 2000–2004 era of dubstep called

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also began to fuse elements of the original dubstep sound with other influences, creating fusion genres including

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and Skream, then also Digital Mystikz and Loefah—to begin a dark, clipped and minimal new direction in dubstep.

8643: 5106: 4759: 4471: 2875:"Dawn of Dubstep: Will this Bass-heavy Dance Phenomenon Blow Out Only Your Speakers or Will it Really Blow Up?" 2812: 2646: 880: 540: 372:

implied 71bpm tempo. The track is instead propelled by a sub-bass following a four-to-the-floor 142bpm pattern.

229: 4784: 4087: 1013:(an act reciprocated when Villalobos included a Shackleton mix on his "Vasco" EP) and included on a mix CD by 464:

frequencies. Some dubstep artists have also incorporated a variety of outside influences, from dub-influenced

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started championing the genre, beginning with a show devoted to it (entitled "Dubstep Warz") in January 2006.

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had achieved moderate commercial success in North America with a dubstep-influenced sound. By 2011, his EP

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fans than it did to lovers of UK garage". The brostep sound also attracted the attention of metal bands.

951:). The show created a new global audience for the scene, after years of exclusively UK underground buzz. 6954: 6629: 6602: 2223: 1241:

using dubstep sounds; critics observed a dubstep influence in the song "Freakshow", from the 2007 album

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In 2011, dubstep gained significant traction in the US market, by way of a post-dubstep style known as

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Notable mainstays in the live experience of the sound are MC Sgt Pokes and MC Crazy D from London, and

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completely rigid characteristic, rather a trope; a large portion of seminal tunes from producers like

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have introduced a palette of new sounds and influences to the genre, such as double-time bass drums,

1100: 1026: 577: 5836: 4323: 2686: 2614: 667:'s experiments with the genre are almost exclusively collaborations with MCs such as Warrior Queen, 7984: 7861: 7812: 7235: 6915: 6624: 6612: 6578: 6249: 5032: 4729: 4643: 4411: 4270: 4230: 3793: 3727: 3661: 3404: 3338: 3193: 3125: 3059: 3026: 2932: 2817: 2741: 2585: 2519: 2425: 2396: 2315: 2195: 2092: 2008: 1889: 1681: 1667: 1573: 1554: 1318: 1312: 1276: 1079: 365: 280: 274: 252: 193:. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican 186: 66: 4380: 2709: 1374:, providing a vocal for their "underground anthem", "Eastern Jam". The 2011 Britney Spears track " 8070: 8050: 7824: 7649: 7644: 7447: 7203: 7095: 7085: 6966: 6949: 6427: 6276: 5669: 5101: 4867: 3933: 3566: 2420: 2055: 1375: 1170: 1132: 1022: 1010: 589: 433: 5869: 2874: 1897: 6191:"PREMIERE: Chime Delivers Thrilling Single "From Atoms To Pixels" ft. Sekai [Rushdown]" 5358: 4554: 1195:

emerged in Bristol in late 2008 out of the splintering dubstep scene and took inspiration from

955:'s self-titled album appearing in many critics' "Best of ..." lists for the year, notably 718: 633:, is widely employed by pirate radio stations and is also used at UK garage and jungle nights. 8519: 8308: 7908: 7886: 7587: 7506: 7178: 6886: 6821: 6745: 6700: 5938: 4009: 3571: 3542: 3468: 3302: 3261: 2746: 2463: 2401: 2200: 1936: 1893: 1862: 1789: 1677: 1648: 1583: 1491: 1463: 1449: 1424: 1397: 1371: 1065: 952: 943: 814: 723: 660: 641: 630: 473: 369: 309: 225: 4957:"Taylor Swift on Going Pop, Ignoring the Gossip and the Best (Worst) Nickname She's Ever Had" 4528: 1143:

Radio 1 Dubstepwarz Show in 2006, and further documented another set of dubstep's producers.

841:, one of the most widely known names on the scene since the beginning of the Dubstep movement 8608: 8491: 8379: 8340: 8225: 8181: 8112: 7930: 7659: 7491: 7410: 7250: 7090: 7058: 6799: 6710: 6705: 6695: 6607: 6553: 6507: 6240: 5313: 5220: 4035: 3092: 2367: 2160: 1767: 1659: 1636: 1566: 1471: 1459: 1333: 1280: 1248: 1181: 1124: 1049: 1038: 865: 850: 833: 795: 746: 637: 548: 501: 233: 129: 6568: 6129: 5433:"Dubstep producer tries aligning his output with Jamaican originals, with muddled results." 3623: 2059: 1247:, which Tom Ewing described as "built around the 'wobbler' effect that's a genre standby." 8439: 7619: 7572: 6942: 6937: 6804: 6675: 6563: 6236: 5841: 5611: 5477: 5451: 5341: 5068: 4961: 4791: 3996: 3760: 3628: 3371: 3160: 2779: 2677: 2050: 1917: 1885: 1839: 1735: 1695: 1663: 1605: 1588: 1557:. The latter in particular is heavily sampled by three artists described as post-dubstep: 1300: 1292: 1230:

performing for crowds on 7 July 2011 at the 10th Anniversary Camp Bisco Music Festival in

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and Heny G would all come through the Anti-Social Entertainment crew, with a show on

698: 680: 573: 552: 469: 449: 441: 425: 421: 305: 297: 190: 174: 114: 81: 46: 5973: 4199: 991: 648:, the MC's role in dubstep's live experience is critically important to its impact. 8546: 8514: 8456: 8444: 8401: 8288: 8149: 8102: 8077: 7871: 7795: 7686: 7664: 7624: 7609: 7501: 7405: 7383: 7373: 7329: 7324: 7240: 7140: 7120: 7078: 7043: 6971: 6927: 6831: 6434: 6367: 6333: 5808: 5432: 5150: 3694: 2619: 1731: 1725: 1558: 1503: 1483: 1416: 1030: 1018: 947: 731: 656: 410: 301: 221: 209: 205: 166: 119: 76: 4354:"Freeload: La Roux, "In for the Kill (Skream's Let's Get Ravey Remix) " The FADER" 2362: 1565:. The tempo of music typically characterised as post-dubstep is approximately 130 1165:

broken through in the up-til-then male orientated scene. With key 12" releases on

906:, released two compilations that included dubstep tracks – the (perhaps misnamed) 6254: 3600: 3495: 348: 8556: 8461: 8406: 8389: 8313: 8298: 8246: 8127: 8122: 8082: 8065: 8060: 8045: 7952: 7846: 7790: 7654: 7639: 7614: 7582: 7378: 7354: 7230: 7225: 7168: 7135: 7125: 7068: 7053: 7048: 7013: 6986: 6898: 6853: 6772: 6750: 6722: 6715: 6665: 6634: 6524: 6476: 6422: 6389: 5455: 5391:, Computer Music Specials (p. 9), Wed 26 October 2011, Future Publishing Limited 4297:"Radio 1 – BBC Radio 1's Chart Show with Reggie Yates – UK Top 40 Dance Singles" 3826: 2911: 2682: 2580: 1922: 1420: 1405: 1391:

Mr Grustle & Tha Russian Dubstep LA Embrace The Renaissance Vol. 1 Mixed by

1378:" was also responsible for promoting dubstep tropes within pop music. Rihanna's 1348: 1256: 1223: 1212: 1057: 1042: 1014: 995: 929: 702: 489: 429: 244: 237: 201: 182: 6226:

An online magazine full of interviews, articles, photos from events and videos.

2164: 1734:, a name coined by British producer Jakes around 2012. The name comes from the 1207:

production from the 1990s into dubstep, while also introducing many aspects of

801: 760:

on the cover) contributed to it becoming established as the name of the genre.

588:, a second main section similar to the first (often with another drop), and an 17: 8529: 8476: 8466: 8429: 8411: 8360: 8325: 8213: 8196: 8134: 8117: 8107: 8035: 7945: 7920: 7898: 7851: 7785: 7773: 7629: 7538: 7533: 7452: 7415: 7363: 7260: 7255: 7245: 7188: 7100: 7073: 7038: 7018: 6991: 6961: 6932: 6848: 6843: 6838: 6777: 6727: 6617: 6573: 6444: 6384: 6372: 2282: 1797: 1625: 1482:". Strong baselines imported from dubstep continued in popular music with the 1412: 1411:

Throughout 2010, the presence of dubstep in the pop charts was notable, with "

1392: 1367: 1200: 899: 857: 791: 787: 768: 690: 672: 597: 536: 493: 381: 361: 260: 178: 5410: 3575: 3546: 3306: 3265: 2750: 2405: 2204: 1639:

and features "robotic fluctuations and metal-esque aggression". According to

8330: 8293: 8241: 8191: 8166: 8055: 8010: 7994: 7940: 7866: 7856: 7834: 7756: 7741: 7721: 7681: 7671: 7634: 7597: 7577: 7523: 7484: 7462: 7442: 7400: 7312: 7272: 7063: 7003: 6903: 6881: 6865: 6826: 6811: 6767: 6685: 6680: 6670: 6323: 6299: 4264: 2879: 2710:"Markle Said Wha?: Plastician Interview (as featured in ATM Magazine 7 Nov)" 1771: 1753: 1745: 1690:

as "a viciously harsh, yet brilliantly produced sound that appealed more to

1538: 1340: 1252: 1150: 1091: 985: 861: 668: 581: 445: 437: 406: 357: 248: 170: 61: 56: 51: 7479: 6099:"Dr. Ushūu Makes Monstercat Debut With Cosmic Colour-Bass Single "Save Me"" 3853: 3165: 3097: 3252:"Various Artists – Grime (Rephlex) / DJ Slimzee – Bingo Beats III (Bingo)" 1389:

added their vocals to dubstep instrumental tracks for the mixtape project

1037:

album, among other tracks on that same album) and Roman Flugel's remix of

8583: 8365: 8261: 8251: 8218: 8201: 8176: 8087: 8020: 8015: 7972: 7967: 7913: 7891: 7703: 7698: 7567: 7548: 7528: 7496: 7388: 7349: 7317: 7307: 7302: 7287: 7282: 7208: 7193: 7105: 6998: 6762: 6592: 6401: 6359: 5770: 5215: 5210: 5182: 4324:"Electronic review: La Roux, In For the Kill (Skream remix) | Music" 3964: 2421:"The Year in Grime / Dubstep: The Year in Dubstep, Grime, and Funky 2009" 2155: 1801: 1699: 1621: 1609: 1578: 1467: 1432: 1352: 1178: 1166: 1154: 1098:. A track by Skream also featured in the second series of the teen drama 1095: 980: 884: 846: 786:, Youngsta, Kode 9, Zed Bias, Oris Jay, Slaughter Mob, Jay Da Flex, 775: 742: 461: 398: 390: 317: 268: 217: 6130:"Papa Khan Returns To Monstercat With New Colour Bass Single "Get To U"" 1518: 8171: 8154: 7962: 7925: 7817: 7555: 7265: 6439: 6394: 6354: 2247:

Interactive Composition: Strategies Using Ableton Live and Max for Live

1600: 1534: 1513: 1359: 1288: 1264: 1227: 1174: 1158: 1116: 903: 876: 818: 727: 652: 457: 313: 109: 6036: 5903:"Skream shares the tracks lighting up his marathon Open-To-Close sets" 4441: 1861:

Perseus Books; Reprint edition (5 January 2012), pages 511–516, (

1466:" from their album reached number 8 in the Official UK Singles Chart. 1048:

The summer of 2007 saw dubstep's musical palette expand further, with

849:, he drew exclusively from a pool of new South London producers—first 8481: 8394: 8303: 8025: 7957: 7935: 7876: 7839: 7731: 7602: 7592: 7474: 7457: 7395: 7198: 7130: 6981: 6976: 6782: 6258: 5934:"Skream goes full techno on new single, 'Poison' - Dancing Astronaut" 4226:"Column: Poptimist #10: Britney in the Black Lodge (Damn Fine Album)" 3505: 1749: 1740: 1686: 1647:

that function roughly in the same register as the electric guitar in

1428: 1386: 1272: 1204: 1112: 1045:

label, later broadening its focus to include other dubstep releases.

959:

s Best Album of 2006. The sound was also featured prominently in the

888: 838: 783: 676: 627: 601: 556: 505: 497: 485: 465: 402: 71: 6255:

BBC Collective dubstep documentary filmed at DMZ 1st Birthday, 2005.

5974:"Chime Discusses His Influences, Color Bass, & Rushdown Records" 4475: 2650: 1804:, and Chime himself finding success in producing colour bass music. 813:

Another crucial element in the early development of dubstep was the

774:

Forward>> also ran a radio show on east London pirate station

763:

Forward>> was originally held at the Velvet Rooms in London's

320:, greatly contributed to dubstep's popularity in the United States. 6161:"Chime Dives Into His Label and Plans for 2022 [Interview]" 4760:"Eve, "Me N My (prod. by Salaam Remi & Benga)" MP3 " The FADER" 4091: 8451: 8374: 7881: 7751: 7115: 6891: 6262: 5126: 3595: 2552: 1878: 1604: 1517: 1328: 1323: 1222: 990: 928: 832: 800: 779: 752: 717: 645: 606: 520: 6003: 4499:"Luke Hood, The 19 Year Old From UKF Dubstep Tops YouTube Charts" 3934:"Burial: Beautiful Dread, Inviting and Sinister : NPR Music" 8568: 8350: 8335: 8092: 5122:"Blawan takes post-dubstep and UK house out of its comfort zone" 1703: 1644: 934: 764: 738: 524: 263:

as the top 50 for the year. Dubstep started to enter mainstream

6480: 6272: 5500:"Korn Team with Skrillex, More Dubstep Producers for New Album" 535:

One characteristic of certain strands of dubstep is the wobble

27:

Genre of electronic dance music that originated in South London

5635:"The Rise of Riddim: What's this latest bass craze all about?" 1581:

released remixes which are considered post-dubstep, including

1199:, which it is sometimes considered a part of. It incorporates 1140: 1128: 975:, co-compiled by Ammunition and Blackdown on the Tempa Label. 794:, with Crazy D as MC/host. Producers including D1, Skream and 623: 288:. Interest in dubstep grew significantly after BBC Radio 1 DJ 2219: 1859:

Energy Flash: A Journey Through Rave Music and Dance Culture,

444:– the genre's feel is commonly dark; tracks frequently use a 6268: 2459:

Energy Flash: A Journey Through Rave Music and Dance Culture

1533:

In early 2011, the term "post-dubstep" (sometimes known as "

967:, which included Digital Mystikz, Random Trio, Kode 9, 330: 5359:"Dubstep Maker: The Software & Video Tutorial You Need" 428:

sound. These experiments often ended up on the B-side of a

5445:

I Like The Music Skrillex Makes': An Interview With Skream

2967: 1404:. The track was co-produced by Benga and hip hop producer 543:

to manipulate certain parameters of a synthesiser such as

6223: 3907:"Pitchfork Feature: Column: The Month in Grime / Dubstep" 5693:"Popping the Drop: A Timeline of How EDM's Bubble Burst" 2909:

Warren, Emma (1 August 2007). "The Dubstep Explosion!".

5403:"Fall preview 2011: Dubstep takes over the dance floor" 4114:"Jay 5ive - FABRICLIVE x Tempo Clash Mix - fabric blog" 3990:

Q&A with Kyle Lynd - How to get your music on Skins

2647:"InYourBassTv Presents Sgt. Pokes (Dour Festival 2008)" 508:

early release "Truly Dread" and Mala's "Anti-War Dub".

5766:"Dubstep May Be Dying, Just Don't Tell Canadians That" 1926:, London, 17 October 2011. Retrieved 22 November 2011. 500:. The tempo is nearly always in the range of 132–142 4668: 4666: 1800:

around the early 2020s, with artists like Skybreak,

1458:

reached No. 2 in the UK album chart. On 1 May 2011,

8507: 8422: 8281: 8274: 8234: 8003: 7714: 7161: 6874: 6738: 6653: 6546: 6532: 6453: 6415: 6342: 6306: 5573:"What is this Riddim Everyone Keeps Talking About?" 5541:"How to Talk to Your Kids About Riddim | Insomniac" 4990:"Chart Highlights: Demi Lovato 'Attack's Pop Songs" 432:or commercial garage release. Dubstep is generally 138: 102: 90: 39: 34: 3756:"Ellen Allien & Apparat: Orchestra of Bubbles" 3690:"Various, Dubstep Allstars 5 – Mixed By DJ N-Type" 5751:Dubstep obviously is already a thing of the past. 5244: 5242: 4730:"Track Reviews: Eve – "Me N My (Up in the Club)"" 782:. The original Forward>> line ups included 679:has also featured Warrior Queen and grime artist 576:and UK garage. Typically, this would comprise an 200:Dubstep is generally characterised by the use of 181:production, as well as incorporating elements of 5409:. Star Tribune Media Company LLC. Archived from 5178:"A profile of James Blake – post-dubstep artist" 4608:"New music: Britney Spears – Hold It Against Me" 4141: 4139: 3533:"Various Artists – The Roots of Dubstep (Tempa)" 2649:. Inyourbass.com. 28 August 2008. Archived from 1774:artists, while artists such as Mount Kimbie and 1684:. Their production style has been described by 1169:, Immigrant and Hotflush Recordings, producers 1104:, which also aired on Channel 4 in early 2008. 750:music in around 2002. The term's use in a 2002 644:mic styles in the vein of reggae pioneers like 4259:"Have You Heard of This Britney Spears Chick?" 1970:"Bubble and Squeak: Michael Wilson on Dubstep" 1761:2014–present: Decline in mainstream popularity 1139:. The show was the evolution from her seminal 697:as well as renowned Grime MC's such as Wiley, 6492: 6284: 6068:"Chime Asks To "Bring Me Back" In New Single" 2581:"How Low Can it Go: The Evolution of Dubstep" 8: 3221:"In Profile: A Plotted History of Deep Medi" 1219:2009–2014: Mainstream popularity and Brostep 3375:. London: Independent Print. Archived from 2846:"Beyond lies the wub: a history of dubstep" 1490:", which made number 1 on Billboard's U.S. 169:in the early 2000s. The style emerged as a 8278: 6543: 6499: 6485: 6477: 6291: 6277: 6269: 5387:Simon Reynolds, The Art of the Groove, in 4930:"All The Official Singles Chart Number 1s" 4805:"UK Charts: Week Ending 04-September–2010" 4090:. n3k4.com. 18 August 2008. Archived from 3854:"philip sherburne: November 2005 Archives" 2188: 2186: 2184: 2182: 1853: 1851: 1849: 1847: 1474:both had number one singles in 2011 with " 31: 8574:Music technology (electronic and digital) 5724:Chris, Riemenschneider (13 August 2015). 2806: 2804: 2802: 2304: 2302: 2300: 1336:on the cover of its December 2009 issue. 1127:, Nomad, Kulture and MC Sgt Pokes to the 933:Dubstep Section at Black Market Records, 3496:"Cast and Credits for 'Children of Men'" 2904: 2902: 2868: 2866: 2768: 2766: 2764: 2762: 2760: 2356: 2354: 2352: 2350: 2348: 2346: 2344: 2342: 2340: 2338: 2121:"Dubstep: How Has It Become So Popular?" 2081: 2079: 2077: 580:, a main section (often incorporating a 243:A very early supporter of the sound was 6066:Paul, Bryson "Boom" (7 December 2022). 4062:"Radio One Hosts Generation Bass " RWD" 2039: 2037: 2035: 2033: 2031: 1997: 1995: 1825: 1595:2011: Brostep and American developments 1094:with a soundtrack CD later released on 6031: 6029: 5967: 5965: 5963: 5961: 5789:Dubstep is DEAD… The movement is over. 5535: 5533: 5531: 5529: 5527: 5525: 5510:from the original on 22 September 2017 4969:from the original on 26 September 2017 4525:"Interview with UKF Founder Luke Hood" 4422:from the original on 16 September 2009 4334:from the original on 10 September 2014 3150: 3148: 2268: 2266: 2264: 2262: 2260: 2258: 2256: 1949:from the original on 26 September 2010 1744:, which refers to the instrumental of 1628:" for the scene. In September 2011, a 1441:had peaked at number three on the U.S. 809:, one of the pioneers of dubstep music 568:Originally, dubstep releases had some 379: 5932:Manganiello, Anthony (14 July 2018). 5882:from the original on 18 November 2015 5837:"James Blake: The Colour in Anything" 5816:from the original on 11 November 2017 5602:Ullah-Blocks, Jayce (25 March 2018). 5057: 5055: 5021: 5019: 5017: 4766:from the original on 26 November 2009 4740:from the original on 18 November 2009 4391:from the original on 15 November 2009 3723:"Ricardo Villalobos: Vasco EP Part 1" 3702:from the original on 27 December 2013 3636:from the original on 19 December 2012 3464:"Reasons to Be Cheerful (Just Three)" 3293:"Various Artists – Grime 2 (Rephlex)" 2844:Flatley, Joseph L. (28 August 2012). 2273:McKinnon, Matthew (30 January 2007). 2002:de Wilde, Gervase (14 October 2006). 1937:"Keeping It Peel: Festive 50s – 2004" 1396:. In summer 2009, rapper and actress 767:and later moved to Plastic People in 300:and the slower and more experimental 7: 6239:A week dedicated to the movement by 5913:from the original on 17 January 2018 5868:Szatan, Gabriel (14 February 2013). 5802:Aroesti, Rachel (7 September 2017). 5778:from the original on 23 January 2018 5740:from the original on 24 January 2018 5641:from the original on 7 December 2017 5211:"Crooks & Lovers – Mount Kimbie" 5064:"10 Post-Dubstep Artists Who Matter" 4898:"UK Charts: Week Ending 07-May–2011" 4868:"Chase & Status – No More Idols" 4848:from the original on 17 January 2012 4684:from the original on 28 October 2017 4637:Green, Thomas H (18 November 2009). 4551:"Dazed Digital | Hank Shocklee" 4505:from the original on 8 December 2017 4452:from the original on 19 October 2009 4442:"Adventures in Modern Music: Issues" 4147:"Women in dubstep – Time Out London" 4016:from the original on 7 February 2009 3971:from the original on 2 December 2012 3909:. Pitchforkmedia.com. Archived from 3860:from the original on 28 January 2011 3789:"Ellen Allien: Orchestra of Dubbles" 3365:Braddock, Kevin (22 February 2004). 2887:from the original on 19 January 2012 2739:"Rave From the Grave: Skull Disco". 2615:"Rising Star: DMZ, Music Collective" 2323:from the original on 1 December 2011 2044:O'Connell, Sharon (4 October 2006). 1370:collaborated with dubstep producers 1072:, whilst Burial's late 2007 release 316:, led by American producers such as 8649:Youth culture in the United Kingdom 6097:Bhanawat, Akshay (16 August 2022). 5946:from the original on 31 August 2018 5849:from the original on 17 August 2018 5705:from the original on 4 January 2018 5097:"SBTRKT adds to post-dubstep genre" 4936:from the original on 2 January 2012 4710:from the original on 2 January 2010 4651:from the original on 24 August 2011 3999:, BBC Introducing blog, 10-Feb-2010 3932:Porter, Christopher (20 May 2008). 3462:Reynolds, Simon (30 January 2007). 3332:Clark, Martin (11 September 2005). 2995:Chantelle Fiddy's World of Whatever 2787:from the original on 1 October 2017 2627:from the original on 13 August 2014 2594:from the original on 6 October 2011 2548:"Low End Theory: Dubstep Merchants" 1968:Wilson, Michael (1 November 2006). 1879:The Big Big Sound System Splashdown 1662:himself claimed in an interview on 6201:from the original on 25 March 2023 6171:from the original on 25 March 2023 6140:from the original on 25 March 2023 6128:Bhanawat, Akshay (14 April 2022). 6109:from the original on 25 March 2023 6078:from the original on 25 March 2023 6047:from the original on 26 March 2023 6014:from the original on 25 March 2023 5984:from the original on 25 March 2023 5901:Abbott, Jeremy (26 October 2017). 5764:Champagne, Jesse (14 March 2014). 5691:Sherborne, Philip (5 April 2016). 5662:"30 Best Riddim Songs of All Time" 5458:, 19 December 2011, TheQuietus.com 5369:from the original on 11 March 2016 5260:from the original on 26 April 2012 5227:from the original on 24 March 2011 5190:from the original on 26 March 2012 4606:Cragg, Michael (10 January 2011). 4497:Hick, Melanie (14 December 2011). 4410:Needham, Alex (23 December 2008). 4360:from the original on 17 April 2009 4303:from the original on 22 April 2009 4175:. The Stool Pigeon. Archived from 4068:from the original on 25 April 2013 3959:Goodman, Steve (1 November 2007). 3883:. Blackdownsoundboy.blogspot.com. 3820:Wasacz, Walter (11 October 2004). 2989:Fiddy, Chantelle (19 March 2006). 2873:Keast, Darren (15 November 2006). 2825:from the original on 19 March 2009 2433:from the original on 27 March 2011 2086:Clark, Martin (16 November 2006). 1283:and then again with their single " 1275:. They then gave remix duties of " 1078:(which was nominated for the 2008 868:bass weight to the dubstep scene. 572:similarities to other genres like 284:, with a regular feature entitled 25: 8579:Recording studio as an instrument 6159:Dutta, James (14 December 2021). 5286:from the original on 12 July 2012 5076:from the original on 19 July 2018 5040:from the original on 12 June 2011 5002:from the original on 7 March 2013 4817:from the original on 14 July 2021 4618:from the original on 5 March 2017 4124:from the original on 30 July 2020 3834:from the original on 14 July 2011 3624:"Japan's Dubstep Forges Own Path" 3531:Chan, Sebastian (November 2006). 3476:from the original on 14 July 2010 3443:from the original on 29 June 2012 3231:from the original on 30 July 2020 3086:Churchill, Tom (September 2009). 2811:Clark, Martin (25 January 2006). 2775:"Dubstep: Straight outta Croydon" 2708:Gurney, Mark (18 December 2007). 2456:Reynolds, Simon (20 March 2012). 2419:Clark, Martin (6 November 2009). 2279:Canadian Broadcasting Corporation 2131:from the original on 14 July 2014 1291:. The same year, London producer 7737:Christian electronic dance music 5158:from the original on 10 May 2017 4910:from the original on 18 May 2015 4674:"Dubstep it up– Features, Music" 4577:"Interviews: Chase & Status" 4553:. Dazedgroup.com. Archived from 4322:Grundy, Gareth (15 March 2009). 4042:from the original on 1 July 2013 3887:from the original on 8 July 2011 3787:Sherburne, Philip (3 May 2006). 3768:from the original on 23 May 2011 3754:De Young, Nate (19 April 2006). 3622:McBride, Blair (19 March 2010). 3512:from the original on 29 May 2007 3291:Chan, Sebastian (January 2005). 3001:from the original on 8 July 2011 2720:from the original on 8 July 2011 2490:. 15 August 2006. Archived from 2444:night/student/super club market. 2375:from the original on 22 May 2011 2245:Kuhn, Will; Manzo, V.J. (2015). 2226:from the original on 9 June 2011 2016:from the original on 4 June 2011 1980:from the original on 13 May 2012 1025:'s 2006 song "Metric" (from the 380:Problems playing this file? See 346: 278:and online publications such as 197:party scene in the early 1980s. 5468:Muggs, Joe (12 December 2011). 5062:Aaron, Charles (4 March 2011). 4955:Macsai, Dan (19 October 2012). 4878:from the original on 4 May 2015 4706:. Dubstepped.net. 19 May 2009. 4356:. Thefader.com. 14 April 2009. 4257:Segal, Dave (6 November 2007). 4224:Ewing, Tom (20 November 2007). 3940:from the original on 5 May 2011 3589:Palermo, Tomas (18 June 2007). 3400:"The Month In: Grime / Dubstep" 2926:Clark, Martin (12 April 2006). 2556:. Amalgam Media. Archived from 2088:"The Year in Grime and Dubstep" 2004:"Put a Bit of Dub in Your Step" 1545:and other forms of underground 1438:Scary Monsters and Nice Sprites 1295:released an influential album, 1033:'s "Godspeed" (from the 2007's 97:London, England, United Kingdom 6257:Interviews with Mala, Loefah, 5633:Conte, Chris (30 March 2017). 4838:"Skrillex - Awards - AllMusic" 4639:"Chase & Status Interview" 4064:. Rwdmag.com. 18 August 2008. 3688:Warren, Emma (22 April 2007). 3657:"The Month in Grime / Dubstep" 3655:Clark, Martin (8 March 2006). 3398:Martin, Clark (22 June 2005). 3334:"The Month in Grime / Dubstep" 3189:"The Month in Grime / Dubstep" 3187:Clark, Martin (8 March 2006). 3121:"The Month in Grime / Dubstep" 3055:"The Month in Grime / Dubstep" 3053:Clark, Martin (20 July 2006). 3022:"The Month in Grime / Dubstep" 3020:Clark, Martin (22 June 2005). 2928:"The Month in Grime / Dubstep" 2513:Clark, Martin (14 July 2006). 1510:List of post-dubstep musicians 1080:Nationwide Mercury Music Prize 1: 8639:Electronic dance music genres 8542:Electronic musical instrument 6343:Derivatives and fusion genres 5972:Bell, Alex (6 October 2020). 5835:Lozano, Kevin (10 May 2016). 5344:Andrew Gaerig, 12 September, 4527:. 6 July 2012. Archived from 4149:. Timeout.com. Archived from 3881:"Blackdown: One Friday night" 3431:Butler, Nick (19 June 2007). 3250:Chan, Sebastian (June 2004). 3119:Clark, Martin (25 May 2005). 2991:"Introducing ... Kode 9" 2813:"The Month In: Grime/Dubstep" 2783:. London: Independent Print. 2773:Mugan, Chris (28 July 2006). 2613:Warren, Emma (4 March 2007). 2579:Hammond, Bob (20 July 2008). 2546:Earp, Matt (30 August 2006). 2515:"The Month In: Grime/Dubstep" 2309:Clark, Martin (23 May 2007). 6230:10 Years of ... Dubstep 5870:"Pleasure Principle: Loefah" 5734:The Minneapolis Star-Tribune 5120:Guidry, Jake (19 May 2011). 5095:Moore, Thad (12 July 2011). 5026:Clark, Martin (4 May 2011). 4988:Trust, Gary (4 March 2013). 4088:"Generation Bass " n3k4.com" 3856:. Phs.abstractdynamics.org. 3822:"Losing Your Mind in Berlin" 3721:Finney, Tim (22 June 2008). 3570:. No. 544. March 2006. 2960:"FWD>> Friday 23 June" 2361:Sande, Kiran (7 June 2007). 2199:. No. 279. April 2011. 1620:,with the American producer 864:values, and appreciation of 6248:Columns by Martin Clark on 6246:The Month In: Grime/Dubstep 5306:"Is dubstep the new metal?" 5146:"Fantastic Mr Fox (No 910)" 4785:Magnetic Man – 'I Need Air' 4472:"XLR8R's Favorites of 2009" 4200:"The Dummy guide to purple" 2966:. June 2006. Archived from 2745:. No. 281. July 2007. 2400:. No. 269. July 2006. 2119:Joe Moor (3 January 2012). 883:, DJ Youngsta, Hijak, 555:. The resulting sound is a 286:The Month In: Grime/Dubstep 8670: 5335:Dubstep 101: A U.S. Primer 4412:"The London Dubstep Scene" 3879:Blackdown (1 April 2007). 2915:. No. 46. p. 32. 1723: 1598: 1507: 1501: 1322:, which featured producer 8634:21st-century music genres 8564:Electronics in rock music 8525:Digital audio workstation 6515: 6461:List of UK garage artists 5340:22 September 2017 at the 4790:15 September 2018 at the 4680:. London. 24 April 2009. 4299:. BBC. 24 February 2007. 3995:15 September 2018 at the 3961:"Kode9 interviews Burial" 2218:Pearsall (18 June 2005). 1838:23 September 2017 at the 1814:List of dubstep musicians 1783:2016–present: Colour bass 1624:becoming something of a " 1448:chart. In February 2011, 1232:Mariaville Lake, New York 963:for the 2006 sci-fi film 798:make regular appearances. 143: 6134:T.H.E - Music Essentials 6103:T.H.E - Music Essentials 5604:"What We Like || Riddim" 5470:"United Bass of America" 5450:25 February 2024 at the 3164:. London. Archived from 3096:. London. Archived from 2151:"Explore Music: Dubstep" 1271:" in the remix hands of 1111:invited Cyrus, Starkey, 636:Taking direct cues from 541:low-frequency oscillator 8654:English styles of music 8472:Progressive electronica 7512:Intelligent dance music 6640:Sound system (Jamaican) 6466:List of UK garage songs 4872:Official Charts Company 4474:. XLR8R. Archived from 3541:. No. 15. Sydney. 3301:. No. 10. Sydney. 3156:"About 2 Blow: Dubstep" 2220:"Interview: Plasticman" 2193:"The Primer: Dubstep". 1916:12 January 2012 at the 1561:, Fantastic Mr Fox and 1488:I Knew You Were Trouble 1446:Dance/Electronic Albums 1326:on its May 2009 cover. 1107:In the summer of 2008, 756:cover story (featuring 265:British popular culture 8629:2010s in British music 8619:2000s in British music 6793:List of hip hop genres 6519:Electronic dance music 5660:Stevo (8 March 2017). 4010:"Mary Anne Hobbs – TV" 3260:. No. 8. Sydney. 2714:Markleman.blogspot.com 2673:"Crazy D & Hatcha" 2275:"South London Calling" 2249:. Oxford. p. 195. 1974:Artforum International 1613: 1547:electronic dance music 1530: 1234: 1149:and Quest, along with 1002: 938: 842: 823:Horsepower Productions 810: 758:Horsepower Productions 734: 611:Horsepower Productions 472:to classical music or 456:harmonies such as the 342:Dubstep rhythm example 335: 173:offshoot that blended 163:electronic dance music 6955:Electronic body music 6603:Electroacoustic music 6235:19 April 2012 at the 5401:Rietmulder, Michael. 5109:on 28 September 2011. 3591:"The Week in Dubstep" 2484:"Interview: Joe Nice" 2394:"Invisible Jukebox". 1608: 1521: 1226: 994: 932: 917:Independent on Sunday 836: 804: 721: 624:electronic turntables 436:. Similar to a vocal 334: 8252:Hyperpop microgenres 6916:Contemporary R&B 5256:. 15 December 2011. 4263:Heard Mentality:The 4094:on 29 September 2009 4050:– via YouTube. 4036:"Broadcast Yourself" 3553:on 3 September 2007. 2494:on 28 September 2007 2462:. Soft Skull Press. 1892:, 21 February 1981, 1709:The Path of Totality 1527:Glastonbury Festival 1027:Orchestra of Bubbles 973:The Roots of Dubstep 829:2002–2005: Evolution 683:on his debut album, 640:'s lyrically sparse 368:, with a distinctly 312:-influenced variant 7862:Mainstream hardcore 7236:Chopped and screwed 6625:Elektronische Musik 6579:List of rock genres 6510:-based music styles 6265:, Youngsta ... 5365:. 14 October 2015. 4644:The Daily Telegraph 4531:on 25 November 2015 4271:Village Voice Media 4238:on 13 December 2007 3603:on 11 November 2011 3564:"Brand New Heavy". 3379:on 13 February 2011 3367:"Partners in Grime" 2009:The Daily Telegraph 1890:New Musical Express 1857:Reynolds, S.(2012), 1788:501, Subscape, and 1287:" being remixed by 1203:from the 1980s and 745:. Neil Jolliffe of 741:, Steve Gurley and 642:deejay and toasting 177:rhythms and sparse 165:that originated in 8071:Kawaii future bass 8051:Deconstructed club 7204:Breakbeat hardcore 7096:Martial industrial 7086:Industrial hip hop 6967:Ethnic electronica 6950:Electro-industrial 6428:Kawaii future bass 6072:Substream Magazine 5413:on 12 January 2016 5316:on 16 October 2012 5186:. 6 January 2011. 5154:. 6 January 2011. 5102:The Daily Gamecock 4736:. 12 August 2009. 4416:Interview Magazine 4277:on 9 November 2007 4173:"Interview: Joker" 3735:on 13 January 2009 3669:on 13 January 2009 3412:on 13 January 2009 3346:on 13 January 2009 3201:on 13 January 2009 3133:on 13 January 2009 3034:on 13 January 2009 2527:on 13 January 2009 2285:on 8 December 2011 1911:"Hatcha Biography" 1884:9 May 2012 at the 1833:AllMusic - Dubstep 1614: 1612:performing in 2012 1531: 1498:2011: Post-dubstep 1450:Chase & Status 1376:Hold It Against Me 1372:Chase & Status 1366:'s Hank Shocklee, 1297:City Limits Vol. 1 1267:put their single " 1259:dance chart list. 1235: 1188:2008: Purple sound 1182:video game samples 1135:for a show called 1133:Maida Vale studios 1011:Ricardo Villalobos 1003: 939: 843: 811: 735: 714:1999–2002: Origins 600:through an entire 452:, and can feature 389:The music website 336: 8596: 8595: 8592: 8591: 8520:Data sonification 8270: 8269: 8257:Plugg microgenres 8242:Breakcore revival 8207:Slowed and reverb 7887:Post-punk revival 7588:Progressive house 7507:Industrial techno 7179:Asian underground 7111:Power electronics 6887:Alternative dance 6746:Afro/cosmic music 6701:Psychedelic music 6474: 6473: 5939:Dancing Astronaut 5774:. VICE Magazine. 5480:on 7 January 2012 5431:Mellisa Bradshaw, 5348:, Spin Media LLC. 5209:Jeffries, David. 5028:"Grime / Dubstep" 4557:on 30 August 2009 3567:Time Out New York 3469:The Village Voice 3313:on 13 August 2011 3168:on 7 January 2009 2469:978-1-59376-407-4 2311:"Grime / Dubstep" 1867:978-1-59376-407-4 1720:2012–2013: Riddim 1492:Mainstream Top 40 1462:'s third single " 1425:Katy on a Mission 1090:, which aired on 1066:four-to-the-floor 944:compilation album 925:2005–2008: Growth 837:Dubstep producer 815:Big Apple Records 724:Big Apple Records 617:Cultural Elements 513:Invisible Jukebox 496:or incorporating 351: 208:, with prominent 156: 155: 148:List of musicians 40:Stylistic origins 16:(Redirected from 8661: 8492:Video game music 8341:Acid house party 8279: 8226:Weird SoundCloud 8113:Melbourne bounce 7931:Shangaan electro 7492:Harsh noise wall 7251:Digital hardcore 7091:Industrial metal 6711:Psychedelic rock 6706:Psychedelic funk 6696:Progressive rock 6630:Live electronics 6613:Musique concrète 6608:Acousmatic music 6554:Amplified guitar 6544: 6539:decade of origin 6501: 6494: 6487: 6478: 6454:Related articles 6293: 6286: 6279: 6270: 6241:Drowned in Sound 6211: 6210: 6208: 6206: 6197:. 7 March 2023. 6187: 6181: 6180: 6178: 6176: 6156: 6150: 6149: 6147: 6145: 6125: 6119: 6118: 6116: 6114: 6094: 6088: 6087: 6085: 6083: 6063: 6057: 6056: 6054: 6052: 6033: 6024: 6023: 6021: 6019: 6000: 5994: 5993: 5991: 5989: 5969: 5956: 5955: 5953: 5951: 5929: 5923: 5922: 5920: 5918: 5898: 5892: 5891: 5889: 5887: 5865: 5859: 5858: 5856: 5854: 5832: 5826: 5825: 5823: 5821: 5799: 5793: 5792: 5785: 5783: 5761: 5755: 5754: 5747: 5745: 5721: 5715: 5714: 5712: 5710: 5688: 5682: 5681: 5679: 5677: 5672:on 30 April 2019 5668:. Archived from 5657: 5651: 5650: 5648: 5646: 5630: 5624: 5623: 5621: 5619: 5610:. Archived from 5599: 5593: 5592: 5590: 5588: 5583:on 26 April 2019 5579:. Archived from 5569: 5563: 5562: 5560: 5558: 5553:on 30 April 2019 5549:. Archived from 5537: 5520: 5519: 5517: 5515: 5496: 5490: 5489: 5487: 5485: 5476:. Archived from 5465: 5459: 5442: 5436: 5435:BBC, March 2012. 5429: 5423: 5422: 5420: 5418: 5398: 5392: 5385: 5379: 5378: 5376: 5374: 5355: 5349: 5332: 5326: 5325: 5323: 5321: 5312:. Archived from 5302: 5296: 5295: 5293: 5291: 5282:. 26 June 2012. 5276: 5270: 5269: 5267: 5265: 5246: 5237: 5236: 5234: 5232: 5221:Rovi Corporation 5206: 5200: 5199: 5197: 5195: 5174: 5168: 5167: 5165: 5163: 5142: 5136: 5135: 5130:. Archived from 5117: 5111: 5110: 5105:. Archived from 5092: 5086: 5085: 5083: 5081: 5059: 5050: 5049: 5047: 5045: 5023: 5012: 5011: 5009: 5007: 4985: 4979: 4978: 4976: 4974: 4952: 4946: 4945: 4943: 4941: 4926: 4920: 4919: 4917: 4915: 4894: 4888: 4887: 4885: 4883: 4864: 4858: 4857: 4855: 4853: 4836:David Jeffries. 4833: 4827: 4826: 4824: 4822: 4801: 4795: 4794:BBC – Chart Blog 4782: 4776: 4775: 4773: 4771: 4762:. Thefader.com. 4756: 4750: 4749: 4747: 4745: 4726: 4720: 4719: 4717: 4715: 4704:"Alexander Spit" 4700: 4694: 4693: 4691: 4689: 4670: 4661: 4660: 4658: 4656: 4634: 4628: 4627: 4625: 4623: 4603: 4597: 4596: 4594: 4592: 4573: 4567: 4566: 4564: 4562: 4547: 4541: 4540: 4538: 4536: 4521: 4515: 4514: 4512: 4510: 4494: 4488: 4487: 4485: 4483: 4478:on 20 April 2011 4468: 4462: 4461: 4459: 4457: 4438: 4432: 4431: 4429: 4427: 4407: 4401: 4400: 4398: 4396: 4376: 4370: 4369: 4367: 4365: 4350: 4344: 4343: 4341: 4339: 4319: 4313: 4312: 4310: 4308: 4293: 4287: 4286: 4284: 4282: 4273:. Archived from 4254: 4248: 4247: 4245: 4243: 4234:. Archived from 4221: 4215: 4214: 4212: 4210: 4198:Jones, Charlie. 4195: 4189: 4188: 4186: 4184: 4169: 4163: 4162: 4160: 4158: 4153:on 13 April 2011 4143: 4134: 4133: 4131: 4129: 4120:. 7 March 2013. 4110: 4104: 4103: 4101: 4099: 4084: 4078: 4077: 4075: 4073: 4058: 4052: 4051: 4049: 4047: 4032: 4026: 4025: 4023: 4021: 4006: 4000: 3987: 3981: 3980: 3978: 3976: 3956: 3950: 3949: 3947: 3945: 3929: 3923: 3922: 3920: 3918: 3903: 3897: 3896: 3894: 3892: 3876: 3870: 3869: 3867: 3865: 3850: 3844: 3843: 3841: 3839: 3817: 3811: 3810: 3808: 3806: 3797:. Archived from 3784: 3778: 3777: 3775: 3773: 3751: 3745: 3744: 3742: 3740: 3731:. Archived from 3718: 3712: 3711: 3709: 3707: 3685: 3679: 3678: 3676: 3674: 3665:. Archived from 3652: 3646: 3645: 3643: 3641: 3619: 3613: 3612: 3610: 3608: 3599:. Archived from 3586: 3580: 3579: 3561: 3555: 3554: 3549:. Archived from 3528: 3522: 3521: 3519: 3517: 3492: 3486: 3485: 3483: 3481: 3459: 3453: 3452: 3450: 3448: 3433:"Burial: Burial" 3428: 3422: 3421: 3419: 3417: 3408:. Archived from 3395: 3389: 3388: 3386: 3384: 3362: 3356: 3355: 3353: 3351: 3342:. Archived from 3329: 3323: 3322: 3320: 3318: 3309:. Archived from 3288: 3282: 3281: 3279: 3277: 3268:. Archived from 3247: 3241: 3240: 3238: 3236: 3217: 3211: 3210: 3208: 3206: 3197:. Archived from 3184: 3178: 3177: 3175: 3173: 3152: 3143: 3142: 3140: 3138: 3129:. Archived from 3116: 3110: 3109: 3107: 3105: 3083: 3077: 3076: 3074: 3072: 3063:. Archived from 3050: 3044: 3043: 3041: 3039: 3030:. Archived from 3017: 3011: 3010: 3008: 3006: 2986: 2980: 2979: 2977: 2975: 2956: 2950: 2949: 2947: 2945: 2936:. Archived from 2923: 2917: 2916: 2906: 2897: 2896: 2894: 2892: 2870: 2861: 2860: 2858: 2856: 2841: 2835: 2834: 2832: 2830: 2808: 2797: 2796: 2794: 2792: 2770: 2755: 2754: 2736: 2730: 2729: 2727: 2725: 2705: 2699: 2698: 2696: 2694: 2689:on 1 August 2008 2685:. Archived from 2669: 2663: 2662: 2660: 2658: 2643: 2637: 2636: 2634: 2632: 2610: 2604: 2603: 2601: 2599: 2576: 2570: 2569: 2567: 2565: 2543: 2537: 2536: 2534: 2532: 2523:. Archived from 2510: 2504: 2503: 2501: 2499: 2480: 2474: 2473: 2453: 2447: 2446: 2440: 2438: 2416: 2410: 2409: 2391: 2385: 2384: 2382: 2380: 2368:Resident Advisor 2358: 2333: 2332: 2330: 2328: 2306: 2295: 2294: 2292: 2290: 2281:. Archived from 2270: 2251: 2250: 2242: 2236: 2235: 2233: 2231: 2215: 2209: 2208: 2190: 2177: 2176: 2174: 2172: 2167:on 29 April 2012 2163:. Archived from 2161:Rovi Corporation 2147: 2141: 2140: 2138: 2136: 2116: 2110: 2109: 2107: 2105: 2096:. Archived from 2083: 2072: 2071: 2069: 2067: 2058:. Archived from 2041: 2026: 2025: 2023: 2021: 1999: 1990: 1989: 1987: 1985: 1965: 1959: 1958: 1956: 1954: 1933: 1927: 1907: 1901: 1876: 1870: 1855: 1842: 1830: 1567:beats per minute 1452:'s second album 1277:I'm Not Your Toy 1096:Rinse Recordings 1017:resident Cassy. 996:BBC Radio 1 747:Tempa Recordings 659:, who MCed in a 502:beats per minute 458:tritone interval 353: 352: 333: 245:BBC Radio 1 130:trap music (EDM) 103:Derivative forms 98: 91:Cultural origins 32: 21: 8669: 8668: 8664: 8663: 8662: 8660: 8659: 8658: 8644:Music in London 8599: 8598: 8597: 8588: 8503: 8440:Chill-out music 8418: 8266: 8230: 7999: 7710: 7573:Nu skool breaks 7157: 6870: 6805:Industrial rock 6734: 6676:Electronic rock 6649: 6564:Hawaiian guitar 6537: 6528: 6511: 6505: 6475: 6470: 6449: 6411: 6338: 6302: 6297: 6237:Wayback Machine 6220: 6215: 6214: 6204: 6202: 6189: 6188: 6184: 6174: 6172: 6158: 6157: 6153: 6143: 6141: 6127: 6126: 6122: 6112: 6110: 6096: 6095: 6091: 6081: 6079: 6065: 6064: 6060: 6050: 6048: 6035: 6034: 6027: 6017: 6015: 6002: 6001: 5997: 5987: 5985: 5971: 5970: 5959: 5949: 5947: 5931: 5930: 5926: 5916: 5914: 5900: 5899: 5895: 5885: 5883: 5867: 5866: 5862: 5852: 5850: 5842:Pitchfork Media 5834: 5833: 5829: 5819: 5817: 5801: 5800: 5796: 5781: 5779: 5763: 5762: 5758: 5743: 5741: 5730:Startribune.com 5723: 5722: 5718: 5708: 5706: 5690: 5689: 5685: 5675: 5673: 5659: 5658: 5654: 5644: 5642: 5632: 5631: 5627: 5617: 5615: 5601: 5600: 5596: 5586: 5584: 5571: 5570: 5566: 5556: 5554: 5539: 5538: 5523: 5513: 5511: 5498: 5497: 5493: 5483: 5481: 5467: 5466: 5462: 5452:Wayback Machine 5443: 5439: 5430: 5426: 5416: 5414: 5400: 5399: 5395: 5386: 5382: 5372: 5370: 5357: 5356: 5352: 5342:Wayback Machine 5333: 5329: 5319: 5317: 5304: 5303: 5299: 5289: 5287: 5278: 5277: 5273: 5263: 5261: 5254:Miami New Times 5250:"Bass Invasion" 5248: 5247: 5240: 5230: 5228: 5208: 5207: 5203: 5193: 5191: 5176: 5175: 5171: 5161: 5159: 5144: 5143: 5139: 5134:on 20 May 2011. 5119: 5118: 5114: 5094: 5093: 5089: 5079: 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4182: 4180: 4179:on 1 March 2012 4171: 4170: 4166: 4156: 4154: 4145: 4144: 4137: 4127: 4125: 4112: 4111: 4107: 4097: 4095: 4086: 4085: 4081: 4071: 4069: 4060: 4059: 4055: 4045: 4043: 4034: 4033: 4029: 4019: 4017: 4008: 4007: 4003: 3997:Wayback Machine 3988: 3984: 3974: 3972: 3958: 3957: 3953: 3943: 3941: 3931: 3930: 3926: 3916: 3914: 3913:on 1 March 2009 3905: 3904: 3900: 3890: 3888: 3878: 3877: 3873: 3863: 3861: 3852: 3851: 3847: 3837: 3835: 3819: 3818: 3814: 3804: 3802: 3801:on 3 March 2009 3786: 3785: 3781: 3771: 3769: 3761:Stylus Magazine 3753: 3752: 3748: 3738: 3736: 3720: 3719: 3715: 3705: 3703: 3687: 3686: 3682: 3672: 3670: 3654: 3653: 3649: 3639: 3637: 3629:The Japan Times 3621: 3620: 3616: 3606: 3604: 3588: 3587: 3583: 3563: 3562: 3558: 3530: 3529: 3525: 3515: 3513: 3494: 3493: 3489: 3479: 3477: 3461: 3460: 3456: 3446: 3444: 3430: 3429: 3425: 3415: 3413: 3397: 3396: 3392: 3382: 3380: 3372:The Independent 3364: 3363: 3359: 3349: 3347: 3331: 3330: 3326: 3316: 3314: 3290: 3289: 3285: 3275: 3273: 3272:on 14 June 2011 3249: 3248: 3244: 3234: 3232: 3227:. 11 May 2016. 3219: 3218: 3214: 3204: 3202: 3186: 3185: 3181: 3171: 3169: 3161:Rewind Magazine 3154: 3153: 3146: 3136: 3134: 3118: 3117: 3113: 3103: 3101: 3100:on 1 April 2009 3085: 3084: 3080: 3070: 3068: 3052: 3051: 3047: 3037: 3035: 3019: 3018: 3014: 3004: 3002: 2988: 2987: 2983: 2973: 2971: 2970:on 16 June 2006 2964:Forward>> 2958: 2957: 2953: 2943: 2941: 2940:on 25 June 2008 2925: 2924: 2920: 2908: 2907: 2900: 2890: 2888: 2872: 2871: 2864: 2854: 2852: 2843: 2842: 2838: 2828: 2826: 2810: 2809: 2800: 2790: 2788: 2780:The Independent 2772: 2771: 2758: 2738: 2737: 2733: 2723: 2721: 2707: 2706: 2702: 2692: 2690: 2678:Kiss 100 London 2671: 2670: 2666: 2656: 2654: 2653:on 13 July 2011 2645: 2644: 2640: 2630: 2628: 2612: 2611: 2607: 2597: 2595: 2578: 2577: 2573: 2563: 2561: 2545: 2544: 2540: 2530: 2528: 2512: 2511: 2507: 2497: 2495: 2482: 2481: 2477: 2470: 2455: 2454: 2450: 2436: 2434: 2418: 2417: 2413: 2393: 2392: 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566: 533: 523:commented on a 515:interview with 482: 387: 386: 378: 376: 375: 374: 373: 364:, and a sparse 354: 347: 344: 337: 331: 326: 324:Characteristics 290:Mary Anne Hobbs 257:Digital Mystikz 152: 134: 96: 95: 86: 28: 23: 22: 18:Melodic dubstep 15: 12: 11: 5: 8667: 8665: 8657: 8656: 8651: 8646: 8641: 8636: 8631: 8626: 8624:2010s in music 8621: 8616: 8614:2000s in music 8611: 8601: 8600: 8594: 8593: 8590: 8589: 8587: 8586: 8581: 8576: 8571: 8566: 8561: 8560: 8559: 8554: 8549: 8539: 8538: 8537: 8527: 8522: 8517: 8511: 8509: 8505: 8504: 8502: 8501: 8500: 8499: 8497:Adaptive music 8489: 8484: 8479: 8474: 8469: 8464: 8459: 8454: 8449: 8448: 8447: 8437: 8432: 8426: 8424: 8420: 8419: 8417: 8416: 8415: 8414: 8409: 8399: 8398: 8397: 8392: 8387: 8385:Plunderphonics 8377: 8372: 8371: 8370: 8369: 8368: 8358: 8353: 8348: 8343: 8333: 8328: 8323: 8318: 8317: 8316: 8311: 8306: 8296: 8291: 8285: 8283: 8276: 8272: 8271: 8268: 8267: 8265: 8264: 8259: 8254: 8249: 8244: 8238: 8236: 8232: 8231: 8229: 8228: 8223: 8222: 8221: 8211: 8210: 8209: 8204: 8199: 8189: 8187:Tropical house 8184: 8179: 8174: 8169: 8164: 8163: 8162: 8160:Riddim (genre) 8157: 8147: 8142: 8140:Outsider house 8137: 8132: 8131: 8130: 8125: 8115: 8110: 8105: 8100: 8095: 8090: 8085: 8080: 8075: 8074: 8073: 8063: 8058: 8053: 8048: 8043: 8041:Brazilian bass 8038: 8033: 8031:Big room house 8028: 8023: 8018: 8013: 8007: 8005: 8001: 8000: 7998: 7997: 7992: 7987: 7982: 7980:Vocaloid music 7977: 7976: 7975: 7965: 7960: 7955: 7950: 7949: 7948: 7938: 7933: 7928: 7923: 7918: 7917: 7916: 7911: 7901: 7896: 7895: 7894: 7884: 7879: 7874: 7869: 7864: 7859: 7854: 7849: 7844: 7843: 7842: 7837: 7830:Hypnagogic pop 7827: 7822: 7821: 7820: 7810: 7805: 7800: 7799: 7798: 7793: 7788: 7778: 7777: 7776: 7766: 7761: 7760: 7759: 7749: 7744: 7739: 7734: 7729: 7724: 7718: 7716: 7712: 7711: 7709: 7708: 7707: 7706: 7701: 7691: 7690: 7689: 7684: 7679: 7669: 7668: 7667: 7662: 7657: 7652: 7647: 7642: 7637: 7632: 7627: 7622: 7617: 7607: 7606: 7605: 7595: 7590: 7585: 7580: 7575: 7570: 7565: 7564: 7563: 7553: 7552: 7551: 7544:Minimal techno 7541: 7536: 7531: 7526: 7521: 7520: 7519: 7517:Drill 'n' bass 7509: 7504: 7499: 7494: 7489: 7488: 7487: 7482: 7477: 7472: 7471: 7470: 7468:Lento violento 7460: 7455: 7450: 7445: 7440: 7435: 7433:Belgian techno 7425: 7420: 7419: 7418: 7413: 7403: 7398: 7393: 7392: 7391: 7381: 7376: 7371: 7366: 7361: 7360: 7359: 7358: 7357: 7352: 7347: 7342: 7334: 7333: 7332: 7322: 7321: 7320: 7315: 7310: 7305: 7292: 7291: 7290: 7285: 7280: 7270: 7269: 7268: 7258: 7253: 7248: 7243: 7238: 7233: 7228: 7223: 7222: 7221: 7219:Toytown techno 7216: 7214:Happy hardcore 7211: 7201: 7196: 7191: 7186: 7184:Baltimore club 7181: 7176: 7174:Ambient techno 7171: 7165: 7163: 7159: 7158: 7156: 7155: 7150: 7149: 7148: 7146:Detroit techno 7143: 7138: 7128: 7123: 7118: 7113: 7108: 7103: 7098: 7093: 7088: 7083: 7082: 7081: 7076: 7071: 7066: 7061: 7056: 7051: 7046: 7041: 7036: 7031: 7026: 7021: 7011: 7006: 7001: 6996: 6995: 6994: 6989: 6984: 6979: 6974: 6964: 6959: 6958: 6957: 6947: 6946: 6945: 6935: 6930: 6925: 6924: 6923: 6921:New jack swing 6913: 6912: 6911: 6909:Florida breaks 6901: 6896: 6895: 6894: 6884: 6878: 6876: 6872: 6871: 6869: 6868: 6863: 6858: 6857: 6856: 6851: 6846: 6836: 6835: 6834: 6829: 6824: 6814: 6809: 6808: 6807: 6797: 6796: 6795: 6785: 6780: 6775: 6770: 6765: 6760: 6755: 6754: 6753: 6742: 6740: 6736: 6735: 6733: 6732: 6731: 6730: 6720: 6719: 6718: 6713: 6708: 6698: 6693: 6688: 6683: 6678: 6673: 6668: 6663: 6657: 6655: 6651: 6650: 6648: 6647: 6642: 6637: 6632: 6627: 6622: 6621: 6620: 6615: 6610: 6600: 6598:Computer music 6595: 6590: 6589: 6588: 6583: 6582: 6581: 6571: 6566: 6561: 6559:Electric blues 6550: 6548: 6541: 6530: 6529: 6516: 6513: 6512: 6506: 6504: 6503: 6496: 6489: 6481: 6472: 6471: 6469: 6468: 6463: 6457: 6455: 6451: 6450: 6448: 6447: 6442: 6437: 6432: 6431: 6430: 6419: 6417: 6416:Related genres 6413: 6412: 6410: 6409: 6404: 6399: 6398: 6397: 6387: 6382: 6381: 6380: 6375: 6370: 6365: 6362: 6357: 6346: 6344: 6340: 6339: 6337: 6336: 6331: 6326: 6321: 6316: 6310: 6308: 6304: 6303: 6298: 6296: 6295: 6288: 6281: 6273: 6267: 6266: 6252: 6243: 6227: 6219: 6218:External links 6216: 6213: 6212: 6182: 6151: 6120: 6089: 6058: 6025: 5995: 5957: 5924: 5893: 5875:Clash Magazine 5860: 5827: 5794: 5756: 5716: 5701:. Conde Nast. 5683: 5652: 5625: 5594: 5564: 5521: 5491: 5460: 5437: 5424: 5393: 5389:Computer Music 5380: 5350: 5327: 5297: 5271: 5238: 5201: 5169: 5137: 5112: 5087: 5051: 5013: 4980: 4947: 4921: 4889: 4859: 4828: 4796: 4777: 4751: 4721: 4695: 4662: 4629: 4598: 4587:. 5 March 2010 4568: 4542: 4516: 4489: 4463: 4433: 4402: 4371: 4345: 4314: 4288: 4249: 4216: 4190: 4164: 4135: 4105: 4079: 4053: 4027: 4001: 3982: 3951: 3924: 3898: 3871: 3845: 3812: 3779: 3746: 3713: 3680: 3647: 3614: 3581: 3556: 3538:Cyclic Defrost 3523: 3487: 3454: 3423: 3390: 3357: 3324: 3298:Cyclic Defrost 3283: 3257:Cyclic Defrost 3242: 3212: 3179: 3144: 3111: 3078: 3067:on 6 June 2007 3045: 3012: 2981: 2951: 2918: 2898: 2862: 2836: 2798: 2756: 2731: 2700: 2664: 2638: 2605: 2571: 2560:on 22 May 2011 2538: 2505: 2475: 2468: 2448: 2411: 2386: 2334: 2296: 2252: 2237: 2210: 2178: 2142: 2111: 2100:on 28 May 2020 2073: 2056:Time Out Group 2027: 1991: 1960: 1928: 1902: 1871: 1843: 1824: 1823: 1821: 1818: 1817: 1816: 1809: 1806: 1784: 1781: 1762: 1759: 1724:Main article: 1721: 1718: 1706:'s 2011 album 1692:Marilyn Manson 1641:Simon Reynolds 1599:Main article: 1596: 1593: 1584:We're New Here 1525:performing at 1502:Main article: 1499: 1496: 1364:The Bomb Squad 1239:Britney Spears 1220: 1217: 1189: 1186: 1173:, Subeena and 1088:Dubplate Drama 1070:bassline house 1007:minimal techno 926: 923: 830: 827: 715: 712: 710: 707: 703:Sam Shackleton 618: 615: 565: 562: 532: 529: 481: 478: 415:those who know 395:Simon Reynolds 377: 355: 345: 340: 339: 338: 329: 328: 327: 325: 322: 304:. The harsher 161:is a genre of 154: 153: 151: 150: 144: 141: 140: 136: 135: 133: 132: 127: 122: 117: 112: 106: 104: 100: 99: 92: 88: 87: 85: 84: 79: 74: 69: 64: 59: 54: 49: 43: 41: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8666: 8655: 8652: 8650: 8647: 8645: 8642: 8640: 8637: 8635: 8632: 8630: 8627: 8625: 8622: 8620: 8617: 8615: 8612: 8610: 8607: 8606: 8604: 8585: 8582: 8580: 8577: 8575: 8572: 8570: 8567: 8565: 8562: 8558: 8555: 8553: 8550: 8548: 8545: 8544: 8543: 8540: 8536: 8533: 8532: 8531: 8528: 8526: 8523: 8521: 8518: 8516: 8513: 8512: 8510: 8506: 8498: 8495: 8494: 8493: 8490: 8488: 8487:Sound collage 8485: 8483: 8480: 8478: 8475: 8473: 8470: 8468: 8465: 8463: 8460: 8458: 8455: 8453: 8450: 8446: 8443: 8442: 8441: 8438: 8436: 8435:Celtic fusion 8433: 8431: 8428: 8427: 8425: 8421: 8413: 8410: 8408: 8405: 8404: 8403: 8400: 8396: 8393: 8391: 8388: 8386: 8383: 8382: 8381: 8378: 8376: 8373: 8367: 8364: 8363: 8362: 8359: 8357: 8354: 8352: 8349: 8347: 8346:Circuit party 8344: 8342: 8339: 8338: 8337: 8334: 8332: 8329: 8327: 8324: 8322: 8319: 8315: 8312: 8310: 8307: 8305: 8302: 8301: 8300: 8297: 8295: 8292: 8290: 8287: 8286: 8284: 8280: 8277: 8273: 8263: 8260: 8258: 8255: 8253: 8250: 8248: 8245: 8243: 8240: 8239: 8237: 8233: 8227: 8224: 8220: 8217: 8216: 8215: 8212: 8208: 8205: 8203: 8200: 8198: 8195: 8194: 8193: 8190: 8188: 8185: 8183: 8180: 8178: 8175: 8173: 8170: 8168: 8165: 8161: 8158: 8156: 8153: 8152: 8151: 8148: 8146: 8143: 8141: 8138: 8136: 8133: 8129: 8126: 8124: 8121: 8120: 8119: 8116: 8114: 8111: 8109: 8106: 8104: 8101: 8099: 8098:Jungle terror 8096: 8094: 8091: 8089: 8086: 8084: 8081: 8079: 8076: 8072: 8069: 8068: 8067: 8064: 8062: 8059: 8057: 8054: 8052: 8049: 8047: 8044: 8042: 8039: 8037: 8034: 8032: 8029: 8027: 8024: 8022: 8019: 8017: 8014: 8012: 8009: 8008: 8006: 8002: 7996: 7993: 7991: 7988: 7986: 7983: 7981: 7978: 7974: 7971: 7970: 7969: 7966: 7964: 7961: 7959: 7956: 7954: 7951: 7947: 7944: 7943: 7942: 7939: 7937: 7934: 7932: 7929: 7927: 7924: 7922: 7919: 7915: 7912: 7910: 7907: 7906: 7905: 7902: 7900: 7897: 7893: 7890: 7889: 7888: 7885: 7883: 7880: 7878: 7875: 7873: 7870: 7868: 7865: 7863: 7860: 7858: 7855: 7853: 7850: 7848: 7845: 7841: 7838: 7836: 7833: 7832: 7831: 7828: 7826: 7823: 7819: 7816: 7815: 7814: 7811: 7809: 7808:Future garage 7806: 7804: 7803:Electronicore 7801: 7797: 7794: 7792: 7789: 7787: 7784: 7783: 7782: 7781:Electro house 7779: 7775: 7772: 7771: 7770: 7767: 7765: 7764:Dancehall pop 7762: 7758: 7755: 7754: 7753: 7750: 7748: 7745: 7743: 7740: 7738: 7735: 7733: 7730: 7728: 7725: 7723: 7720: 7719: 7717: 7713: 7705: 7702: 7700: 7697: 7696: 7695: 7694:UK hard house 7692: 7688: 7685: 7683: 7680: 7678: 7675: 7674: 7673: 7670: 7666: 7663: 7661: 7658: 7656: 7653: 7651: 7648: 7646: 7643: 7641: 7638: 7636: 7633: 7631: 7628: 7626: 7623: 7621: 7618: 7616: 7613: 7612: 7611: 7608: 7604: 7601: 7600: 7599: 7596: 7594: 7591: 7589: 7586: 7584: 7581: 7579: 7576: 7574: 7571: 7569: 7566: 7562: 7561:Electro swing 7559: 7558: 7557: 7554: 7550: 7547: 7546: 7545: 7542: 7540: 7537: 7535: 7532: 7530: 7527: 7525: 7522: 7518: 7515: 7514: 7513: 7510: 7508: 7505: 7503: 7500: 7498: 7495: 7493: 7490: 7486: 7483: 7481: 7478: 7476: 7473: 7469: 7466: 7465: 7464: 7461: 7459: 7456: 7454: 7451: 7449: 7446: 7444: 7441: 7439: 7438:Bouncy techno 7436: 7434: 7431: 7430: 7429: 7426: 7424: 7421: 7417: 7414: 7412: 7409: 7408: 7407: 7404: 7402: 7399: 7397: 7394: 7390: 7387: 7386: 7385: 7382: 7380: 7377: 7375: 7372: 7370: 7369:Dungeon synth 7367: 7365: 7362: 7356: 7353: 7351: 7348: 7346: 7343: 7341: 7338: 7337: 7335: 7331: 7328: 7327: 7326: 7323: 7319: 7316: 7314: 7311: 7309: 7306: 7304: 7301: 7300: 7298: 7297: 7296: 7295:Drum and bass 7293: 7289: 7286: 7284: 7281: 7279: 7278:Bristol sound 7276: 7275: 7274: 7271: 7267: 7264: 7263: 7262: 7259: 7257: 7254: 7252: 7249: 7247: 7244: 7242: 7239: 7237: 7234: 7232: 7229: 7227: 7224: 7220: 7217: 7215: 7212: 7210: 7207: 7206: 7205: 7202: 7200: 7197: 7195: 7192: 7190: 7187: 7185: 7182: 7180: 7177: 7175: 7172: 7170: 7167: 7166: 7164: 7160: 7154: 7153:Tracker music 7151: 7147: 7144: 7142: 7139: 7137: 7134: 7133: 7132: 7129: 7127: 7124: 7122: 7119: 7117: 7114: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7080: 7077: 7075: 7072: 7070: 7067: 7065: 7062: 7060: 7057: 7055: 7052: 7050: 7047: 7045: 7042: 7040: 7037: 7035: 7032: 7030: 7029:Balearic beat 7027: 7025: 7022: 7020: 7017: 7016: 7015: 7012: 7010: 7007: 7005: 7002: 7000: 6997: 6993: 6990: 6988: 6985: 6983: 6980: 6978: 6975: 6973: 6970: 6969: 6968: 6965: 6963: 6960: 6956: 6953: 6952: 6951: 6948: 6944: 6941: 6940: 6939: 6936: 6934: 6931: 6929: 6926: 6922: 6919: 6918: 6917: 6914: 6910: 6907: 6906: 6905: 6902: 6900: 6897: 6893: 6890: 6889: 6888: 6885: 6883: 6880: 6879: 6877: 6873: 6867: 6864: 6862: 6861:Reggae fusion 6859: 6855: 6852: 6850: 6847: 6845: 6842: 6841: 6840: 6837: 6833: 6830: 6828: 6825: 6823: 6820: 6819: 6818: 6815: 6813: 6810: 6806: 6803: 6802: 6801: 6798: 6794: 6791: 6790: 6789: 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6752: 6749: 6748: 6747: 6744: 6743: 6741: 6737: 6729: 6726: 6725: 6724: 6721: 6717: 6714: 6712: 6709: 6707: 6704: 6703: 6702: 6699: 6697: 6694: 6692: 6691:New-age music 6689: 6687: 6684: 6682: 6679: 6677: 6674: 6672: 6669: 6667: 6664: 6662: 6659: 6658: 6656: 6652: 6646: 6645:Space age pop 6643: 6641: 6638: 6636: 6633: 6631: 6628: 6626: 6623: 6619: 6616: 6614: 6611: 6609: 6606: 6605: 6604: 6601: 6599: 6596: 6594: 6591: 6587: 6586:Western swing 6584: 6580: 6577: 6576: 6575: 6572: 6570: 6567: 6565: 6562: 6560: 6557: 6556: 6555: 6552: 6551: 6549: 6545: 6542: 6540: 6535: 6531: 6527: 6526: 6521: 6520: 6514: 6509: 6502: 6497: 6495: 6490: 6488: 6483: 6482: 6479: 6467: 6464: 6462: 6459: 6458: 6456: 6452: 6446: 6443: 6441: 6438: 6436: 6433: 6429: 6426: 6425: 6424: 6421: 6420: 6418: 6414: 6408: 6405: 6403: 6400: 6396: 6393: 6392: 6391: 6388: 6386: 6383: 6379: 6376: 6374: 6371: 6369: 6366: 6363: 6361: 6358: 6356: 6353: 6352: 6351: 6348: 6347: 6345: 6341: 6335: 6332: 6330: 6329:Future garage 6327: 6325: 6322: 6320: 6317: 6315: 6312: 6311: 6309: 6305: 6301: 6294: 6289: 6287: 6282: 6280: 6275: 6274: 6271: 6264: 6260: 6256: 6253: 6251: 6247: 6244: 6242: 6238: 6234: 6231: 6228: 6225: 6222: 6221: 6217: 6200: 6196: 6192: 6186: 6183: 6170: 6166: 6162: 6155: 6152: 6139: 6135: 6131: 6124: 6121: 6108: 6104: 6100: 6093: 6090: 6077: 6073: 6069: 6062: 6059: 6046: 6042: 6038: 6032: 6030: 6026: 6013: 6009: 6005: 5999: 5996: 5983: 5979: 5975: 5968: 5966: 5964: 5962: 5958: 5945: 5941: 5940: 5935: 5928: 5925: 5912: 5908: 5904: 5897: 5894: 5881: 5877: 5876: 5871: 5864: 5861: 5848: 5844: 5843: 5838: 5831: 5828: 5815: 5811: 5810: 5805: 5798: 5795: 5791: 5790: 5777: 5773: 5772: 5767: 5760: 5757: 5753: 5752: 5739: 5735: 5731: 5727: 5720: 5717: 5704: 5700: 5699: 5698:Pitchfork.com 5694: 5687: 5684: 5671: 5667: 5663: 5656: 5653: 5640: 5636: 5629: 5626: 5614:on 1 May 2019 5613: 5609: 5605: 5598: 5595: 5582: 5578: 5574: 5568: 5565: 5552: 5548: 5547: 5542: 5536: 5534: 5532: 5530: 5528: 5526: 5522: 5509: 5505: 5504:Rolling Stone 5501: 5495: 5492: 5479: 5475: 5471: 5464: 5461: 5457: 5453: 5449: 5446: 5441: 5438: 5434: 5428: 5425: 5412: 5408: 5404: 5397: 5394: 5390: 5384: 5381: 5368: 5364: 5360: 5354: 5351: 5347: 5346:Spin Magazine 5343: 5339: 5336: 5331: 5328: 5315: 5311: 5307: 5301: 5298: 5285: 5281: 5275: 5272: 5259: 5255: 5251: 5245: 5243: 5239: 5226: 5222: 5218: 5217: 5212: 5205: 5202: 5189: 5185: 5184: 5179: 5173: 5170: 5157: 5153: 5152: 5147: 5141: 5138: 5133: 5129: 5128: 5123: 5116: 5113: 5108: 5104: 5103: 5098: 5091: 5088: 5075: 5071: 5070: 5065: 5058: 5056: 5052: 5039: 5035: 5034: 5029: 5022: 5020: 5018: 5014: 5001: 4997: 4996: 4991: 4984: 4981: 4968: 4964: 4963: 4958: 4951: 4948: 4935: 4931: 4925: 4922: 4909: 4905: 4904: 4899: 4893: 4890: 4877: 4873: 4869: 4863: 4860: 4847: 4843: 4839: 4832: 4829: 4816: 4812: 4811: 4806: 4800: 4797: 4793: 4789: 4786: 4781: 4778: 4765: 4761: 4755: 4752: 4739: 4735: 4731: 4725: 4722: 4709: 4705: 4699: 4696: 4683: 4679: 4675: 4669: 4667: 4663: 4650: 4646: 4645: 4640: 4633: 4630: 4617: 4613: 4609: 4602: 4599: 4586: 4585:PRS for Music 4582: 4578: 4572: 4569: 4556: 4552: 4546: 4543: 4530: 4526: 4520: 4517: 4504: 4500: 4493: 4490: 4477: 4473: 4467: 4464: 4451: 4447: 4443: 4437: 4434: 4421: 4417: 4413: 4406: 4403: 4390: 4386: 4382: 4375: 4372: 4359: 4355: 4349: 4346: 4333: 4329: 4325: 4318: 4315: 4302: 4298: 4292: 4289: 4276: 4272: 4268: 4266: 4260: 4253: 4250: 4237: 4233: 4232: 4227: 4220: 4217: 4205: 4201: 4194: 4191: 4178: 4174: 4168: 4165: 4152: 4148: 4142: 4140: 4136: 4123: 4119: 4115: 4109: 4106: 4093: 4089: 4083: 4080: 4067: 4063: 4057: 4054: 4041: 4037: 4031: 4028: 4015: 4011: 4005: 4002: 3998: 3994: 3991: 3986: 3983: 3970: 3966: 3962: 3955: 3952: 3939: 3935: 3928: 3925: 3912: 3908: 3902: 3899: 3886: 3882: 3875: 3872: 3859: 3855: 3849: 3846: 3833: 3829: 3828: 3823: 3816: 3813: 3800: 3796: 3795: 3790: 3783: 3780: 3767: 3763: 3762: 3757: 3750: 3747: 3734: 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Movies 3497: 3491: 3488: 3475: 3471: 3470: 3465: 3458: 3455: 3442: 3438: 3434: 3427: 3424: 3411: 3407: 3406: 3401: 3394: 3391: 3378: 3374: 3373: 3368: 3361: 3358: 3345: 3341: 3340: 3335: 3328: 3325: 3312: 3308: 3304: 3300: 3299: 3294: 3287: 3284: 3271: 3267: 3263: 3259: 3258: 3253: 3246: 3243: 3230: 3226: 3222: 3216: 3213: 3200: 3196: 3195: 3190: 3183: 3180: 3167: 3163: 3162: 3157: 3151: 3149: 3145: 3132: 3128: 3127: 3122: 3115: 3112: 3099: 3095: 3094: 3089: 3082: 3079: 3066: 3062: 3061: 3056: 3049: 3046: 3033: 3029: 3028: 3023: 3016: 3013: 3000: 2996: 2992: 2985: 2982: 2969: 2965: 2961: 2955: 2952: 2939: 2935: 2934: 2929: 2922: 2919: 2914: 2913: 2905: 2903: 2899: 2886: 2882: 2881: 2876: 2869: 2867: 2863: 2851: 2847: 2840: 2837: 2824: 2820: 2819: 2814: 2807: 2805: 2803: 2799: 2786: 2782: 2781: 2776: 2769: 2767: 2765: 2763: 2761: 2757: 2752: 2748: 2744: 2743: 2735: 2732: 2719: 2715: 2711: 2704: 2701: 2688: 2684: 2680: 2679: 2674: 2668: 2665: 2652: 2648: 2642: 2639: 2626: 2622: 2621: 2616: 2609: 2606: 2593: 2589: 2587: 2582: 2575: 2572: 2559: 2555: 2554: 2549: 2542: 2539: 2526: 2522: 2521: 2516: 2509: 2506: 2493: 2489: 2485: 2479: 2476: 2471: 2465: 2461: 2460: 2452: 2449: 2445: 2432: 2428: 2427: 2422: 2415: 2412: 2407: 2403: 2399: 2398: 2390: 2387: 2374: 2370: 2369: 2364: 2363:"Dubstep 101" 2357: 2355: 2353: 2351: 2349: 2347: 2345: 2343: 2341: 2339: 2335: 2322: 2318: 2317: 2312: 2305: 2303: 2301: 2297: 2284: 2280: 2276: 2269: 2267: 2265: 2263: 2261: 2259: 2257: 2253: 2248: 2241: 2238: 2225: 2222:. 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