Knowledge (XXG)

Metal Box

Source πŸ“

618:"The Suit"β€”described by Lydon as being about "people of low origins trying to be posh"β€”is one of Levene's least favourite tracks. Levene said, "It was never one of my favourite pieces because of what it was really about. There was this guy that was an old mate of John's who lived in this apartment. At some point John decided he hated his guts. He just wrote this really nasty, finger-pointing, over-exaggerated, ripping parody of what the guy was – 'Society boy.' This guy, Kenny MacDonald, made his suit and all of ours and it made him look good to have the guys from PiL wearing his stuff. We'd wear it wrong and it looked even better, we didn't want the black leather jacket look like these punk bands. So John just decided to hate this guy, that's what happens and there's nothing you can do. He wouldn't be his lapdog and John thought he was a star and wanted that." Wobble played and recorded the backing track of drums and piano for "The Suit" at Gooseberry Studios with Mark Lusardi, which started out as a cover of " 560:" about a girl who was kidnapped and "bundled, blindfolded, into the back of a car by a couple of bad men and driven off into a forest, where they eventually dumped her. The men had a cassette machine with an unusual tune on the cassette, which they kept playing over and over. The girl remembered the song, and that, along with her recollection of the car and the men's voices, is how the police identified them. The police eventually stopped the car and found the cassette was still in the machine, with the same distinctive song on the tape." In his 2009 autobiography 688:
played shorter. To get round the other stuff, I just used what was at hand. I played bass like I imagined Wobble would play bass to it, I wanted a Wobble feel to it. But basically, it's all me – that's when I realised I can completely do everything. You just hear the drums at the end. With 'Radio 4', I was just alone in the studio one night, and I was overwhelmed with the sense of space. I just took everything out of the studio, moved the drum kit out and played everything myself, reproducing this sense of cold spaciousness I felt around me."
724:. It was designed by Dennis Morris and was innovative and inexpensive, costing little more to the label than the cost of standard printed sleeves for equivalent 12" releases (although Virgin did ask for a refund of a third of the band's advance due to the cost). Before the metal tin was finalised, there was discussion of the album being released in a sandpaper package that would effectively ruin the sleeve art of any records shelved next to it. That idea would later be realised by 742: 607:, and Levene told Simon Reynolds that "No Birds" is one of his favourite songs on the album. "All that it is is me playing the guitar part and duplicating it, but feeding the second one through this effect I'd set up on the harmoniser. Meanwhile John is lying under the piano and singing that weird feedback voice, while twinkling the keys at the same time, just to be annoying. You can hear the piano on the record," said Levene. 1032: 1082: 1077: 1072: 1067: 1062: 1027: 1022: 1017: 1012: 994: 989: 984: 979: 974: 956: 951: 946: 941: 936: 894: 889: 884: 879: 874: 856: 851: 846: 841: 836: 797: 1205:, with the reviewer Stevie Chick saying "the abrasive textures and powerful sounds they discovered...would influence all manner of experimental music for decades to come", while describing it as "cold dank, unforgiving, subterranean." The songs "Albatross", "Poptones", "Careering", "Chant" and "Radio 4" were selected as "key tracks". In 2020, 588:, he used that on 'Careering'." Wobble created the drum track and bassline, while Levene played synth. Levene explained his synth playing in the song was an attempt to replicate the sound of ambient machine noise heard from a downstairs toilet, achieved by dropping an item on one of the synth keys to keep it going. 752:
The album's lack of accessibility extended to the discs themselves. Packed tightly inside the canister and separated by paper sheets, they were difficult to remove, and were prone to being nicked and scratched in the process. Since each side only contained about ten minutes of music, the listener was
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the roadie's Japanese car and Joe had one of his dodgy cassettes playing.". He highlighted the song as "the jewel in the PiL crown. That line is as symmetrical as a snowflake. We had a drummer with us who was pretty good but the bloke just couldn't get the right feel for 'Poptones'. In the end
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is version two, which is very different from the simpler, original 12-inch version." The lyrics are based on Lydon's mother dying of cancer: "When I had to deal with my mother's death, which upset the fuck out of me, I did it partly through music. I had to watch her die slowly of cancer for a whole
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and produced the songs "Memories", "No Birds", "Socialist", and "Chant"; Levene recalls that "Memories" features him playing "this normal Spanish guitar thing that goes dun-da-da-dun da-da-dun... it's one of the first things I learned to play on guitar, very simple. I was very fond of that I just
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String Ensemble to create the layered synth sounds. "I was using this thing and I start building it up, all I'm doing is taking different sounds from this thing and layering it. When I heard it, I pulled the drums out. I got on the idea of trying to make it sound orchestrated with the long chords
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Levene recalled that "Socialist" featured cheap synthesizers he had purchased: "Me and Wobble were really having fun fucking around with these things, whilst submerged in the mix was this huge soaring sound, rising upwards from the drum and the bass, like a whale's cry. Later on I dubbed up the
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Tape with the PiL logo was created with the intent of sealing each metal box. However, labor costs were deemed too expensive and the tape went unused. Martin Atkins has some of this tape and has put some pieces of it up on auctions to benefit The Museum Of Post Punk and Industrial Music.
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consists of distorted photographs of the band members, achieving a funhouse mirror effect. (The front cover is a composite photo of Keith Levene and John Lydon.) The lyrics are printed on the rear cover. These were originally printed in a magazine advertisement and not included with
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mood. I didn't know what I was going to play. Wobble's playing the bassline and drums are playing so I had to do something." The album version is an instrumental, a version with lyrics and vocals was retitled "Another" and released as the B-side to "Memories" in October 1979.
576:, and probably my favourite John Lydon vocal performance." Lyrically, the song is "basically about a gunman who is careering as a professional businessman in London." The song was recorded at the Townhouse during a quick nighttime session helmed by Wobble; he told journalist 444:
Studios in London, namely "Beat the Drum for Me" (which later turned up on Wobble's first solo album), and a new version of "Fodderstompf" (which became the B-side of PiL's "Death Disco" 12" single). Humphrey left the band around mid-May 1979. "Memories", "No Birds",
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The original metal canister idea was used a few years later during the compact disc era. By the late 1980s, a number of CDs were packaged in metal canisters. In 1990 the concept came full circle, with the compact disc release of
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in Oxfordshire, with the singer free-forming his lyrics. Guitarist Keith Levene, bassist Jah Wobble, and drummer David Humphrey made the song up as they went along, and recorded the song in one take. PiL also recorded at
599:, which Lydon "just borrowed a bit of because it suited this particular rant about suburbia." The song was recorded at the Townhouse with drummer Richard Dudanski, whom Keith Levene knew during his tenure with 539:
year. I wrote 'Death Disco' about that. I played it to her just before she died and she was very happy. That's the Irish in her, nothing drearily sympathetic or weak." PiL recorded the song at an empty hall in
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was recorded in several sessions with several drummers, none of whom were credited on the original release. "Albatross" and "Swan Lake"/"Death Disco" were recorded with new drummer David Humphrey at
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fits the album onto four 33rpm sides and features a slightly different song order ("Socialist/Chant/Radio 4" is split into its component parts, with "Socialist" and "No Birds" swapping places).
671:...," said Levene. "Radio 1 played pop tunes. Before that, the BBC was so boring! It took until about 1985 before we had FM radio." "Radio 4" was recorded and performed by Levene, initially with 2771: 473:
in London. The instrumental "Graveyard" was recorded with Dudanski on drums. Dudanski left the band around mid-September 1979. "The Suit" was recorded as a solo track by Jah Wobble at
622:". He brought the backing track to the band at The Manor, to which Lydon "freaked out when he heard that... He was galvanised into action and within a few hours 'The Suit' existed." 534:', so I started playing it on purpose but I was doing it from memory. You can hear that I'm not playing it exactly right. It just worked. There's a few versions of that. The one on 349:
on 23 November 1979. The album takes its name from the round metal canister which contained the initial pressings of the record. It was later reissued in standard vinyl packaging as
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included it in their "80 Greatest albums of 1980" list, praising the band for pushing "beyond post-punk into a fractured space between demented abstraction and cranky freedom".
2077: 1182: 409: 1991: 1140:'s Berlin years and the coruscating post-punk sound that guitarist Levene was in the process of pioneering" and that "if you don't yet have a copy, you really should". 485:
at Town House Studios. Except for a brief period during 1980, Atkins remained with the band until 1985. "Radio 4" was recorded as a solo piece by Keith Levene at
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appears as the band intended, with lyrics on the back cover, but no titles, and "PiL" logo labels on all four sides of the vinyl. The US edition of
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is undoubtedly the apex", noting that the album "hardly like anything of the past, present, or future". He also compared it to the works of
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Deleted from the catalogue on 23 November 1979 after an initial release of 60,000 units, the album was re-issued on 22 February 1980 as
2701: 698:– and so what we had to do was quite literally sneak into studios when bands had gone home for the night. And these were pretty rough 625:"Bad Baby"β€”its title a nickname of Levene'sβ€”was recorded at the Townhouse. Wobble (whose playing in the song was inspired by bassist 3026: 2648: 2610: 1169:, proclaiming the album to be the "definitive album of postpunk rock and the year's most compelling slice of metal machine music." 652:
Lydon called "Chant" an "old English ditty with a string synthesizer". Drummer Richard Dudanski cited it as one of his favourites.
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cymbals, so you have that spiralling metallic sound. Dubwise!" Wobble told Simon Reynolds, "At the time I was a bit of a
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reviewer Mark Ward wrote that the album "tears away from Lydon's sweaty punk roots and into the cold chambers of
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at No. 19 on its "Top 100 Albums of the 1980s". It was also, along with their debut album, included in the book
481:. "Careering" was recorded at Town House Studios with Wobble on drums. "Bad Baby" was recorded with new drummer 2386:
Metal Box Stories from John Lydon's Public Image Limited, book by Phil Strongman, published by Helter Skelter,
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employing a smaller version of the original metal canister, containing a single disc and a small paper insert.
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and an unknown second studio. According to Levene, this was the last recorded track. Levene utilised aluminium
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stood for to be quite honest, you know, and at that time I just wanted that old-style, left-wing socialism."
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The title of the album refers to its original packaging, which consisted of a metal case in the style of a
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list at No. 469, the magazine calling it "eerie, futuristic art punk with dub bass and slashing guitar".
610:"Graveyard" features a guitar part that was "made up on the spot," according to Levene. "I was in a very 3432: 2078:"500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time" 692: 676: 619: 569:
Levene put the drums down on that track, his drums are a bit loose, but that is actually a good thing."
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described the album's sound as "a full-bodied superaware white dub with disorienting European echoes."
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guitars throughout the recording sessions to achieve a distinctively sharp and metallic guitar sound.
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Reynolds, Simon: "Rip It Up and Start Again: Postpunk 1978–1984", page 216. Penguin Press, 2005.
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in an interview: "If you listen to the drum rhythm it is very similar to the sort of rhythm a
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said that "PIL managed to avoid boundaries for the first four years of their existence, and
1053: 680: 554:" during the song. According to Lydon, "Poptones" was based on a story "straight out of the 511: 502: 486: 478: 454: 429: 342: 205: 117: 104: 68: 2711: 3217: 2588: 2584: 2456: 1996: 1860: 1849: 1189:
also included it in their 100 Best Albums of the Eighties, ranking it at No. 76. In 2002,
865: 729: 490: 195: 52: 3050: 1961: 695:," Lydon recalled. "It had to be, because we'd spent most of the money on the container 3002: 2626: 2508: 2504: 2295: 2220: 2182: 2102: 1986: 1165: 699: 611: 577: 360: 346: 276: 188: 526:" – released as a single in late June 1979 – was remixed and retitled "Swan Lake" for 3452: 3179: 3159: 2860: 2640: 2630: 2561: 2552: 2417: 2081: 1892: 1791: 1207: 1174: 965: 646: 630: 604: 530:. "I realised," said Levene, "that this tune that I was bastardising by mistake was ' 482: 404: 2116: 420:
The first studio album recorded following the departure of founding member, drummer
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This article is about the Public Image Ltd record. For boxes made out of metal, see
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1001 albums you must hear before you die (2008 edition) Dimery, Robert page 442
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The album was ranked at No. 2 among the top "Albums of the Year" for 1979 by
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Coleman, Mark; Matos, Michaelangelo (2004). "Public Image Ltd.". In
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stayed in the chart for 2 weeks and reached No. 28 on 30 March 1980.
1877:, where it stayed for 2 weeks and reached No. 60 on 20 October 1979. 1852:, where it stayed for 8 weeks and reached No. 18 on 8 December 1979. 796: 462: 3062: 1159:, with "Death Disco" ranked at No. 11 among the year's top tracks. 440:
on drums. During this time, additional tracks were recorded at The
3053:(Extensive information on Metal Box from Fodderstompf PiL fansite) 795: 740: 718: 659:
radio station. "I called it 'Radio 4' because in England, you got
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According to John Lydon, opener "Albatross'" was recorded live at
450: 388:, and an abrasive, "metallic" guitar sound developed by guitarist 63: 1863:, where it stayed for 2 weeks and reached No. 46 on 8 March 1980. 1218:
recorded and released a new version of the album in 2021, titled
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placed the album at third place in his best of 1980 list for the
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in February 1980 by Virgin Records in the United Kingdom, and by
1870:, where it stayed for 7 weeks and reached No. 20 on 7 July 1979. 753:
required to frequently change sides to hear the complete album.
564:, Jah Wobble says that Poptones refers to "a journey we took in 3066: 2993:"The Year's 10 Best Albums Become Integral Part of One's Life" 2737: 2477: 2058: 1787:("Memories", "No Birds", "Graveyard", "Socialist" and "Chant") 1230:
All words, music and production credited to Public Image Ltd.
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Wobble cited "Careering" as his "second-favourite track from
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canister embossed with the band's logo and containing three
2421:. No. 318. Straight Arrow Publishers, Inc. p. 53. 543:
to test a three-bass sound system and worked with drummer
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entered the chart for 1 week at No. 21 on 23 March 1980,
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Gilbert, Pat (November 2016). "The sound and the fury".
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has track titles both on the back cover and the labels.
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comprised six sides of 12-inch vinyl, played at 45rpm.
31:. For the company formerly known as Metal Box plc, see 2117:"Fodderstompf - PiL Interviews - John Lydon interview" 3400: 3333: 3308: 3283: 3188: 3021:. London: Flame Tree Publishing. pp. 204–205. 1901:
No singles were released from the album in the USA.
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Original metal canister packaging released in 1979.
45: 2535:Doherty, Niall (December 2016). "PiL: Metal Box". 2300:"Totally Wired: Postpunk Interviews and Overviews" 1110:classic, and is highly acclaimed. Andy Kellman of 477:in London. Vocals and some overdubs were added at 1802:Note: Levene played all instruments on "Radio 4". 2826:"Pitchfork Feature: Top 100 Albums of the 1980s" 366:The album was a departure from PiL's 1978 debut 2291: 2289: 2287: 971: 760:, a double LP packaged in a more conventional 584:would create. By now Keith had got hold of a 402:. In 2012, the album was ranked number 461 on 3225:This Is What You Want... This Is What You Get 3078: 2241: 2239: 1992:Rip It Up and Start Again: Postpunk 1978–1984 1136:evoked by Can, the more outrΓ© electronics of 8: 2105:, By Paul Barrel, 2013-11-04, Innocent Words 1059: 1009: 933: 871: 833: 2955: 2953: 2951: 2949: 655:Album closer "Radio 4" was named after the 3085: 3071: 3063: 2216: 2214: 2153: 1873:The single "Memories" briefly entered the 808: 263: 51: 42: 2371:Fortnam, Ian: "Behind the Public Image"; 2267: 2265: 2263: 2261: 2259: 2187:"Babylon's Burning – From Punk to Grunge" 2178: 2176: 2151: 2149: 2147: 2145: 2143: 2141: 2139: 2137: 2135: 2133: 40:1979 studio album by Public Image Ltd 1656: 1601: 1546: 1502: 1458: 1414: 1370: 1326: 1278: 1245: 1202:1001 Albums You Must Hear Before You Die 691:"Many people don't understand that was 1941: 2758: 2335:"Keith Levene interview - Part 4 of 4" 2160:"Keith Levene interview - Part 2 of 4" 2772:"Rolling Stone 500 Best Albums Entry" 1866:The single "Death Disco" entered the 814: 7: 1955: 1953: 1951: 1949: 1947: 1945: 510:in West London with session drummer 398:is widely regarded as a landmark of 3051:Fodderstompf: Metal Box Discography 2471:Cameron, Keith (7 September 1996). 2020: 2018: 2016: 1172:In 2003, the album was included in 973: 800:PiL tape intended to seal Metal Box 410:The 500 Greatest Albums of All Time 372:, with the band moving into a more 2774:. Rollingstone.com. Archived from 2253:compilation, Virgin Records, 1999) 453:" were recorded with new drummer, 25: 2828:. Pitchfork.com. 20 November 2002 2594:The New Rolling Stone Album Guide 1061: 1011: 935: 873: 835: 384:-inspired rhythms led by bassist 2629:(1995). "Public Image Ltd.". In 1844:The original limited edition of 1080: 1075: 1070: 1065: 1060: 1030: 1025: 1020: 1015: 1010: 992: 987: 982: 977: 972: 954: 949: 944: 939: 934: 892: 887: 882: 877: 872: 854: 849: 844: 839: 834: 735:The Return of the Durutti Column 515:had the guitar going through an 299:Released: 29 June 1979 18:Memories (Public Image Ltd song) 3019:A Brief History of Album Covers 2734:"Albums and Tracks of the Year" 2333:Gross, Jason (September 2001). 1183:500 Greatest Albums of All Time 702:mixes – no actual production." 436:. "Poptones" was recorded with 3057:Fodderstompf: Metal Box Review 2700:Ward, Mark (8 December 2009). 2473:"Public Image Ltd – Metal Box" 2115:Murphy, Scott (January 2004). 1962:"Metal Box – Public Image Ltd" 1663: 1608: 1553: 1509: 1465: 1421: 1377: 1333: 1285: 1252: 380:'s cryptic lyrics, propulsive 341:is the second studio album by 1: 2905:"second edition tracklisting" 2669:"PiL – Metal Box/Plastic Box" 2636:Spin Alternative Record Guide 2509:"Public Image Ltd: Metal Box" 2362:magazine, Germany, April 1980 1816:, George Chambers – engineers 1778:("Albatross" and "Swan Lake") 1042:Spin Alternative Record Guide 1004:The Rolling Stone Album Guide 2883:"Original Release + Credits" 2541:. No. 366. p. 117. 2460:. No. 276. p. 100. 2323:magazine, Toronto, May 1980) 2245:John Lydon's liner notes in 2030:"Christgau's Consumer Guide" 1768:("Careering" and "The Suit") 633:recorded the song together. 547:but didn't record with him. 3267:What the World Needs Now... 2103:Keith Levene: His Metal Box 1823:– sleeve design and concept 1738:("No Birds" and "Bad Baby") 315:Released: October 1979 3495: 3001:. p. 7-F – via 2415:(29 May 1980). "PiL box". 2189:, Canongate 2007, page 466 1855:The re-release edition of 1751:("Poptones" and "Radio 4") 1220:Metal Box - Rebuilt in Dub 79:23 November 1979 26: 3317:The Greatest Hits, So Far 3197:Public Image: First Issue 3100: 2208:, printed 10 October 1987 2158:Gross, Jason (May 2001). 1708: 1697: 1686: 1675: 1667: 1642: 1631: 1620: 1612: 1587: 1576: 1565: 1557: 1532: 1521: 1513: 1481:"Socialist/Chant/Radio 4" 1477: 1469: 1444: 1433: 1425: 1400: 1389: 1381: 1356: 1345: 1337: 1308: 1297: 1289: 1264: 1256: 822: 819: 330: 286: 271: 262: 258: 249: 219:Public Image: First Issue 212: 50: 1238:The original release of 593:La Belle Dame sans Merci 475:Gooseberry Sound Studios 124:and Rollerball in London 3464:Public Image Ltd albums 3370:This Is Not a Love Song 2633:; Marks, Craig (eds.). 1776:David Humphrey – drums 376:sound characterised by 294:Death Disco (Swan Lake) 3438:The Flowers of Romance 3211:The Flowers of Romance 3017:Draper, Jason (2008). 2377:#148, August 2010, p61 2281:, 2009, pages 108–109) 2066:: 4. 10 November 1979. 801: 749: 363:in the United States. 3479:Warner Records albums 3474:Island Records albums 3469:Virgin Records albums 3433:Cowboys International 2960:Theofficialcharts.com 2927:"Humphrey Blue Drums" 2433:"PiL Chronology 1980" 1911:In New Zealand, both 799: 744: 677:Cowboys International 645:, I hated everything 465:pub rock outfit, the 2991:(25 December 1980). 2599:Simon & Schuster 2555:(15 November 2006). 1919:briefly entered the 1859:briefly entered the 1728:Public Image Limited 1106:is now considered a 810:Professional ratings 764:. The sleeve art of 357:Warner Bros. Records 254:Second Edition Cover 94:March – October 1979 2998:The Columbia Record 2778:on 8 September 2012 2667:(8 February 2010). 2643:. pp. 315–16. 2507:(1 November 2016). 2317:"Jah Wobble of PIL" 2273:Memoirs of a Geezer 2205:New Musical Express 2062:. London, England: 1921:Top 50 Albums Chart 1659: 1604: 1549: 1505: 1461: 1417: 1373: 1329: 1281: 1248: 811: 706:Metal box packaging 562:Memoirs of a Geezer 497:Recording and music 434:Shipton-on-Cherwell 408:magazine's list of 109:Shipton-on-Cherwell 3363:Flowers of Romance 3309:Compilation albums 3292:Paris au Printemps 2863:. 11 November 2020 2806:. 16 November 1989 2681:on 6 December 2010 2485:on 15 October 2000 1891:did not enter the 1764:(except "Radio 4") 1657: 1602: 1547: 1503: 1459: 1415: 1371: 1327: 1279: 1246: 809: 805:Critical reception 802: 750: 726:the Durutti Column 582:drum and fife band 237:Paris au Printemps 3446: 3445: 3428:The Damage Manual 2714:on 6 October 2012 2392:978-1-900924-66-5 2354:Alfred Hilsberg: 2247:Public Image Ltd. 2035:The Village Voice 2028:(28 April 1980). 2026:Christgau, Robert 2006:978-0-571-21570-6 1827:Metal Box Company 1803: 1797: 1788: 1779: 1773: 1769: 1765: 1756: 1752: 1739: 1719: 1718: 1653: 1652: 1598: 1597: 1543: 1542: 1488: 1487: 1455: 1454: 1411: 1410: 1367: 1366: 1323: 1322: 1275: 1274: 1120:Captain Beefheart 1101: 1100: 1092:The Village Voice 517:Electric Mistress 508:Townhouse Studios 471:Townhouse Studios 334: 333: 245: 244: 144:experimental rock 16:(Redirected from 3486: 3401:Related articles 3253:That What Is Not 3150:Richard Dudanski 3094:Public Image Ltd 3087: 3080: 3073: 3064: 3040: 3006: 2975: 2969: 2963: 2957: 2944: 2942: 2940: 2938: 2933:on 30 April 2006 2929:. 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Fodderstompf 2424: 2404: 2395: 2379: 2364: 2347: 2325: 2308: 2296:Simon Reynolds 2283: 2278:Serpent's Tail 2255: 2235: 2221:Simon Reynolds 2210: 2191: 2183:Clinton Heylin 2172: 2129: 2107: 2095: 2069: 2048: 2012: 2005: 1978: 1940: 1939: 1937: 1934: 1933: 1932: 1929:Second Edition 1917:Second Edition 1907: 1904: 1903: 1902: 1899: 1889:Second Edition 1883: 1880: 1879: 1878: 1871: 1864: 1857:Second Edition 1853: 1840: 1839:United Kingdom 1837: 1835: 1832: 1831: 1830: 1824: 1817: 1809: 1808: 1799: 1798: 1789: 1780: 1774: 1762:– bass guitar 1757: 1753:, bass guitar 1740: 1730: 1729: 1724: 1721: 1717: 1716: 1713: 1710: 1706: 1705: 1702: 1699: 1695: 1694: 1691: 1688: 1684: 1683: 1680: 1677: 1673: 1672: 1669: 1666: 1655: 1651: 1650: 1647: 1644: 1640: 1639: 1636: 1633: 1629: 1628: 1625: 1622: 1618: 1617: 1614: 1611: 1600: 1596: 1595: 1592: 1589: 1585: 1584: 1581: 1578: 1574: 1573: 1570: 1567: 1563: 1562: 1559: 1556: 1545: 1541: 1540: 1537: 1534: 1530: 1529: 1526: 1523: 1519: 1518: 1515: 1512: 1501: 1497:Second Edition 1493: 1492:Second Edition 1490: 1486: 1485: 1482: 1479: 1475: 1474: 1471: 1468: 1457: 1453: 1452: 1449: 1446: 1442: 1441: 1438: 1435: 1431: 1430: 1427: 1424: 1413: 1409: 1408: 1405: 1402: 1398: 1397: 1394: 1391: 1387: 1386: 1383: 1380: 1369: 1365: 1364: 1361: 1358: 1354: 1353: 1350: 1347: 1343: 1342: 1339: 1336: 1325: 1321: 1320: 1317: 1310: 1306: 1305: 1302: 1299: 1295: 1294: 1291: 1288: 1277: 1273: 1272: 1269: 1266: 1262: 1261: 1258: 1255: 1244: 1235: 1232: 1227: 1224: 1166:New York Times 1099: 1098: 1095: 1087: 1086: 1057: 1049: 1048: 1045: 1037: 1036: 1007: 999: 998: 969: 961: 960: 931: 923: 922: 919: 911: 910: 907: 899: 898: 869: 861: 860: 831: 825: 824: 821: 817: 816: 806: 803: 779:Second Edition 775:Second Edition 766:Second Edition 758:Second Edition 707: 704: 629:) and drummer 620:Blueberry Hill 612:Clint Eastwood 578:Simon Reynolds 498: 495: 417: 414: 361:Island Records 352:Second Edition 347:Virgin Records 345:, released by 332: 331: 328: 327: 325: 324: 308: 287: 284: 283: 273: 272: 269: 268: 260: 259: 256: 255: 251: 250: 247: 246: 243: 242: 233: 224: 210: 209: 202: 201: 198: 192: 191: 186: 180: 179: 168: 164: 163: 162: 161: 156: 151: 146: 141: 134: 128: 127: 126: 125: 111: 100: 96: 95: 92: 88: 87: 77: 73: 72: 67: 60: 59: 56: 48: 47: 39: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3491: 3480: 3477: 3475: 3472: 3470: 3467: 3465: 3462: 3460: 3457: 3456: 3454: 3439: 3436: 3434: 3431: 3429: 3426: 3424: 3421: 3419: 3416: 3414: 3411: 3409: 3406: 3405: 3403: 3399: 3392: 3388: 3385: 3381: 3378: 3374: 3371: 3367: 3364: 3360: 3357: 3353: 3350: 3346: 3343: 3339: 3338: 3336: 3332: 3326: 3325: 3321: 3319: 3318: 3314: 3313: 3311: 3307: 3301: 3300: 3299:Live in Tokyo 3296: 3294: 3293: 3289: 3288: 3286: 3282: 3276: 3275: 3271: 3269: 3268: 3264: 3262: 3261: 3257: 3255: 3254: 3250: 3248: 3247: 3243: 3241: 3240: 3236: 3234: 3233: 3229: 3227: 3226: 3222: 3220: 3219: 3215: 3213: 3212: 3208: 3206: 3205: 3201: 3199: 3198: 3194: 3193: 3191: 3189:Studio albums 3187: 3181: 3180:Jeannette Lee 3178: 3176: 3173: 3171: 3168: 3166: 3163: 3161: 3160:Martin Atkins 3158: 3156: 3153: 3151: 3148: 3146: 3143: 3141: 3138: 3136: 3133: 3132: 3129: 3128: 3124: 3122: 3121: 3117: 3115: 3114: 3110: 3108: 3107: 3103: 3102: 3099: 3095: 3088: 3083: 3081: 3076: 3074: 3069: 3068: 3065: 3058: 3055: 3052: 3049: 3048: 3044: 3038: 3034: 3030: 3028:9781847862112 3024: 3020: 3015: 3014: 3010: 3004: 3000: 2999: 2994: 2990: 2986: 2985: 2981: 2973: 2972:Charts.org.nz 2968: 2965: 2961: 2956: 2954: 2952: 2950: 2946: 2932: 2928: 2922: 2919: 2907:. 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Index

Memories (Public Image Ltd song)
Tin box
Novar plc

Studio album
Public Image Ltd
The Manor
Shipton-on-Cherwell
Townhouse
Advision
Gooseberry Sound
Genre
Post-punk
experimental rock
dub
avant-garde
dance
Label
Virgin
Producer
Public Image Ltd
Public Image: First Issue
Paris au Printemps

Singles
Death Disco (Swan Lake)
Public Image Ltd
Virgin Records
Warner Bros. Records
Island Records

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