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ArtScroll

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449:, "a small but growing number of North American Conservative Jewish congregations ... have recently adopted ArtScroll prayer books and Bibles as their 'official' liturgical texts, not to mention a much larger number of Conservative synagogues that over recent years have grown accustomed to individual congregants participating in prayer services with editions of ArtScroll prayer books in their hands." The shift has mainly occurred among more traditionally minded Conservative congregants and rabbis (sometimes labeled "Conservadox") "as an adequate representation of the more traditional liturgy they seek to embrace." 569:, the medieval commentator who wrote the first comprehensive commentary on the Talmud. The Schottenstein Edition does not include contemporary academic or critical scholarship. The overall guidelines follow a pattern defined by the late Rabbi Hersh Goldwurm, "a Monsey, N.Y., scholar who died in 1993." The total cost of the project is estimated at US$ 21 million, most of which was contributed by private donors and foundations. Some volumes have up to 2 million copies in distribution, while more recent volumes have only 90,000 copies currently printed. A completed set was dedicated on February 9, 2005, to the 561:
people, and laws that it does not explain. The un-bolded text attempts to explain these situations. The text of the Talmud also contains few prepositions, articles, etc. The un-bolded text takes the liberty of inserting these parts of speech.) The result is an English text that reads in full sentences with full explanations, while allowing the reader to distinguish between direct translation and a more liberal approach to the translation. (This also results in one page of the Vilna Talmud requiring several pages of English translation.) Below the English translation appear extensive notes including diagrams.
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vocalized incorrectly. These observations, it should be stressed, are not limited to the Bible text but refer to the talmudic, midrashic, targumic, medieval and modern works as well. Rabbinical passages are removed from their contexts, presented in fragmentary form thus distorting their contents, emended to update their messages even though these new ideas were not expressed in the texts themselves, misvocalized, and mistranslated: i.e. misrepresented.
1777: 321: 645:. The cookbook contains both traditional recipes and updated versions of traditional recipes. All the recipes are kosher and the book puts an emphasis on its food photography. Since publication, the book has sold over 400,000 copies from 2003 through 2010, and Fishbein has become a media personality, earning the sobriquets of "the Jewish 956:(plain sense) approach, as he does throughout his commentary, reading the verse as follows: "There was an evening (at the conclusion of daytime) and a morning (at the end of night), one day"; that is, the day begins in the morning and lasts until the next daybreak. This comment of Rashbam was notably subject to sharp criticism by 960:
who placed a curse on any publishers who included this comment in their Chumash out of concern that the reading could cause a misinterpretation of Halacha and lead to Shabbat desecration. In their defense, ArtScroll points out that in standard Mikra'os Gedolos the entire commentary of Rashbam on the
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graduates–who have had the benefit of exposure to Hebrew and Aramaic from a young age–inasmuch as it is often easier to effortlessly parse through the material in their native language in place of what may at times be a tedious endeavor of self-translation. In certain cases, reading the Judaic texts
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omitting images of women from their magazines or newspapers, ArtScroll continues to publish pictures of women in their books. When someone authoring a biography to be published by ArtScroll requested that pictures of women be left out, ArtScroll "basically told him to go fly a kite, we sent him to
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to the publication committee shortly thereafter. He began by donating funds for the project in memory of his parents Ephraim and Anna Schottenstein one volume at a time, and later decided to back the entire project. When Jerome died, his children and widow, Geraldine, rededicated the project to his
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said versus what another one said. Today there's much more uniformity; everyone believes the same things in the same way." Upon responding "ur role is not to discuss issues in current events. Our intention is to present the text," Frankfurter questioned Scherman: "Even when it comes to biographies
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ArtScroll biographies have been criticized as providing incomplete and partial portrayals of Rabbinic figures. Notably, this is not disputed by ArtScroll. Rabbi Nosson Scherman stated that as it pertains to biographies the mission of ArtScroll "is to impart a positive message" without mentioning
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text, and the corresponding page consists of an English translation. The English translation has a bolded literal translation of the Talmud's text, but also includes un-bolded text clarifying the literal translation. (The original Talmud's text is often very unclear, referring to places, times,
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ArtScroll publications are best identified through the "hallmark features" of its design elements such as typeface and layout, through which "ArtScroll books constitute a field of visual interaction that enables and encourages the reader to navigate the text in particular ways." The emphasis on
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The popular demand for ArtScroll's translations of classic Jewish works (e.g., Mishnah; Talmud) largely coincided with preexisting market demands, unappreciated to an extent, for English editions characterized by both high-fidelity translations as well as accompanying commentary in the English
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activity and must be philologically accurate. The ArtScroll effort has not achieved a respectable level. There are dozens of cases where prepositions are misunderstood, where verb tenses are not perceived properly and where grammatical or linguistic terms are used incorrectly. Words are often
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design and layout can be understood "as a strategy on the part of the publisher to achieve a range of cognitive as well as esthetic effects." The name ArtScroll was chosen for the publishing company to emphasize the visual appeal of the books.
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ArtScroll's English explanations and footnoted commentary in the Schottenstein Edition of the Talmud are based on the perspective of classical Jewish sources. The clarifying explanation is generally based on the viewpoint of
1851:(p. 66-73 in Ami Magazine, June 21, 2017), in which Frankfurter stated "o be honest, I sometimes question ArtScroll's approach when it comes to certain things. One of these is the tendency to portray the commonality between 533:("Babylonian Talmud"). The set of Talmud was completed in late 2004, giving a 73 volume English edition of the entire Talmud. This was the second complete translation of the Talmud into English (the other being the 680:
Works published by Mesorah under this imprint adhere to a perspective appealing to many Orthodox Jews, but especially to Orthodox Jews who have come from less religious backgrounds, but are returning to the faith
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Cf. his position that quality English-language sefarim will be used by Jews in the Messianic era as, like Yiddish in its time, "today English has become a language of Torah." (Rabbi Nosson Scherman in
266:. By 1990, ArtScroll had produced more than 700 books, including novels, history books, children's books and secular textbooks, and became the largest publisher of Jewish books in the United States. 2018: 452:
Since the advent of ArtScroll, a number of Jewish publishers have printed books and siddurim with similar typefaces and commentary, but with a different commentary and translation philosophy.
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Rabbi B. Barry Levy. "Our Torah, Your Torah and Their Torah: An Evaluation of the ArtScroll phenomenon.". In: "Truth and Compassion: Essays on Religion in Judaism", Ed. H. Joseph
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Talmud published in the United Kingdom during the mid-twentieth century). The first volume, Tractate Makkos, was published in 1990, and dedicated by Mr. and Mrs. Marcos Katz.
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After decades of being headquartered in New York, ArtScroll moved to New Jersey in 2020. Among other things, ArtScroll's headquarters in Rahway is notable for their in-house
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in memory of a friend, and asked Scherman to write the introduction. The book sold out its first edition of 20,000 copies within two months. With the encouragement of Rabbis
1638: 2038: 1146: 1872:. We try to stay away from disputes that can often become vitriolic. Getting involved in such things is not our mission. Our mission is to impart a positive message." 403:(prayerbook) in the United States. It offered the reader detailed notes and instructions on most of the prayers and versions of this prayerbook were produced for the 1785: 516: 689:
custom. In more recent years, ArtScroll has collaborated with Sephardic community leaders in an attempt to bridge this gap. Examples of this include a Sephardic
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beginning of Bereishis is missing. When adding in from older manuscripts, they left out the exegeses to Genesis 1:5 because of questions to its authenticity.
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A large number of grammatical errors exist in their Bible and commentary translations, changing the meaning of these passages. B. Barry Levy alleged in 1981:
987: 948:'s interpretation of the phrase in Genesis 1:5, "and there was an evening, and there was a morning, one day." The Talmud cites these words to support the 653:". ArtScroll has realized the books' salability by extending beyond its traditional Orthodox Jewish market into the mainstream market, including sales on 1300: 979: 600:
Mesorah and the Schottenstein family have also printed a Hebrew version of the commentary and have begun both an English and Hebrew translation of the
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is the "parent" company of ArtScroll; the name Mesorah was not part of ArtScroll's publications for the first book published, Megilas Esther (1976).
2013: 2028: 199:, was approached by Zlotowitz who had helped him write copy for brochures and journals in the past, and they collaborated on a few projects. 1577: 1111: 1868:
is the subject of the biography, but we don't necessarily discuss dissenting views. We feel that our mission is to educate people and to be
1436: 488:. It has since become a widely available English-Hebrew Torah translation and commentary in the U.S. and other English-speaking countries. 1079: 546:
memory in addition to those of his parents. The goal of the project was to, "open the doors of the Talmud and welcome its people inside."
662: 1172: 359:), and an English translation and elucidation of the Babylonian Talmud have enjoyed great success. Other publications include works on 1008: 1476: 1764: 1646: 1519: 1466: 38: 1369: 1256: 1136: 1978: 1708: 1203: 376:
in one's native English can even "trigger a new depth of thought that comes from the subtleties of a finer understanding."
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vowels. The two major differences between the way Sefardi and Ashkenazi Hebrew dialects are transcribed are as follows:
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I consider it offensive that the Torah should need authentication from the secular or so-called 'scientific' sources."
222:, and others, the two continued producing commentaries, beginning with a translation and commentary on the rest of the 1229: 184: 922:(grammar) is anathema in many Jewish circles, but the translation and presentation of texts is, to a large extent, a 725:
Frequently coalescing to give voice to ArtScroll's worldview is, in the words of Scherman, "a heavy combination of
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Mesorah Publications received widespread acclaim in response to its ArtScroll line of prayerbooks, starting with
2023: 746: 207: 1310: 777:(Pentateuch) use many more transliterated Hebrew words than English words, compared to editions such as the 669: 594: 1882: 789: 196: 1983: 171:, whose name is listed secondarily in new publications as general editor, after that of Rabbi Scherman. 1939: 1918: 1593: 1333:
The Mandate to Communicate Torah in the Vernacular: Excerpts From a Presentation to an Eleventh Grade
538: 235: 134: 718:. Page "X" of the preface to ArtScroll's first publication set the tone: A long paragraph includes " 1677: 685:). Due to the makeup of the Jewish community in the US, most of the prayer books are geared to the 570: 1615: 1234: 1084: 1018:
Jacob J. Schacter, "Haskalah, Secular Studies, and the close of the Yeshiva in Volozhin in 1892"
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Its Torah translation and commentary, a series of translations and commentaries on books of the
187:, was director of a high-end graphics studio in New York. The firm, ArtScroll Studios, produced 1881:
ArtScroll omitted entire sections of Rashbam's commentary on Gen. 1:4, 1:5, 1:8, and 1:31. See
1704: 1573: 1472: 1107: 1004: 774: 715: 658: 585:. The blue-covered Hebrew Talmud set, which like the English counterpart is 73 volumes, has a 526: 492: 473: 423: 255: 219: 1988: 1743: 1182: 1141: 957: 793: 727: 605: 393: 211: 138: 1922: 1914: 1893: 1305: 797: 770: 582: 554: 485: 477: 337: 298: 215: 192: 157: 95: 1815: 1610: 785:. This reflects a higher use of untranslated Hebrew terminology in Haredi English usage. 1672: 1354: 753: 700: 686: 682: 646: 638: 613: 203: 180: 164: 45: 619:
ArtScroll has also produced the "Elucidated Mishnah", a work similarly clarifying the
2002: 1099: 1037: 742: 557: 534: 504: 404: 227: 223: 1993: 17: 1803:... correspond to the Rabbinical Council of America Edition of the Artscroll Siddur 1739:"Meir Zlotowitz's Legacy: The Spiritual Engine Of American Orthodoxy's Renaissance" 805: 356: 239: 231: 608:- the Hebrew/Aramaic side of the page, as well as the pagination, is based on the 1508:
Plural Chumash, the five books of Moses, from the Hebrew word for the number five
1001:". In "Approaches to Modern Judaism" , Ed. Marc L. Raphael. Scholars Press, 1983. 1548: 1524: 665: 542: 320: 1437:"Brooklyn, NY - VIN Exclusive: Behind The Scenes At Artscroll [video]" 654: 609: 270: 247: 1352:
Gantz, Nesanel (15 September 2013). "Lunch Break with Rabbi Meir Zlotowitz".
1080:"Rabbi Meir Zlotowitz, Who Made Jewish Prayer Books Clear to All, Dies at 73" 998: 923: 714:
accounts in a historical fashion, and at times literally; it disagrees with
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In late 1975, Zlotowitz wrote an English translation and commentary on the
623:-text, and expanding thereon in an appended commentary and footnotes; see 285:
interviews and other "films that are broadcasted to the Torah community."
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Orthodox By Design: Judaism, print politics, and the ArtScroll revolution
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Orthodox by Design: Judaism, Print Politics, and the ArtScroll Revolution
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Orthodox by Design: Judaism, Print Politics, and the ArtScroll Revolution
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Orthodox by Design: Judaism, Print Politics, and the ArtScroll Revolution
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published by ArtScroll, written by Sephardic Rabbi Eli Mansour, the book
690: 578: 408: 372: 278: 1799:"Jewish prayers for Orthodox services - Translation and transliteration" 1547:
copies have been sold in the USA. The first volume was in memory of Mr.
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Translations, books and commentaries from an Orthodox Jewish perspective
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and the like?" Scherman replied: "We include the opinions of whichever
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Kosher by Design: Picture-perfect food for the holidays & every day
624: 620: 590: 586: 577:(celebration at the "completion") was held on March 15, 2005, the 13th 522: 427: 416: 360: 263: 188: 167:(July 13, 1943 – June 24, 2017) was succeeded by his oldest son, Rabbi 1847:
Scherman in an interview with Rabbi Yitzchok Frankfurter published in
953: 821: 809: 778: 695: 431: 412: 392:, Ed. Nosson Scherman, 1984. This work gained wide acceptance in the 352: 333: 259: 251: 297:
box printed on the inner page of ArtScroll publications lists Rabbi
1859:. I grew up in a generation when people liked to debate what this 704: 574: 566: 549:
The text generally consists of two side-by-side pages: one of the
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community, and within a few years became a popular Hebrew-English
325: 319: 243: 154: 1278:"The ArtScroll Revolution: 5TJT interviews Rabbi Nosson Scherman" 1204:
The Jewish Observer, December 1972, p. 34 full-page advertisement
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No non-Jewish sources have even been consulted, much less quoted.
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translations and commentaries, The Schottenstein Edition of The
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Levy, B. Barry (Spring 1981). "Judge Not a Book By Its Cover".
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that we incorporate into our commentary" such as commentary by
242:), and went on to publish translations and commentaries on the 1701:
Through the flames of Aleppo: A novel (ArtScroll youth series)
1520:"Move Over Artscroll: Here's The New, Modern Orthodox Chumash" 952:
view that the day begins at sundown. However, Rashbam takes a
944:(2014) has been censored. The missing passages are related to 942:
Czuker Edition Hebrew Chumash Mikra'os Gedolos Sefer Bereishis
396: 364: 1257:"What's Bothering Artscroll?: Interview with Nosson Scherman" 1970: 117: 1765:
The Case for a Traditional Approach in the Study of Tanach
1173:"In 25 Years of Publishing, Artscroll captures Zeitgeist" 1723:
The first of these sentences was the end of a series of
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Yosef Lindell; Shira Hecht-Koller (September 28, 2018).
503:, is "the most successful Orthodox replacement for the" 812:(emphasis point) is transcribed as and respectively 1849:
A Conversation with Rabbi Nosson Scherman On Chinuch
1572:. University of California Press. pp. 120–130. 869:
ArtScroll makes an exception due to widespread usage
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In translations and commentaries, ArtScroll accepts
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vernacular. Such editions are used even by American
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Book publishing companies based in New York (state)
792:for readers of the English language generally uses 112: 88: 78: 70: 62: 54: 44: 1673:"Kosher Diva Outdoes Herself With Latest Offering" 1230:"An English Talmud for Daily Readers and Debaters" 833:As such, the following transliterations are used: 336:subjects. The best known is probably an annotated 1598:. Church and Synagogue Library Association. 2005. 137:of translations, books and commentaries from an 1816:"If You Can Read This - You Can Pray In Hebrew" 1595:Church & Synagogue Libraries, Volumes 38-39 1407:(a non-ArtScroll Hebrew to English translation) 940:to the first chapter of Genesis in ArtScroll's 437:While many Conservative synagogues rely on the 517:Schottenstein Edition of the Babylonian Talmud 525:translations and commentaries, and a line of 476:arranged for liturgical use and sponsored by 8: 1639:"Kosher by Design's Susie Fishbein is Back!" 1435:Sandy Eller; Yosef Shidler (17 March 2010). 422:They are also well-known for their range of 191:, brochures, invitations, and awards. Rabbi 30: 1561: 1559: 1557: 933:"disputes that can often become vitriolic." 761:who basically washed the floors with him." 637:In 2003, ArtScroll published a cookbook by 1776:Rabbi Avrohom Biderman in minute 53-54 of 1666: 1664: 1301:"Feminists Object, But ArtScroll Rolls On" 332:ArtScroll publishes books on a variety of 281:, as well as non-ArtScroll videos such as 195:, then principal of Yeshiva Karlin Stolin 36: 29: 1299:Nussbaum Cohen, Debra (11 October 2007). 975:. Wilfrid Laurier University Press, 1983. 2039:Publishing companies established in 1976 1671:Sanders, Gavriel Aryeh (14 March 2005). 1381:Reisman, Leah. "The Art of Publishing". 1370:Artscroll Moves to New Offices in Rahway 1137:"Our Goal is to Increase Torah Learning" 1118:... son, R'Gedaliah, ... at the helm ... 1073: 1071: 1069: 1067: 1065: 1063: 835: 468:In 1993, Mesorah Publications published 1276:Hoffman, Rabbi Yair (3 December 2009). 1130: 1128: 1126: 1059: 788:ArtScroll's transliteration system for 316:Primary publications and popular demand 1940:"ArtScroll's Response and My Comments" 1767:in the Jewish Action Winter 2018 issue 1347: 1345: 1337:The Jewish Observer, April 1998, p. 27 1166: 1164: 472:, a translation and commentary on the 1637:Chefitz, Michael (15 November 2010). 1460: 1458: 1415: 1413: 407:, and the three pilgrimage festivals 7: 2034:Orthodox Jewish publishing companies 2009:1976 establishments in New York City 1394:inside cover: ArtScroll Studios, Ltd 1223: 1221: 1219: 1217: 1215: 1213: 1211: 1149:from the original on 31 January 2011 824:, is transcribed and respectively 769:ArtScroll publications, such as the 363:, novels and factual works based on 1228:Berger, Joseph (10 February 2005). 597:. A French language set was begun. 163:ArtScroll's first president, Rabbi 1737:Yaakov Kornreich (July 18, 2018). 273:studio used for the production of 25: 1994:Critical evaluations of ArtScroll 994:1982;20(4)(Winter 1982): 370-375. 752:Despite the recent trend of most 1778:May 7, 2020 Twitter Live podcast 1566:Stolow, Jeremy (28 April 2010). 1493:"The Chumash: The Stone Edition" 581:of Jerome Schottenstein, at the 491:A 2018 review of Hebrew-English 367:life or history, and cookbooks. 2014:Bible versions and translations 1611:"One Cook, Thousands of Seders" 1609:Moskin, Julia (16 April 2008). 1405:Book-Review: The Malbim on Iyov 1171:Ephross, Peter (13 July 2001). 1078:Joseph Berger (June 27, 2017). 986:19(1)(Spring 1981): 89-95 and " 430:, of which the design has been 2029:Jewish printing and publishing 1368:Jewish Link (March 12, 2020), 1135:Resnick, Eliot (6 June 2007). 707:, and a Sephardic prayerbook. 470:The Chumash: The Stone Edition 464:ArtScroll Stone Chumash, cover 1: 1921:. See also David S. Zinberg, 1855:rather than their particular 980:Judge Not a Book By Its Cover 773:of Tanakh (Hebrew Bible) and 672:stores, and in supermarkets. 616:and other classical sources. 390:The Complete ArtScroll Siddur 1009:Facing the Truths of History 541:was introduced by Rabbi Dr. 511:Schottenstein Edition Talmud 1887:(Breslau, 1882), pp. 5-6, 9 1358:. No. 136. p. 90. 625:Mishnah § Commentaries 426:translated prayerbooks and 295:Mesorah Heritage Foundation 185:Mesivtha Tifereth Jerusalem 2055: 1892:February 19, 2015, at the 1885:Perush Rashbam al Ha-Torah 1385:(October 27, 2021): p. 10. 783:Jewish Publication Society 514: 143:Mesorah Publications, Ltd. 1280:. Five Towns Jewish Times 1178:Jewish Telegraphic Agency 1048:Kehot Publication Society 1043:Hebrew Publishing Company 827:ArtScroll uses the former 815:ArtScroll uses the latter 141:perspective published by 35: 208:Yaakov Yitzchok Ruderman 1923:"An inconvenient text," 1465:Stolow, Jeremy (2010). 1420:Stolow, Jeremy (2010). 1015:8 (1998–1999): 200-276. 324:The Sapirstein Edition 160:is the general editor. 1551:of the eponymous bank. 1403:Rabbi Dovid Kaplan in 999:ArtScroll: An Overview 929: 790:Hebrew transliteration 765:Transliteration system 521:Mesorah has a line of 495:said that ArtScroll's 465: 329: 277:videos made available 1984:Encyclopaedia Judaica 1870:marbeh kevod shamayim 1020:Torah u-Madda Journal 1013:Torah u-Madda Journal 917: 589:(approbation) from a 497:Stone Edition Chumash 463: 323: 79:Headquarters location 1913:First identified by 699:, about a prominent 539:Jerome Schottenstein 346:The ArtScroll Siddur 305:Mesorah Publications 50:Mesorah Publications 18:Mesorah Publications 1928:(February 12, 2015) 1926:The Jewish Standard 1699:Shalom, A. (2002). 1678:Jewish World Review 593:Rebbe, Grand Rabbi 571:Library of Congress 289:Associated entities 32: 1946:. the Seforim Blog 1616:The New York Times 1497:Published ... 1993 1235:The New York Times 1085:The New York Times 936:The commentary of 747:Yehudah Leib Alter 659:Barnes & Noble 649:" and the "kosher 595:Naftali Halberstam 482:American Greetings 466: 330: 169:Gedaliah Zlotowitz 147:publishing company 103:Gedaliah Zlotowitz 83:Rahway, New Jersey 1938:Shapiro, Marc B. 1788:on July 24, 2020. 1579:978-0-520-26426-7 1113:978-1-4226-2222-3 1104:Moved by a Maggid 1005:Jacob J. Schacter 908: 907: 904:Akeidas Yitzchak 898:Akeidas Yitzchok 870: 716:textual criticism 602:Talmud Yerushalmi 527:Babylonian Talmud 501:The Stone Chumash 445:prayer books and 439:Siddur Sim Shalom 256:Passover Haggadah 220:Yaakov Kamenetsky 128: 127: 71:Country of origin 16:(Redirected from 2046: 1989:Encyclopedia.com 1974: 1973: 1971:Official website 1956: 1955: 1953: 1951: 1944:the Seforim Blog 1935: 1929: 1911: 1905: 1902: 1896: 1879: 1873: 1845: 1839: 1838: 1826: 1820: 1819: 1812: 1806: 1805: 1795: 1789: 1784:. Archived from 1774: 1768: 1762: 1756: 1755: 1753: 1751: 1744:The Jewish Press 1734: 1728: 1721: 1715: 1714: 1696: 1690: 1689: 1687: 1685: 1668: 1659: 1658: 1656: 1654: 1645:. 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" 911:Critical reviews 868: 836: 676:Editorial policy 632:Kosher by Design 606:Jerusalem Talmud 447:Etz Hayim Humash 344:("prayerbook") ( 275:Inside ArtScroll 212:Mordechai Gifter 183:, a graduate of 124: 121: 119: 113:Official website 105:(General editor) 98:(General editor) 40: 33: 21: 2054: 2053: 2049: 2048: 2047: 2045: 2044: 2043: 2024:Hebrew language 1999: 1998: 1977:Jeremy Stolow, 1969: 1968: 1965: 1960: 1959: 1949: 1947: 1937: 1936: 1932: 1915:Marc B. Shapiro 1912: 1908: 1903: 1899: 1894:Wayback Machine 1880: 1876: 1853:gedolei Yisrael 1846: 1842: 1828: 1827: 1823: 1814: 1813: 1809: 1797: 1796: 1792: 1775: 1771: 1763: 1759: 1749: 1747: 1736: 1735: 1731: 1722: 1718: 1711: 1698: 1697: 1693: 1683: 1681: 1670: 1669: 1662: 1652: 1650: 1649:on 26 July 2011 1636: 1635: 1631: 1621: 1619: 1608: 1607: 1603: 1592: 1591: 1587: 1580: 1565: 1564: 1555: 1546: 1542: 1537: 1533: 1517: 1516: 1512: 1507: 1503: 1491: 1490: 1486: 1479: 1464: 1463: 1456: 1446: 1444: 1434: 1433: 1429: 1419: 1418: 1411: 1402: 1398: 1393: 1389: 1380: 1376: 1367: 1363: 1351: 1350: 1343: 1330: 1326: 1316: 1314: 1313:on 3 March 2016 1306:The Jewish Week 1298: 1297: 1293: 1283: 1281: 1275: 1274: 1270: 1261: 1259: 1255: 1254: 1250: 1240: 1238: 1227: 1226: 1209: 1202: 1198: 1188: 1186: 1170: 1169: 1162: 1152: 1150: 1134: 1133: 1124: 1114: 1098: 1097: 1093: 1077: 1076: 1061: 1056: 1034: 1024:Jeremy Stolow, 968: 913: 796:consonants and 767: 678: 670:Williams Sonoma 635: 583:New York Hilton 519: 513: 499:, often called 486:Cleveland, Ohio 478:Irving I. Stone 458: 386: 318: 313: 301:'s name first. 299:David Feinstein 291: 216:Moses Feinstein 193:Nosson Scherman 179:In 1975, Rabbi 177: 158:Nosson Scherman 139:Orthodox Jewish 116: 108: 101: 96:Nosson Scherman 28: 23: 22: 15: 12: 11: 5: 2052: 2050: 2042: 2041: 2036: 2031: 2026: 2021: 2016: 2011: 2001: 2000: 1997: 1996: 1991: 1975: 1964: 1963:External links 1961: 1958: 1957: 1930: 1906: 1897: 1874: 1840: 1821: 1807: 1790: 1782:SeforimChatter 1769: 1757: 1729: 1716: 1709: 1691: 1660: 1629: 1601: 1585: 1578: 1553: 1540: 1538:printed inside 1531: 1510: 1501: 1484: 1477: 1471:. p. 75. 1454: 1427: 1424:. p. 157. 1409: 1396: 1387: 1374: 1361: 1341: 1324: 1291: 1268: 1248: 1207: 1196: 1185:on 9 June 2011 1160: 1122: 1112: 1106:. p. 14. 1091: 1058: 1057: 1055: 1052: 1051: 1050: 1045: 1040: 1033: 1030: 1029: 1028: 1022: 1016: 1002: 995: 988:Communications 976: 967: 964: 963: 962: 934: 930: 912: 909: 906: 905: 902: 901:Akedat Itzhak 899: 895: 894: 891: 888: 884: 883: 880: 877: 873: 872: 865: 862: 858: 857: 854: 851: 847: 846: 843: 840: 831: 830: 829: 828: 818: 817: 816: 771:Stone Editions 766: 763: 743:Tzadok HaKohen 683:Baalei Teshuva 677: 674: 661:and Christian 647:Martha Stewart 639:Susie Fishbein 634: 629: 614:Midrash Rabbah 515:Main article: 512: 509: 457: 454: 385: 382: 317: 314: 312: 309: 290: 287: 204:Book of Esther 181:Meir Zlotowitz 176: 173: 165:Meir Zlotowitz 153:, New Jersey. 126: 125: 114: 110: 109: 107: 106: 99: 92: 90: 86: 85: 80: 76: 75: 72: 68: 67: 64: 60: 59: 56: 52: 51: 48: 46:Parent company 42: 41: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2051: 2040: 2037: 2035: 2032: 2030: 2027: 2025: 2022: 2020: 2017: 2015: 2012: 2010: 2007: 2006: 2004: 1995: 1992: 1990: 1986: 1985: 1980: 1976: 1972: 1967: 1966: 1962: 1945: 1941: 1934: 1931: 1927: 1924: 1920: 1916: 1910: 1907: 1901: 1898: 1895: 1891: 1888: 1886: 1883:David Rosin, 1878: 1875: 1871: 1867: 1862: 1858: 1854: 1850: 1844: 1841: 1836: 1832: 1825: 1822: 1817: 1811: 1808: 1804: 1800: 1794: 1791: 1787: 1783: 1779: 1773: 1770: 1766: 1761: 1758: 1746: 1745: 1740: 1733: 1730: 1726: 1720: 1717: 1712: 1706: 1702: 1695: 1692: 1680: 1679: 1674: 1667: 1665: 1661: 1648: 1644: 1640: 1633: 1630: 1618: 1617: 1612: 1605: 1602: 1597: 1596: 1589: 1586: 1581: 1575: 1571: 1570: 1562: 1560: 1558: 1554: 1550: 1544: 1541: 1535: 1532: 1527: 1526: 1521: 1514: 1511: 1505: 1502: 1498: 1494: 1488: 1485: 1480: 1478:9780520264250 1474: 1470: 1469: 1461: 1459: 1455: 1442: 1438: 1431: 1428: 1423: 1416: 1414: 1410: 1406: 1400: 1397: 1391: 1388: 1384: 1378: 1375: 1371: 1365: 1362: 1357: 1356: 1348: 1346: 1342: 1338: 1335:published in 1334: 1328: 1325: 1312: 1308: 1307: 1302: 1295: 1292: 1279: 1272: 1269: 1258: 1252: 1249: 1237: 1236: 1231: 1224: 1222: 1220: 1218: 1216: 1214: 1212: 1208: 1205: 1200: 1197: 1184: 1180: 1179: 1174: 1167: 1165: 1161: 1148: 1144: 1143: 1138: 1131: 1129: 1127: 1123: 1119: 1115: 1109: 1105: 1101: 1095: 1092: 1087: 1086: 1081: 1074: 1072: 1070: 1068: 1066: 1064: 1060: 1053: 1049: 1046: 1044: 1041: 1039: 1038:Soncino Press 1036: 1035: 1031: 1027: 1023: 1021: 1017: 1014: 1010: 1006: 1003: 1000: 996: 993: 989: 985: 981: 977: 974: 970: 969: 965: 959: 955: 951: 947: 943: 939: 935: 931: 928: 925: 921: 915: 914: 910: 903: 900: 897: 896: 892: 889: 886: 885: 881: 878: 875: 874: 866: 863: 860: 859: 855: 852: 849: 848: 844: 841: 838: 837: 834: 826: 825: 823: 819: 814: 813: 811: 807: 803: 802: 801: 799: 795: 791: 786: 784: 780: 776: 772: 764: 762: 760: 755: 750: 748: 744: 740: 736: 735: 730: 729: 723: 721: 717: 713: 708: 706: 703:community in 702: 698: 697: 692: 688: 684: 675: 673: 671: 667: 664: 660: 656: 652: 648: 644: 640: 633: 630: 628: 626: 622: 617: 615: 611: 607: 603: 598: 596: 592: 588: 584: 580: 576: 572: 568: 562: 559: 558:Vilna Edition 556: 552: 547: 544: 540: 536: 532: 528: 524: 518: 510: 508: 506: 505:Hertz Chumash 502: 498: 494: 489: 487: 483: 479: 475: 471: 462: 456:Stone Chumash 455: 453: 450: 448: 444: 440: 435: 433: 429: 425: 420: 418: 414: 410: 406: 405:High Holidays 402: 398: 395: 391: 383: 381: 377: 374: 368: 366: 362: 358: 354: 349: 347: 343: 339: 335: 327: 322: 315: 310: 308: 306: 302: 300: 296: 288: 286: 284: 280: 276: 272: 267: 265: 261: 257: 253: 249: 245: 241: 237: 233: 229: 228:Song of Songs 225: 224:Five Megillot 221: 217: 213: 209: 205: 200: 198: 194: 190: 186: 182: 174: 172: 170: 166: 161: 159: 156: 152: 148: 144: 140: 136: 132: 123: 115: 111: 104: 100: 97: 94: 93: 91: 87: 84: 81: 77: 74:United States 73: 69: 65: 61: 57: 53: 49: 47: 43: 39: 34: 19: 1982: 1948:. 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