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in the first and third lines, and three in the second and fourth. If one counted all syllables, not just stressed syllables, such hymns follow what is called an 86.86 pattern, with lines of eight syllables alternating with lines of four syllables. This form is also known as
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While the terminology above enjoys widespread agreement across the
English-speaking world, there is some regional variation. Even within a region there may be historical variation and development. For example, some metre names no longer widely used includes:
293:, 6.6.8.6; iambic lines in the first, second, and fourth are in trimeter, and the third in tetrameter, which rhymes in the second and fourth lines and sometimes in the first and third. "Blest Be the Tie that Binds" is an example of a hymn in short metre.
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In practice many hymns conform to one of a relatively small number of metres (syllable patterns), and within the most commonly used ones there is a general convention as to whether its stress pattern is iambic or trochaic (or perhaps
352:, who wrote hundreds of hymns and was instrumental in the widespread use of hymns in public worship in England, is credited with popularizing and formalizing these metres, which were based on English folk poems, particularly
70:" exemplifies a standard form, with a four-line stanza, in which lines with four stressed syllables alternate with lines with three stresses syllables; stressed syllables are rendered in bold.
265:, 8.6.8.6; a quatrain (four-line stanza) with alternating lines of iambic tetrameter and iambic trimeter, which rhymes in the second and fourth lines and sometimes in the first and third.
666:
555:'s "Choräle für die Orgel und für die englische Kirche op. 119", Darmstadt 1832 (Yale University LM2093, nr. 4) P.M. is given to the hymntune Hanover by
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511:, however, introduces a new PM category, although still retaining several explicit single-item metrical categories. Their 2006
279:, 8.8.8.8; a quatrain in iambic tetrameter, which rhymes in the second and fourth lines and often in the first and third.
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250:" which is 10.10.10.10. Some of the most frequently encountered however are instead referred to by names:
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A few hymns have an inconsistent metrical pattern across their verses; one well-known example is "
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in a well-written hymn; indeed, such variation usually indicates a poorly constructed text.
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Most hymnals include a metrical index of the book's tunes. A hymn may be sung to any
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has several single-item metrical categories, and lacks a PM category. Their 1982
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387:; formerly used for irregular, rare, or one-of-a-kind metres in a hymnal.
46:. This provides a means of marrying the hymn's text with an appropriate
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Two verses may be joined and sung to a tune of double the length:
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38:) indicates the number of syllables for the lines in each
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All metres can be represented numerically, for example "
581:"Isaac Watts & Emily Dickinson: Inherited Meter"
332:—equivalent to two verses of 8.7.8.7., either
415:, may sometimes be used in reference to 66.66.88,
161:By contrast most hymns in an 87.87 pattern are
449:The latter metres are named for the metres of
363:". Such a metre is described as '"irregular".
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542:lists it in the numerical part of the index.
142:To put it more technically, such hymns have
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517:maintains a similar PM and methodology.
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215:). It is rare to find any significant
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326:)—Doubled LM, 8.8.8.8.8.8.8.8.
312:)—Doubled CM, 8.6.8.6.8.6.8.6.
630:. The Cyber Hymnal. 19 October 2018
165:, with strong-weak syllable pairs:
231:in the same metre, as long as the
25:
608:. Faith Alive Christian Resources
628:"HM Hallelujah Meter (66.66.88)"
496:The metrical index of the 1941
667:Encyclopædia Britannica Online
62:occur in a limited variety of
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223:Terminology and abbreviations
526:An example is the 12.9.12.9
367:Local and historic variation
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534:What Wondrous Love Is This
606:"O Come, All Ye Faithful"
585:Academy of American Poets
421:— 10.10.10.10.10.10
213:Great Is Thy Faithfulness
58:In the English language
643:Lutheran Book of Worship
553:Christian Heinrich Rinck
539:The Presbyterian Hymnal
445:— 6.6.6.6.4.4.4.4
361:O Come, All Ye Faithful
439:— 10.10.10.10.10
652:use 66 66 88 instead.
514:Lutheran Service Book
399:Long Particular Metre
217:metrical substitution
54:Hymn and poetic metre
478:Trochaic septenarius
502:The Lutheran Hymnal
433:— 6.6.6.6.8.8
427:— 10.10.11.11
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18:Meter (hymn)
634:29 November
350:Isaac Watts
291:Short metre
233:poetic foot
677:Categories
665:"Hymn" in
612:3 December
567:References
277:Long metre
211:, such as
146:with four
29:hymn metre
688:Hymnology
468:Hymn tune
330:8.7.8.7.D
235:(such as
48:hymn tune
457:See also
411:—
397:—
383:—
346:minister
344:English
334:trochaic
289:—
275:—
261:—
241:trochaic
209:dactylic
163:trochaic
144:couplets
590:29 July
354:ballads
391:L.P.M.
338:iambic
320:L.M.D.
318:(also
316:D.L.M.
306:C.M.D.
304:(also
302:D.C.M.
237:iambic
192:heav'n
176:, all
148:iambic
130:, but
115:, but
98:wretch
82:, how
40:stanza
484:Notes
443:148th
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407:, or
322:, or
308:, or
285:, or
271:, or
257:, or
198:come
196:earth
184:ling,
178:loves
128:blind
121:found
100:like
94:saved
92:that
88:sound
84:sweet
80:grace
60:hymns
36:meter
646:and
636:2018
614:2019
592:2020
536:").
498:LCMS
419:50th
405:H.M.
377:P.M.
283:S.M.
269:L.M.
255:C.M.
229:tune
202:,...
200:down
174:vine
170:Love
126:was
113:lost
111:was
109:once
86:the
78:ing
44:hymn
551:In
395:LPM
393:or
379:or
336:or
324:LMD
310:CMD
194:to
190:of
188:joy
182:cel
136:see
132:now
119:am
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76:maz
33:US:
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