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123:, with an exaggerated perspective and superposition of figures, that convey the feverish rhythm of city life. But in contrast to the positive outlook of other artists, the artist's personal experience of the front-line gave his work an apocalyptic dimension, revealing the insanity of man and the desire for self-destruction.
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The growth of cities into gigantic metropolises was one of the favorite themes of the early 20th century artists. Seeking to capture this change, Grosz portrays Berlin in the midst of World War I in his
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Thyssen-Bornemisza
National Museum. A short guide to the museum - Museo Nacional Thyssen-Bornemisza, N. Nosenko, S. Samarina, Madrid, Thyssen-Bornemisza Museum, 2019, ISBN 978-84-15113-22-5
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Thyssen-Bornemisza
National Museum. A short guide to the museum - Museo Nacional Thyssen-Bornemisza, N. Nosenko, S. Samarina, Madrid, Thyssen-Bornemisza Museum, 2019, ISBN 978-84-15113-22-5
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style with a predominance of red in a very chaotic scene. In the construction of the scene, he uses the techniques of
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in 1937. Shortly thereafter, it was among the works sold by the Nazi regime in the
Fischer Gallery in
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When the Nazis reached power, they banned modern art, so Grosz was one of the artists outlawed as
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Daum
Marries Her Pedantic Automaton "George" in May 1920. John Heartfield is very glad of it.
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Dream Caused by the Flight of a Bee Around a
Pomegranate a Second Before Awakening
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100 cm Ă— 102 cm (39 in Ă— 40 in)
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George Grosz, Metropolis, Thyssen-Bornemisza Museum
Official Website
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George Grosz, Metropolis, Thyssen-Bornemisza Museum
Official Website
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94:, executed in 1916–1917. It belongs to the collection of the
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Rue Saint-Honoré, dans l'après-midi. Effet de pluie
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90:is an oil on canvas painting by the German artist
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377:George Grosz' Interregnum
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607:Christ among the Doctors
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312:Cain, or Hitler in Hell
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800:Lot and His Daughters
594:Hugo Erfurth with Dog
568:Portrait of a Fat Man
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633:Water Mill at Gennep
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151:ended in the
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40:George Grosz
876:The See-Saw
839:Crucifixion
807:Ghirlandaio
794:Gentileschi
384:Marty Grosz
275:(1917–1918)
272:The Funeral
267:(1916–1917)
106:Description
966:Categories
820:da Messina
768:Caravaggio
742:Bramantino
620:Metropolis
264:Metropolis
159:References
149:Metropolis
133:degenerate
87:Metropolis
62:Dimensions
22:Metropolis
883:Metzinger
870:Fragonard
857:Delacroix
781:Carpaccio
679:Verhaecht
477:Paintings
331:Magazines
248:Paintings
49:1916-1917
928:American
912:Pissarro
755:Bronzino
666:de Hooch
627:van Gogh
575:Christus
549:Beckmann
539:Flemish,
508:El Greco
449:Building
320:Peace II
145:New York
121:futurism
70:Location
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487:Spanish
369:Related
141:Lucerne
127:History
936:Hopper
906:(1899)
849:French
562:Campin
541:German
537:Dutch,
521:Ribera
342:(1919)
323:(1946)
315:(1944)
307:(1943)
299:(1927)
291:(1926)
283:(1920)
259:(1916)
117:cubism
100:Madrid
78:Madrid
54:Medium
36:Artist
896:Monet
614:Grosz
601:DĂĽrer
527:PietĂ
386:(son)
350:Books
640:Hals
495:DalĂ
390:Dada
119:and
46:Year
653:Key
588:Dix
98:in
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