1071:
embroider detail around the neck, they also use a belt and an embroidered apron. In
Michoacán they have many dresses depending on the event, they have dresses that are for everyday wear and dresses for special ceremonies or occasions. There are many parts that go along with the dress from the hair to all the accessories that they wear. The everyday dress for women in Michoacán is made up of five items of clothing. These items consist of an underskirt, skirt, an apron, shawl, and lastly a blouse which is also known as a guanengo. All of these item are made of different fabrics and color which makes each item stand out. Like the dresses from Jalisco, the dresses in Michoacán also have bright colors with little use of black. For special day like Palm Sunday for example, they add more accessories. These accessories consist of sashes, beaded necklaces, hats woven of palm leaves, masks, fresh fruit, mirrors and tinsel. They also different accessories for special ceremonies that are done in their communities which makes them stand out due to the variety in their dresses.
919:
antlers covered in streamers and paper flowers, along with skirts that reach the knees. Machomula refers to a wooden horse's head which is central to the dance performed in the Costa Chica of
Guerrero. The night before a festival, this head is carried on beams all night while the men sing and sometimes perform parodies. On the day of the festival, they form a procession with the guardian of the horse's head in front on a wooden horse. Pescados (Fish) is performed mostly in Guerrero by participants acting as fishermen with nets and with those that play the part of fish who are identified by small wooden fish that hang from their shoulders. There is one other character which is a lizard, who is covered with a wooden frame that opens and closes its mouth. It also carries some barbed wire which it used to try to hit the fishermen. It is similar to the Tortuga (turtle) dance. Tecuanes comes from
705:. The Yaqui Indians harness a deer in the dance to pay tribute to the deer's enduring spirit after it has been hunted, illustrated by the deer's struggle against the hunters. This dance is most associated with these peoples’ Lent and Easter celebrations, when indigenous beliefs mixed with the Catholicism introduced in the 17th and 18th centuries. The dance is part of ceremonies aimed at the renewal of the world in spring. Originally the dance was performed the night before hunting to ensure success, but today it is a means to communicate with other worlds. The deer dancer wears a shawl wrapped as a skirt with a belt traditionally made of deer hooves. He carries a gourd in each hand and ties rattles to his ankles. A real or imitation deer head is fastened to his head. Red ribbons wind around the horns to represent flowers.
189:
are conserved and promoted rather than depreciated or eliminated. One reason for this is “indigenismo” the ongoing struggles of a number of indigenous communities to resist outside influences into their cultures and
Mexican government efforts to assimilate them to create a homogenous national identity. Since the 1990s, these efforts have become more political in nature and have resulted in more interest in preserving pre Hispanic cultural forms. ( The government also works to preserve and promote a number of dance forms, with folk dance mandatory in public schools. In September 2011, 457 people set a Guinness record for the largest folk dance performance at the International Mariachi and Charreria Conference in
321:
831:
136:. In some cases, these dances were modified or given entirely new choreography in Mexico. Most of the traditional dances performed today took on their forms during the colonial period but they were not firmly part of Mexican identity until after the Mexican War of Independence when it received its first surge in popularity. For example, the jarabe dance of Jalisco, became a political tool to evoke feelings of patriotism and “liberty.” In fact, this dance became intricately linked to the independence movement, causing it to be called the Jarabe Mexicano. Its popularity led to interest in other Mexican traditional dances, especially those danced to
20:
398:
785:, Dance of the Flyers, is a dance/ceremony/ritual still performed in Mexico today, best known in the Totonicapán area of northern Veracruz and northern Puebla states. It is believed to have originated with the Nahua, Huastec and Otomi peoples in central Mexico, and then spread throughout most of Mesoamerica. The ritual consists of dance and the climbing of a 30-meter pole from which four of the five participants then launch themselves tied with ropes to descend to the ground. The fifth remains on top of the pole, dancing and playing a flute and drum. The ceremony was named an
53:
81:
467:
512:
907:
427:, which was founded by dancer Amalia Hernández in 1952. The troupe consists of forty dancers, a mariachi band and sixteen other musicians. Counting support staff such as costume and set designers, the organization involves over 600 people. The group began with eight dancers with sporadic performances until they were invited to perform on television for a program called Función de Gala. Since 1959, it has performed regularly at the
406:
619:
928:
754:. Cochino (pig) is named after a pig's head which is decorated and carried as part of the event. The head is decorated with flowers and rolls of colored paper, paper birds, rag dolls, and candies. The mouth holds a roll with the name of the person who well receive the head. The head is carried on a large, decorated platter by women who dance and smack their lips to indicate how delicious the animal is.
414:
222:
40:, is a term used to collectively describe traditional Mexican folk dances. Ballet folklĂłrico is not just one type of dance; it encompasses each region's traditional dance that has been influenced by their local folklore and has been entwined with ballet characteristics to be made into a theatrical production. Each dance represents a different region in Mexico illustrated through their different
577:
903:
characteristics which are found only in this region and nowhere else in Mexico and include violence and even sexual overtures. The main characters, devils, turtles and bulls represented by those in masks, are mythical creatures which dance in the streets alongside humans who either challenge or subdue them. Other important Afro-Mexican dances include the Tiger Dance and the
Tejorones.
690:
333:
313:
771:
1025:
230:
169:
all over Mexico offering classes including the
Departamento de Bellas Arts (Fine Arts Department) of Mexico City. Interest in folk dance declined in the 1950s and 1960s, but the Mexican government continued to subsidize it for its aesthetic and social value. This included the support of folk dance or ballet folklĂłrico companies, the most famous of which is the
1045:
men, dressed in traditional indigenous clothing and carrying canes. The dancers wear wood-soled shoes to accentuate the noise made while stomping. Although a regional dance, it has been performed abroad in the United States and Europe. Other dances from the state of
Michoacán include Las Iguiris, Mariposas, Danza de los Tumbis, Paloteros and Pescado Blanco.
650:
949:
763:
144:
73:. After the Conquest, the Spanish initially worked to eradicate indigenous dances, considering them “too pagan” and succeeded with a number of forms, especially those associated with the priest and ruling classes. However, they were unable to eradicate the more popular forms, especially in the rural and more inaccessible regions of
499:. These are located north, east, south, and west of Mexico City, a remnant of the importance of the cardinal directions to indigenous people. Dancers dress in indigenous style garb that can include loincloths, feathered headdresses body paint and more. They are accompanied by indigenous drums, flutes and small lutes made from
181:
719:
349:. After the Conquest, dancers added other animals—such as horses, bulls, and roosters. Masks are used in various ways in Mexican dance. They can be used to “transform” the dancer into a character, either metaphorically or religiously, it can be used to hide the dancer's identity for festivals such as
358:
props that carry various meanings with the dances themselves function as a form of social cohesion. In
Veracruz, best known “African” dances include Los Negritos, along with various huapangos and sons. In the Costa Chica, the best known of these dances include Los Diablos, Las Tortugas and Toro de Petate.
1044:
area. The dance as known today was created by
Gervasio López in the mid 20th century, who had a passion for traditional folk music and dance of this region. While the dance is “new” it is based on ancient rhythms and steps and accompanied by traditional instruments. The dancers basically imitate old
151:
Despite modern and foreign influences in Mexico's culture in the 19th and 20th centuries, waves of nationalism have kept much of the country's folk dance tradition alive to the present day. The next wave of popularity came after the
Mexican Revolution, which also created new songs in folk styles such
676:
The headdress also often has a brain made with human or horse hair and fringe in the front that partially covers the faces of the dancers. The dancers wear sandals with wood soles to make more noise when they stomp. The dancers carry rattles on one hand and bows in the other, reminiscent of hunting.
482:
dance is also known as
Apaches, Indios and Chichimecas. It is a ritual dance that likely developed after 1522 as a means of preserving some elements of pre Hispanic culture. Members of these dance troupes are part of formal societies and unlike some other groups admit women. These troupes perform at
447:
It wasn't until her death in 2000 at the age of 84, that the troupe gained a new director her grandson Salvador LĂłpez. The repertoire maintains the traditional dances although somewhat updated with the choreography of LĂłpez. Dances include the Jarabe tapatĂo, the Deer Dance and the Aztecs/Concheros.
939:
Los Mudos (The Mute) takes its name from the fact that participants are forbidden to speak during the ceremony and in some cases throughout the festival. The costume is feminine in appearance using rustic wigs made of maguey fibers braided with ribbons of many colors. This dance is common among the
923:
which means jaguars or tigers. This dance is the only which features this animal. In this dance, the animal chases children and is in turned pursued by men, who wear masks, boots or chaps and very large sombreros. They carry whips which they use to hit the tiger who wears padding. The dance is very
863:
who visited Mexico in 1919. She made the dance part of her permanent repertoire. The dance's current form emerged nationally during the Mexican Revolution although various “jarabe” dances existed before this time, such as the Jarabe Jalisco, the Jarabe Atole and Jarabe Moreliana. The charros outfit
680:
Pascolas dancers wear white shirts and pants and a red handkerchief called a paliacate either around the neck or partially covering the face. A ribbon tied around the head with streamers or ribbons hanging from the back of the head to the waist. The calves of the dancers are covered in shells that
527:
dance is derived from Carnival celebrations in what are now the south of Mexico City, Morelos and the State of Mexico. Since Carnival celebrations allow the wearing of masks for anonymity and behaviors not normally tolerated, a tradition arose for the indigenous to make fun of the Spanish elite and
357:
Most Mexican traditional dance shows indigenous and/or European heritage, but there are some that show the country's African past, especially in Veracruz and the Costa Chica region in Guerrero and Oaxaca. Like indigenous dances, African based ones often involved the use of masks, costumes and other
328:
Instruments used to accompany the dancers have changed to include those from Europe, but pre Hispanic ones, especially drums and flutes, are still used. However, as many dances are still tied to religious events, knowing how to play the traditional songs and dance the traditional dances still gives
308:
Most of the ancient dances have been modified in various ways, although most of these are superficial with the basic movements remaining intact from the pre Hispanic period. The aspect to change most has been costuming. The materials used to produce dance costumes, adapting to new materials and the
188:
Today, traditional Mexican folk dance is a defining element of Mexico's popular culture nationally and internationally. Preservation and promotion of dances nationally have depended on whether they are seen as part of Mexico's national identity. It is one of the few areas where indigenous practices
1070:
Another place that has unique dresses for dancing is Michoacán, Mexico. Their dresses are very different from Jalisco. The dresses in Michoacán are very simple but elegant. They have a long skirt with very little detail of ribbons. The upper part of the dress is made up of a simple blouse that has
536:
which means “disguised.” Chinelos dancers wear masks imitating the fair skin and beards of the Spanish along with elaborate dress and gloves. They are the best known Carnival dancers in Mexico with Morelos have the most groups. The Chinelo dancers are now a symbol of the state of Morelos, with the
370:
receive regional and federal support. Those without that type of popularity are performed mostly in local and regional religious events. While much support is geared to preserving dance forms, art forms outside of Mexico still have influence. Traditional dance is taught alongside more modern dance
168:
era. This was reinforced by the muralists and other artists of the 1920s and 1930s whose political aims were to forge a Mexican identity, rejecting foreign influences and politics. In the 1930s, the popularity of the dance prompted education and more formal training in it, with educational centers
668:
but it is popular in various parts of the country, especially in the north. It consists of dancers in distinctive dress that includes brightly colored skirts, long tunics and feathered headdresses. The tunics were originally made with deerskin but today they are made with rayon but maintain the
543:
The Ocho Vicios (Eight Vices) involves a number of dancers who represent the eight vices as well as an angel, a devil, a doctor and a priest. It involves a number of movements and spoken text. It is similar to a dance called the Siete Pecados (Seven Sins). Danza de los Tres Poderes (Dance of the
252:
Mexican folk dance is an uneven synthesis of different cultural traditions. Its historical roots is the synthesis of indigenous, European and African cultural influences but it continues to evolves with influences from modern pop culture. It is not one particular style but rather a collection of
918:
Los Chivos is another dance performed in Guerrero. It is dancers perform movements related to that of goats (chivos) accompanies by wood boxes used as drums and an instruments made from a donkey's jaw, which is rubbed on the side with a wooden stick. The dancers wear red wooden masks with deer
344:
Traditional dance generally involves the history and/or the cosmology of the people who perform it, and is a part of the social cohesion of that group. While varying widely, many folk dances in Mexico share some common elements. Animals that appear in these dances are generally those that were
854:
is considered Mexico's “national dance” and is the best known outside the country, often called the “Mexican Hat Dance” in English. The dance was performed for the first time formally in 1860 at the Coliseo Theater in Mexico City. During the 1860s it was fashionable in high society. The dance
551:
Segadores contains a number of characters, which includes the “captain” who pays his workers with money from the Mexican Revolution called “bilimbiques,” workers who become lazy and a woman who tends a store but in reality is a man. This dance is performed in some small communities in the
902:
Many notable dances are found in the state of Guerrero. The three most common dances of the coast of Oaxaca and Guerrero are the Devil Dance, the Turtle Dance and the Toro de Petate (Straw Bull Dance), all of which are tied to the area's Afro-Mexican communities. The first three contains
681:
rattles as he dance. They carry small metal pieces in their hands which they bang rhythmically along to music played on harps and violins. Other dances in the north include Caballitos, Chicaleros and Danza de Palma in Nuevo LeĂłn, Tsacan Son in San Luis PotosĂ and Los Pardos in Zacatecas.
434:
Amalia Hernández was a pioneer in ballet folklórico, she experimented with traditional Mexican dances that were originally created for religious purposes. Hernandez infused Mexican folk legends with ballet influences such as pointed toes, exaggerated movements, and highly choreographed
208:
Mexican folk dance has had an important impact on the culture of the United States, especially in Mexican American communities. This has not only included the preservation of dances that existed before the Mexican–American War in the US Southwest, but other dances, such as the
353:
to allow for pranks and/or it can be used for social commentary, for example a farmer wearing a mask and military-style clothing to protest corrupt police. The use of mirrors on costumes are to represent the life force of the sun as its light is reflected as the dancers move.
864:
is from Mexico's cowboy tradition and the China Poblana outfit is based on the dress of an Asian woman who became famous in the city of Puebla in the colonial period. Today, this dress, especially the skirt, is heavily decorated with patriotic themes. The Jarabe is danced to
604:
Negritos is danced in the Totonacapan region in Veracruz and Puebla. The Danza de los Quetzales is performed in Puebla. The Huehues dance is performed by the Totonaca and is similar to the Quetzales dance. The headdress is smaller and less ostentatious.
309:
loss of old ones. The use of hides and feathers is the oldest of costuming traditions, but today costumes can be made of synthetic fabrics and other modern elements. One common substitution is the use of mirrors on costumes to replace polished stones.
587:
dancers wear white costumes, sometimes with leather chaps, and ride decoratively dressed donkeys. The dance proceeds as a procession and usually ends at a feast, which is central to the festival, with each arriero bringing a dish to share.
573:. The Danza de los Arcos is done by men who carry large arches decorated with paper flowers and dance in rows. Their costumes are white with colorful sashes across the chest. It is mostly performed in Hidalgo, State of Mexico and Puebla.
1016:
of rank. All the dancers wear masks. The dance represents the battles between the two groups ending either with the killing of Moctezuma or with the baptism of the indigenous. This is a widely performed dance especially in Michoacán and
64:
Mexico's modern folk dance tradition is a blending of elements from its Indigenous, African, and European heritage. Before the arrival of the Spanish, indigenous dance developed with strong ties to the religious practices. For the
108:(a mock battle between Moors and Christians brought to the central states), Los Archos, Las Escadas, Los Machetes, El Paloteo, Las Cintas and Los Doce Pares. Other European dances include La Zambra, La Zarabanda, La Contradanza,
564:
Acatlaxquis is an Otomi dance with pre Hispanic origins but uses a pan-style flute for accompaniment. The dancers form and arch with sugar cane stalks forming a kind of cupola. This dance is most often performed in the
361:
Generally, folk dance is popular and well supported by various government efforts, but not all to the same extent. Those considered representative of the country and popular outside their home region, such as the
1431:
974:. This dance is part of a larger ceremony that can last up to two days and consist in mock battles and negotiations as well as dance. The voices of the participants generally sing and speak with a high-pitch or
452:
which honors the women of the Mexican Revolution. The group has performed over 15,000 times in sixty counties and 300 cities in Europe, Asia and Latin America. It has an average of 250 performances per year.
982:. It is a dance of Spanish origin similar to Moros y cristianos except that the Saint is the main character. Sometimes the character rides on a real horse or the costume can contain a frame of a horse.
537:
tradition increasing with more towns having dance troupes and it is possible to see troupes dancing at times other than Carnival. It is even possible to hire Chinelos dancers for special occasions.
77:. Instead, evangelizers worked to adapt dances to Christianity, giving them new meanings. For this reason, most of these dances have suffered at least some modification since the pre Hispanic era.
1048:
Paixtles is one of the few pre Hispanic dances to remain free from European influence, mostly performed in Jalisco and Nayarit. Participants cover themselves with the moss that hangs from
875:
Paixtles is one of the few pre Hispanic dances to remain free from European influence, mostly performed in Jalisco and Nayarit. Participants cover themselves with the moss that hangs from
540:
The Danza de los Quetzales is performed in Puebla. The Huehues dance is performed by the Totonaca and is similar to the Quetzales dance. The headdress is smaller and less ostentatious.
911:
439:
Hernandez was able to shift the dances from their original religious purposes, not meant to be watched, into the theatrical production that ballet folklĂłrico is known for today
443:
Hernandez has become a cultural ambassador for Mexico through her work with the dance troupe, choreographing more than forty different ballets covering sixty regions of Mexico
2392:
962:
Moros y cristianos (Moors and Christians) is not indigenous in origin. It was introduced by monks in the 16th century and widely practiced in central Mexico, especially
855:
symbolizes the courtship of a woman by a man, who at first is refused but accepted in the end. The two protagonists are usually a man in a charro suit and a woman in a “
1187:
1113:
1117:
544:
Three Powers) is a moral tale similar to Siete pecados and Ocho vicios, which was introduced by the evangelizers to the indigenous. The main protagonists are the
817:. The costumes reflect the environment of Veracruz illustrated by the performers wearing lacy skirts and blouse to represent the state's humid tropical weather.
970:
marked by a crescent moon and the Christians with a cross. The other elements of the dress vary widely with some versions having the Christians dressed as
1883:
44:, footwork, having differing stomps or heel toe points, and choreography that imitates animals from their region such as horses, iguanas, and vultures.
751:
320:
750:. They are led by a “patron) who carries a guitar and a whip, and plays the flute; while the drummers provide rhythm. The dance has been named an
1626:
1381:
1008:
and usually wear modern clothing. Those who represent the indigenous wear feathers and carry bows and arrows frequently with those dressed as
813:(jawbone of donkey for percussion). As well as having the choreography be influenced by Veracruz animals in the region imitating the moves of
1171:
797:
region has influenced their folkloric dance by instilling the musical instruments that originated from the region into the performances like
293:
and areas in the northwest of the country, indigenous elements have been strongly maintained. Those considered native or indigenous include
104:, were dances to reenact the Conquest are traced. In addition, a number of European dances, music and instruments were introduced including
989:
305:. Dances that survive relatively intact are in areas that were remote from colonial authorities. However, their “purity” is under debate.
1868:
Adan Garcia (November 20, 1999). "Fallece el compositor de 'Danza de los viejitos'" [Compose of the Danza de los Viejitos dies].
1553:
Adan Garcia (November 20, 1999). "Fallece el compositor de 'Danza de los viejitos'" [Compose of the Danza de los Viejitos dies].
2819:
1808:
Bishop, Joyce (Fall 2009). ""Those Who Gather In": An Indigenous Ritual Dance in the Context of Contemporary Mexican Transnationalism".
1258:
The rituals of kindness: The influence of the Danza Azteca tradition of central Mexico on Chicano-Mexcoehuani identity and sacred space
164:. The years after the Revolution also sparked interest in Mexico's indigenous heritage shifting away from the European emphasis of the
1852:
1450:
1362:
1295:
839:
830:
92:
descendants. One of the first adaptations was allowing the indigenous to continue dances with religious aspects but in homage to the
1727:
775:
669:
traditional arrow pattern decoration. The headdresses are made with colored chicken feathers that are often the three colors of the
484:
424:
392:
184:
Dance as depicted in "Mexico, California and Arizona; being a new and revised edition of Old Mexico and her lost provinces" (1900).
170:
19:
2748:
1954:
492:
1143:
329:
dancers and musicians social stature, as they are keepers of tradition and expected to pass it along to the next generation.
1412:
Travierso, Maria (November 17, 2007). "Danza celebra riqueza de MĂ©xico" [Dance celebrates the richeness of Mexico].
397:
1600:
1225:
52:
2685:
2448:
786:
253:
various regional and ethnic traditions. Dance traditions vary widely over Mexico's expanse. In some areas, such as the
2713:
2382:
471:
2690:
2663:
2553:
2372:
496:
2232:
1503:
2753:
734:. For several weeks, these dances take to the streets each day to honor a number of Catholic saints, especially
2814:
2302:
731:
1696:
697:
Danza del Venado (Deer Dance) is performed in Sonora and Sinaloa and in the very far south of Arizona by the
345:
religiously significant to pre-Hispanic indigenous people. These animals include deer, serpents, eagles, and
157:
2618:
2413:
2397:
2345:
1974:
601:, the god of old age and of the New Fire. A better known similar dance is called the Dance of the Viejitos.
428:
97:
466:
2668:
2152:
1803:
1801:
782:
570:
294:
254:
1758:
2292:
2217:
1037:
985:
979:
80:
2723:
2583:
2578:
2543:
2315:
2177:
1783:
810:
1630:
1385:
2758:
2675:
2503:
2438:
2428:
1947:
298:
190:
174:
993:
70:
2680:
2643:
2638:
2628:
2613:
2598:
2548:
2528:
2443:
2433:
2320:
2227:
1825:
1181:
1107:
1004:. Various versions with include other characters. Those who represent the Spanish soldiers carry
966:. The dancers form two groups to represents the two religious, each wearing masks and capes with
954:
105:
41:
1052:
trees and carry staves which have the head of a deer at one end. They accompany themselves with
879:
trees and carry staves which have the head of a deer at one end. They accompany themselves with
511:
290:
69:, there were two levels of dance, those for the elite, and those for the common people, such as
2695:
2648:
2573:
2558:
2493:
2468:
2463:
2080:
1848:
1723:
1603:[Dances of Mexico] (in Spanish). Instituto Cultural "RaĂces Mexicanas". Archived from
1507:
1358:
1228:[Dances of Mexico] (in Spanish). Instituto Cultural "RaĂces Mexicanas". Archived from
1167:
1139:
1095:
1049:
1041:
931:
Frames used for the Turtle and Straw Bull dances in the Museo de las Culturas Afromestizas in
876:
851:
545:
258:
133:
1475:
2788:
2773:
2718:
2608:
2593:
2453:
2418:
2377:
2357:
2330:
2310:
2277:
2247:
2105:
2075:
1979:
1817:
1629:[Traditional dances] (in Spanish). Mexico: Artes e historia magazine. Archived from
1384:[Traditional dances] (in Spanish). Mexico: Artes e historia magazine. Archived from
906:
516:
376:
165:
32:
1303:
1056:
that they carry. Dancers wear masks to cover the face and ribbons that hang from the head.
883:
that they carry. Dancers wear masks to cover the face and ribbons that hang from the head.
2733:
2658:
2603:
2518:
2498:
2488:
2483:
2473:
2335:
2200:
2110:
2020:
1989:
1884:"Traditional Mexican costume. Typical pieces of clothing in Mexico - Nationalclothing.org"
735:
553:
417:
282:
1913:":: Revista Voices of Mexico · Centro de Investigaciones Sobre América del Norte ::"
503:
shells (showing European influence). The symbolism and most of the steps are indigenous.
2793:
2763:
2738:
2705:
2633:
2588:
2533:
2523:
2508:
2478:
2423:
2367:
2195:
2090:
1984:
1940:
1535:"Alistan los chinelos traje para carnaval" [Enlist the Chinelos for Carnival].
1013:
932:
670:
665:
405:
383:
in various schools and cultural centers across the country with some crossover effect.
286:
88:
Dance evolved drastically from 1520 to 1750, mostly among the indigenous, African, and
633:. Performed by members of the Ballet Folklórico Aztlán at the Shenkman Arts Centre in
618:
2808:
2783:
2768:
2743:
2728:
2653:
2568:
2458:
2408:
2282:
2262:
2242:
2120:
2085:
2025:
2015:
2010:
1829:
1009:
869:
856:
843:
626:
380:
372:
274:
1912:
2778:
2623:
2563:
2513:
2325:
2267:
2222:
2162:
2157:
2095:
2067:
2055:
2040:
2035:
1001:
927:
860:
859:” outfit. It was popularized internationally in the 20th century by Russian dancer
413:
261:, the pre Hispanic elements have almost completely disappeared. In others, such as
161:
121:
1029:
963:
566:
221:
1325:"Mexico sets Guinness record for largest folk dance performance: MEXICO BALLET".
1164:
Dancing Cultures Globalization, Tourism and Identity in the Anthropology of Dance
868:
music and is performed at Mexican national holidays such as Las Fiestas Patrias,
2538:
2257:
2212:
2135:
2100:
2050:
1060:
997:
887:
702:
622:
598:
576:
302:
262:
137:
93:
57:
1604:
1229:
689:
2362:
2352:
2340:
2252:
2185:
2147:
2130:
2125:
2045:
2030:
2005:
727:
657:
332:
312:
153:
109:
1511:
1099:
431:
in Mexico City. In 1970 was named the official folk dance company of Mexico.
2287:
2167:
2115:
1655:
Kimberly Matas (April 2, 2010). "Yaqui ceremonies celebrate world renewal".
894:, Sonajeros, danced in the south of Jalisco, and the Dance of the CĂşrpites.
661:
591:
500:
488:
479:
337:
210:
194:
74:
1067:, Sonajeros, danced in the south of Jalisco, and the Dance of the CĂşrpites
1040:(Dance of the Little Old Men) is performed in Michoacán, especially in the
838:
770:
1670:
1024:
229:
2237:
2140:
1005:
975:
924:
similar to Tlacololeros in its movements. Both are performed in Guerrero.
865:
794:
524:
483:
annual festival mostly in honor of patron saints—especially in the
350:
278:
266:
202:
117:
113:
101:
649:
1821:
1064:
1018:
920:
891:
638:
630:
584:
529:
528:
their dress through the dance. The word “chinelos” is derived from the
233:
198:
89:
1786:(in Spanish). Mexico City: Mexico Desconocido magazine. 23 August 2010
718:
2190:
1761:(in Spanish). Chicago, IL: Mexican Folkloric Dance Company of Chicago
1089:
1053:
971:
880:
814:
790:
747:
743:
642:
634:
597:
Huehuenches or Huehues is a dance whose name is derived from the god
594:
is a dance with men dressed as charros and used a small wooden bull.
346:
270:
245:
241:
237:
129:
125:
948:
762:
143:
2272:
2205:
1963:
992:. There are dancers who represent the main protagonists including
967:
947:
926:
905:
837:
829:
769:
761:
739:
698:
688:
677:
Another common adornment is a small mirror, usually over the arm.
648:
617:
575:
510:
465:
412:
404:
396:
331:
319:
311:
228:
220:
180:
179:
142:
79:
66:
51:
18:
738:. The dancers wear carved wooden masks, with a headdress made of
1697:"Parachicos in the traditional January feast of Chiapa de Corzo"
1936:
1260:(Thesis). The Claremont Graduate University. Docket 3364048.
1162:
Neveu Kringelbach and Skinner, Hélène, and Jonathan (2012).
978:
voice. Santiagos is named after the patron saint of Spain,
324:
Woman doing typical dance of the state of Veracruz, Mexico.
193:, accompanied by over 300 mariachi musicians from Mexico,
1847:. Austin, TX: University of Texas Press. pp. 40–50.
1357:. Austin, TX: University of Texas Press. pp. 40–50.
1296:"Dance! Global Transformations of Latin American Culture"
1138:. Santa Barbara, California: ABC-CLIO. pp. 279–283.
793:
in order to help the ritual survive in the modern world.
1932:
1539:(in Spanish). Mexico City. January 30, 2008. p. 20.
1451:"Ballet Folkorico Explores Mexico's Colorful Traditions"
988:, sometimes called Los Marqueses tells the story of the
1059:
Other important dances include La Judea, danced by the
886:
Other important dances include La Judea, danced by the
746:, embroidered shawl and multicolored ribbons, carrying
84:
Representation of indigenous dance of the 19th century.
912:
Celebration of Mexican political anniversaries in 2010
809:(a guitar-like instrument), pandero (tambourine), and
409:
Typical Mexican dance. Representation in Culture Week.
56:
Aztec nobles dancing as depicted in the post-Conquest
2704:
2391:
2301:
2176:
2066:
1998:
1845:
Afro-Mexico : Dancing between Myth and Reality
1355:
Afro-Mexico : Dancing between Myth and Reality
100:. One of the first areas to begin innovation was
1091:Dear Mayme, I love you! : Professional copy
1166:. New York: Berghahn Books. pp. 161–174.
1948:
1416:(in Spanish). Fort Lauderdale, FL. p. 2.
1376:
1374:
804:
798:
730:is the “Great Feast” in January each year in
423:Mexico's best known folk dance troupe is the
213:, dance have migrated north since the 1970s.
8:
1407:
1405:
1403:
1186:: CS1 maint: multiple names: authors list (
1112:: CS1 maint: multiple names: authors list (
548:, the Devil and a personification of death.
1872:(in Spanish). Saltillo, Mexico. p. 10.
1594:
1592:
1590:
1588:
1586:
1584:
1557:(in Spanish). Saltillo, Mexico. p. 10.
1548:
1546:
1530:
1528:
1348:
1346:
1344:
1342:
1340:
1338:
1336:
1955:
1941:
1933:
1778:
1776:
1743:"'Flying Men' are now Cultural Heritage".
1582:
1580:
1578:
1576:
1574:
1572:
1570:
1568:
1566:
1564:
1504:"Chinelo Dancers And The Original Hip Hop"
1497:
1495:
1493:
1116:) CS1 maint: numeric names: authors list (
1088:composer., Snyder, Ted, 1881-1965 (1910).
1650:
1648:
1289:
1287:
1251:
1249:
1247:
1219:
1217:
23:Jarabe dance performed in Puerto Vallarta
1302:. Cambridge, MA: Harvard. Archived from
1300:Re Vista Harvard Review of Latin America
1285:
1283:
1281:
1279:
1277:
1275:
1273:
1271:
1269:
1267:
1215:
1213:
1211:
1209:
1207:
1205:
1203:
1201:
1199:
1197:
1023:
752:Intangible Cultural Heritage of Humanity
717:
1080:
1907:
1905:
1903:
1425:
1423:
1179:
1105:
336:Conchero dance blowing conch shell in
1430:Terry-Azios, Diana (September 1999).
1129:
1127:
660:is mostly performed in the states of
7:
1157:
1155:
990:Spanish conquest of the Aztec Empire
1028:Danza de los Viejitos performed in
872:, and El Dieciséis de Septiembre.
842:Jarabe TapatĂo in the traditional
14:
1745:McClatchy - Tribune Business News
1657:McClatchy - Tribune Business News
1502:Rhonda Tranks (January 1, 2006).
776:Monterrey Institute of Technology
625:of a representative dance of the
448:It also has “new” dances such as
1718:Wilkerson, S. Jeffrey K (1987).
774:Veracruz Dance performed at the
401:Ballet Folkorico de Mexico 1970.
2749:Dance in mythology and religion
1449:Chin, Gwin (20 November 1983).
1720:El Tajin: A Guide for Visitors
1136:Dictionary of Chicano Folklore
1:
1784:"El Jarabe TapatĂo (Jalisco)"
1747:. Washington, DC. 2009-10-01.
569:municipality, along with the
1810:Journal of American Folklore
1671:"Ballet Folklorico Nacional"
1329:. Madrid. September 3, 2011.
1294:CantĂş, Rebecca (Fall 2007).
787:Intangible Cultural Heritage
425:Ballet FolklĂłrico de MĂ©xico
393:Ballet FolklĂłrico de MĂ©xico
387:Ballet FolklĂłrico de MĂ©xico
171:Ballet FolklĂłrico de MĂ©xico
2836:
2820:Latin American folk dances
952:Scene from performance of
390:
1970:
1917:www.revistascisan.unam.mx
1506:. Mexconnect newsletter.
910:Ballet folklĂłrico at the
709:Dances in Southern Mexico
609:Dances in Northern Mexico
38:Mexican ballet folk dance
1843:González, Anita (2010).
1353:González, Anita (2010).
1256:Mario E Aguilar (2009).
1134:Castro, Rafaela (2000).
821:Dances in Western Mexico
732:Chiapa de Corzo, Chiapas
673:: green, white and red.
472:Ixcateopan de Cuauhtémoc
457:Dances in Central Mexico
1675:Escamilla Entertainment
429:Palacio de Bellas Artes
236:Carnival of the Ballet
205:and the United States.
1627:"Danzas tradicionales"
1382:"Danzas tradicionales"
1033:
959:
958:(Moors and Christians)
936:
915:
847:
835:
805:
799:
783:Danza de los Voladores
779:
767:
723:
694:
654:
653:Matachines performance
646:
581:
520:
475:
420:
410:
402:
341:
325:
317:
255:Isthmus of Tehuantepec
249:
226:
185:
148:
85:
61:
24:
1038:Danza de los Viejitos
1027:
951:
930:
909:
841:
833:
778:, Mexico City Campus.
773:
765:
721:
692:
652:
621:
579:
514:
469:
416:
408:
400:
335:
323:
315:
232:
224:
183:
152:as the still popular
146:
83:
55:
22:
2714:Dance and disability
1888:nationalclothing.org
1432:"Color and Heritage"
1063:during Holy Week in
940:Nahuas in Guerrero.
890:during Holy Week in
803:(jarocho ensemble),
470:Concheros dancer in
211:Aztecas or Concheros
30:, commonly known as
28:Folk dance of Mexico
2759:Dance on television
1759:"El Jarabe TapatĂo"
1822:10.1353/jaf.0.0103
1722:. pp. 75–76.
1601:"Danzas de MĂ©xico"
1306:on August 11, 2011
1226:"Danzas de MĂ©xico"
1034:
960:
955:Moros y Cristianos
937:
916:
848:
836:
780:
768:
724:
695:
655:
647:
582:
521:
485:Villa de Guadalupe
476:
421:
411:
403:
342:
326:
318:
265:(in the states of
250:
227:
186:
149:
106:Moros y cristianos
98:Catholic personage
86:
62:
25:
2802:
2801:
2754:Dance occupations
2691:Wallis and Futuna
1633:on March 23, 2014
1388:on March 23, 2014
1173:978-0-85745-575-8
1094:. Ted Snyder Co.
1050:Montezuma Cypress
877:Montezuma Cypress
726:The dance of the
546:Archangel Michael
259:Yucatan Peninsula
2827:
2789:History of dance
2774:Dance technology
2719:Dance and health
2669:African-American
1957:
1950:
1943:
1934:
1927:
1926:
1924:
1923:
1909:
1898:
1897:
1895:
1894:
1880:
1874:
1873:
1865:
1859:
1858:
1840:
1834:
1833:
1816:(486): 391–413.
1805:
1796:
1795:
1793:
1791:
1780:
1771:
1770:
1768:
1766:
1755:
1749:
1748:
1740:
1734:
1733:
1715:
1709:
1708:
1706:
1704:
1693:
1687:
1686:
1684:
1682:
1667:
1661:
1660:
1652:
1643:
1642:
1640:
1638:
1623:
1617:
1616:
1614:
1612:
1607:on June 21, 2012
1596:
1559:
1558:
1550:
1541:
1540:
1532:
1523:
1522:
1520:
1518:
1499:
1488:
1487:
1485:
1483:
1472:
1466:
1465:
1463:
1461:
1446:
1440:
1439:
1427:
1418:
1417:
1409:
1398:
1397:
1395:
1393:
1378:
1369:
1368:
1350:
1331:
1330:
1327:EFE News Service
1322:
1316:
1315:
1313:
1311:
1291:
1262:
1261:
1253:
1242:
1241:
1239:
1237:
1232:on June 21, 2012
1221:
1192:
1191:
1185:
1177:
1159:
1150:
1149:
1131:
1122:
1121:
1111:
1103:
1085:
808:
802:
800:cunjunto jaracho
766:Fandango jarocho
580:Arrieros dancers
517:Colonia Doctores
175:Amalia Hernández
33:baile folklorico
2835:
2834:
2830:
2829:
2828:
2826:
2825:
2824:
2815:Dance in Mexico
2805:
2804:
2803:
2798:
2734:Dance etiquette
2700:
2459:Burma (Myanmar)
2399:
2395:
2387:
2336:Lead and follow
2297:
2233:Country–western
2172:
2153:Novelty and fad
2111:Hoochie coochie
2062:
2021:closed position
1994:
1990:List of dancers
1966:
1961:
1931:
1930:
1921:
1919:
1911:
1910:
1901:
1892:
1890:
1882:
1881:
1877:
1867:
1866:
1862:
1855:
1842:
1841:
1837:
1807:
1806:
1799:
1789:
1787:
1782:
1781:
1774:
1764:
1762:
1757:
1756:
1752:
1742:
1741:
1737:
1730:
1717:
1716:
1712:
1702:
1700:
1695:
1694:
1690:
1680:
1678:
1669:
1668:
1664:
1654:
1653:
1646:
1636:
1634:
1625:
1624:
1620:
1610:
1608:
1598:
1597:
1562:
1552:
1551:
1544:
1534:
1533:
1526:
1516:
1514:
1501:
1500:
1491:
1481:
1479:
1474:
1473:
1469:
1459:
1457:
1448:
1447:
1443:
1429:
1428:
1421:
1411:
1410:
1401:
1391:
1389:
1380:
1379:
1372:
1365:
1352:
1351:
1334:
1324:
1323:
1319:
1309:
1307:
1293:
1292:
1265:
1255:
1254:
1245:
1235:
1233:
1223:
1222:
1195:
1178:
1174:
1161:
1160:
1153:
1146:
1133:
1132:
1125:
1104:
1087:
1086:
1082:
1077:
1014:Jaguar warriors
946:
900:
828:
823:
760:
736:Saint Sebastian
716:
711:
687:
616:
611:
562:
554:State of Mexico
509:
464:
459:
418:Jarana yucateca
395:
389:
291:San Luis PotosĂ
283:State of Mexico
219:
50:
17:
12:
11:
5:
2833:
2831:
2823:
2822:
2817:
2807:
2806:
2800:
2799:
2797:
2796:
2794:Women in dance
2791:
2786:
2781:
2776:
2771:
2766:
2764:Dance research
2761:
2756:
2751:
2746:
2741:
2739:Dance notation
2736:
2731:
2726:
2721:
2716:
2710:
2708:
2702:
2701:
2699:
2698:
2693:
2688:
2683:
2678:
2673:
2672:
2671:
2661:
2656:
2651:
2646:
2641:
2636:
2631:
2626:
2621:
2616:
2611:
2606:
2601:
2596:
2591:
2586:
2581:
2576:
2571:
2566:
2561:
2556:
2551:
2546:
2541:
2536:
2531:
2526:
2521:
2516:
2511:
2506:
2501:
2496:
2491:
2486:
2481:
2476:
2471:
2466:
2461:
2456:
2451:
2446:
2441:
2436:
2431:
2426:
2421:
2416:
2411:
2405:
2403:
2389:
2388:
2386:
2385:
2380:
2375:
2370:
2365:
2360:
2355:
2350:
2349:
2348:
2338:
2333:
2328:
2323:
2318:
2313:
2307:
2305:
2299:
2298:
2296:
2295:
2290:
2285:
2280:
2275:
2270:
2265:
2260:
2255:
2250:
2245:
2240:
2235:
2230:
2225:
2220:
2215:
2210:
2209:
2208:
2203:
2193:
2188:
2182:
2180:
2174:
2173:
2171:
2170:
2165:
2160:
2155:
2150:
2145:
2144:
2143:
2138:
2133:
2128:
2123:
2118:
2113:
2108:
2103:
2093:
2088:
2083:
2078:
2072:
2070:
2064:
2063:
2061:
2060:
2059:
2058:
2053:
2048:
2043:
2038:
2033:
2028:
2023:
2018:
2008:
2002:
2000:
1996:
1995:
1993:
1992:
1987:
1985:List of dances
1982:
1977:
1971:
1968:
1967:
1962:
1960:
1959:
1952:
1945:
1937:
1929:
1928:
1899:
1875:
1860:
1854:978-0292723245
1853:
1835:
1797:
1772:
1750:
1735:
1728:
1710:
1688:
1662:
1644:
1618:
1599:Rojas, David.
1560:
1542:
1524:
1489:
1467:
1455:New York Times
1441:
1419:
1399:
1370:
1364:978-0292723245
1363:
1332:
1317:
1263:
1243:
1224:Rojas, David.
1193:
1172:
1151:
1144:
1123:
1079:
1078:
1076:
1073:
1042:Lake Pátzcuaro
945:
942:
933:Cuajinicuilapa
899:
896:
834:Jarabe dancers
827:
824:
822:
819:
759:
756:
715:
712:
710:
707:
686:
683:
666:Aguascalientes
615:
612:
610:
607:
561:
558:
508:
505:
463:
460:
458:
455:
391:Main article:
388:
385:
316:Jalisco jarabe
225:Huapango dance
218:
215:
49:
46:
15:
13:
10:
9:
6:
4:
3:
2:
2832:
2821:
2818:
2816:
2813:
2812:
2810:
2795:
2792:
2790:
2787:
2785:
2784:Dancing mania
2782:
2780:
2777:
2775:
2772:
2770:
2769:Dance science
2767:
2765:
2762:
2760:
2757:
2755:
2752:
2750:
2747:
2745:
2744:Dance in film
2742:
2740:
2737:
2735:
2732:
2730:
2729:Dance costume
2727:
2725:
2722:
2720:
2717:
2715:
2712:
2711:
2709:
2707:
2703:
2697:
2694:
2692:
2689:
2687:
2684:
2682:
2679:
2677:
2674:
2670:
2667:
2666:
2665:
2664:United States
2662:
2660:
2657:
2655:
2652:
2650:
2647:
2645:
2642:
2640:
2637:
2635:
2632:
2630:
2627:
2625:
2622:
2620:
2617:
2615:
2612:
2610:
2607:
2605:
2602:
2600:
2597:
2595:
2592:
2590:
2587:
2585:
2582:
2580:
2577:
2575:
2572:
2570:
2567:
2565:
2562:
2560:
2557:
2555:
2552:
2550:
2547:
2545:
2542:
2540:
2537:
2535:
2532:
2530:
2527:
2525:
2522:
2520:
2517:
2515:
2512:
2510:
2507:
2505:
2504:Faroe Islands
2502:
2500:
2497:
2495:
2492:
2490:
2487:
2485:
2482:
2480:
2477:
2475:
2472:
2470:
2467:
2465:
2462:
2460:
2457:
2455:
2452:
2450:
2447:
2445:
2442:
2440:
2437:
2435:
2432:
2430:
2427:
2425:
2422:
2420:
2417:
2415:
2412:
2410:
2407:
2406:
2404:
2401:
2394:
2390:
2384:
2381:
2379:
2376:
2374:
2371:
2369:
2366:
2364:
2361:
2359:
2356:
2354:
2351:
2347:
2344:
2343:
2342:
2339:
2337:
2334:
2332:
2329:
2327:
2324:
2322:
2319:
2317:
2314:
2312:
2309:
2308:
2306:
2304:
2300:
2294:
2291:
2289:
2286:
2284:
2281:
2279:
2276:
2274:
2271:
2269:
2266:
2264:
2261:
2259:
2256:
2254:
2251:
2249:
2246:
2244:
2241:
2239:
2236:
2234:
2231:
2229:
2226:
2224:
2221:
2219:
2216:
2214:
2211:
2207:
2204:
2202:
2199:
2198:
2197:
2194:
2192:
2189:
2187:
2184:
2183:
2181:
2179:
2175:
2169:
2166:
2164:
2161:
2159:
2156:
2154:
2151:
2149:
2146:
2142:
2139:
2137:
2134:
2132:
2129:
2127:
2124:
2122:
2121:Neo-Burlesque
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2098:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2079:
2077:
2074:
2073:
2071:
2069:
2065:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2026:open position
2024:
2022:
2019:
2017:
2016:close embrace
2014:
2013:
2012:
2009:
2007:
2004:
2003:
2001:
1999:Participation
1997:
1991:
1988:
1986:
1983:
1981:
1978:
1976:
1973:
1972:
1969:
1965:
1958:
1953:
1951:
1946:
1944:
1939:
1938:
1935:
1918:
1914:
1908:
1906:
1904:
1900:
1889:
1885:
1879:
1876:
1871:
1864:
1861:
1856:
1850:
1846:
1839:
1836:
1831:
1827:
1823:
1819:
1815:
1811:
1804:
1802:
1798:
1785:
1779:
1777:
1773:
1760:
1754:
1751:
1746:
1739:
1736:
1731:
1729:968-499-293-9
1725:
1721:
1714:
1711:
1698:
1692:
1689:
1676:
1672:
1666:
1663:
1659:. Washington.
1658:
1651:
1649:
1645:
1632:
1628:
1622:
1619:
1606:
1602:
1595:
1593:
1591:
1589:
1587:
1585:
1583:
1581:
1579:
1577:
1575:
1573:
1571:
1569:
1567:
1565:
1561:
1556:
1549:
1547:
1543:
1538:
1531:
1529:
1525:
1513:
1509:
1505:
1498:
1496:
1494:
1490:
1477:
1471:
1468:
1456:
1452:
1445:
1442:
1437:
1433:
1426:
1424:
1420:
1415:
1408:
1406:
1404:
1400:
1387:
1383:
1377:
1375:
1371:
1366:
1360:
1356:
1349:
1347:
1345:
1343:
1341:
1339:
1337:
1333:
1328:
1321:
1318:
1305:
1301:
1297:
1290:
1288:
1286:
1284:
1282:
1280:
1278:
1276:
1274:
1272:
1270:
1268:
1264:
1259:
1252:
1250:
1248:
1244:
1231:
1227:
1220:
1218:
1216:
1214:
1212:
1210:
1208:
1206:
1204:
1202:
1200:
1198:
1194:
1189:
1183:
1175:
1169:
1165:
1158:
1156:
1152:
1147:
1141:
1137:
1130:
1128:
1124:
1119:
1115:
1109:
1101:
1097:
1093:
1092:
1084:
1081:
1074:
1072:
1068:
1066:
1062:
1057:
1055:
1051:
1046:
1043:
1039:
1031:
1026:
1022:
1020:
1015:
1011:
1007:
1003:
999:
995:
994:Hernán Cortés
991:
987:
983:
981:
977:
973:
969:
965:
957:
956:
950:
943:
941:
934:
929:
925:
922:
913:
908:
904:
897:
895:
893:
889:
884:
882:
878:
873:
871:
870:Cinco de Mayo
867:
862:
858:
857:China Poblana
853:
845:
844:China Poblana
840:
832:
825:
820:
818:
816:
812:
807:
801:
796:
792:
788:
784:
777:
772:
764:
757:
755:
753:
749:
745:
741:
737:
733:
729:
720:
713:
708:
706:
704:
700:
691:
684:
682:
678:
674:
672:
667:
663:
659:
651:
644:
640:
636:
632:
628:
627:Mexican State
624:
620:
613:
608:
606:
602:
600:
595:
593:
589:
586:
578:
574:
572:
568:
559:
557:
555:
549:
547:
541:
538:
535:
531:
526:
519:, Mexico City
518:
513:
506:
504:
502:
498:
494:
490:
486:
481:
473:
468:
461:
456:
454:
451:
446:
442:
438:
432:
430:
426:
419:
415:
407:
399:
394:
386:
384:
382:
378:
374:
369:
365:
359:
355:
352:
348:
339:
334:
330:
322:
314:
310:
306:
304:
300:
299:Los Quetzales
296:
295:Los Voladores
292:
288:
284:
280:
276:
273:), among the
272:
268:
264:
260:
256:
247:
243:
239:
235:
231:
223:
216:
214:
212:
206:
204:
200:
196:
192:
182:
178:
176:
172:
167:
163:
159:
155:
145:
141:
139:
135:
131:
127:
123:
119:
115:
111:
107:
103:
99:
95:
91:
82:
78:
76:
72:
68:
59:
54:
47:
45:
43:
39:
35:
34:
29:
21:
2779:Dance troupe
2724:Dance awards
2619:Pontic Greek
2326:Dance theory
2316:Choreography
2228:Contemporary
1920:. Retrieved
1916:
1891:. Retrieved
1887:
1878:
1869:
1863:
1844:
1838:
1813:
1809:
1788:. Retrieved
1763:. Retrieved
1753:
1744:
1738:
1719:
1713:
1701:. Retrieved
1691:
1679:. Retrieved
1674:
1665:
1656:
1635:. Retrieved
1631:the original
1621:
1609:. Retrieved
1605:the original
1554:
1536:
1515:. Retrieved
1480:. Retrieved
1478:. Britannica
1470:
1458:. Retrieved
1454:
1444:
1435:
1413:
1390:. Retrieved
1386:the original
1354:
1326:
1320:
1308:. Retrieved
1304:the original
1299:
1257:
1234:. Retrieved
1230:the original
1163:
1135:
1090:
1083:
1069:
1058:
1047:
1035:
986:La Conquista
984:
961:
953:
938:
917:
901:
885:
874:
861:Anna Pavlova
849:
781:
725:
696:
679:
675:
671:Mexican flag
656:
603:
596:
590:
583:
563:
550:
542:
539:
533:
522:
515:Chinelos in
497:Los Remedios
477:
449:
444:
440:
436:
433:
422:
367:
363:
360:
356:
343:
327:
307:
251:
207:
187:
162:La Cucaracha
158:La Valentina
150:
87:
71:Netotilitzli
63:
37:
31:
27:
26:
2609:Philippines
2594:Netherlands
2584:Middle East
2136:Table dance
2101:Go go dance
2081:Competitive
1681:December 3,
1476:"Concheros"
1460:December 3,
1414:El Sentinel
998:La Malinche
980:Saint James
623:Performance
599:Huehueteotl
534:zineloquie,
507:Mexico City
263:Totonacapan
191:Guadalajara
173:founded by
110:seguidillas
94:Virgin Mary
58:Tovar Codex
2809:Categories
2676:Uzbekistan
2444:Azerbaijan
2353:Musicality
2321:Connection
2278:Postmodern
2248:Historical
2131:Striptease
2126:Pole dance
2076:Ceremonial
2031:slow dance
1922:2019-05-15
1893:2019-05-15
1145:0195146395
1075:References
1006:arquebuses
728:Parachicos
722:Parachicos
693:Deer Dance
658:Matachines
303:Deer Dance
301:, and the
154:La Adelita
134:zapateados
16:Folk dance
2681:Venezuela
2644:Sri Lanka
2639:Singapore
2599:Nicaragua
2529:Indonesia
2434:Australia
2303:Technique
2201:formation
2116:Lap dance
1830:130672729
1512:1028-9089
1182:cite book
1108:cite book
1100:747678876
1030:Pátzcuaro
1002:Moctezuma
964:Michoacán
944:Michoacán
662:Zacatecas
614:Zacatecas
592:Caporales
571:Voladores
567:Pahuatlán
501:armadillo
489:Amecameca
480:Concheros
462:Queretaro
450:Adelitas,
338:Amecameca
217:Diversity
195:Argentina
177:in 1952.
166:Porfirian
138:son music
118:huapangos
114:fandangos
96:or other
75:New Spain
42:zapateado
2696:Zimbabwe
2649:Thailand
2574:Malaysia
2559:Kiribati
2469:Cameroon
2464:Cambodia
2454:Bulgaria
2429:Assyrian
2398:national
2393:Regional
2373:Spotting
2368:Sequence
2346:glossary
2293:Two-step
2238:Flamenco
2223:Breaking
2218:Boogaloo
2196:Ballroom
2141:Twerking
2106:Grinding
2091:Ecstatic
1699:. UNESCO
1436:Hispanic
976:falsetto
935:Guerrero
898:Guerrero
866:Mariachi
795:Veracruz
758:Veracruz
585:Arrieros
525:Chinelos
435:routines
377:merengue
371:such as
351:Carnival
287:Huastecs
279:Guerrero
267:Veracruz
257:and the
203:Colombia
102:Tlaxcala
2706:Related
2686:Vietnam
2659:Ukraine
2569:Kurdish
2539:Ireland
2519:Hungary
2509:Georgia
2494:Denmark
2484:Croatia
2449:Belarus
2439:Austria
2424:Armenia
2414:Albania
2378:Turnout
2263:Lyrical
2243:Hip-hop
2086:Concert
2011:Partner
1980:Outline
1870:Palabra
1790:May 23,
1765:May 23,
1703:May 23,
1637:May 23,
1611:May 23,
1555:Palabra
1537:Reforma
1482:May 22,
1392:May 23,
1310:May 23,
1236:May 23,
1065:Nayarit
1054:maracas
1019:Jalisco
972:charros
921:Nahuatl
892:Nayarit
881:maracas
826:Jalisco
815:iguanas
811:quijada
806:requito
748:maracas
714:Chiapas
639:Ontario
631:Sinaloa
530:Nahuatl
381:hip hop
364:jarocho
347:jaguars
234:Sinaloa
199:Ecuador
147:Volador
130:zambras
126:boleros
90:mestizo
48:History
2654:Turkey
2634:Serbia
2629:Russia
2624:Romani
2614:Poland
2579:Mexico
2544:Israel
2514:Greece
2499:Europe
2474:Canada
2409:Africa
2400:dances
2358:Pointe
2331:Graham
2311:Ballet
2268:Modern
2191:Ballet
2178:Styles
2163:Street
2158:Sacred
2096:Erotic
2068:Social
2056:square
2041:contra
2036:circle
1851:
1828:
1726:
1677:. 2011
1517:May 7,
1510:
1361:
1170:
1142:
1098:
852:Jarabe
846:dress.
791:UNESCO
744:serape
699:Yaquis
685:Sonora
643:Canada
635:Ottawa
560:Puebla
493:Chalma
368:jarabe
285:, the
275:Nahuas
271:Puebla
246:Canada
242:Ottawa
238:Aztlan
160:, and
67:Aztecs
2589:Nepal
2564:Korea
2554:Japan
2549:Italy
2524:India
2479:China
2383:Turns
2341:Moves
2283:Swing
2273:Polka
2258:Latin
2213:Belly
2206:waltz
2051:round
1975:Index
1964:Dance
1826:S2CID
1061:Coras
1010:Eagle
968:Moors
888:Coras
740:ixtle
703:Mayos
532:word
373:salsa
122:jotas
2604:Peru
2534:Iran
2489:Cuba
2419:Arab
2363:Pole
2253:Jazz
2186:Acro
2148:Folk
2046:line
2006:Solo
1849:ISBN
1792:2012
1767:2012
1724:ISBN
1705:2012
1683:2018
1639:2012
1613:2012
1519:2012
1508:ISSN
1484:2012
1462:2018
1394:2012
1359:ISBN
1312:2012
1238:2012
1188:link
1168:ISBN
1140:ISBN
1118:link
1114:link
1096:OCLC
1036:The
1012:and
1000:and
850:The
742:, a
701:and
664:and
523:The
495:and
478:The
379:and
281:and
269:and
132:and
2288:Tap
2168:War
1818:doi
1814:122
789:by
629:of
366:or
289:of
277:of
240:in
36:or
2811::
1915:.
1902:^
1886:.
1824:.
1812:.
1800:^
1775:^
1673:.
1647:^
1563:^
1545:^
1527:^
1492:^
1453:.
1434:.
1422:^
1402:^
1373:^
1335:^
1298:.
1266:^
1246:^
1196:^
1184:}}
1180:{{
1154:^
1126:^
1110:}}
1106:{{
1021:.
996:,
641:,
637:,
556:.
491:,
487:,
375:,
297:,
244:,
201:,
197:,
156:,
140:.
128:,
124:,
120:,
116:,
112:,
2402:)
2396:(
1956:e
1949:t
1942:v
1925:.
1896:.
1857:.
1832:.
1820::
1794:.
1769:.
1732:.
1707:.
1685:.
1641:.
1615:.
1521:.
1486:.
1464:.
1438:.
1396:.
1367:.
1314:.
1240:.
1190:)
1176:.
1148:.
1120:)
1102:.
1032:.
914:.
645:.
474:.
445:.
441:.
437:.
340:.
248:.
60:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.