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Mexican rag doll

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87:, started a program designed to help the local economy, in particular that to the local women, who had been limited to selling candy on the street in cities. She taught the local people her style of making rag dolls, which originally include the use of buttons so that the dolls would have movable arms and legs, but since then, the design has been modified to the current version. However, the Mazahua people of neighbouring Michoacan state have also laid claim to the dolls. The dress of the dolls is similar to that of both the Mazahua and the Otomi of this area. The popularity of the dolls surged around the same time of the popularity of a movie personality called 28: 83:
grandmother. However, the "Maria" dolls most likely originated in southern Queretaro, especially the municipality of Amealco, a heavily Otomi (Ñhañhü) area. According to Queretaro state authorities, the Marias originate from the communities of Santiago Mexquititlan and San Ildefonso Tultepec in the municipality of Amealco de Bonfil. They may date back to only the 1970s, when Guadalupe Rivera, daughter of muralist
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the first museum in Mexico dedicated solely to traditional handcrafted dolls, located in the town center in a building from the 19th century. The town is also home to the annual Handcrafted Doll Festival (Festival de la Muñeca Artesanal) held in November. The town now holds an annual national contest for handcrafted dolls.
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Various types of rag dolls have been made, but the most common have smiling faces, indigenous-like dress, and hair braided with ribbons. They have been called "Marias," but are more often simply called "rag dolls" (muñecas de trapo). Ranging in size from three to forty five centimeters and sometimes
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The dolls are strongly tied to Amealco, where seventy percent of the indigenous population or about 3,000 people are dedicated to the making of these and another type of rag doll, which accounts for at least part of their income. Many are self-taught or taught through friends or family. Amealco has
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Rag dolls of various types have a long history in Mexico, especially since the colonial period. The making of dolls from old bits of clothing is still common among Mexico's indigenous populations, often using clothing that had been worn out by some member of the family, and made by mother or
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The most authentic of the dolls are made by hand and/or sewing machine in homes or small workshops, mostly by women but sometimes men and children participate. Most of the materials are commercially-made, such as fabric and buttons, but the most traditional filling is a local fiber called
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are those whose origins can be traced back to MĂ©xico City with the creation of a workshop "Centro de CapacitaciĂłn Mazahua", with the intentions to enhance income opportunities for the Mazahua-OtomĂ­ people after their migration to the larger cities, in search for a better future. In
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more, the dolls can be found for sale just about anywhere in Mexico, especially in tourist venues. Because of this, they have become a symbol of Mexico for foreigners and have been shipped outside of the country, primarily to the United States, Canada and South America.
52:). Mexico has a long history of making rag dolls, but the ones known popularly from their appearance nationally, especially in tourist venues may date back only to the 1970s, during the time the workshop was running. Although 56:
is strongly connected to these dolls, their making is not limited and has spread into various states, with some variations in dress and appearance, but always keeping with wide faces and hair generously braided with ribbons.
44:, they have been called "Marias" and they have registered a patent for the doll as an attempt to increase tourism. This action has been criticized by some people because it could be perceived as an attempt to 111:
However, the making of the dolls is not limited to Amealco. Because of their popularity, their manufacture either by handcrafting or more industrial methods expanded to other parts of Queretaro, into
289: 782: 787: 115:(especially among Otomi populations there) and then into other states. This expansion has led to variations in the doll's dress and sometimes appearance, such as skin tone. 136:" for the dolls to have only those made in southern Queretaro as authentic, but this was denied, principally because the dolls are primarily made with non-local materials. 216: 757: 880: 777: 464: 293: 158: 767: 865: 128:. Although the ribbon-adorned version with the wide face is by far the most popular, other variations have come about such as dolls representing 860: 840: 356: 971: 27: 966: 885: 855: 850: 835: 961: 875: 870: 379: 772: 519: 514: 473: 792: 534: 457: 921: 797: 220: 1012: 802: 672: 747: 694: 190: 91:, whose dress was similar to that of the Mazahua and took away some of the stigma of an indigenous look. y de maria 981: 762: 926: 450: 133: 819: 253: 742: 657: 906: 845: 699: 684: 679: 45: 405: 48:
a craft that belongs to the Mazahua-OtomĂ­ people. Throughout the country people call them "rag dolls" (
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and those made with more ecological materials. In 2014, the state of Queretaro filed paperwork to seek "
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Otomi woman crafting a traditional doll, Amealco de Bonfil, Queretaro.
976: 580: 570: 560: 431:"Busca Querétaro denominación de origen para muñecas artesanales". 261: 611: 102: 73: 254:"Está en Amealco el único Museo de la Muñeca Artesanal del país" 446: 357:"Realizarán tercer Festival de la Muñeca Artesanal en Amealco" 783:
Museo Universitario de Artes Populares MarĂ­a Teresa Pomar
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National Fund for the Development of Arts and Crafts
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Rows of "Marias" for sale in San Angel, Mexico City
758:Museo de la Laca and the Santo Domingo monastery 290:"Muñecas de trapo mexicanas, toda una tradición" 219:. Mexico City: El Sol de México. Archived from 406:"Presentan en Querétaro nueva muñeca indígena" 159:"Muñecas de trapo, una tradición muy mexicana" 458: 217:"Exportarán muñecas artesanales de Querétaro" 8: 288:Elvira Jiménez Carrera (December 26, 2014). 260:. Mexico City. March 2, 2015. Archived from 78:A completely handstiched version of the doll 323: 321: 319: 317: 315: 313: 311: 778:Museo Regional de la Ceramica, Tlaquepaque 465: 451: 443: 292:. Queretaro: Revista Viaja. Archived from 283: 281: 279: 248: 246: 244: 242: 240: 238: 380:"Realizan concurso de muñecas en Amealco" 189:Mary Liñán González (February 28, 2014). 210: 208: 184: 182: 180: 153: 151: 149: 26: 768:Museo Estatal de Arte Popular de Oaxaca 378:Minerva Contreras (November 17, 2013). 145: 191:"Muñecas otomís se adaptan al mercado" 355:Irán Hernández (September 21, 2015). 328:Lucero Guerrero (November 24, 2014). 7: 972:Traditional Mexican handcrafted toys 967:Traditional metal working in Mexico 330:"El arte de hacer muñecas de trapo" 25: 962:Traditional copper work in Mexico 165:. Mexico City. September 15, 2011 435:. Mexico City. October 15, 2013. 544:Textiles and other fiber crafts 520:Green glazed pottery of Atzompa 474:Mexican handcrafts and folk art 215:Laura Banda (January 4, 2016). 793:National Museum of Mexican Art 1: 922:Mexican handcrafted fireworks 798:National Pyrotechnic Festival 412:. Mexico City. March 26, 2015 829:Handcrafts by federal entity 803:Palm Sunday Handcraft Market 773:Museo Nacional de la Máscara 359:. Mexico: State of Queretaro 193:. Mexico City: El Financiero 748:Mexico City Alebrije Parade 695:Tenancingo, State of Mexico 1034: 982:Votive paintings of Mexico 763:Museo de Trajes Regionales 18:Mexican rag dolls (Marias) 927:Mexican ironwood carvings 820:List of Mexican artisans 743:Feria Maestros del Arte 515:Blanco family (Oaxaca) 134:denomination of origin 108: 79: 46:culturally appropriate 32: 937:Mexican mask-folk art 753:Museo de Arte Popular 668:Santa Clara del Cobre 653:San Bartolo Coyotepec 106: 95:The dolls and Amealco 77: 30: 942:Mexican pointy boots 658:San Martín Tilcajete 296:on February 26, 2016 1013:Mexican handicrafts 932:Mexican lacquerware 917:Mexican featherwork 907:Alfeñique in Mexico 700:Teotitlán del Valle 685:Santo Tomás Jalieza 680:Santa María Atzompa 627:Miss Lupita project 510:Barro negro pottery 493:Ceramics of Jalisco 987:María Teresa Pomar 648:Ocotlán de Morelos 596:Textiles of Oaxaca 591:Textiles of Mexico 586:Tenango embroidery 556:Basketry of Mexico 525:Mata Ortiz pottery 498:Pottery of Metepec 109: 80: 33: 1000: 999: 724:Organizations and 481:Clay and ceramics 37:Mexican rag dolls 16:(Redirected from 1025: 738:Ciudadela Market 566:Mexican rag doll 530:Talavera pottery 488:Mexican ceramics 467: 460: 453: 444: 437: 436: 428: 422: 421: 419: 417: 402: 396: 395: 393: 391: 375: 369: 368: 366: 364: 352: 346: 345: 343: 341: 325: 306: 305: 303: 301: 285: 274: 273: 271: 269: 264:on June 10, 2016 258:Nuevo Periodismo 250: 233: 232: 230: 228: 212: 203: 202: 200: 198: 186: 175: 174: 172: 170: 155: 50:muñecas de trapo 21: 1033: 1032: 1028: 1027: 1026: 1024: 1023: 1022: 1003: 1002: 1001: 996: 890: 881:State of Mexico 824: 807: 725: 719: 715:Tonalá, Jalisco 636: 600: 551:Amuzgo textiles 539: 476: 471: 441: 440: 430: 429: 425: 415: 413: 404: 403: 399: 389: 387: 377: 376: 372: 362: 360: 354: 353: 349: 339: 337: 327: 326: 309: 299: 297: 287: 286: 277: 267: 265: 252: 251: 236: 226: 224: 214: 213: 206: 196: 194: 188: 187: 178: 168: 166: 157: 156: 147: 142: 121: 97: 72: 63: 35:The best known 23: 22: 15: 12: 11: 5: 1031: 1029: 1021: 1020: 1015: 1005: 1004: 998: 997: 995: 994: 989: 984: 979: 974: 969: 964: 959: 957:Sawdust carpet 954: 949: 944: 939: 934: 929: 924: 919: 914: 909: 904: 898: 896: 895:Related topics 892: 891: 889: 888: 883: 878: 873: 868: 863: 858: 853: 848: 843: 838: 832: 830: 826: 825: 823: 822: 815: 813: 809: 808: 806: 805: 800: 795: 790: 785: 780: 775: 770: 765: 760: 755: 750: 745: 740: 735: 733:Alfeñique fair 729: 727: 721: 720: 718: 717: 712: 707: 702: 697: 692: 687: 682: 677: 676: 675: 665: 660: 655: 650: 644: 642: 638: 637: 635: 634: 629: 624: 619: 614: 608: 606: 602: 601: 599: 598: 593: 588: 583: 578: 573: 568: 563: 558: 553: 547: 545: 541: 540: 538: 537: 532: 527: 522: 517: 512: 507: 506: 505: 495: 490: 484: 482: 478: 477: 472: 470: 469: 462: 455: 447: 439: 438: 423: 397: 370: 347: 307: 275: 234: 204: 176: 144: 143: 141: 138: 120: 117: 96: 93: 89:La India Maria 71: 68: 62: 59: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1030: 1019: 1016: 1014: 1011: 1010: 1008: 993: 990: 988: 985: 983: 980: 978: 975: 973: 970: 968: 965: 963: 960: 958: 955: 953: 952:Popotillo art 950: 948: 945: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 918: 915: 913: 910: 908: 905: 903: 900: 899: 897: 893: 887: 884: 882: 879: 877: 874: 872: 869: 867: 864: 862: 859: 857: 854: 852: 849: 847: 844: 842: 839: 837: 834: 833: 831: 827: 821: 817: 816: 814: 810: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 730: 728: 722: 716: 713: 711: 708: 706: 703: 701: 698: 696: 693: 691: 688: 686: 683: 681: 678: 674: 671: 670: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 645: 643: 639: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 609: 607: 603: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 548: 546: 542: 536: 533: 531: 528: 526: 523: 521: 518: 516: 513: 511: 508: 504: 503:Soteno family 501: 500: 499: 496: 494: 491: 489: 486: 485: 483: 479: 475: 468: 463: 461: 456: 454: 449: 448: 445: 434: 427: 424: 411: 407: 401: 398: 385: 381: 374: 371: 358: 351: 348: 335: 331: 324: 322: 320: 318: 316: 314: 312: 308: 295: 291: 284: 282: 280: 276: 263: 259: 255: 249: 247: 245: 243: 241: 239: 235: 223:on 2016-11-18 222: 218: 211: 209: 205: 192: 185: 183: 181: 177: 164: 160: 154: 152: 150: 146: 139: 137: 135: 131: 127: 118: 116: 114: 105: 101: 94: 92: 90: 86: 76: 69: 67: 60: 58: 55: 51: 47: 43: 38: 29: 19: 673:Punzo family 641:Crafts towns 622:Lupita dolls 576:Quechquemitl 565: 535:Tree of Life 432: 426: 414:. Retrieved 409: 400: 388:. Retrieved 384:El Universal 383: 373: 361:. Retrieved 350: 338:. Retrieved 333: 298:. Retrieved 294:the original 266:. Retrieved 262:the original 257: 225:. Retrieved 221:the original 195:. Retrieved 167:. Retrieved 162: 125: 122: 119:Authenticity 110: 98: 85:Diego Rivera 81: 64: 61:Significance 49: 36: 34: 992:Marta Turok 912:Huichol art 861:Mexico City 710:Tlaquepaque 705:Tlalpujahua 663:San Pablito 416:February 2, 410:Radio Trece 390:February 2, 386:. Queretaro 363:February 2, 340:February 2, 336:. Queretaro 334:NW Noticias 300:February 2, 268:February 2, 227:February 2, 197:February 2, 169:February 2, 130:Frida Kahlo 1007:Categories 841:Guanajuato 617:Cartonería 163:Publimetro 140:References 113:Guanajuato 1018:Rag dolls 866:Michoacán 726:festivals 42:Queretaro 902:Alebrije 886:Tlaxcala 846:Guerrero 812:Artisans 947:Piteado 856:Jalisco 851:Hidalgo 836:Chiapas 690:Temoaya 433:NOTIMEX 70:History 54:Amealco 977:Vochol 876:Puebla 871:Oaxaca 632:Piñata 581:Rebozo 571:Petate 561:Huipil 612:Amate 605:Paper 126:guata 818:see 418:2016 392:2016 365:2016 342:2016 302:2016 270:2016 229:2016 199:2016 171:2016 1009:: 408:. 382:. 332:. 310:^ 278:^ 256:. 237:^ 207:^ 179:^ 161:. 148:^ 466:e 459:t 452:v 420:. 394:. 367:. 344:. 304:. 272:. 231:. 201:. 173:. 20:)

Index

Mexican rag dolls (Marias)

Queretaro
culturally appropriate
Amealco

Diego Rivera
La India Maria

Guanajuato
Frida Kahlo
denomination of origin



"Muñecas de trapo, una tradición muy mexicana"



"Muñecas otomís se adaptan al mercado"


"Exportarán muñecas artesanales de Querétaro"
the original





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