152:. He also published educational texts on composition, harmonic analysis and improvisation, and a volume of memoirs. From 1997 Barkl was foundation Adviser (later, Chief Examiner) of Contemporary Popular Music for the
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for harpsichord, developed Barkl’s jazz-inspired instrumental style until a complete change emerged with a series of lengthy electronic works composed using the
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in 1958 into a musical family. He learnt classical piano from the age of seven, later becoming obsessed with the electric guitar after hearing the album
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in 1987 as foundation head of its contemporary music section. During this time he contributed a series of biographies of
Australian composers to
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200:(1984) for six instruments, structured as a reverie interrupting a café piano solo, brought Barkl to the attention of the critics,
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as a teenager. From rock guitar he expanded his interests into jazz guitar, and then into bass guitar and double bass. At the
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188:(1982), while maintaining the Italian association through their titles, added more jazz influence, however slight.
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Barkl's music exhibits a combination of influences from
European styled modernism to jazz. An early work,
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521:
Music of Grace: The crystals in the cave absorb the light as if they have not seen it in a million years
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describing him "one of the most musical of younger
Australian composers". Subsequent works, such as
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168:(1981) for piano trio, is clearly influenced by twentieth century Italian music, specifically
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244:. These used large banks of computer generated oscillators to build thick textures of
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Vernon, C. 1996. The cosmos and the details: an interview with Dr
Michael Barkl.
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632:"Michael Barkl : Represented Artist Profile : Australian Music Centre"
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192:(1983) was characterised as "an exciting piano piece", "bring together Indian
505:: Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto, 2007
82:. Postgraduate studies in composition and musicology were with Ann Ghandar,
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149:
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117:
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Saintilan, N., A. Schultz & P. Stanhope. 1996. Michael Barkl. In
559:"Jimi Hendrix fan becomes a music education pioneer at TAFE Illawarra"
36:
1212:
934:
Pure Data as a Meta-Compositional
Instrument: Compositions Volume 2
915:
Pure Data as a Meta-Compositional
Instrument: Compositions Volume 1
140:. Further publications documented the compositional techniques of
193:
1213:"Composition : Pure data as a meta-compositional instrument"
509:
Music of Grace: The heavy dark trees line the streets of summer
180:
Composition
Competition. A pair of subsequent orchestral works,
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1053:
Dench, C. & I. Shanahan (eds). 1995. Michael Barkl. In
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https://www.australianmusiccentre.com.au/artist/barkl-michael
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Constructing a Jazz Solo: an
Approach for Non-Jazz Musicians
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Bebbington, W. 1998. Barkl, Michael
Laurence Gordon. In
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Music of Grace: The cat dances and the moon shines brightly
58:, and followed this with degree studies in composition with
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Bebbington, W. 1997. Barkl, Michael
Laurence Gordon. In
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Composition: Pure Data as a Meta-Compositional Instrument
264:
for "service to the performing arts and music education".
858:
Composition, Perception, Analysis: The Musical Observer
116:
After working as a freelance bass player, Barkl joined
101:. He graduated with a master's degree in composition (
1184:
McCallum, P. 1989. Score workshop produced a gem.
877:
Music in Mind: Three Hundred and Forty-One Aphorisms
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University of Wollongong Thesis Collection 1954-2016
820:
Etwas ruhiger im Ausdruck: Franco Donatoni’s Crisis
1171:Covell, R. 1985. Contemporary seeks companions.
1055:
An emotional geography of Australian composition II
839:Vertigo: Riccardo Formosa’s Composition Technique
1307:Recipients of the Medal of the Order of Australia
613:Broadstock, B. (ed.) 1995. Michael Barkl. In
1152:Australian Piano Music of the Twentieth Century
972:Analysing Harmony: The Great American Songbook
131:The New Grove Dictionary of Music and Musicians
744:). Melbourne: OUP, 1997. Also published in
585:Biographical Directory of Australian Composers
1010:The First Rule of Show Business: An Exegesis
953:Creating Original Music: a harmonic approach
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212:for bass clarinet and percussion (based on a
54:he initially studied jazz improvisation with
52:New South Wales State Conservatorium of Music
8:
1312:University of New England (Australia) alumni
682:"Musician Michael Barkl receives OAM honour"
27:is an Australian composer and musicologist.
780:New Grove Dictionary of Music and Musicians
137:The Oxford Dictionary of National Biography
172:. Perhaps unsurprisingly, it was awarded
391:, Fanfare for viola and double bass, 1998
330:for four percussion and electronics, 1990
262:2018 Queen's Birthday Honours (Australia)
256:Michael Barkl was awarded a Medal of the
1154:, Westport, Greenwood Publishing Group,
738:The Oxford Companion to Australian Music
542:The Oxford Companion to Australian Music
122:The Oxford Companion to Australian Music
1057:. Sounds Australian, no.46, Winter:11.
803:Oxford Dictionary of National Biography
533:
1137:Murdoch, J. 1983. Michael Barkl. In
367:for bass clarinet and percussion, 1986
1124:Toop, R. 1984. Top youth at play.
1090:(ed. W. Bebbington). Melbourne, OUP.
657:"Red House Editions COMPOSER BIOGS#1"
604:), Sydney, Sounds Australian:279–280.
103:University of New England (Australia)
7:
621:). Sydney, Sounds Australian:48–49.
16:Australian composer and musicologist
1068:Australian Chamber Music with Piano
596:Lee, S. 1995. Michael Barkl. In
397:for clarinet, piano and cello, 2008
196:drumming with jazz pianism", while
154:Australian Music Examinations Board
587:, Sydney, Australian Music Centre.
14:
454:for mezzo-soprano and piano, 1977
1088:A Dictionary of Australian Music
746:A Dictionary of Australian Music
636:www.australianmusiccentre.com.au
126:A Dictionary of Australian Music
105:) and doctorates in musicology (
1322:University of Wollongong alumni
1211:Barkl, Michael (January 2009).
1030:"Michael Barkl OAM | AMEB"
347:Music for two trumpets and tape
1139:A Handbook of Australian Music
248:, saturating the aural space.
1:
787:). London: Macmillan, 2000.
20:Michael Laurence Gordon Barkl
1012:. Beau Bassin, LAP, 2018.
993:. SaarbrĂĽcken, LAP, 2010.
936:. Beau Bassin, LAP, 2018.
917:. Beau Bassin, LAP, 2018.
879:. Beau Bassin, LAP, 2017.
841:. SaarbrĂĽcken, LAP, 2010.
822:. Beau Bassin, LAP, 2018.
955:. SaarbrĂĽcken, LAP 2009.
860:. SaarbrĂĽcken, LAP, 2010.
711:"Media Notes - OAM (A - E)"
563:www.illawarramercury.com.au
452:Night words – the ravishing
439:Water, where are you going?
324:for seven instruments, 1987
1338:
752:). Melbourne: OUP, 1998.
379:for descant recorder, 1996
176:in the 1981 International
35:Michael Barkl was born in
1101:"Premio Valentino Bucchi"
497:The paradox of Pythagoras
343:for viola and piano, 1977
318:for six instruments, 1984
1317:Deakin University alumni
1287:Australian musicologists
1128:, December, vol.9, no.11
361:for string quartet, 1985
359:Expressive and ferocious
220:for percussion quartet,
111:University of Wollongong
109:) and electronic music (
1268:Retrieved 19 June 2019.
1150:Sitsky, Larry. 2005.
1141:, Melbourne, Sun Books.
1070:, Canberra, ANU Press.
810:). Oxford: OUP, 2006.
686:www.goulburnpost.com.au
478:The animals Noah forgot
224:for recorder (based on
548:). Melbourne, OUP:48.
322:The laird of Drumblair
84:Gerald Florian Messner
1302:Musicians from Sydney
1186:Sydney Morning Herald
1173:Sydney Morning Herald
974:. Köln, LAP, 2009.
898:. Köln, LAP, 2009.
385:for harpsichord, 1997
1282:Australian composers
1201:, February, vol.8:5.
503:Music of the spheres
416:for two pianos, 1979
355:for piano trio, 1981
1105:www.premiobucchi.it
1066:Sitsky, L. 2011.
1034:www.ameb.nsw.edu.au
661:www.redhouse.com.au
64:Martin Wesley-Smith
1242:honours.pmc.gov.au
797:Malcolm Williamson
774:Malcolm Williamson
619:Brenton Broadstock
602:Brenton Broadstock
258:Order of Australia
240:patching language
1018:978-3-659-71818-2
999:978-3-8383-5082-0
961:978-3-8383-2716-7
942:978-3-659-96899-0
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904:978-3-8383-1647-5
885:978-620-2-07987-7
866:978-3-8383-6501-5
847:978-3-8383-3074-7
828:978-613-9-90170-8
750:Warren Bebbington
742:Warren Bebbington
546:Warren Bebbington
499:: nos 1–27, 2007
107:Deakin University
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598:Sound Ideas
426:Five pieces
341:Night Words
238:open source
184:(1981) and
87: [
80:Graham Hair
68:Warren Burt
1276:Categories
1175:, 22 July.
1160:0313322864
528:References
485:Electronic
441:SATB, 1984
408:Jazz music
389:Coming Out
273:Orchestral
246:sine waves
1039:26 August
242:Pure Data
230:Red House
174:segnalata
150:Pure Data
76:Don Banks
31:Biography
1126:24 Hours
420:Drumming
310:Ensemble
190:Drumming
118:TAFE NSW
1247:19 June
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491:Rosalia
316:Ballade
297:Cabaret
260:in the
252:Honours
216:riff),
206:Cabaret
198:Ballade
1199:Images
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480:, 1988
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428:, 1995
422:, 1983
410:, 1979
349:, 1978
305:, 1986
299:, 1985
293:, 1982
291:Iambus
287:, 1982
281:, 1981
232:) and
37:Sydney
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748:(ed.
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617:(ed.
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446:Vocal
402:Piano
395:Here…
383:Smoky
365:Blues
328:Disco
303:Rondo
234:Smoky
218:Disco
210:Blues
194:tabla
160:Music
91:]
1249:2019
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371:Vamp
353:Rota
166:Rota
144:and
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228:’s
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