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164:, preceded by two years as vice-president, and followed by two years as past president. He has also served on the council of the Royal Musical Association and is on the steering committee of the Besterman Centre for the Enlightenment (see
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204:’s years in London. He is currently completing a book on the staging of opera in London 1660 to 1860. Much of his recent research has been directed towards the London Stage Project,
157:; he is also curator of the Music Faculty's collection of portraits. In the academic year 2009–2010, he was one of the university's four pro-proctors (deputies to the proctors).
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His collection of mainly 18th century
English theatre books, music, and other ephemera is gradually being accepted in a series of gifts to the Rare Books collection by the
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346:, Collected Cavalli Edition (Bärenreiter Verlag, Kassel, 2018). Performed New College, Oxford, July 2010. Performed by Yale Baroque Opera Project on 1 and 2 May 2015.
196:, and on aspects of dance and theatre in the 17th, 18th, and 19th centuries, and includes a catalogue of Metastasio’s operas as performed in London, an edition of
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He served as chair of the board of the
University of Oxford's music faculty from 2015 to 2018. From 2007 until 2015, he was a visitor to Oxford's
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255:('Music in Purcell's London I' (1995); 'Music in Purcell's London II'; (1996), Metastasio (1998)) and Guest Editor for numbers of the journals
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Il
Trionfo della Poesia, e della Musica nel celebrasi la morte, le esaltazione, e la inconronazione di Maria Sempore Virgine assunta in Cielo.
102:
101:, FAHA, (born 14 March 1960) is an Australian musicologist, working in the United Kingdom. He was elected a Corresponding Fellow of the
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by Oxford
University Press in 1983, it remains a classic text in the documentation of Adelaide's lost architectural heritage.
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One of his interests outside music is architectural history, particularly the history of architecture and town planning in
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With
Jonathan Hicks and Jim Davis, he is joint editor of the series 'Nineteenth-century British Theatrical Culture'.
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141:. In 2016, he became one of the patrons of the St Peter’s Cathedral Music Foundation, which supports the music of
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He is currently chair of the
Society for Theatre Research. From 2009 to 2013, he was the president of the
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376:. His first book was a photographic exploration of demolished buildings of that city. Published as
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309:(London: Edition Eulenburg, 2009); the first complete edition of both the text and the music.
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He is on the editorial committees for the collected music editions of the works of
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in particular to soon-to-be released The London Stage
Calendar 1800-1844.
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200:: Rothschild B1/16/6 with Jennifer Thorp, and a biographical account of
321:, William Walton Collected Edition, 2 (Oxford University Press, 2010).
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245:, and the series 'Studies in British Musical Cultures' published by
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129:. He is currently Fellow in Music, Dean and Chattels Fellow at
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249:. He has been Consultant Editor for numbers of the journal
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137:, and Professor of Opera Studies in the Faculty of Music,
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This biography article of a United
Kingdom academic is a
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261:- 'Farinelli' (2004) - and with Jennifer Thorp for
428:The British Society for Eighteenth-Century Studies
43:but its sources remain unclear because it lacks
217:, which takes place each year at New College.
174:RĂ©pertoire International des Sources Musicales
162:British Society for Eighteenth-Century Studies
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361:Recent Researches in Music of the Baroque Era
332:Recent Researches in Music of the Baroque Era
297:Recent Researches in Music of the Baroque Era
213:With Jennifer Thorp, he organises the annual
8:
590:People educated at Pulteney Grammar School
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507:
293:Il pianto e il riso delle quattro stagioni
74:Learn how and when to remove this message
422:Faculty of Music, University of Oxford
450:Besterman Centre for the Enlightenment
363:, 209 (Wisconsin: A-R Editions, 2019).
334:, 191 (Wisconsin: A-R Editions, 2016).
299:, 115 (Wisconsin: A-R Editions, 2002).
258:Journal for Eighteenth-Century Studies
242:Journal for Eighteenth-Century Studies
192:His research is on the stage music of
565:Academics of the University of Oxford
560:Alumni of the University of Edinburgh
239:He is on the editorial boards of the
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168:), a member of the Project Team for
103:Australian Academy of the Humanities
493:. You can help Knowledge (XXG) by
182:The Oxford Centre for Life Writing
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595:British academic biography stubs
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580:21st-century conductors (music)
180:; and on the advisory panel of
540:Fellows of New College, Oxford
458:Oxford Centre for Life-Writing
357:Revels on the Peace of Ryswick
143:St Peter's Cathedral, Adelaide
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555:University of Adelaide alumni
178:Gerald Coke Handel Foundation
284:. His own editions include
410:(London: A. & C. Black)
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172:Online, a trustee of both
125:; his took his PhD at the
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232:Editorial Boards, Editing
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247:Clemson University Press
176:United Kingdom, and the
29:This article includes a
570:Music directors (opera)
127:University of Edinburgh
119:Pulteney Grammar School
58:more precise citations.
390:Oxford Dance Symposium
226:University of Adelaide
215:Oxford Dance Symposium
123:University of Adelaide
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117:, he was educated at
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466:Ballad Operas Online
433:University of Oxford
348:http://ybop.yale.edu
278:Alessandro Stradella
198:Le Ballet de la Nuit
139:University of Oxford
92:Michael Burden, 2013
414:New College, Oxford
270:The Court Historian
166:Voltaire Foundation
131:New College, Oxford
437:Dr. Michael Burden
325:Benedetto Marcello
289:Benedetto Marcello
222:Barr Smith Library
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31:list of references
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338:Francesco Cavalli
135:New Chamber Opera
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267:(2010) and
252:Early Music
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273:(2010).
105:in 2018.
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343:Erismena
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