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was reviewed less favourably by
Billington, who wrote: "Michael Fentiman's coarse production robs Wilde of his decorum, swapping subtleties and satire for screaming and sex" and "never allows the words to do their work". A contrary viewpoint was taken by Alun Hood for
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mentioned that the production "reinstates some of the lines that had been censored by the Lord
Chamberlain", and was a "stylish and entertaining revival". Dominic Cavendish in
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who believed the production " fresh ideas at " and "will likely infuriate as many people as it delights" Henry
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saw this production as "a notable RSC debut" by
Fentiman, "with just the right mixture of dark wit and in-your-face violence".
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thought the play an "amusing, absurdist black comedy that lacks a cutting edge" More positive reviews were written for the
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said "Does anybody need Wilde's masterpiece to be ‘decoded’ in this heavy-handed, pseudo-radical way?" Holly
Williams in
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considered
Fentiman's production "strong on momentary effects, not exactly a model of intellectual coherence".
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believed that "Fentiman has not only found the right venue..., he has got the right cast". Clare
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called
Michael Fentiman's production "a masterclass in physical comedy and timing". Michael Billington in
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believed "Fentiman's approach rubbles the structure of an exquisitely formed play." Natasha
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said that "if ever there was a cast to deliver Orton this is it – under Michael Fentiman's direction".
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a five star rating, commenting on the way Fentiman referenced the "shock tactics" in Orton's work.
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for three years, where he trained to be an actor, followed by a postgraduate course at
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which thought Fentiman's "brisk" production "achieves moments of tension", and by
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theatre programme, Royal Lyceum Theatre Company Ltd., Edinburgh, January 2024
656:"Raising Martha, theatre review: Demented mix of knockabout farce and Hamlet"
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thought "Fentiman's pantomimic production does it a disservice".
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903:"2021 GRAMMYs Awards Show: Complete Winners & Nominees List"
800:"Were critics earnest about Classic Spring's final production?"
601:"Titus Andronicus, Swan Theatre, Stratford-upon-Avon, review"
747:"Loot review: A masterclass in physical comedy and timing"
713:"Why Joe Orton still matters: Loot, Park Theatre, review"
620:"Raising Martha review – psychedelic froggy comedy"
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963:"'A Day to Masscacre Them All' | Titus Andronicus"
546:"Amélie the Musical is coming to the UK next year"
730:"Loot review – the farce is strong with this one"
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565:"The Lion, the Witch and the Wardrobe – review"
753:, 1 September 2017. Retrieved 9 December 2018
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675:"Theatre: Raising Martha at Park Theatre, N4"
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516:British Universities Film & Video Council
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680:The Times
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280:The Stage
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70:, England
858:Time Out
363:Time Out
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430:Result
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122:British
979:Harlow
453:Amélie
421:Award
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64:Harlow
438:2021
433:Ref.
427:Work
418:Year
334:gave
261:farce
118:Essex
98:Agent
68:Essex
914:2023
336:Loot
304:Loot
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