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54:. Kirby believed theatrical events should be documented, not criticized or analyzed using the tools of social sciences.
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Edited by
Wilmeth, Don B. and Miller, Tice L. Cambridge University Press, 1993 (Short biography up to 1992 included.)
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and shared an interest in avant-garde performance, he disagreed with
Schechner about what should appear in
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77:, with an identical twin who later collaborated with him on some of his writings. He graduated from
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where he earned a MFA in directing and then a PhD from BU's drama department.
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and graduated in 1953, majoring in psychology. He continued his education at
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November 20, 1995.(Kirby is quoted on the subject of performance studies.)
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and about the value of the field that was emerging at the time,
19:(1931 – February 24, 1997) was a professor of drama at
23:. He wrote several groundbreaking books, including
171:Boston University College of Communication alumni
139:Princeton Alumni Weekly: Michael Stanley Kirby
128:Princeton Alumni Weekly: Michael Stanley Kirby
42:Although he taught at NYU simultaneously with
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63:Boston University College of Communication
196:20th-century American non-fiction writers
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95:Cambridge Guide to American Theater
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191:20th-century American male actors
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186:New York University faculty
166:Princeton University alumni
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176:American magazine editors
81:in New York. He died of
105:Transcending Substance
17:Michael Stanley Kirby
181:Deaths from leukemia
59:Princeton University
29:Futurist Performance
52:performance studies
39:from 1969 to 1986.
35:. He was editor of
21:New York University
73:Kirby was born in
44:Richard Schechner
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37:The Drama Review
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79:Rye High School
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33:The Art of Time
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161:1997 deaths
156:1931 births
109:TheaterWeek
150:Categories
89:References
75:California
25:Happenings
83:leukemia
69:Personal
116:Notes
31:and
107:in
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48:TDR
152::
85:.
27:,
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