307:: "I've published fictional poems under the name Neal Bowers, fictional stories under the names Christian Piers, Jonah Ogles, Arin Fisher, Sarah Mignin, and Matthew Douglas McCabe, fictional nonfiction under the username zzxyzz , fictional advertisements under the name Klemm Co., and fictional songs with the band under the name AVALANCHE." Of this impulse, Martone has said "I’ve never really felt much like 'Michael Martone'—sometimes I think my entire life I’ve been wearing a costume. At some point I put it on to cope with things that Michael Martone was too weak to take on as himself. And after a while I forgot I was even wearing the costume. Now I can’t take it off. I’ve forgotten where the zipper is, and I’m stuck in it."
339:), Martone provides a list of major influences, cataloguing figures not only from literary fiction but also popular musicians, visual artists, and television personalities, explaining that, to him it seems "the assumptions about influences often suggest the notion of a Gatsby-like program of improvement. The writer only reads 'good' books that contribute to his or her scheme of perfection ... Whatever I am up to as a writer has come about mainly by accident, inertia, and least resistance." Throughout other interviews, Martone reiterates a number of the same names and also mentions several others, occasionally expanding on why these writers are important for him. What follows is a partial list gleaned from these interviews.
42:
1670:
299:
which describes the author's agonizing hunt for the person who has plagiarized his poems, Martone began to publish poetry under the pseudonym "Neal Bowers." "I am not using Bowers' poems," Martone later explained, "only the name. So when these poems get published, Neal Bowers could actually include
290:
Martone has devoted much of his career to disrupting and defamiliarizing the taken-as-given notions of order, ownership, and identity in his field, and has been described as literature's "most notorious mutineer." In 1988 his membership to the
American Academy of Poets was briefly revoked after he
269:," and "in no way factually depicts or accurately represents the State of Indiana." The disclaimer, Martone explains, was included after he received a cease and desist letter from the publisher of "the real Blue Guide." This letter in turn inspired the opening chapter of Martone's 2015 anthology,
256:, is an investigation of form and autobiography. It was originally written as a series of contributor's notes for various publications. One of his central interests is the "false biography" and the often blurry boundary between fact and fiction. He also considers himself a "neo-regionalist."
314:
the sole copy of which exists within the confines of a rural shed in Fort Wayne, Indiana, nailed page by page to the walls, windows, and rafters, in a random, unnumbered order. More recently, he has been working on the sequel to this piece in an abandoned carton factory on the outskirts of
300:
them on his vita as far as I'm concerned. I hope he does ... I understand the theft of intellectual property that got Neal Bowers so worked up. But is it plagiarism to actually contribute to someone else's work? I am not stealing his work but actually donating my own to his store of work."
277:—which claims proprietary rights to “the distribution of Sadness, Fear, Longing, and Confusion itself. We have patented madness. We own Trembling. We extensively market Grief.“ Martone further obscured the line between fact and fiction in his 2020 book,
175:
Martone has won two
Fellowships from the NEA and a grant from the Ingram Merrill Foundation. His stories and essays have appeared and been cited in the Pushcart Prize, The Best American Stories and The Best American Essays anthologies.
291:
published two books, one listed as "prose" and one as "poetry" which were—aside from the line-breaks in one—completely identical to one another. His AWP membership has been revoked multiple times. In the late nineties, after reading
310:
Martone's work sometimes resembles, more so than traditional literature, performance and installation art. In his twenties, under the name Paul French, Martone self-published the book
240:
1796:
1791:
315:
Tuscaloosa. Martone has also written a number of fictional interviews with his mentor John Barth, as well as fictional advertisements in the margins of magazines such as
1092:
1781:
1776:
1801:
1761:
1751:
1746:
316:
263:
which, as a disclaimer on the cover makes clear, "is in no way affiliated with, endorsed by, or associated with the series of travel books titled
1721:
1659:
1566:
1048:
907:
891:
866:
840:
813:
786:
760:
230:
while the two lived together in
Brooklyn. It was later on, while teaching at Syracuse in the early 1990s, that Martone befriended a young
491:
1660:
1470:
1454:
1411:
1327:
1287:
1228:
1525:
968:
The Truman Capote Prize For
Distinguished Work in the Short Story or Literary Non-Fiction (2023), the Monroeville Literary Festival.
698:
657:
631:
1756:
1015:
1786:
1541:
223:
with his wife, the poet
Theresa Pappas. The couple has two sons, both of whom are writers: Sam Martone and Nicholas V. Pappas.
1245:
1484:
1498:
1096:
1694:
41:
1260:
1344:
226:
Aside from studying under and befriending John Barth, Martone also developed a close relationship with the writer
273:, written in the form of a cease and desist letter from the fictional town of Winesburg—created by the novelist
1675:
965:
The 2022 Druid Arts Award for literary educator, The Arts and
Humanities Council of Tuscaloosa County, Alabama.
193:
104:
1711:
1431:
1690:
1771:
1591:
1567:"UA English Professor Wins 2016 Mark Twain Award for Midwestern Literature – University of Alabama News"
205:
201:
169:
1122:
1304:
616:
The
Scribner Anthology of Contemporary Short Fiction: Fifty North American American Stories Since 1970
1766:
320:
231:
501:
213:
161:
67:
1726:
283:
209:
189:
100:
1147:
1521:
1450:
1407:
1352:
1323:
1283:
1224:
1044:
913:
903:
887:
872:
862:
846:
836:
819:
809:
792:
782:
766:
756:
704:
694:
663:
653:
637:
627:
447:
363:
185:
96:
281:, which was called "an ingenious reimagining of the real-life inventor of skywriting" by the
452:
398:
324:
506:
412:
274:
17:
1380:
476:
442:
417:
403:
227:
108:
986:
1740:
1616:
1514:
526:
516:
457:
432:
427:
393:
383:
373:
86:
259:
The permeable boundary between fact and fiction is reflected in books like his 2001
859:
The Moon over
Wapakoneta: Fictions & Science Fictions from Indiana & Beyond
687:
679:
511:
462:
437:
1731:
1658:
962:
The Mark Twain Award by The
Society for the Study of Midwestern Literature (2016)
521:
496:
422:
368:
353:
348:
292:
265:
917:
876:
850:
486:
481:
358:
235:
220:
197:
1356:
823:
796:
770:
708:
667:
641:
467:
388:
378:
165:
897:
1678:
was created from a revision of this article dated 11 June 2022
1171:
164:) is an American author. Since 1977, he has written nearly 30 books and
1716:
1704:
1471:"INTERVIEW WITH MICHAEL MARTONE, 2016 BLUE LIGHT BOOKS PRIZE JUDGE"
952:
The
Associated Writing Programs Award for Creative Nonfiction, for
234:
and introduced to him a number of influential works, most notably
1221:
Brooding: Arias, Choruses, Lullabies, Follies, Dirges, and a Duet
1064:
1041:
Brooding: Arias, Choruses, Lullabies, Follies, Dirges, and a Duet
833:
Brooding: Arias, Choruses, Lullabies, Follies, Dirges, and a Duet
722:
Rules of Thumb: 73 Authors Reveal Their Fiction Writing Fixations
200:. He has been a faculty member of the MFA Program for Writers at
531:
1447:
Unconventions: Attempting the Art of Craft and the Craft of Art
1404:
Delicious Imaginations: Conversations with Contemporary Writers
1246:"Michael Martone Finds Fantasy and Humor in His Native Indiana"
716:
Unconventions: Attempting the Art of Craft and the Craft of Art
168:. He was a professor at the Program in Creative Writing at the
1016:"On Retirement and the Work that Comes After: Michael Martone"
884:
The Complete Writings of Art Smith, the Bird Boy of Fort Wayne
279:
The Complete Writings of Art Smith, the Bird Boy of Fort Wayne
1520:. New York: Scribner Paperpack Fiction. pp. Back Cover.
146:
1656:
342:
172:, where he taught from 1996 until his retirement in 2020.
746:
Not Normal, Illinois: Peculiar Fictions from the Flyover
734:
Touchstone Anthology of Contemporary Creative Nonfiction
922:
335:
In a 2007 interview with Fred Arroyo (now collected in
740:
Racing in Place: Collages, Fragments, Postcards, Ruins
303:
According to Martone he has written under a number of
650:
101 Damnations: The Humorists' Tour of Personal Hells
1596:
The Arts and Humanities Council of Tuscaloosa County
1516:
The Scribner Anthology of Contemporary Short Fiction
139:
131:
123:
115:
92:
82:
74:
51:
32:
1542:"Two IUP authors win 2013 Indiana Authors Awards!"
1513:
686:
755:. Tuscaloosa: University of Alabama Press. 2011.
728:Double-Wide: Collected Fiction of Michael Martone
1086:
1084:
693:. Normal. Illinois: Fiction Collective 2. 2005.
1043:. The University of Georgia Press. p. 47.
1669:
192:. He holds an MA from the Writing Seminars of
1020:English Department, the University of Alabama
8:
1485:"Daniel Green and Michael Martone (BSS #56)"
1069:The University of Alabama English Department
991:The Library of Congress Name Authority File
899:Plain Air: Sketches from Winesburg, Indiana
1320:Winesburg, Indiana: A Fork River Anthology
936:Table Talk & Second Thoughts: A Memoir
806:Winesburg, Indiana: A Fork River Anthology
804:Martone, Michael; Furuness, Bryan (2015).
40:
29:
1797:21st-century American non-fiction writers
1792:20th-century American non-fiction writers
1009:
1007:
676:Extreme Fiction: Fabulists and Formalists
1686:, and does not reflect subsequent edits.
1374:
1372:
1727:Interview at The Quarterly Conversation
978:
592:Fort Wayne Is Seventh on Hitler’s List
574:A Place of Sense: Pieces of the Midwest
1123:"An Interview with writer Sam Martone"
652:. New York: Thomas Dunne Books. 2002.
580:Fort Wayne Is Seventh on Hitler’s List
1425:
1423:
1200:"An Interview with Michael Martone".
929:The Tiny Book of Forts: Flash Fiction
923:Official wiki for Winesburg, Indiana.
7:
1195:
1193:
1191:
956:, University of Georgia Press (1998)
938:, book released in conjunction with
902:. Reno, Nevada: Baobab Press. 2022.
1432:"An Interview with Michael Martone"
1381:"An Interview with Michael Martone"
736:, 2007 (editor, with Lex Williford)
618:, 1999 (editor, with Lex Williford)
598:Pensées: The Thoughts of Dan Quayle
492:The Big Book (Alcoholics Anonymous)
119:Short story, non-fiction, formalist
1782:21st-century American male writers
1777:20th-century American male writers
1345:"The Best Books to Give This Year"
1322:. Break Away Books. pp. 2–3.
25:
1802:American male non-fiction writers
959:The Indiana Author's Award (2013)
610:The Flatness and Other Landscapes
1762:Writers from Fort Wayne, Indiana
1668:
1305:"Interview with Michael Martone"
1261:"Interview with Michael Martone"
622:Martone, Michael (August 2001).
586:Townships: Pieces of the Midwest
1752:21st-century American novelists
1747:20th-century American novelists
216:and the University of Alabama.
135:Sam Martone, Nicholas V. Pappas
1:
1621:Monroeville Literary Festival
1379:Baker, Matthew (2011-11-25).
1014:Waltman, Kevin (2020-05-12).
954:Flatness and Other Landscapes
1499:"Interview: Michael Martone"
753:Four for a Quarter: Fictions
1343:Lyall, Sarah (2020-11-26).
27:American writer (born 1955)
1818:
1172:"Nicholas Vasilios Pappas"
1722:Interview at Devil's Lake
1571:The University of Alabama
1445:Martone, Michael (2005).
1318:Martone, Michael (2015).
1303:Basiletti, Emily (2015).
1280:The Blue Guide to Indiana
1278:Martone, Michael (2001).
1219:Martone, Michael (2018).
1152:The Barrington Collective
1148:"The Huntsville Huntsman"
1039:Martone, Michael (2018).
931:. Buttonhook Press. 2023.
831:Martone, Michael (2018).
781:. Bull City Press. 2015.
624:The Blue Guide to Indiana
556:Alive and Dead in Indiana
261:The Blue Guide to Indiana
196:, where he studied under
160:(born August 22, 1955 in
144:
39:
1717:Biography at Web Del Sol
1546:Indiana University Press
1402:Kehrwald, Kevin (1998).
1127:Mid-American Review Blog
194:Johns Hopkins University
105:Johns Hopkins University
18:Michael Martone (author)
1757:American male novelists
1512:Williford, Lex (1999).
1282:. FC2. pp. Cover.
1265:Southern Indiana Review
295:' book of non-fiction,
1787:Novelists from Indiana
1712:Interview at HTMLGIANT
1664:
1644:Listen to this article
1244:Dupont, David (2019).
1732:Detailed bibliography
1663:
1259:Cory, Jordan (2008).
678:, 2003 (editor, with
297:Words for the Taking,
252:Martone's 2005 work,
206:Iowa State University
202:Warren Wilson College
170:University of Alabama
1695:More spoken articles
1449:. pp. 165–167.
942:magazine #19 (2024).
552:, 1977 (prose poems)
321:Black Warrior Review
232:David Foster Wallace
204:, and has taught at
1592:"Druid Arts Awards"
1110:Superstition Review
742:, 2008 (nonfiction)
718:, 2005 (nonfiction)
612:, 1999 (nonfiction)
564:, 1985 (nonfiction)
502:Philo T. Farnsworth
214:Syracuse University
188:and graduated from
162:Fort Wayne, Indiana
68:Fort Wayne, Indiana
1665:
1349:The New York Times
987:"Martone, Michael"
886:, 2020 ("editor")
271:Winesburg, Indiana
210:Harvard University
190:Indiana University
101:Indiana University
1661:
1093:"Michael Martone"
1065:"Michael Martone"
1050:9-780-8203-5307-4
909:978-1-936097-42-5
892:978-1-950774-21-0
868:978-1-57366-068-6
842:978-0-8203-5307-4
815:978-0-253-01734-5
788:978-1-4951-5762-2
762:978-1-57366-827-9
540:
539:
448:Jorge Luis Borges
364:Lawrence Weschler
275:Sherwood Anderson
186:Butler University
184:Martone attended
155:
154:
97:Butler University
16:(Redirected from
1809:
1708:
1707:
1705:Official website
1685:
1683:
1672:
1671:
1662:
1652:
1650:
1645:
1631:
1630:
1628:
1627:
1613:
1607:
1606:
1604:
1603:
1588:
1582:
1581:
1579:
1578:
1563:
1557:
1556:
1554:
1553:
1538:
1532:
1531:
1519:
1509:
1503:
1502:
1495:
1489:
1488:
1481:
1475:
1474:
1467:
1461:
1460:
1442:
1436:
1435:
1427:
1418:
1417:
1399:
1393:
1392:
1376:
1367:
1366:
1364:
1363:
1340:
1334:
1333:
1315:
1309:
1308:
1300:
1294:
1293:
1275:
1269:
1268:
1256:
1250:
1249:
1241:
1235:
1234:
1216:
1210:
1209:
1197:
1186:
1185:
1183:
1182:
1168:
1162:
1161:
1159:
1158:
1144:
1138:
1137:
1135:
1134:
1119:
1113:
1107:
1105:
1104:
1095:. Archived from
1088:
1079:
1078:
1076:
1075:
1061:
1055:
1054:
1036:
1030:
1029:
1027:
1026:
1011:
1002:
1001:
999:
998:
983:
932:
921:
880:
854:
827:
800:
774:
730:, 2007 (fiction)
712:
692:
671:
645:
606:, 1995 (fiction)
600:, 1994 (fiction)
594:, 1992 (fiction)
582:, 1990 (fiction)
570:, 1988 (fiction)
562:Return to Powers
558:, 1984 (fiction)
453:Donald Barthelme
399:Captain Kangaroo
343:
325:Nashville Review
151:
148:
65:
61:
59:
46:Martone in 2018.
44:
30:
21:
1817:
1816:
1812:
1811:
1810:
1808:
1807:
1806:
1737:
1736:
1703:
1702:
1699:
1698:
1687:
1681:
1679:
1676:This audio file
1673:
1666:
1657:
1654:
1648:
1647:
1643:
1640:
1635:
1634:
1625:
1623:
1615:
1614:
1610:
1601:
1599:
1590:
1589:
1585:
1576:
1574:
1565:
1564:
1560:
1551:
1549:
1540:
1539:
1535:
1528:
1511:
1510:
1506:
1497:
1496:
1492:
1483:
1482:
1478:
1469:
1468:
1464:
1457:
1444:
1443:
1439:
1429:
1428:
1421:
1414:
1406:. p. 181.
1401:
1400:
1396:
1378:
1377:
1370:
1361:
1359:
1342:
1341:
1337:
1330:
1317:
1316:
1312:
1302:
1301:
1297:
1290:
1277:
1276:
1272:
1258:
1257:
1253:
1243:
1242:
1238:
1231:
1223:. p. 177.
1218:
1217:
1213:
1199:
1198:
1189:
1180:
1178:
1170:
1169:
1165:
1156:
1154:
1146:
1145:
1141:
1132:
1130:
1121:
1120:
1116:
1102:
1100:
1091:
1089:
1082:
1073:
1071:
1063:
1062:
1058:
1051:
1038:
1037:
1033:
1024:
1022:
1013:
1012:
1005:
996:
994:
985:
984:
980:
975:
949:
927:
910:
896:
869:
857:
843:
830:
816:
803:
789:
777:
763:
751:
748:, 2009 (editor)
724:, 2006 (editor)
701:
689:Michael Martone
685:
660:
648:
634:
621:
588:, 1992 (editor)
576:, 1988 (editor)
546:
541:
507:Chester Carlson
413:O. Winston Link
333:
312:The Numberless,
254:Michael Martone
250:
182:
158:Michael Martone
147:fourforaquarter
145:
103:
99:
66:
63:
62:August 22, 1955
57:
55:
47:
35:
34:Michael Martone
28:
23:
22:
15:
12:
11:
5:
1815:
1813:
1805:
1804:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1754:
1749:
1739:
1738:
1735:
1734:
1729:
1724:
1719:
1714:
1709:
1688:
1674:
1667:
1655:
1642:
1641:
1639:
1638:External links
1636:
1633:
1632:
1608:
1583:
1558:
1533:
1526:
1504:
1490:
1476:
1462:
1456:978-0820327792
1455:
1437:
1419:
1413:978-1557531247
1412:
1394:
1368:
1335:
1329:978-0253016881
1328:
1310:
1295:
1289:978-1573660952
1288:
1270:
1251:
1236:
1230:978-0820353074
1229:
1211:
1187:
1163:
1139:
1114:
1080:
1056:
1049:
1031:
1003:
977:
976:
974:
971:
970:
969:
966:
963:
960:
957:
948:
945:
944:
943:
933:
925:
908:
894:
881:
867:
855:
841:
828:
814:
801:
787:
775:
761:
749:
743:
737:
731:
725:
719:
713:
699:
683:
673:
658:
646:
632:
619:
613:
607:
601:
595:
589:
583:
577:
571:
565:
559:
553:
545:
542:
538:
537:
536:
535:
529:
524:
519:
514:
509:
504:
499:
494:
489:
484:
479:
477:Joseph Cornell
472:
471:
470:
465:
460:
455:
450:
445:
443:Samuel Beckett
440:
435:
430:
425:
420:
418:Edith Hamilton
415:
408:
407:
406:
404:Gertrude Stein
401:
396:
391:
386:
381:
376:
371:
366:
361:
356:
351:
341:
332:
329:
284:New York Times
249:
246:
228:Thomas Pynchon
181:
178:
153:
152:
142:
141:
137:
136:
133:
129:
128:
127:Theresa Pappas
125:
121:
120:
117:
113:
112:
94:
90:
89:
84:
80:
79:
76:
72:
71:
53:
49:
48:
45:
37:
36:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1814:
1803:
1800:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1772:Living people
1770:
1768:
1765:
1763:
1760:
1758:
1755:
1753:
1750:
1748:
1745:
1744:
1742:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1713:
1710:
1706:
1701:
1700:
1696:
1692:
1677:
1637:
1622:
1618:
1612:
1609:
1597:
1593:
1587:
1584:
1572:
1568:
1562:
1559:
1547:
1543:
1537:
1534:
1529:
1527:0-684-85796-0
1523:
1518:
1517:
1508:
1505:
1500:
1494:
1491:
1486:
1480:
1477:
1472:
1466:
1463:
1458:
1452:
1448:
1441:
1438:
1433:
1430:Baker, Matt.
1426:
1424:
1420:
1415:
1409:
1405:
1398:
1395:
1390:
1386:
1382:
1375:
1373:
1369:
1358:
1354:
1350:
1346:
1339:
1336:
1331:
1325:
1321:
1314:
1311:
1306:
1299:
1296:
1291:
1285:
1281:
1274:
1271:
1266:
1262:
1255:
1252:
1247:
1240:
1237:
1232:
1226:
1222:
1215:
1212:
1207:
1203:
1196:
1194:
1192:
1188:
1177:
1176:Backstage.com
1173:
1167:
1164:
1153:
1149:
1143:
1140:
1128:
1124:
1118:
1115:
1111:
1099:on 2012-12-12
1098:
1094:
1087:
1085:
1081:
1070:
1066:
1060:
1057:
1052:
1046:
1042:
1035:
1032:
1021:
1017:
1010:
1008:
1004:
992:
988:
982:
979:
972:
967:
964:
961:
958:
955:
951:
950:
946:
941:
937:
934:
930:
926:
924:
919:
915:
911:
905:
901:
900:
895:
893:
889:
885:
882:
878:
874:
870:
864:
860:
856:
852:
848:
844:
838:
834:
829:
825:
821:
817:
811:
807:
802:
798:
794:
790:
784:
780:
776:
772:
768:
764:
758:
754:
750:
747:
744:
741:
738:
735:
732:
729:
726:
723:
720:
717:
714:
710:
706:
702:
700:1-57366-126-0
696:
691:
690:
684:
681:
677:
674:
672:(contributor)
669:
665:
661:
659:0-312-28480-2
655:
651:
647:
643:
639:
635:
633:1-57366-095-7
629:
625:
620:
617:
614:
611:
608:
605:
602:
599:
596:
593:
590:
587:
584:
581:
578:
575:
572:
569:
568:Safety Patrol
566:
563:
560:
557:
554:
551:
548:
547:
543:
533:
530:
528:
527:Alfred Kinsey
525:
523:
520:
518:
517:Stanley Elkin
515:
513:
510:
508:
505:
503:
500:
498:
495:
493:
490:
488:
485:
483:
480:
478:
475:
474:
473:
469:
466:
464:
461:
459:
458:Italo Calvino
456:
454:
451:
449:
446:
444:
441:
439:
436:
434:
433:Duplex Planet
431:
429:
428:J. G. Ballard
426:
424:
421:
419:
416:
414:
411:
410:
409:
405:
402:
400:
397:
395:
394:Mister Rogers
392:
390:
387:
385:
384:Raymond Loewy
382:
380:
377:
375:
374:Cindy Sherman
372:
370:
367:
365:
362:
360:
357:
355:
352:
350:
347:
346:
345:
344:
340:
338:
337:Unconventions
330:
328:
326:
322:
318:
313:
308:
306:
305:nom de plumes
301:
298:
294:
288:
286:
285:
280:
276:
272:
268:
267:
262:
257:
255:
247:
245:
244:
242:
237:
233:
229:
224:
222:
217:
215:
211:
207:
203:
199:
195:
191:
187:
179:
177:
173:
171:
167:
163:
159:
150:
143:
138:
134:
130:
126:
122:
118:
114:
110:
106:
102:
98:
95:
91:
88:
85:
81:
77:
73:
69:
64:(age 69)
54:
50:
43:
38:
31:
19:
1624:. Retrieved
1620:
1611:
1600:. Retrieved
1595:
1586:
1575:. Retrieved
1573:. 2016-05-31
1570:
1561:
1550:. Retrieved
1548:. 2013-06-18
1545:
1536:
1515:
1507:
1493:
1479:
1465:
1446:
1440:
1403:
1397:
1388:
1384:
1360:. Retrieved
1348:
1338:
1319:
1313:
1298:
1279:
1273:
1264:
1254:
1239:
1220:
1214:
1205:
1201:
1179:. Retrieved
1175:
1166:
1155:. Retrieved
1151:
1142:
1131:. Retrieved
1129:. 2016-08-11
1126:
1117:
1112:, Fall 2009.
1109:
1101:. Retrieved
1097:the original
1072:. Retrieved
1068:
1059:
1040:
1034:
1023:. Retrieved
1019:
995:. Retrieved
993:. 2014-10-07
990:
981:
953:
939:
935:
928:
898:
883:
858:
832:
805:
778:
752:
745:
739:
733:
727:
721:
715:
688:
680:Robin Hemley
675:
649:
623:
615:
609:
603:
597:
591:
585:
579:
573:
567:
561:
555:
549:
512:Thomas Hardy
463:William Gass
438:Harvey Pekar
336:
334:
311:
309:
304:
302:
296:
289:
282:
278:
270:
264:
260:
258:
253:
251:
239:
225:
219:He lives in
218:
183:
174:
157:
156:
1767:1955 births
522:Cole Porter
497:Thomas Kuhn
369:Chuck Jones
354:Roy Behrens
349:Hugh Kenner
317:McSweeney’s
293:Neal Bowers
83:Nationality
1741:Categories
1691:Audio help
1682:2022-06-11
1626:2023-03-03
1602:2022-04-11
1577:2020-02-09
1552:2020-02-09
1362:2020-12-03
1181:2020-10-04
1157:2020-10-04
1133:2020-09-27
1103:2012-07-25
1074:2018-05-07
1025:2020-12-03
997:2020-12-03
973:References
918:1292732196
877:1028610732
851:1005849629
604:Seeing Eye
487:Thucydides
482:John Barth
359:Lewis Hyde
331:Influences
266:Blue Guide
236:Lewis Hyde
221:Tuscaloosa
198:John Barth
75:Occupation
58:1955-08-22
1357:0362-4331
824:913869303
797:951955497
779:Memoranda
771:772845458
550:At a Loss
468:WOWO (AM)
389:Tom Waits
379:Yma Sumac
180:Biography
166:chapbooks
93:Education
1693: ·
1617:"Awards"
709:61131775
668:48655651
642:46401580
423:La Jetée
241:The Gift
132:Children
87:American
1680: (
1651:minutes
1501:. 2006.
1487:. 2006.
1473:. 2015.
140:Website
1598:. 2022
1524:
1453:
1410:
1355:
1326:
1286:
1227:
1047:
947:Awards
916:
906:
890:
875:
865:
849:
839:
822:
812:
795:
785:
769:
759:
707:
697:
666:
656:
640:
630:
248:Career
124:Spouse
78:Writer
70:, U.S.
1391:(11).
1385:Booth
1208:(11).
1202:Booth
940:Booth
544:Works
534:
116:Genre
1522:ISBN
1451:ISBN
1408:ISBN
1353:ISSN
1324:ISBN
1284:ISBN
1225:ISBN
1045:ISBN
914:OCLC
904:ISBN
888:ISBN
873:OCLC
863:ISBN
847:OCLC
837:ISBN
820:OCLC
810:ISBN
793:OCLC
783:ISBN
767:OCLC
757:ISBN
705:OCLC
695:ISBN
664:OCLC
654:ISBN
638:OCLC
628:ISBN
532:Saki
323:and
149:.com
52:Born
1108:",
238:'s
1743::
1619:.
1594:.
1569:.
1544:.
1422:^
1387:.
1383:.
1371:^
1351:.
1347:.
1263:.
1204:.
1190:^
1174:.
1150:.
1125:.
1083:^
1067:.
1018:.
1006:^
989:.
912:.
871:.
861:.
845:.
835:.
818:.
808:.
791:.
765:.
703:.
662:.
636:.
626:.
327:.
319:,
287:.
212:,
208:,
109:MA
60:)
1697:)
1689:(
1684:)
1653:)
1649:8
1646:(
1629:.
1605:.
1580:.
1555:.
1530:.
1459:.
1434:.
1416:.
1389:3
1365:.
1332:.
1307:.
1292:.
1267:.
1248:.
1233:.
1206:3
1184:.
1160:.
1136:.
1106:.
1090:"
1077:.
1053:.
1028:.
1000:.
920:.
879:.
853:.
826:.
799:.
773:.
711:.
682:)
670:.
644:.
243:.
111:)
107:(
56:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
