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and grew up on Pitt Street, which was renamed Balfe Street in 1917 in his honour. His musical gifts became apparent at an early age, and he received instruction from his father, a dancing master and violinist, and from the composer
368:. The piece ran for over 100 nights, and productions were soon mounted in New York, Dublin, Philadelphia, Vienna (in German), Sydney, and throughout Europe and elsewhere. In 1854, an Italian adaptation called
52:
After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed at least 29 operas, almost 250 songs, several
206:. The couple had two sons and two daughters. Their younger son, Edward, died in infancy. Their elder son, Michael William Jr., died in 1915. Their daughters were Louisa (1832–1869) and
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114:, "The Lovers' Mistake". In 1823, upon his father's death, the teenaged Balfe moved to London and was engaged as a violinist in the orchestra of the
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Balfe returned to London with his wife and young daughter in May 1835. His initial success took place some months later, with the premiere of
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In Lugano, Switzerland, around 1831, he married Lina Roser (1806–1888), a
Hungarian-born singer of Austrian parentage whom he had met at
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when he was a child. Between 1814 and 1815, Balfe played the violin for his father's dancing-classes, and at the age of seven composed a
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191:, then 18 years old. She performed it with the tenor Francesco Pedrazzi with much success. Balfe produced his first complete opera,
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with great success, and it too was performed internationally in both
Italian and German. In 1862, a four-act French version titled
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637:(J.H. Vernoy de Saint Georges), Rouen: Théâtre des Arts, 23 April 1862; revised version: Paris: Théâtre Lyrique, 30 December 1869
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Balfe soon returned to Italy, where he was based for the next eight years, singing and composing several operas. He met
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427:, sung by nine female singers, each representing a country. He continued to compose new operas in English, including
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According to an inscription on the certificate of the couple's subsequent
British wedding ceremony in December 1837
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147:. In 1825, his wealthy patron Count Mazzara took him to Rome for vocal and musical studies and introduced him to
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From 1846 to 1852, Balfe was appointed musical director and principal conductor for the
Italian Opera at
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While still playing the violin, Balfe pursued a career as an opera singer. He debuted unsuccessfully at
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790:(Arthur Matthison, Italian transl. by Giuseppe Zaffira), London: Theatre Royal Drury Lane, 11 June 1874
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and others. Meanwhile, in 1843, Balfe returned to London, where he produced his most successful work,
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715:(J.H. Vernoy de Saint Georges, transl. by A. Bunn), London: Theatre Royal Drury Lane, 6 March 1852
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43:(15 May 1808 – 20 October 1870) was an Irish composer, best remembered for his operas, especially
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Derek B. Scott sings Balfe's musical setting (1857) of
Tennyson's "Come into the Garden, Maud"
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752:(A. Harris and Edmund Falconer), London: Royal English Opera Covent Garden, 20 December 1858
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by interpolating music of his own compelled Balfe to throw up his engagement at the theatre
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in 1862) and a symphony (1829). Balfe's only large-scale piece that is still performed is
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118:. He eventually became the leader of that orchestra. While there, he studied violin with
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English Opera from 1834 to 1864 with
Particular Reference to the Works of Michael Balfe
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472:, who had died five years before. In 1882, a medallion portrait of him was unveiled in
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294:
293:, with an Italian libretto by S. Manfredo Maggione. The production starred his friends
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151:. Balfe also pursued composing: in Italy, he wrote his first dramatic work, a ballet,
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In all, Balfe composed at least 29 operas. He also wrote several cantatas (including
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and
National Chamber Choir of Ireland, conducted by Marco Zambelli, broadcast by
758:(J. Palgrave Simpson), London: Royal English Opera Covent Garden, 6 December 1860
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on 29 October 1835 at Drury Lane. Encouraged by his success, in 1836 he produced
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701:(Johann Christoph Grünbaum), Berlin: Königliches Schauspielhaus, 25 January 1850
578:(Manfredo Maggioni), London: Her Majesty's Theatre (Italian Opera), 19 July 1838
441:), "Come Into the Garden, Maud", "Killarney", and "Excelsior" (a setting of the
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666:(S.F. Maggione), London: His Majesty's Theatre (Italian Opera), 11 August 1851
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772:(J.V. Bridgeman), London: Royal English Opera Covent Garden, 12 February 1863
764:(J.V. Bridgeman), London: Royal English Opera Covent Garden, 30 November 1861
680:(J.H. Vernoy de Saint Georges), London: Theatre Royal Drury Lane, 14 May 1845
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584:(Edward Fitzball), London Theatre Royal (English Opera House), 9 March 1841
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734:(William Alexander Barrett), London: Her Majesty's Theatre, 28 January 1882
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In 1817, he appeared as a violinist in public, and in this year composed a
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and other works. He was also a noted conductor, directing
Italian Opera at
778:(J. Brougham), London: Royal English Opera Covent Garden, 21 November 1863
460:, where he rented a country estate. He died at his home in Rowney Abbey,
233:
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970:, Oxford Music Online, accessed 17 November 2012 (subscription required)
744:(A. Harris and Edmund Falconer), London: Lyceum Theatre, 29 October 1857
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322:, but the venture was a failure. The same year, he premiered his opera
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645:(A. de Leuven and L.L. Brunswick), Paris: Opéra Comique, 15 July 1844
599:(Eugène Scribe and A. de Leuven), Paris: Opéra Comique, 20 April 1843
784:(H.B. Farnie), London: Royal Gallery of Illustrations, 31 August 1864
709:(Edward Fitzball), London: Theatre Royal Drury Lane, 20 December 1847
564:(Edward Fitzball), London: Theatre Royal Drury Lane, 30 November 1837
531:(Edward Fitzball), London: Theatre Royal Drury Lane, 29 October 1835
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83:
896:
A Balfe overture and songs (together with several
Sullivan pieces),
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and later released on CD as RTÉ LyricFM CD119, available from Naxos.
433:(1863), and wrote hundreds of songs, such as "When Other Hearts", "
694:(Alfred Bunn), London: Theatre Royal Drury Lane, 11 December 1846
659:(Joseph Kupelwieser), Vienna: Josefstadt-Theater, 14 December 1844
623:(Alfred Bunn), London: Theatre Royal Drury Lane, 27 November 1843
613:(Joseph Kupelwieser), Vienna: Theater an der Wien, 4 November 1845
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1227:, Vol. One, pp. 286–288. London: Macmillan Publishers, Inc.
674:(Alfred Bunn), London: Theatre Royal Drury Lane, 27 November 1844
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plaque unveiled in 1912 commemorates Balfe at 12 Seymour Street,
591:(Karl Gollmick), Vienna: Theater am Kärntnertor, 3 December 1853
570:(Edward Fitzball), London: Theatre Royal Drury Lane, 17 May 1838
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630:(Joseph Kupelwieser), Vienna: Theater an der Wien, 24 July 1846
558:(George Linley), London: Theatre Royal Drury Lane, 27 May 1837
1270:(Dublin & Portland, Oregon: Irish Academic Press, 2008),
831:, originally released on the Argo label in 1991, reissued on
525:(unknown librettist), Milan: Teatro Carcano, 19 February 1833
340:(also popular in German-speaking countries for many years as
552:(Alfred Bunn), London: Theatre Royal Drury Lane, 27 May 1836
1115:, The Gilbert and Sullivan Archive, accessed 2 October 2010
1180:, Axel Klein – Irish Music Research, accessed 4 March 2015
652:(G.A. Beckett), London: Princess Theatre, 20 November 1844
106:, first called "Young Fanny" and afterwards, when sung in
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at the
Excelsior Trust website. Accessed 17 August 2010
727:(F.M. Piave), Trieste: Teatro Grande, 21 November 1854
159:'s, and at the close of 1827, he appeared as Figaro in
1255:(Aldershot & Burlington, Vermont: Ashgate, 2003),
1253:
Michael William Balfe. His Life and His English Operas
1110:
Introduction and link to English-language libretto of
445:). His last opera, nearly completed when he died, was
404:
at her opera debut and on many occasions thereafter.
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as his assistant. There he first produced several of
330:(1843) in early 1843, followed by his opera based on
513:(A. Alcozer), Palermo: Teatro Carolino, 29 June 1829
1454:
995:, RTÉ LyricFM CD119, CD notes by Basil Walsh (2008)
799:Recordings of Balfe's work include the following:
721:(Alfred Bunn), London: Surrey Theatre, 26 July 1852
1335:– Profile of Balfe and links to information about
1217:Burton, Nigel (1998): “Balfe, Michael William” in
297:(bass) in the title role, Giulia Grisi (soprano),
1064:"Michael W. Balfe (1808–70): His Life and Career"
688:(Hippolyte Lucas), Paris: Opéra, 17 December 1845
423:in London, Balfe composed an innovative cantata,
400:'s operas for London audiences. He conducted for
318:In 1841, Balfe founded the National Opera at the
226:, where he had been engaged to sing in Rossini's
519:(G. Foppa), Pavia: Teatro Condomini, 11 May 1831
449:and achieved considerable success in Italian as
305:(baritone). The same four singers had premiered
276:, which was followed by more operas in English.
542:), Vienna: Theater an der Wien, 24 October 1846
380:was produced in France and was also a success.
61:for seven years, among other conducting posts.
1428:
1407:Discography of American Historical Recordings
1268:Michael W. Balfe. A Unique Victorian Composer
881:Opera Ireland (2008) live concert of Balfe's
236:in 1834. An unpopular attempt at "improving"
8:
1314:(11th ed.). Cambridge University Press.
1360:. London: Smith, Elder & Co. 1885–1900.
1145:
1143:
1435:
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803:LP recordings (Rare Recorded Editions) of
606:, London: Princess Theatre, 14 August 1843
279:In July 1838, Balfe composed a new opera,
1319:Michael William Balfe cylinder recordings
1293:International Music Score Library Project
468:in London, next to fellow Irish composer
847:, Melba Z-MR301082, a CD of Balfe arias.
1579:Irish expatriates in the United Kingdom
1544:19th-century British male opera singers
1394:Works by or about Michael William Balfe
1327:University of California, Santa Barbara
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315:at the Italian Opera in Paris in 1835.
1206:(New York: Garland Publishing, 1994),
1066:Victoria Web, accessed 7 February 2008
1044:at the British and Irish World website
870:CDs: ORR 239 includes Balfe's cantata
464:, in 1870, aged 62, and was buried at
1554:19th-century Irish male opera singers
1077:"This day, May 15, in Jewish history"
1053:Burton, in Sadie (ed.) (1998), p. 288
326:. He then moved to Paris, presenting
7:
1289:Free scores by Michael William Balfe
1126:"Balfe, Michael William (1808–1870)"
199:in the carnival season of 1829–30.
1333:"Michael William Balfe, 1808–1870"
857:(2005), available on Cameo 2042-3.
128:St George's Chapel, Windsor Castle
25:
1246:A Memoir of Michael William Balfe
1224:The New Grove Dictionary of Opera
898:Forgotten Victorian Theatre Music
1559:Burials at Kensal Green Cemetery
1549:19th-century classical composers
1403:Michael William Balfe recordings
1357:Dictionary of National Biography
874:, and ORR 277 includes his song
435:I Dreamt I Dwelt in Marble Halls
36:Michael William Balfe in France.
1380:. Dublin: M. H. Gill & son.
1377:A Compendium of Irish Biography
1199:(London: William Reeves, 1882).
749:Satanella, or The Power of Love
176:during this period. In 1829 in
165:at the Italian opera in Paris.
1385:Works by Michael William Balfe
1371:"Balfe, Michael William"
1351:"Balfe, Michael William"
1305:"Balfe, Michael William"
1248:(London: Tinsley Bros., 1875).
662:Italian version (for London):
604:Geraldine, or The Lover's Well
523:Enrico IV al passo della Marna
126:, the organist, from 1824, at
1:
948:Dictionary of Irish Biography
589:Keolanthe, oder Das Traumbild
411:Balfe's funerary monument at
364:, on 27 November 1843 at the
210:. Balfe wrote another opera,
1594:Composers from Dublin (city)
1193:Barrett, William Alexander.
732:Moro, the Painter of Antwerp
568:Diadeste, or The Veiled Lady
419:In 1851, in anticipation of
1323:UCSB Cylinder Audio Archive
860:Victorian Opera Northwest,
536:Die Belagerung von Rochelle
180:, Balfe composed his first
1615:
1589:Irish male opera composers
1196:Balfe. His Life & Work
506:, with first performances
290:The Merry Wives of Windsor
91:. Balfe's family moved to
27:Irish composer (1808–1870)
1574:Irish classical composers
1149:Walsh (2008), pp. 184–216
855:Victorian Opera Northwest
756:Bianca, the Bravo's Bride
517:Un avvertimento ai gelosi
456:Balfe retired in 1864 to
447:The Knight of the Leopard
366:Theatre Royal, Drury Lane
354:. Their libretti were by
212:Un avvertimento ai gelosi
155:. He became a protégé of
116:Theatre Royal, Drury Lane
1079:. Cleveland Jewish News.
872:Sempre pensoso e torbido
809:The Daughter of St. Mark
672:The Daughter of St. Mark
299:Giovanni Battista Rubini
1311:Encyclopædia Britannica
1178:"Michael William Balfe"
1042:"Michael William Balfe"
1006:"Michael William Balfe"
944:"Balfe, Michael Wiliam"
862:"Balfe Songs and Arias"
470:William Vincent Wallace
285:The Italian Opera House
1511:The Armourer of Nantes
1244:Kenney, Charles Lamb:
1164:English Romantic Opera
1095:5 October 2011 at the
769:The Armourer of Nantes
762:The Puritan's Daughter
657:Die vier Haimonskinder
430:The Armourer of Nantes
416:
342:Die vier Haimonskinder
263:
124:Charles Frederick Horn
79:
37:
1584:Irish opera composers
1446:Michael William Balfe
1202:Biddlecombe, George:
968:Michael William Balfe
887:RTÉ Concert Orchestra
841:and Richard Bonynge,
805:The Siege of Rochelle
643:Les Quatre fils Aymon
529:The Siege of Rochelle
511:I rivali di se stessi
499:Selected compositions
478:London County Council
466:Kensal Green Cemetery
413:Kensal Green Cemetery
410:
390:Her Majesty's Theatre
333:Les quatre fils Aymon
268:The Siege of Rochelle
261:
243:Il crociato in Egitto
193:I rivali di se stessi
172:while singing at the
162:The Barber of Seville
122:and composition with
77:
70:Early life and career
59:Her Majesty's Theatre
41:Michael William Balfe
35:
1495:The Rose of Castille
1251:Tyldesley, William.
921:, issued in 2016 on
814:The Rose of Castille
741:The Rose of Castille
421:The Great Exhibition
139:Carl Maria von Weber
1487:L'Ă©toile de SĂ©ville
1160:"The Bohemian Girl"
1090:"What's in a name?"
876:The Blighted flower
685:L'Ă©toile de Seville
650:The Castle of Aymon
462:Ware, Hertfordshire
347:L'Ă©toile de Seville
120:Charles Edward Horn
1599:Romantic composers
1463:The Maid of Artois
1338:The Maid of Artois
1128:. English Heritage
991:3 May 2009 at the
942:Sturgeon, Sinéad.
851:The Maid of Artois
782:The Sleeping Queen
713:The Sicilian Bride
707:The Maid of Honour
664:I quattro fratelli
655:Austrian version:
626:Austrian version:
609:Austrian version:
587:Austrian version:
549:The Maid of Artois
540:Joseph Kupelwieser
534:Austrian version:
443:poem by Longfellow
425:Inno Delle Nazioni
417:
273:The Maid of Artois
264:
82:Balfe was born in
80:
38:
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1479:The Bohemian Girl
1389:Project Gutenberg
1276:978-0-7165-2947-7
923:Naxos 8.660378-79
844:The Power of Love
825:The Bohemian Girl
776:Blanche de Nevers
730:English version:
719:The Devil's in it
648:English version:
620:The Bohemian Girl
611:Der Liebesbrunnen
602:English version:
493:The Bohemian Girl
474:Westminster Abbey
439:The Bohemian Girl
361:The Bohemian Girl
303:Antonio Tamburini
254:Composing success
238:Giacomo Meyerbeer
232:with Malibran at
46:The Bohemian Girl
16:(Redirected from
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1398:Internet Archive
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909:Dutton CDLX 7225
864:, CD, WRW 204-2.
697:German version:
633:French version:
597:Le Puits d'amour
328:Le Puits d'amour
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18:Michael W. Balfe
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144:Der FreischĂĽtz
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827:conducted by
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356:Eugène Scribe
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78:Balfe in 1846
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1366:Webb, Alfred
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1130:. Retrieved
1120:
1112:Il Talismano
1111:
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951:. Retrieved
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905:Cello Sonata
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891:RTÉ Lyric FM
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788:Il talismano
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167:
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107:
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44:
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29:
1539:1870 deaths
1534:1808 births
1321:, from the
699:Der Mulatte
692:The Bondman
562:Joan of Arc
384:Later years
287:, based on
250:in Venice.
174:Paris Opera
1528:Categories
1132:19 October
929:References
868:Opera Rara
835:473 077-2.
795:Recordings
482:Marylebone
402:Jenny Lind
370:La Zingara
312:I puritani
153:La Perouse
1503:Satanella
1221:, (Ed.),
986:recording
915:Satanella
819:Satanella
582:Keolanthe
324:Keolanthe
248:La Fenice
240:'s opera
65:Biography
1471:Falstaff
1368:(1878).
1093:Archived
989:Archived
984:Falstaff
903:Balfe's
883:Falstaff
575:Falstaff
437:" (from
415:, London
281:Falstaff
234:La Scala
208:Victoire
184:for the
108:Paul Pry
55:cantatas
1405:at the
1396:at the
1329:Library
1325:at the
1295:(IMSLP)
1291:at the
1188:Sources
953:28 July
489:Mazeppa
392:, with
374:Trieste
307:Bellini
204:Bergamo
197:Palermo
186:soprano
182:cantata
178:Bologna
157:Rossini
135:Norwich
97:polacca
93:Wexford
1514:(1863)
1506:(1858)
1498:(1857)
1490:(1845)
1482:(1844)
1474:(1838)
1466:(1836)
1455:Operas
1274:
1259:
1238:
1231:
1210:
504:Operas
344:) and
283:, for
229:Otello
218:, and
104:ballad
84:Dublin
833:Decca
398:Verdi
352:Opéra
224:Milan
216:Pavia
214:, at
195:, at
1272:ISBN
1257:ISBN
1236:ISBN
1229:ISBN
1208:ISBN
1134:2012
955:2024
817:and
476:. A
1387:at
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222:at
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137:in
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