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409:, and Gearóid Ó Lochlainn. Mac Liammóir and Edwards had been considering theatrical plans for Dublin, while Bannard Cogley (a friend of Mac Liammóir) and Ó Lochlainn had been discussing finding a more permanent theatre space, and they met, along with some mutual friends, in Bannard Cogley's club at 7 Harcourt Street, in spring 1928. After further meetings, the quartet rented the Peacock Theatre and launched the Gate Theatre Studio there on 14 October 1928. The theatre studio spent its early years at the 102-seat Peacock Theatre and opened with a production of
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323:, published his first book, a collection of stories in Irish, in 1922, and continued to write verse and prose in Irish and English. He experimented with various gaelicised versions of his name, including "Mac Uaimmhóir" and "Mac Liaimmhóir". He built up a fictitious identity as a native Irishman born in Cork.
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rated his Hamlet one of the best in recent years: "charged with force, intelligence, humanity and dramatic certainty … a dominating and moving piece of acting", and said that the Gate company "looks like putting the Abbey in the shade". The cosmopolitan atmosphere of Mac Liammóir and
Edwards' Gate
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He attended primary school in
Willesden and then attended a children's theatre academy run by Lila Field. He became a professional actor at the age of twelve; his sister Marjorie took charge of his general education and was his chaperone on tours that included visits to venues in Ireland as well as
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in Dublin, and became one of the most recognisable figures in the arts in twentieth-century
Ireland. As well as acting at the Gate and internationally, he designed numerous productions, wrote eleven plays, and published stories, verse and travel books in Irish and English. He wrote and appeared in
563:, which won enthusiastic reviews and did well at the box office. It opened at the Gate, after which he played it on Broadway, in London and on tour around the world. He appeared in the piece more than 1,300 times between 1960 and 1975. He followed this in May 1963 with a new one-man entertainment
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In his later years Mac Liammóir relaxed his insistence on his fictitious origins and admitted the truth to interviewers, but for many years after his death reference books nonetheless continued to record him as a native of Cork. Despite
Ireland's anti-gay laws, not repealed in their lifetimes,
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in 20th-century
Ireland. Though born in London to an English family with no Irish connections, he emigrated to Ireland in early adulthood, changed his name, invented an Irish ancestry, and remained based there for the rest of his life, successfully maintaining a fabricated identity as a native
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During most of the 1920s Mac Liammóir continued to live with the O'Keefes. In search of a healthy environment for Mary, they moved between
Switzerland and the French Riviera. He exhibited successfully in local galleries and, in 1923, at the Leigh Gallery in London. He later wrote a book of
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in Tree's revival of the stage version of the novel. After two further child roles, and appearances in four silent films (now lost) he temporarily abandoned acting. After a summer in Spain, visiting his grandparents and becoming fluent in
Spanish, he studied painting at
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In
Ireland Mac Liammóir earned a modest living as a freelance illustrator for newspapers and books, acted from time to time, and designed for the Irish Theatre and Dublin Drama League. He assimilated himself into Irish culture and politics. He campaigned for
415:, and Mac Liammóir subsequently acted in and designed nearly 300 productions at the Peacock and, after the company gained its own home in 1930, on Cavendish Row, at the Gate. He appeared in a wide range of plays, from Shakespeare (Romeo and Othello) to
212:. From Tree he quickly learned "a rude lesson" that charm was not enough: "I think it was Tree who first awoke the actor's imagination in me and made me feel the terror of the Witches' Coven and the horror of the ghost-haunted banquet".
519:. In his early fifties, he was unusually old for the role, but Welles wanted Iago played as an older, impotent man consumed by envy of the younger Othello. Mac Liammóir returned to the role onstage at the
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thought the piece "too obscure and too discursive", but praised the performances of Mac Liammóir, Edwards and their supporting cast. The following year the company played a short season on
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Edwards' and Mac Liammóir's relationship gained wide acceptance. The writer Éibhear Walshe has described them as
Ireland's only publicly acknowledged homosexuals. They were jointly created
178:, in north-west London, into a family with no Irish connections. He was the youngest child and only son of Alfred George Willmore (1863–1934), a forage buyer for the firm of Whitney's of
364:, who was to become his lifelong partner, both personal and professional. Mac Liammóir and Edwards decided to settle in Dublin, with the intention of setting up their own theatre there.
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as Hedda. In the role he was judged to be both sinister and amusing. Most of his work continued to be at the Gate, but in 1959 he returned to New York to play Don Pedro in
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in 1973, the first theatre people to be thus honoured. Before that, MacLiammóir had received the Lady
Gregory Medal for literature in 1960 and an honorary doctorate from
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1400:
Sisson, Elaine (2018). "Experiment and the Free State: Mrs Cogley's Cabaret and the Founding of the Gate Theatre". In David Clare; Des Lally; Patrick Lonergan (eds.).
198:. He later said, "I learned from Lila Field the absolute ABC of getting on and off the stage without disgracing oneself; I learned what a cue meant, what a stick of
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entry, Mac Liammóir listed ten plays of which he was the author, as well as the three one-man shows, and an unspecified number of adaptations ("
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Theatre was contrasted with the earnest Celticism of the Abbey, and the two Dublin theatres were affectionately dubbed "Sodom and Begorrah".
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Mary O'Keefe died in 1927. Mac Liammóir, now known by that name, returned to the theatre. His sister Marjorie had married the actor-manager
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Mac Liammóir was once arrested on an indecency charge, but was acquitted when his landlady attested the purity of his morals: "He's never
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Reynolds, Paige (2020). "Theatrical Ireland: New Routes from the Abbey Theatre to the Gate Theatre". In Howes, Marjorie Elizabeth (ed.).
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was, the elements of timing, and that ghastly thing, the exploitation of childish charm". In September of that year he first worked for
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Also in 1928, Mac Liammóir was one of the four founders of the Gate Theatre Studio, later simply the Gate Theatre, alongside
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Corporaal, Marguérite; van den Beuken, Ruud (2021). "Introduction". In Corporaal, Marguérite; van den Beuken, Ruud (eds.).
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raids. Fitz-Simon suggests that Mac Liammóir's motive was to escape conscription into the army in the latter stages of the
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Welles was with the Gate company from October 1931 to February 1932, appearing in supporting roles in six productions.
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Mac Liammóir, now calling himself "Michael Willmore", made a brief return to the stage in February 1917, in
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571:. Also in 1963 he had a key role as the ironic, mocking, unseen narrator of the multi-Oscar-winning film
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Finegan, John (12 August 1989). "Toto deserves remembrance (astonishing woman of Dublin theatre)".
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299:. The following month he went with O'Keefe and her mother to Ireland, the former having contracted
981:, a documentary film about Mac Liammoir and Edwards. To mark Mac Liammóir's centenary in 1999 the
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Marshall was a last-minute replacement for Anew McMaster, who died shortly before the production.
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In Mac Liammóir's fabricated version of his origins his father was "Alfred Anthony MacLiammóir".
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and many others. Mac Liammóir and Edwards fostered the careers of new Irish dramatists such as
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whose touring company Mac Liammóir joined, playing Shakespearean roles including Bassanio in
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1289:"MacLiammóir, Micheál (formerly Alfred Lee Willmore) (1899–1978), actor and playwright"
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recollections – in Irish – about his travels. In 1925 he starred in a silent film,
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Theatre's Strangest Acts: Extraordinary But True Tales from the History of Theatre
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263:; the biographer Christopher Fitz-Simon thinks it probable that they saw plays by
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presents the "Michéal Mac Liammóir Award for Outstanding performance by a male".
126:; 25 October 1899 – 6 March 1978) was an actor, designer, dramatist, writer, and
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1850:(sixteenth ed.). London and Detroit: Pitman Publishing and Gale Research.
1205:"Micheal Mac Liammoir Talking About Friends Who Influenced His Life and Work",
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With a fellow student, Mary O'Keefe, he attended Irish language classes at the
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Mac Liammóir's biggest theatrical success came in 1960, with his one-man show
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2022:"The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir."
1893:
1648:, Vol. 8, No. 2, "Anglo-Irish studies: new developments" (1996), pp. 159–167
360:. While on tour in the south of Ireland, he met another young English actor,
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Under the title "The Irish Players", a company from the Abbey played at the
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is inspired by Edwards and Mac Liammóir; and Mac Liammóir is the subject of
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2015:
A Stage of Emancipation: Change and Progress at the Dublin Gate Theatre.
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153:(1960) was the most celebrated, achieving more than 1,300 performances.
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A stage of emancipation: change and progress at the Dublin Gate Theatre
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company in this period. Both students developed a keen interest in the
208:
1967:
Scene Change: One Hundred Years of Theatre Design at the Abbey Theatre
1225:
606:, Dublin, and paid his respects to Hilton Edwards as chief mourner".
487:. In the post-war years, he returned to the West End in his own play
395:
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Britain. He made his debut in 1911, as King Goldfish in Field's play
2011:"Micheál mac Liammóir, the Irish Language, and the Idea of Freedom."
590:
MacLiammóir made his final stage performance at the Gate in 1975 in
1810:, Dublin Gay Theatre Festival, 21 May 2019. Retrieved 12 April 2021
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2004:
Academic articles on Mac Liammóir available in open access regime
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Enter Certain Players: Edwards–MacLiammoir and the Gate 1928–1978
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In 1928 Mac Liammóir wrote, directed, designed and starred in
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and been prescribed "fresh air", the latter anxious to escape
233:
In the Christmas season of 1911, he played Michael Darling in
515:. In 1951 he played Iago to Welles's Othello in the latter's
1705:"The Importance of Being Micheál: A Portrait of MacLiammóir"
1576:, 10 September 1954, p. 5; and "Lyric Theatre Hammersmith",
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Micheál Mac Liammóir: Designs & Illustrations 1917–1972
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in 1915, giving plays by Synge and Lady Gregory, and gave
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In 1954 Mac Liammóir returned to London, playing Brack in
2026:
Cultural Convergences: The Dublin Gate Theatre, 1928–1960
1057:, a comedy about law-breaking by Irish policemen, in the
27:
20th-century Irish actor, playwright, writer, and artist
1886:
Put Money in Thy Purse: The Diary of the Film "Othello"
1747:, British Film Institute. Retrieved 12 April 2021; and
2024:
Ondřej Pilný, Ruud van den Beuken, Ian R. Walsh, eds.
1354:. Vol. 4. Cambridge: Cambridge University Press.
2017:
Liverpool: Liverpool University Press, 2021, 113-131.
1927:(ninth ed.). London: Sir Isaac Pitman and Sons.
1592:, Internet Broadway Database. Retrieved 11 April 2021
468:
in 1935, with the Gate company. The theatrical paper
1295:, Oxford University Press, 2006. Retrieved 11 April
1241:, 11 May 1915, p. 11; and "An Irish Police Comedy",
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lists eleven films in which Mac Liammóir took part.
102:
Actor, author, playwright, painter, poet, impresario
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2013:Marguérite Corporaal and Ruud van den Beuken, eds.
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483:Mac Liammóir remained based in Ireland during the
1735:, British Film Institute. Retrieved 12 April 2021
1663:, British Film Institute. Retrieved 12 April 2021
1379:. Liverpool: Oxford University Press. p. 1.
1447:"To Lead World in Drama Ambition of the Irish",
3563:20th-century English dramatists and playwrights
1402:The Gate Theatre, Dublin: inspiration and craft
602:attended Micheál's funeral, two days later, at
398:. He subsequently produced twenty plays there.
390:for the opening of the Irish language theatre,
1502:Marriott, R. B. "A Great Man of the Theatre",
1156:, Royal Irish Academy. Retrieved 10 April 2021
594:. He died at his and Edwards's Dublin home, 4
174:Mac Liammóir was born Alfred Lee Willmore, in
2077:
1749:"Dear Boy – The Story of Micheal MacLiammoir"
1745:"Dear Boy – The Story of Micheal MacLiammoir"
992:Mac Liammóir is the subject of the 1990 play
8:
1867:The Macmillan Dictionary of Irish Literature
1094:The Macmillan Dictionary of Irish Literature
966:, edited by Peter Luke (1978); a biography,
2020:Dean, Joan Fitzpatrick, and Radvan Markus.
1751:, Irish Film Board. Retrieved 12 April 2021
1228:, AINM (in Irish). Retrieved 11 April 2021.
1109:tried to take a young lady up to his room".
987:Dear Boy: The Story of Michéal Mac Liammóir
977:In 1985, Orson Welles was the narrator for
142:, and two others, Mac Liammóir founded the
3401:Cúirt International Festival of Literature
2999:
2186:
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2040:Recording of MacLiammóir reading from the
2028:. London: Palgrave Macmillan, 2021, 15-46.
1600:
1598:
962:, by Richard Pine and Orla Murphy (1973);
501:– Mac Liammóir's début there – giving his
31:
1352:Irish Literature in Transition, 1880–1940
3573:Writers from the London Borough of Brent
3488:Burials at St. Fintan's Cemetery, Sutton
2357:Maol Sheachluinn na n-Uirsgéal Ó hÚigínn
3568:Actors from the London Borough of Brent
3553:English male dramatists and playwrights
1293:Oxford Dictionary of National Biography
1283:
1281:
1279:
1277:
1201:
1199:
1122:
1033:
989:, which included rare archive footage.
1969:. Dublin: Irish Museum of Modern Art.
1767:, Lagan Press. Retrieved 12 April 2021
1572:Hope-Wallace, Philip. "Hedda Gabler",
1404:. Oxford: Peter Lang. pp. 11–27.
1221:
1219:
1217:
1215:
1988:. Newton Abbot: David & Charles.
1784:, 4 May 2002. Retrieved 12 April 2021
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3046:Timna Cathaír Máir Caithréim Cellaig
1808:"2019 Gala Awards Winners Announced"
1311:"State Subsidy for Gaelic Theatre",
974:, by Christopher Fitz-Simon (1996).
1761:"The Importance of Being Michael" (
1707:, WorldCat. Retrieved 12 April 2021
1489:"Irish Hamlet at the Westminster",
1226:"Mac Liammóir, Micheál (1899–1978)"
2414:Séafraidh Ó Donnchadha an Ghleanna
457:and rising young actors including
25:
3603:20th-century English male artists
3598:20th-century British LGBTQ people
3593:20th-century English male writers
2287:Gilla Cómáin mac Gilla Samthainde
958:Books about Mac Liammóir include
567:, and in 1970 presented a third,
194:, alongside another child actor,
3543:20th-century English male actors
3508:Irish dramatists and playwrights
2404:Donnchadh Mac an Caoilfhiaclaigh
42:
3608:20th-century Irish male artists
3588:20th-century Irish male writers
3538:Naturalised citizens of Ireland
3458:20th-century Anglo-Irish people
3188:The Wind That Shakes the Barley
3101:Dia libh a laochruidh Gaoidhiol
3096:Cóir Connacht ar chath Laighean
994:The Importance of Being Micheál
970:by Micheál Ó hAodha (1990) and
968:The Importance of Being Micheál
725:I Must Be Talking to my Friends
565:I Must Be Talking to My Friends
3613:20th-century Irish LGBT people
3548:20th-century Irish male actors
3091:An sluagh sidhe so i nEamhuin?
3081:A aonmhic Dé do céasadh thrínn
2312:Muireadhach Albanach Ó Dálaigh
2212:Baothghalach Mór Mac Aodhagáin
1884:Mac Liammóir, Micheál (1952).
1733:"Two People... With One Pulse"
1437:. Dublin, Ireland. p. 14.
954:Biographies and commemorations
922:30 Is a Dangerous Age, Cynthia
295:, a "whimsical comedy" at the
239:, and in June 1912, he played
147:three one-man shows, of which
1:
3463:20th-century English painters
3422:Patrick Kavanagh Poetry Award
3056:Is acher in gaíth in-nocht...
3051:Le dís cuirthear clú Laighean
1563:, 6 October 1954, pp. 304–305
1154:Dictionary of Irish Biography
1023:Notes, references and sources
938:What's the Matter with Helen?
719:The Importance of Being Oscar
592:The Importance of Being Oscar
581:freemen of the city of Dublin
560:The Importance of Being Oscar
464:Mac Liammóir returned to the
150:The Importance of Being Oscar
50:The Importance of Being Oscar
3128:Bean Torrach, fa Tuar Broide
2322:Máeleoin Bódur Ó Maolconaire
2217:Giolla Brighde Mac Con Midhe
1299:UK public library membership
985:commissioned a documentary,
979:Two People... With One Pulse
972:The Boys: A Double Biography
687:The Mountains Look Different
3618:Painters from Dublin (city)
3473:20th-century Irish painters
1945:Orson Welles: A Celebration
1326:"Bannard Cogley, D(esirée)"
1017:Dublin Gay Theatre Festival
206:, playing Macduff's son in
3654:
3623:Writers from Dublin (city)
3468:20th-century English poets
3157:Suantraí dá Mhac Tabhartha
3086:A theachtaire tig ón Róimh
2267:Tadhg Olltach Ó an Cháinte
2202:Muircheartach Ó Cobhthaigh
1923:Parker, John, ed. (1939).
1846:Herbert, Ian, ed. (1977).
727:issued as an LP argo RG493
631:The Picture of Dorian Grey
219:Drawing by the teenage Mac
3628:Actors from Dublin (city)
3498:English male stage actors
3011:Faber Book of Irish Verse
2332:Cú Choigcríche Ó Cléirigh
2257:Eoghan Carrach Ó Siadhail
2247:Mathghamhain Ó hIfearnáin
1580:, 9 September 1954, p. 11
821:An Oscar of No Importance
797:Aisteoirí Faoi Dhá Sholas
275:during the visits of the
41:
3558:20th-century Irish poets
3493:English male film actors
2222:Gofraidh Fionn Ó Dálaigh
2207:Gilla Mo Dutu Úa Caiside
1984:Wallace, Martin (1983).
1925:Who's Who in the Theatre
1848:Who's Who in the Theatre
1590:"Much Ado About Nothing"
1528:, 13 February 1947, p. 1
1451:, 21 January 1929, p. 22
1258:, 7 February 1917, p. 11
1209:, 21 January 1965, p. 19
1193:, 28 January 1911, p. 12
1148:Fitz-Simon, Christopher.
925:(Irish storyteller) 1968
622:Who's Who in the Theatre
512:John Bull's Other Island
438:Mourning Becomes Electra
3533:LGBT people from London
3518:Irish male stage actors
3122:The Prophecy of Berchán
3061:Is trúag in ces i mbiam
3029:The Wanderings of Oisin
2282:Tarlach Rua Mac Dónaill
2232:Donnchadh Mór Ó Dálaigh
2152:Contention of the bards
1650:(subscription required)
1574:The Manchester Guardian
1550:, 9 October 1962, p. 33
1150:" MacLiammóir, Micheál"
826:W.B.Yeats and his world
479:Wartime and later years
3513:Irish male film actors
3205:Love Songs of Connacht
3071:An Díbirt go Connachta
3066:Sen dollotar Ulaid ...
2792:Eiléan Ní Chuilleanáin
2617:Mary Devenport O'Neill
2362:Philip Ó Duibhgeannain
2327:Diarmaid Mac an Bhaird
2317:Cearbhall Óg Ó Dálaigh
2262:Fear Feasa Ó'n Cháinte
2157:Irish Literary Revival
2142:Chief Ollam of Ireland
1865:Hogan, Robert (2016).
1471:Herbert, pp. 1131–1132
1315:, 30 August 1928, p. 7
1271:, 5 October 1925, p. 8
1254:"Felix Gets a Month",
1189:"The Little Theatre",
847:British Film Institute
758:Put Money In Thy Purse
699:A Slipper for the Moon
543:Much Ado About Nothing
425:and the title role in
381:
345:The Merchant of Venice
331:with a cast of mainly
281:Irish Literary Revival
230:
182:, and his wife, Mary,
171:
170:As King Goldfish, 1911
3633:People from Willesden
3528:Jacob's Award winners
3478:English male painters
3370:Poetry Ireland Review
3322:Cork University Press
3076:Foraire Uladh ar Aodh
2476:James Clarence Mangan
2237:Lochlann Óg Ó Dálaigh
2197:Mael Ísu Ua Brolcháin
2127:Irish syllabic poetry
2122:Metrical Dindshenchas
1869:. London: Macmillan.
1831:. London: W H Allen.
1776:Billington, Michael.
1642:"Sexing the Shamrock"
1493:, 19 June 1935, p. 14
1330:Abbey Theatre Archive
1237:"The Irish Players",
941:(Hamilton Starr) 1971
763:Each Actor On His Ass
653:Diarmuid agus Gráinne
507:The Old Lady Says No!
375:
321:1918 General Election
246:Willesden Polytechnic
223:Liammóir, printed in
218:
169:
3384:The Honest Ulsterman
3307:Lapwing Publications
3271:Seamus Heaney Centre
3133:Tuireamh na hÉireann
2667:Micheál Mac Liammóir
2292:Tadhg Dall Ó hÚigínn
2277:Proinsias Ó Doibhlin
2252:Cormac Mac Con Midhe
2053:Micheál Mac Liammóir
1947:. London: Pavilion.
1941:Taylor, John Russell
1778:"Sodom and begorrah"
1661:"Michal MacLiammóir"
1506:, 19 June 1935, p. 3
1313:Londonderry Sentinel
1267:"A New Irish Film",
1245:, 29 June 1915, p, 6
883:Comin' Thro' the Rye
671:Ill Met by Moonlight
635:A Tale of Two Cities
600:president of Ireland
489:Ill Met by Moonlight
407:Daisy Bannard Cogley
387:Diarmuid and Gráinne
376:Gate Theatre, Dublin
120:Micheál Mac Liammóir
77:, Middlesex, England
36:Micheál Mac Liammóir
3483:Irish male painters
3347:The Dublin Magazine
3238:Prayer Before Birth
3217:Meeting The British
2777:Nora Tynan O'Mahony
2662:Nuala Ní Dhomhnaill
2647:Máire Mhac an tSaoi
2501:Antoine Ó Raifteiri
2471:Charles Gavan Duffy
2307:Cináed ua hArtacáin
2272:Eochaidh Ó hÉoghusa
2242:Fear Flatha Ó Gnímh
2147:Irish bardic poetry
1888:. London: Methuen.
1631:Morley, pp. 129–130
1537:Mac Liammóir, p. 26
1092:See, for instance,
1006:Antoine Ó Flatharta
889:Land of Her Fathers
876:The Little Minister
828:, with Eavan Boland
731:Talking About Yeats
647:Ford of the Hurdles
569:Talking About Yeats
527:in the title role.
329:Land of Her Fathers
250:Slade School of Art
124:Alfred Lee Willmore
61:Alfred Lee Willmore
18:Micheal MacLiammoir
3583:Irish LGBT writers
3578:English male poets
3302:HardPressed Poetry
2958:Caitriona O'Reilly
2948:Bernard O'Donoghue
2767:Cathal Ó Searcaigh
2657:Gabriel Rosenstock
2511:Robert Dwyer Joyce
2378:Tomás Ó Cobhthaigh
2342:Óengus of Tallaght
1908:. London: Robson.
1795:"Wáltsáil Abhaile"
1524:"The Vaudeville",
1435:The Evening Herald
933:(Sweet Alice) 1970
930:The Kremlin Letter
895:Hamlet at Elsinore
816:Bláth agus Taibhse
802:Theatre in Ireland
768:Ceo Meala Lá Seaca
693:Home for Christmas
681:Portrait of Miriam
604:St Fintan's, Howth
382:
293:Felix Gets a Month
231:
186:Lee (1867–1918).
172:
138:With his partner,
3435:
3434:
3406:SoundEye Festival
3355:Icarus (magazine)
3254:
3253:
2991:
2990:
2953:Conor O'Callaghan
2807:Dennis O'Driscoll
2757:Eoghan Ó Tuairisc
2637:Máirtín Ó Direáin
2486:William Allingham
2430:Aogán Ó Rathaille
2409:Aogán Ó Rathaille
2394:Dáibhí Ó Bruadair
2371:15th/16th century
1995:978-0-38-920364-3
1976:978-1-90-381139-9
1954:978-1-86-205127-0
1915:978-1-86-105674-0
1876:978-0-491-00534-0
1857:978-0-273-00163-8
1838:978-1-34-907795-3
1640:Walshe, Éibhear.
1411:978-1-78874-624-3
1297:(subscription or
1287:Walshe, Eibhear.
1269:Irish Independent
950:
949:
837:
836:
743:
742:
552:Margaret Leighton
523:in 1962 opposite
380:
379:(2018 photograph)
297:Haymarket Theatre
131:Irishman born in
117:
116:
16:(Redirected from
3645:
3523:Irish male poets
3427:Poetry Now Award
3377:The Stinging Fly
3362:The Lace Curtain
3000:
2938:Sinéad Morrissey
2928:Brendan Kennelly
2782:Rita Ann Higgins
2727:Geoffrey Squires
2652:Michael Hartnett
2622:Patrick Kavanagh
2607:Thomas MacGreevy
2572:Francis Ledwidge
2567:Thomas MacDonagh
2445:Oliver Goldsmith
2399:Piaras Feiritéar
2347:Sedulius Scottus
2302:Colmán of Cloyne
2227:Flann mac Lonáin
2187:
2174:Táin Bó Cúailnge
2086:
2079:
2072:
2063:
2044:
2009:Markus, Radvan.
1999:
1980:
1958:
1936:
1919:
1902:Morley, Sheridan
1897:
1880:
1861:
1842:
1811:
1805:
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1798:
1797:. 21 March 2023.
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1010:Wáltsáil Abhaile
998:Frank McGuinness
879:(Micah Dow) 1915
853:
773:Enter a Goldfish
752:
659:Where Stars Walk
641:
596:Harcourt Terrace
550:as Benedick and
525:William Marshall
503:Where Stars Walk
485:Second World War
378:
222:
204:Sir Herbert Tree
110:Co-founding the
89:
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48:Mac Liammóir in
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3250:
3224:Horse Latitudes
3192:
3169:
3164:Mná na hÉireann
3137:
3034:
3016:
2987:
2983:Catherine Walsh
2968:Maurice Riordan
2883:Pádraig J. Daly
2868:Patrick Chapman
2843:Thomas McCarthy
2831:
2797:Medbh McGuckian
2712:Thomas Kinsella
2692:Michael Longley
2642:Seán Ó Ríordáin
2612:Blanaid Salkeld
2562:Joseph Plunkett
2540:
2526:Katharine Tynan
2481:Samuel Ferguson
2454:
2418:
2382:
2366:
2337:Dallán Forgaill
2178:
2095:
2090:
2042:Book of Genesis
2039:
2035:
1996:
1986:100 Irish Lives
1983:
1977:
1961:
1955:
1939:
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1604:Wallace, p. 178
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1096:(2016), p. 411.
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1063:London Coliseum
1048:
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996:by John Keyes;
956:
951:
917:(Narrator) 1963
843:
838:
787:Oícheanna Sidhe
749:
744:
714:One-man shows:
665:Dancing Shadows
617:
612:
585:Trinity College
521:Dublin Festival
517:film adaptation
481:
377:
370:
309:First World War
289:
287:Move to Ireland
220:
164:
159:
157:Life and career
94:
93:Dublin, Ireland
91:
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71:25 October 1899
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3231:Sweeney Astray
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3116:Buile Shuibhne
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2822:W. F. Marshall
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2817:Anthony Cronin
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2762:Patrick Galvin
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2737:Randolph Healy
2734:
2732:Augustus Young
2729:
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2632:Louis MacNeice
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2592:Samuel Beckett
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2557:Patrick Pearse
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2033:External links
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509:, and Shaw's
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433:Eugene O'Neill
403:Hilton Edwards
392:An Taibhdhearc
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362:Hilton Edwards
354:and Cassio in
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259:branch of the
257:Ludgate Circus
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3150:The Traveller
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2936:
2934:
2933:Hugh McFadden
2931:
2929:
2926:
2924:
2921:
2919:
2918:Pat Ingoldsby
2916:
2914:
2913:Seamus Heaney
2911:
2909:
2906:
2904:
2903:Eamon Grennan
2901:
2899:
2898:Leontia Flynn
2896:
2894:
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2889:
2886:
2884:
2881:
2879:
2876:
2874:
2873:Harry Clifton
2871:
2869:
2866:
2864:
2863:Ciarán Carson
2861:
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2858:Mairéad Byrne
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2718:
2717:Michael Smith
2715:
2713:
2710:
2708:
2705:
2703:
2702:Seamus Heaney
2700:
2698:
2695:
2693:
2690:
2688:
2687:John Montague
2685:
2683:
2682:Padraic Fiacc
2680:
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2587:Austin Clarke
2585:
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2582:F. R. Higgins
2580:
2578:
2577:Padraic Colum
2575:
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2135:
2133:
2132:Kildare Poems
2130:
2128:
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2123:
2120:
2118:
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2110:
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2027:
2023:
2019:
2016:
2012:
2008:
2007:
2006:
2005:
1997:
1991:
1987:
1982:
1978:
1972:
1968:
1964:
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1926:
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1917:
1911:
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1613:Castle, p. 22
1610:
1607:
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1486:
1483:
1480:Taylor, p. 12
1477:
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1386:9781800859517
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1080:
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1046:
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1034:
1027:
1022:
1020:
1018:
1013:
1011:
1008:'s 2023 play
1007:
1003:
1002:Gates of Gold
1000:'s play 2008
999:
995:
990:
988:
984:
980:
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969:
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792:Lá agus Oíche
790:
788:
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761:
759:
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746:
739:
732:
729:
726:
723:
721:
720:
716:
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713:
712:
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706:
705:Saint Patrick
703:
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691:
688:
685:
682:
679:
678:
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672:
669:
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663:
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561:
555:
554:as Beatrice.
553:
549:
545:
544:
539:
535:
534:
528:
526:
522:
518:
514:
513:
508:
505:, Johnston's
504:
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363:
359:
358:
353:
352:
348:, Laertes in
347:
346:
341:
340:Anew McMaster
336:
334:
333:Abbey Theatre
330:
324:
322:
318:
312:
310:
306:
302:
298:
294:
286:
284:
282:
278:
277:Abbey Theatre
274:
270:
266:
262:
261:Gaelic League
258:
253:
251:
248:and then the
247:
242:
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205:
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136:
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101:
99:Occupation(s)
97:
85:
81:
76:
59:
55:
51:
45:
40:
33:
30:
19:
3382:
3375:
3368:
3360:
3353:
3345:
3338:
3332:Publications
3292:Dolmen Press
3243:
3236:
3229:
3222:
3215:
3211:Hi Uncle Sam
3203:
3197:Contemporary
3182:Tone's Grave
3180:
3174:19th century
3162:
3155:
3148:
3142:18th century
3120:
3027:
3009:
2978:William Wall
2963:Justin Quinn
2943:Gerry Murphy
2923:Trevor Joyce
2908:Vona Groarke
2893:Greg Delanty
2836:21st century
2802:Paula Meehan
2787:Eavan Boland
2722:Trevor Joyce
2707:Paul Muldoon
2677:Roy McFadden
2666:
2602:Denis Devlin
2597:Brian Coffey
2545:20th century
2531:Edward Walsh
2516:Thomas Davis
2491:Douglas Hyde
2466:Thomas Moore
2459:19th century
2423:18th century
2387:17th century
2352:Saint Dungal
2166:
2162:Weaver Poets
2107:Irish poetry
2093:Irish poetry
2041:
2025:
2014:
2003:
2002:
1985:
1966:
1944:
1924:
1905:
1885:
1866:
1847:
1828:
1803:
1789:
1782:The Guardian
1781:
1772:
1762:
1756:
1740:
1728:
1712:
1700:
1684:
1668:
1656:
1645:
1636:
1627:
1618:
1609:
1585:
1577:
1573:
1568:
1560:
1555:
1547:
1542:
1533:
1525:
1520:
1515:Vaněk, p. 31
1511:
1503:
1498:
1490:
1485:
1476:
1449:Boston Globe
1448:
1443:
1434:
1428:
1401:
1395:
1376:
1370:
1351:
1345:
1333:. Retrieved
1329:
1320:
1312:
1307:
1292:
1268:
1263:
1255:
1250:
1242:
1238:
1233:
1206:
1190:
1185:
1153:
1106:
1101:
1093:
1088:
1079:
1070:
1061:bill at the
1054:
1045:
1036:
1014:
1009:
1001:
993:
991:
986:
978:
976:
971:
967:
963:
959:
957:
944:
936:
928:
920:
912:
904:
894:
888:
882:
874:
866:
858:
844:
831:
825:
820:
815:
806:
801:
796:
791:
786:
777:
772:
767:
762:
757:
737:
730:
724:
717:
704:
698:
692:
686:
680:
670:
664:
658:
652:
646:
634:
630:
626:
620:
618:
591:
589:
577:
568:
564:
558:
556:
548:John Gielgud
541:
533:Hedda Gabler
531:
529:
510:
506:
502:
492:
488:
482:
469:
463:
459:Orson Welles
436:
426:
420:
410:
400:
385:
383:
368:Gate Theatre
355:
349:
343:
337:
328:
325:
313:
301:tuberculosis
292:
290:
269:Lady Gregory
254:
252:in 1915–16.
241:Oliver Twist
234:
232:
224:
207:
192:The Goldfish
191:
188:
183:
173:
148:
144:Gate Theatre
137:
123:
119:
118:
112:Gate Theatre
88:(1978-03-06)
86:6 March 1978
49:
29:
3503:Impresarios
3453:1978 deaths
3448:1899 births
3003:Anthologies
2888:Gerald Dawe
2878:Tony Curtis
2827:W. B. Yeats
2772:Bobby Sands
2752:Basil Payne
2747:Paul Durcan
2742:John Jordan
2697:Derek Mahon
2627:John Hewitt
2552:James Joyce
2536:Oscar Wilde
2496:James Henry
2450:John Hewitt
2297:Niníne Éces
2117:Dán Díreach
1015:The annual
909:(Iago) 1951
868:Enoch Arden
863:(Page) 1911
419:(Oswald in
273:J. M. Synge
265:W. B. Yeats
200:greasepaint
196:Noël Coward
162:Early years
3442:Categories
3280:Publishers
3106:Pangur Bán
2848:John Ennis
2812:Seán Dunne
1963:Vaněk, Joe
1933:1036973910
1561:The Sketch
1420:1050455337
1335:19 January
1117:References
1059:music-hall
860:Henry VIII
128:impresario
67:1899-10-25
3638:Impostors
3365:(defunct)
3350:(defunct)
3324:(general)
3317:SurVision
2853:Pat Boran
1894:786105342
1716:WorldCat
1688:WorldCat
1678:877770460
1672:WorldCat
1578:The Times
1526:The Stage
1301:required)
1256:The Times
1243:The Times
1239:The Times
1207:The Stage
1191:The Times
914:Tom Jones
627:Jane Eyre
587:in 1963.
573:Tom Jones
494:The Stage
435:(Orin in
412:Peer Gynt
335:players.
317:Sinn Féin
236:Peter Pan
180:Bayswater
176:Willesden
75:Willesden
2521:Speranza
1965:(2005).
1943:(1998).
1904:(2006).
1827:(1972).
1722:35661759
637:, etc.")
499:Broadway
466:West End
305:Zeppelin
3340:Cyphers
3111:Liamuin
2112:Aisling
2048:YouTube
1818:Sources
1694:4686316
1504:The Era
1491:The Era
906:Othello
807:Ireland
619:In his
546:, with
471:The Era
357:Othello
319:in the
229:in 1917
209:Macbeth
3394:Events
3039:Bardic
2190:Bardic
2168:An Gúm
2100:Topics
1992:
1973:
1951:
1931:
1912:
1892:
1873:
1854:
1835:
1720:
1692:
1676:
1418:
1408:
1383:
1358:
945:
832:
738:
610:Legacy
451:Coward
431:) and
422:Ghosts
396:Galway
351:Hamlet
221:
122:(born
3245:D-Day
3021:Epics
2996:Poems
2183:Poets
1028:Notes
841:Films
747:Books
615:Plays
536:with
443:Wilde
428:Brand
417:Ibsen
394:, in
226:Punch
2137:Filí
2057:IMDb
1990:ISBN
1971:ISBN
1949:ISBN
1929:OCLC
1910:ISBN
1890:OCLC
1871:ISBN
1852:ISBN
1833:ISBN
1829:Noël
1718:OCLC
1690:OCLC
1674:OCLC
1416:OCLC
1406:ISBN
1381:ISBN
1356:ISBN
1337:2022
1107:once
1055:Duty
897:1951
891:1924
885:1916
871:1914
845:The
707:1955
701:1954
695:1950
689:1948
683:1947
673:1946
667:1941
661:1940
655:1929
649:1928
447:Shaw
271:and
133:Cork
83:Died
57:Born
2055:at
2046:on
1763:sic
983:BBC
184:née
3444::
1780:,
1644:,
1597:^
1456:^
1414:.
1328:.
1291:,
1276:^
1214:^
1198:^
1161:^
1152:.
1125:^
1012:.
633:,
629:,
575:.
491:.
461:.
449:,
445:,
405:,
311:.
283:.
267:,
135:.
2085:e
2078:t
2071:v
1998:.
1979:.
1957:.
1935:.
1918:.
1896:.
1879:.
1860:.
1841:.
1765:)
1422:.
1389:.
1364:.
1339:.
1065:.
69:)
65:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
