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He was received lawyer in
Toulouse and he seemed destined to the bar where he had started. In his relatives, owners of large properties in the colonies drew him to the New World, and he moved to
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69:(which was then located rue de Chartres) saw his success since 1798, that is to say at the time of his greatest vogue. He also gave various plays to most theaters of Paris.
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in 1793 and fled to
Philadelphia where he stayed there for a while, then returned to France where he devoted himself to dramatic poetry, mainly the
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destroyed his hopes: his house was burned down and his plantations were devastated by those who had formerly been enslaved there. He escaped the
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A Mademoiselle Joséphine Mézeray, première actrice du Théâtre-françois, en lui envoyant un cachet de bureau avec son chiffre
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Annuaire nécrologique, ou Supplément annuel et continuation de toutes les biographies ou dictionnaires historiques
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where fortunate speculations already promised him a brilliant fortune. But the upheaval and emancipation of the
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169:. This comedy with only two characters was met with much success. Originally performed by
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Dieulafoy was and remained a royalist, even under the imperial government.
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238:, 4 année, 1823, Paris : Ponthieu, 1824, p. 104-107
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154:, 1-act comedy in verse, premiered at the
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152:Défiance et Malice, ou le Prêté-rendu
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145:The Intervention of the Sabine Women
28:Joseph-Marie-Armand-Michel Dieulafoy
121:Dans quel siècle sommes-nous ?
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156:Théâtre Français de la République
109:Chrétien-Siméon Le Prévost d'Iray
34:– 13 December 1823) was a French
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116:, with the Prévost d'Iray
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213:M. Grimod de La Reynière
186:in three acts, music by
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173:and Joséphine Mézeray.
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87:comédie en vaudeville
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298:Categories
194:References
60:vaudeville
36:librettist
210:, signed
171:Saint-Fal
42:Biography
32:Toulouse
276:Theatre
262:Portals
216:, 1797
179:Olympie
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100:in 8 II
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