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128, and allowing for the long ribbon controller to serve as a modulation source. Externally the RK-100S is radically different, it lacks the ability to edit programs from the unit. Editing may only be done via a control app available for Mac and PC, and if one is daring enough, it is technically possible to create ones own editor using the available MIDI messages chart. 'MicroKORG XL' and 'XL+' patches may be downloaded into the unit one-by-one or en-masse, allowing patch editing to be done on a 'microKORG XL+'.
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106:/R3 synthesizers. Also, in late 2016, a slightly updated version was released, dubbed the MicroKORG S. This edition retains the same sound engine as the original MicroKORG, but offers an integrated speaker system (stereo + sub), updated color scheme & twice the patch memory. In 2022, a VST Version was released as part of the
599:(in which five stacked oscillators within 1 oscillator can be detuned and phased to achieve a richer sound.) The Unison Simulator is similar to the Supersaw waveform on the Roland JP-8000. The included "OSC MOD WAVEFORM" and "OSC2 SYNC" controllers are reminiscent of the Poly-Mod feature in the Sequential Circuits
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The direct successor to the microKORG, the 'microKORG XL', utilizes the MMT (Multi
Modelling Technology) engine, and is based on Korg's own R3 synthesizer. The XL features a brand-new LCD display and two large Program Select knobs for easier patch access, though has fewer real-time controls than the
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In 2016, Korg reissued the microKORG as the modified 'microKORG S'. This edition retains the engine and features of the original microKORG (as opposed to the XL/XL+, see below), but includes a new lighter-colored housing, built-in speakers, twice the original patch memory (256 slots) and a
Favorites
638:
In 2014, Korg announced the RK-100S keytar, which is essentially a 37-key "keytar" version of the 'microKORG XL+', with many external differences and only two internal differences. On the inside, it sports the same exact features as the 'MicroKorg XL+', except it has 200 program storage instead of
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A large knob changes the selected sound group. Each group has 16 different patches (two banks of eight); the active patch is selected by the eight LED-illuminated buttons on the front panel, while the accompanying A/B switch toggles between the two banks. All patches are user editable, and do not
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The microKORG was released in 2002 and is still in production as of 2022. It has sold an estimated 100,000 units sold as of May 2009. In
September 2007 Korg released a limited edition of the microKORG with reverse-color keys, although the functionality was otherwise unchanged. At NAMM 2008, a
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with OSC1 in order to create more complex sounds. OSC1 can also be replaced with the signal from one of the line-level inputs on the back of the unit, allowing for external signals to be processed as if they were an oscillator (via the filters, effects, or even ring-modulated by OSC2).
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Demonstration of the microKORG being played. These samples are taken from the song 'Radio', by
British synthpop band Emile's Telegraphic Transmission Device. We hear organ chords, a melody played on three presets, a middle eight; also on three presets and a synth bass
98:(the MS-2000 has only six simple patterns), a less advanced vocoder (8 bands instead of 16 bands on the MS-2000), lack of motion sequencing (MS-2000 had three motion sequences), lack of an XLR microphone input, and in a smaller case with fewer real-time control knobs.
126:. Two timbres can be combined in one patch to create a four-oscillator "layer", which can in turn be used to create more complex sounds (although doing so halves the polyphony from four notes to two) Oscillator one (OSC1) can produce one of several
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Even though the RK-100S is not marketed as a microKORG, the fact that its synthesis engine is identical makes it ideal for microKORG users wishing to perform live without needing to have a keyboard stand restricting their movement around a stage.
122:-based synthesis engine, designed around the same engine found in the Korg MS2000. In Korg's terminology, the fundamental unit of sound is referred to as the "timbre". Each timbre consists of a pair of multi-function
607:(uncommon in most synthesizers) which will morph the current waveform into an approximation of the waveform desired, resulting in a harsh sound. The waveshaper also includes a third oscillator (Sub oscillator.)
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Lacks the XLR mic input and dual quarter-inch mono output jacks of 'microKORG XL+', instead featuring a stereo 1/4" TRS jack and mono 1/8" audio input jack, switchable between three gain levels (Line, Mic1,
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For further shaping of the sound, the microKORG offers several types of digital filters, including Low Pass (-12dB/Oct and -24dB/Oct), Band Pass (-12dB/Oct), and High Pass (-12dB/Oct) modes.
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Adds a short and long ribbon controller, and buttons that toggle the behavior of the ribbons (e.g. between modulation of pitch or frequency, although other things can be modulated)
308:. In layer mode it generally has only two-voice polyphony, although one combination of polyphonic/mono layers allows for effective three-voice polyphony of the second timbre.
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successor dubbed the microKORG XL was introduced. Available since early 2009, it uses Korg's MMT (Multi
Modeling Technology) engine, borrowed from the newer and more powerful
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Has five banks of "favorites" selectable with five LED-backlit buttons; these buttons serve as a level meter for output volume during normal performance
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Double the battery life for a set of 4 alkaline AA batteries (8 hours instead of 4 on the microKORG XL+), according to Korg's documentation.
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Sports a 37-key keyboard of "mini" keys as on the MS 20 Mini; these are larger than microKORG'S keys but much thinner than traditional keys
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digital-analog hybrid synthesizers of the mid 1980s. The second oscillator (OSC2) is limited to sawtooth, square, and triangle waveforms.
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and more than 32 digitally generated waveforms (SYNWAVE 6 is a ramp wave/inverted sawtooth). The XL adds two additional
Waveform
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Wooden body with very fragile glossy lacquer paint that is very easy to chip or crack should the unit bump into anything hard
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629:"Analog Tune" simulates the pitch instability and oscillator “drift” that was characteristic of vintage analog synthesizers
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The microKORG XL groups its 128 factory preset sound patches into 8 groups:
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necessarily have to align with the genre groupings listed on the faceplate.
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feature to assign 8 patches to the program buttons for easier selection.
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The microKORG groups its 128 factory preset sound patches into 8 groups:
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Vocoder increased to 16 bands, but still supports the 4 note polyphony
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Additionally, the unit provides a number of built-in effects, such as
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When playing a single timbre, the keyboard is limited to four-voice
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90:. The synthesizer is built in such a way that it is essentially a
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The option to use ten scales, including one defined by the user.
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158:. Some of these 64 waveforms (which are really single-cycle
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531:Notably, the 'microKORG XL' features 17 different
575:, seven organ sounds (one of which emulates the
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270:. OSC2 can be detuned, synchronized, and/or
643:Notable external differences of the RK-100S
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620:USB connector for MIDI over USB operation
527:New features specific to the microKORG XL
623:"Split" and "Multi" added to Voice modes
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614:Polyphony increased up to eight notes
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689:"Korg MicroKORG Synthesizer/Vocoder"
801:. No. 210. Future Publishing.
603:. The microKORG XL also includes a
235:microKORG Digital Wave (64 values)
162:) were originally featured in the
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610:Additional improvements include:
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727:. January 2003. Archived from
1:
478:and several sub categories:
130:-style waveforms, including
27:Synthesizer released in 2002
1357:Virtual analog synthesizers
1082:Triton/Le/Studio/Extreme/TR
829:microKORG at Korg's website
777:. July 2009. Archived from
535:derived effects, including
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1033:
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691:. Korg UK. Archived from
118:The microKORG features a
1362:Polyphonic synthesizers
202:microKORG Triangle Wave
264:Pulse-width modulation
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41:The original microKORG
795:"Korg microKorg XL".
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246:microKORG White Noise
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191:microKORG Square Wave
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411:original microKORG.
94:with a programmable
771:"Korg Microkorg XL"
517:Special Effects/Hit
352:Special Effects/Hit
213:microKORG Sine Wave
707:"Korg MicroKORG S"
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224:microKORG Vox Wave
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180:microKORG Saw Wave
156:additive synthesis
1352:Korg synthesizers
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1279:Musical arrangers
709:. Sound On Sound.
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70:-capable digital
16:(Redirected from
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1298:List of products
1242:MIDI controllers
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743:"Owner's manual"
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721:"Korg Microkorg"
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593:Phase Modulation
581:String Orchestra
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96:step arpeggiator
88:analog modelling
55:The microKORG XL
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789:Further reading
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781:on 8 June 2015.
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695:on 2009-01-20.
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1286:Korg Pa600MY
1045:Workstations
932:Monotron Duo
902:miniKORG 700
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875:Synthesizers
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798:Future Music
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779:the original
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753:. Retrieved
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729:the original
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693:the original
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634:Korg RK-100S
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382:microKORG XL
375:microKORG XL
369:
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285:, ensemble (
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164:Korg DW-6000
117:
100:
92:Korg MS-2000
63:
61:
1324:Electronics
1233:Kaossilator
1228:Electribe R
1206:Grooveboxes
1107:Nautilus/AT
1012:Volca Beats
997:Wavestation
366:microKORG S
330:Electronica
152:white noise
124:oscillators
72:synthesizer
1346:Categories
1249:PadKontrol
1190:Soundcards
1102:Kronos/X/2
1017:Volca Keys
1007:Volca Bass
815:1032779031
676:References
605:waveshaper
589:Modulation
545:decimation
482:Poly Synth
160:wavetables
144:sine waves
82:featuring
1218:Electribe
1213:Kaoss Pad
1197:OASYS PCI
917:Monologue
912:Mono/Poly
907:Minilogue
897:microKORG
807:0967-0378
601:Prophet-5
557:retrigger
474:Favourite
306:polyphony
114:Synthesis
64:microKORG
18:MicroKorg
1258:Software
1142:Samplers
1077:N364/264
977:Prophecy
962:Poly-800
922:Monotron
573:Clavinet
509:Keyboard
346:/Vintage
148:formants
140:triangle
132:sawtooth
1310:Portals
1158:Vocoder
1072:Trinity
1052:Korg M1
992:Trident
972:PS-3300
967:Polysix
957:Poly-61
952:PE-2000
887:DW-8000
882:DW-6000
755:20 June
591:types:
577:Korg M1
567:, nine
553:tremolo
549:vibrato
521:Vocoder
504:Strings
496:/Motion
435:Hip Hop
431:R&B
356:Vocoder
344:Hip hop
283:flanger
258:preset.
168:DW-8000
86:-based
76:vocoder
1174:Organs
982:RADIAS
947:MS2000
813:
805:
597:Unison
541:flange
537:phaser
470:Breaks
452:Trance
449:Techno
444:Fusion
339:Breaks
321:Techno
316:Trance
293:, and
291:phaser
287:chorus
266:, and
166:&
142:, and
136:square
104:Radias
1336:Music
1270:DS-10
1165:VC-10
1149:DSS-1
1128:DRM-1
1123:DDD-1
1092:OASYS
1087:KARMA
987:Sigma
942:MS-20
937:MS-10
746:(PDF)
649:Mic2)
561:Piano
533:KAOSS
466:D'N'B
461:Disco
457:House
349:Retro
335:D'n'B
325:House
78:from
66:is a
1181:CX-3
1057:01/W
892:DS-8
868:Korg
811:OCLC
803:ISSN
757:2018
750:Korg
595:and
571:and
555:and
513:Bell
490:Lead
486:Bass
440:Jazz
422:Rock
299:LFOs
80:Korg
68:MIDI
62:The
1002:X50
500:Pad
494:Arp
426:Pop
289:),
150:),
120:DSP
110:.
84:DSP
1348::
1097:M3
1067:i3
1062:X3
1027:Z1
809:.
773:.
748:.
723:.
563:,
551:,
547:,
543:,
539:,
268:FM
138:,
134:,
1312::
860:e
853:t
846:v
817:.
759:.
511:/
502:/
468:/
459:/
442:/
433:/
424:/
337:/
323:/
74:/
20:)
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