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Mia Locks

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Mia Locks is an independent curator and writer based in Los Angeles. She co-founded and leads Museums Moving Forward, a data-driven research initiative to support equity in the art museum sector, funded by
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Locks received a BA from Brown University and an MA from the University of Southern California (USC). She was a 2018 fellow at the
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https://news.artnet.com/art-world/8-things-you-can-do-right-now-to-create-change-in-your-museum-workplace-2229355
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https://www.miandn.com/attachment/en/63936142fcaaf75aef06bd82/Press/58a4b1060ed85044286b538a
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The 2017 Whitney Biennial Is a Moving, Forward-Looking Tour de Force—a Triumph (ArtNews)
336:"'suddenly: where we live now' at the Pomona College Museum of Art • Online • Afterall" 64: 310:
Locks, Mia. "8 Things You Can Do Right Now to Create Change in Your Museum Workplace"
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in 2014. She served on the faculty of the M.A. program in Curatorial Practice at the
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How the podcast ‘Hope & Dread’ examines the turmoil affecting art and artists
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The New Whitney Biennial Is the Most Political in Decades (New York Magazine)
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Why the Whitney's Humanist, Pro-Diversity Biennial Is a Revelation (NY Times)
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https://podcasts.apple.com/us/podcast/the-art-world-what-if/id1203133627
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At 'Greater New York,' Rising Art Stars Meet the Old School (NY Times)
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Im Heung-soon Explores the Horrors Women Endure During War (NY Times)
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Cruising the Archive: Queer Art and Culture in Los Angeles, 1945–1980
352:"The Body is a Location: Math Bass in Conversation with Mia Locks." 37: 123:(2019) at Moore College of Art & Design in Philadelphia, and 366:"Samara Golden Art Monographs and Museum Exhibition Catalogs" 144: 515:
People associated with the Whitney Museum of American Art
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MOCA in Los Angeles Appoints Mia Locks as Senior Curator
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Hope & Dread: The Tectonic Shifts of Power in Art
258:"The Whitney Announces Curators for 2017 Biennial" 75:. Prior to MOCA, Locks was co-curator of the 2017 61:The Museum of Contemporary Art, Los Angeles (MOCA) 22:is a contemporary art curator and museum leader. 465:MoMAPS1.org - The Little Things Could Be Dearer 135:’s inaugural Pacific Standard Time initiative. 8: 354:https://artjournal.collegeart.org/?p=6704 276:"MoMA PS1: Exhibitions: Greater New York" 59:Previously, Locks worked as a curator at 490:University of Southern California alumni 127:(2011), with David Evans Frantz, at the 450:Greater New York at MoMA PS1 (Artforum) 204: 129:ONE National Gay & Lesbian Archives 73:Museum of Contemporary Art, Los Angeles 16:American independent curator and writer 440:Math Bass: Codes and Keys (W Magazine) 87:, she organized exhibitions including 7: 445:MoMAPS1.org - Greater New York 2015 415:Whitney.org - Whitney Biennial 2017 238:Russeth, Andrew (4 November 2015). 435:Openings: Samara Golden (Artforum) 14: 213:"Hope/Dread — All Art& Posts" 109:The Little Things Could Be Dearer 189:Center for Curatorial Leadership 143:Lock's writing has appeared in 65:Whitney Museum of American Art 1: 495:School of Visual Arts faculty 44:. She serves on the board of 225:The Art World: What If...?! 111:(2014). She also co-curated 525:21st-century American women 179:, New York from 2017-2019. 131:in Los Angeles, as part of 54:The Art World: What If...?! 541: 169:The Flat Side of the Knife 105:The Flat Side of the Knife 520:American women academics 505:American women curators 485:Brown University alumni 388:www.artandeducation.net 95:(2015); IM Heung-soon: 31:Professional Experience 510:American women writers 121:Ulrike Müller: or both 500:American art curators 177:School of Visual Arts 139:Writing and Teaching 81:Christopher Y. Lew 42:Mellon Foundation 532: 392: 391: 380: 374: 373: 362: 356: 350: 344: 343: 340:www.afterall.org 331: 325: 320: 314: 308: 302: 301: 290: 284: 283: 272: 266: 265: 254: 248: 247: 235: 229: 223: 217: 216: 209: 113:Greater New York 77:Whitney Biennial 67:, New York; and 540: 539: 535: 534: 533: 531: 530: 529: 470: 469: 401: 396: 395: 382: 381: 377: 370:www.artbook.com 364: 363: 359: 351: 347: 333: 332: 328: 321: 317: 309: 305: 292: 291: 287: 274: 273: 269: 256: 255: 251: 237: 236: 232: 224: 220: 211: 210: 206: 201: 185: 171:, published by 141: 38:Ford Foundation 33: 28: 17: 12: 11: 5: 538: 536: 528: 527: 522: 517: 512: 507: 502: 497: 492: 487: 482: 472: 471: 468: 467: 462: 457: 452: 447: 442: 437: 432: 427: 422: 417: 412: 407: 400: 399:External links 397: 394: 393: 375: 357: 345: 326: 315: 303: 285: 267: 249: 230: 218: 203: 202: 200: 197: 184: 181: 140: 137: 32: 29: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 537: 526: 523: 521: 518: 516: 513: 511: 508: 506: 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 480:Living people 478: 477: 475: 466: 463: 461: 458: 456: 453: 451: 448: 446: 443: 441: 438: 436: 433: 431: 428: 426: 423: 421: 418: 416: 413: 411: 408: 406: 403: 402: 398: 389: 385: 379: 376: 371: 367: 361: 358: 355: 349: 346: 341: 337: 330: 327: 324: 319: 316: 313: 307: 304: 299: 295: 289: 286: 281: 277: 271: 268: 263: 259: 253: 250: 245: 241: 234: 231: 228: 222: 219: 214: 208: 205: 198: 196: 194: 193:New York City 190: 182: 180: 178: 174: 170: 166: 165:Samara Golden 162: 158: 157: 152: 151: 146: 138: 136: 134: 130: 126: 122: 118: 117:Douglas Crimp 115:(2015), with 114: 110: 106: 102: 101:Samara Golden 98: 97:Reincarnation 94: 93:Off the Clock 90: 86: 82: 78: 74: 70: 66: 62: 57: 55: 51: 47: 43: 39: 30: 25: 23: 21: 387: 378: 369: 360: 348: 339: 334:Locks, Mia. 329: 318: 306: 297: 288: 279: 270: 261: 252: 243: 233: 221: 207: 186: 168: 160: 154: 148: 142: 124: 120: 112: 108: 107:(2014); and 104: 96: 92: 58: 34: 19: 18: 298:one.usc.edu 280:momaps1.org 262:whitney.org 161:Art Journal 474:Categories 199:References 183:Education 167:'s work, 133:the Getty 89:Math Bass 52:." " and 46:Clockshop 20:Mia Locks 173:MoMA PS1 156:Afterall 99:(2015); 85:MoMA PS1 69:MoMA PS1 244:ARTnews 79:, with 150:Mousse 145:Artnet 26:Career 83:. At 40:and 191:in 476:: 386:. 368:. 338:. 296:. 278:. 260:. 242:. 195:. 159:, 153:, 147:, 103:: 91:: 63:; 56:" 390:. 372:. 342:. 300:. 282:. 264:. 246:. 215:.

Index

Ford Foundation
Mellon Foundation
Clockshop
Hope & Dread: The Tectonic Shifts of Power in Art
The Art World: What If...?!
The Museum of Contemporary Art, Los Angeles (MOCA)
Whitney Museum of American Art
MoMA PS1
Museum of Contemporary Art, Los Angeles
Whitney Biennial
Christopher Y. Lew
MoMA PS1
Math Bass
Samara Golden
Douglas Crimp
ONE National Gay & Lesbian Archives
the Getty
Artnet
Mousse
Afterall
Samara Golden
MoMA PS1
School of Visual Arts
Center for Curatorial Leadership
New York City
"Hope/Dread — All Art& Posts"
https://podcasts.apple.com/us/podcast/the-art-world-what-if/id1203133627
"Christopher Lew and Mia Locks Will Organize the 2017 Whitney Biennial"
"The Whitney Announces Curators for 2017 Biennial"
"MoMA PS1: Exhibitions: Greater New York"

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