556:
in line of descent." Isler says that the band's "understated accompaniment is similarly effective with its less-is-more minimalism. A potent, unstable blend." According to Pierce, "ven though we idolized an older style of music, none of us were good enough to play it! What we came up with is our own version. I find myself writing about the feeling of being lost."
534:
446:
408:
403:
370:
529:
524:
519:
514:
484:
479:
474:
469:
464:
441:
436:
431:
426:
398:
393:
388:
365:
360:
355:
350:
320:
315:
310:
305:
300:
282:
277:
272:
267:
262:
555:
In a 1982 article about the band, Scott Isler described their approach as "nostalgic revivalism" which is "unique...in overhauling country blues for a bloodcurdling contemporary impact. Far from camping it up, Pierce respects the elemental power of his inspiration; his eerie semi-coherent imagery are
189:, also of Blondie, appears as a backing singer on various tracks on the album under the pseudonym "D.H. Laurence Jr." The album front cover photograph doesn't include bassist Rob Ritter who had already left the band. Before leaving, Ritter first taught all the bass-lines to
29:
748:
1162:
207:
and later revealed his commercial hit "White
Wedding" had been an attempt to emulate "Mother of Earth" from the album. The song was covered by
647:- vocals, guitar, piano, background vocals on "Watermelon Man", lead guitar on "Run Through the Jungle", "John Hardy" and "Mother of Earth"
1328:
1032:
1333:
1338:
1018:
493:
1323:
940:
was perhaps their most coherent, 'Bad Indian' and 'Like
Calling Up Thunder' coming on like a prototypical White Stripes.
1250:
1264:
1271:
1155:
1202:
893:
329:
194:
1192:
981:
653:
583:
1148:
840:
712:
749:"Warm Up With An Expanded Reissue Of The Gun Club's Scorching Idiosyncratic Punk-Blues Classic 'Miami'"
1318:
1236:
128:
999:
753:
291:
115:
82:
41:
1068:
1182:
644:
1278:
1197:
1028:
987:
613:
455:
190:
1187:
1050:
954:
716:
505:
417:
910:
341:
103:
707:"Special thanks to: Bob Singerman, Linda Cuckovich, Chris D., Robyn Weiss, Lois Graham,
1207:
180:
1312:
1102:
1024:
1014:
976:
803:
781:
620:
866:
1171:
934:
776:
724:
708:
669:
587:
379:
186:
172:
168:
93:
1296:
1257:
960:
Produced by
Blondie's Chris Stein, it streamlined the sound of Gun Club's debut
720:
678:
208:
176:
146:
108:
73:
1097:
821:
212:
200:
78:
891:
Martin, Gavin (February 2010). "The Gun Club: Miami / The Las Vegas Story".
175:, released in 1982. It was released on Animal Records, founded by guitarist
86:
841:"Six definitive songs: The ultimate beginner's guide to Jeffrey Lee Pierce"
870:
700:
254:
220:
1134:
1129:
223:, but with lyrics in Swedish, as “Mamma din jord” on their 2019 album
684:
Mark Tomeo - steel guitar on "Texas
Serenade" and "Mother of Earth"
28:
36:
650:
Ward Dotson - lead guitar, background vocals on "Watermelon Man"
546:
was ranked among the top fifty "Albums of the Year" for 1982 by
1144:
1140:
1073:
564:
All songs written by
Jeffrey Lee Pierce; except as indicated.
548:
193:, his replacement in the Gun Club and former bandmate in the
606:"Watermelon Man" (Ward Dotson, Jeffrey Lee Pierce) - 4:11
203:
had met up with Pierce in an L.A. bar around the time of
616:" (Traditional; arranged by Jeffrey Lee Pierce) - 3:21
1288:
1228:
114:
102:
92:
72:
64:
56:
48:
35:
21:
1056:Jeffrey Lee Pierce never sounded more possessed...
980:
1106:. Vol. 9, no. 10. New York. p. 12
297:
259:
1156:
8:
511:
461:
423:
385:
347:
675:Walter Steding - fiddle on "Watermelon Man"
1163:
1149:
1141:
234:
27:
18:
1013:Anderson, Steve (1995). "Gun Club". In
736:
681:- producer, bongos on "Watermelon Man"
240:
16:1982 studio album by The Gun Club
7:
742:
740:
703:- cover photographs, original design
775:Green, Jim; Sprague, David (2007).
299:
261:
747:Horowitz, Hal (December 2, 2020).
14:
513:
463:
425:
387:
349:
183:. Stein also produced the album.
576:"Like Calling Up Thunder" - 2:29
532:
527:
522:
517:
512:
482:
477:
472:
467:
462:
444:
439:
434:
429:
424:
406:
401:
396:
391:
386:
368:
363:
358:
353:
348:
318:
313:
308:
303:
298:
280:
275:
270:
265:
260:
1069:"Albums and Tracks of the Year"
626:"Sleeping in Blood City" - 3:29
1096:Isler, Scott (December 1982).
822:"The Gun Club story in detail"
694:Joe Arlotta - session engineer
1:
1020:Spin Alternative Record Guide
697:Butch Jones - mixing engineer
593:"A Devil in the Woods" - 3:05
494:Spin Alternative Record Guide
68:Blank Tape Studios, New York
897:. No. 141. p. 89.
579:"Brother and Sister" - 2:57
1355:
982:"Gun Club: Miami (Animal)"
623:, Stordivant Sonya) - 2:14
1178:
248:
245:
219:and also by Swedish band
122:
26:
1329:Chrysalis Records albums
629:"Mother of Earth" - 3:21
1048:"The Gun Club: Miami".
1017:; Marks, Craig (eds.).
952:"The Gun Club: Miami".
932:"The Gun Club: Miami".
908:"The Gun Club: Miami".
596:"Texas Serenade" - 4:40
1265:Pastoral Hide and Seek
979:(September 18, 1982).
867:"Miami – The Gun Club"
584:Run Through the Jungle
171:by American rock band
1334:I.R.S. Records albums
1339:Cooking Vinyl albums
664:Additional musicians
659:Terry Graham - drums
236:Professional ratings
215:on their 2001 album
1324:The Gun Club albums
1251:The Las Vegas Story
1027:. pp. 172–73.
754:American Songwriter
609:"Bad Indian" - 2:37
573:"Carry Home" - 3:14
292:American Songwriter
237:
83:alternative country
1183:Jeffrey Lee Pierce
1137:(list of releases)
725:D.H. Laurence, Jr.
670:D.H. Laurence, Jr.
645:Jeffrey Lee Pierce
235:
217:Tremendous Efforts
52:September 20, 1982
1306:
1305:
1198:Patricia Morrison
541:
540:
191:Patricia Morrison
160:
159:
156:
155:
1346:
1188:Kid Congo Powers
1165:
1158:
1151:
1142:
1116:
1115:
1113:
1111:
1093:
1087:
1086:
1084:
1082:
1065:
1059:
1058:
1045:
1039:
1038:
1010:
1004:
1003:
1000:Rock's Backpages
997:
995:
984:
973:
967:
966:
955:Record Collector
949:
943:
942:
929:
923:
922:
905:
899:
898:
888:
882:
881:
879:
877:
862:
856:
855:
853:
851:
845:Far Out Magazine
836:
830:
829:
818:
812:
811:
804:"Animal Records"
800:
794:
793:
791:
789:
772:
766:
765:
763:
761:
744:
672:- backing vocals
619:"Fire of Love" (
537:
536:
535:
531:
530:
526:
525:
521:
520:
516:
515:
487:
486:
485:
481:
480:
476:
475:
471:
470:
466:
465:
449:
448:
447:
443:
442:
438:
437:
433:
432:
428:
427:
418:Record Collector
411:
410:
409:
405:
404:
400:
399:
395:
394:
390:
389:
373:
372:
371:
367:
366:
362:
361:
357:
356:
352:
351:
323:
322:
321:
317:
316:
312:
311:
307:
306:
302:
301:
285:
284:
283:
279:
278:
274:
273:
269:
268:
264:
263:
238:
124:
123:
31:
19:
1354:
1353:
1349:
1348:
1347:
1345:
1344:
1343:
1309:
1308:
1307:
1302:
1284:
1224:
1174:
1169:
1125:
1120:
1119:
1109:
1107:
1095:
1094:
1090:
1080:
1078:
1067:
1066:
1062:
1054:. p. 149.
1047:
1046:
1042:
1035:
1012:
1011:
1007:
993:
991:
975:
974:
970:
951:
950:
946:
938:. p. 131.
931:
930:
926:
914:. p. 114.
907:
906:
902:
890:
889:
885:
875:
873:
864:
863:
859:
849:
847:
838:
837:
833:
826:www.furious.com
820:
819:
815:
802:
801:
797:
787:
785:
774:
773:
769:
759:
757:
746:
745:
738:
733:
719:, Linda Jones,
691:
666:
641:
636:
562:
533:
528:
523:
518:
483:
478:
473:
468:
445:
440:
435:
430:
407:
402:
397:
392:
369:
364:
359:
354:
319:
314:
309:
304:
281:
276:
271:
266:
233:
151:
141:
132:
44:
17:
12:
11:
5:
1352:
1350:
1342:
1341:
1336:
1331:
1326:
1321:
1311:
1310:
1304:
1303:
1301:
1300:
1292:
1290:
1286:
1285:
1283:
1282:
1275:
1268:
1261:
1254:
1247:
1240:
1232:
1230:
1226:
1225:
1223:
1222:
1219:
1216:
1213:
1210:
1208:Nick Sanderson
1205:
1200:
1195:
1190:
1185:
1179:
1176:
1175:
1170:
1168:
1167:
1160:
1153:
1145:
1139:
1138:
1124:
1123:External links
1121:
1118:
1117:
1088:
1060:
1040:
1033:
1015:Weisbard, Eric
1005:
977:Pouncey, Edwin
968:
958:. p. 83.
944:
924:
920:are ferocious.
900:
883:
857:
839:Wardle, Drew.
831:
813:
795:
767:
735:
734:
732:
729:
705:
704:
698:
695:
690:
687:
686:
685:
682:
676:
673:
665:
662:
661:
660:
657:
651:
648:
640:
637:
635:
632:
631:
630:
627:
624:
617:
610:
607:
603:
602:
598:
597:
594:
591:
580:
577:
574:
570:
569:
561:
558:
539:
538:
509:
501:
500:
497:
489:
488:
459:
451:
450:
421:
413:
412:
383:
375:
374:
345:
337:
336:
333:
325:
324:
295:
287:
286:
257:
251:
250:
247:
243:
242:
232:
229:
167:is the second
158:
157:
154:
153:
143:
134:
120:
119:
112:
111:
106:
100:
99:
98:Animal Records
96:
90:
89:
76:
70:
69:
66:
62:
61:
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1351:
1340:
1337:
1335:
1332:
1330:
1327:
1325:
1322:
1320:
1317:
1316:
1314:
1299:
1298:
1294:
1293:
1291:
1287:
1281:
1280:
1276:
1274:
1273:
1269:
1267:
1266:
1262:
1260:
1259:
1255:
1253:
1252:
1248:
1246:
1245:
1241:
1239:
1238:
1234:
1233:
1231:
1227:
1220:
1217:
1214:
1211:
1209:
1206:
1204:
1203:Jim Duckworth
1201:
1199:
1196:
1194:
1191:
1189:
1186:
1184:
1181:
1180:
1177:
1173:
1166:
1161:
1159:
1154:
1152:
1147:
1146:
1143:
1136:
1132:
1131:
1127:
1126:
1122:
1105:
1104:
1103:Trouser Press
1099:
1092:
1089:
1076:
1075:
1070:
1064:
1061:
1057:
1053:
1052:
1044:
1041:
1036:
1034:0-679-75574-8
1030:
1026:
1025:Vintage Books
1022:
1021:
1016:
1009:
1006:
1001:
990:
989:
983:
978:
972:
969:
965:
963:
957:
956:
948:
945:
941:
937:
936:
928:
925:
921:
919:
913:
912:
904:
901:
896:
895:
887:
884:
872:
868:
865:Jurek, Thom.
861:
858:
846:
842:
835:
832:
827:
823:
817:
814:
809:
805:
799:
796:
784:
783:
782:Trouser Press
778:
771:
768:
756:
755:
750:
743:
741:
737:
730:
728:
726:
722:
718:
714:
713:Ivy Rorschach
710:
702:
699:
696:
693:
692:
688:
683:
680:
677:
674:
671:
668:
667:
663:
658:
655:
652:
649:
646:
643:
642:
638:
633:
628:
625:
622:
621:Jody Reynolds
618:
615:
611:
608:
605:
604:
600:
599:
595:
592:
589:
585:
581:
578:
575:
572:
571:
567:
566:
565:
560:Track listing
559:
557:
553:
551:
550:
545:
510:
508:
507:
503:
502:
498:
496:
495:
491:
490:
460:
458:
457:
453:
452:
422:
420:
419:
415:
414:
384:
382:
381:
377:
376:
346:
344:
343:
339:
338:
334:
332:
331:
327:
326:
296:
294:
293:
289:
288:
258:
256:
253:
252:
244:
241:Review scores
239:
230:
228:
226:
222:
218:
214:
210:
206:
202:
198:
196:
192:
188:
184:
182:
178:
174:
170:
166:
165:
150:
148:
144:
140:
139:
135:
131:
130:
126:
125:
121:
117:
113:
110:
107:
105:
101:
97:
95:
91:
88:
84:
80:
77:
75:
71:
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
1295:
1277:
1270:
1263:
1256:
1249:
1243:
1242:
1237:Fire of Love
1235:
1172:The Gun Club
1128:
1108:. Retrieved
1101:
1091:
1079:. Retrieved
1072:
1063:
1055:
1049:
1043:
1019:
1008:
998:– via
992:. Retrieved
986:
971:
962:Fire of Love
961:
959:
953:
947:
939:
933:
927:
917:
915:
909:
903:
894:Classic Rock
892:
886:
874:. Retrieved
860:
848:. Retrieved
844:
834:
825:
816:
807:
798:
786:. Retrieved
780:
770:
758:. Retrieved
752:
709:Lux Interior
706:
639:The Gun Club
588:John Fogerty
563:
554:
547:
543:
542:
504:
492:
454:
416:
378:
340:
330:Classic Rock
328:
290:
224:
216:
204:
199:
187:Debbie Harry
185:
173:the Gun Club
169:studio album
163:
162:
161:
145:
137:
136:
129:Fire of Love
127:
116:The Gun Club
42:The Gun Club
37:Studio album
1319:1982 albums
1297:Death Party
1258:Mother Juno
1215:Ward Dotson
994:December 8,
850:26 February
760:December 8,
721:Chris Stein
679:Chris Stein
209:alt-country
177:Chris Stein
147:Death Party
109:Chris Stein
1313:Categories
1218:Mike Martt
1193:Rob Ritter
1098:"Gun Club"
1081:6 November
777:"Gun Club"
731:References
689:Production
654:Rob Ritter
614:John Hardy
213:the Sadies
201:Billy Idol
118:chronology
79:Punk blues
1279:Lucky Jim
1212:Romi Mori
1110:March 26,
717:Kid Congo
634:Personnel
231:Reception
87:post-punk
60:June 1982
1272:Divinity
916:arts of
871:AllMusic
701:Chris D.
601:Side two
590:) - 4:07
568:Side one
255:AllMusic
221:bob hund
104:Producer
57:Recorded
49:Released
39: by
1221:Dee Pop
1135:Discogs
808:Discogs
181:Blondie
152:(1983)
142:(1982)
133:(1981)
1229:Albums
1077:. 2016
1031:
988:Sounds
876:May 4,
788:May 4,
656:- bass
456:Sounds
249:Rating
246:Source
65:Studio
1244:Miami
1130:Miami
1051:Uncut
918:Miami
544:Miami
506:Uncut
225:0-100
211:band
205:Miami
164:Miami
138:Miami
94:Label
74:Genre
22:Miami
1112:2023
1083:2016
1029:ISBN
996:2020
911:Mojo
878:2013
852:2023
790:2013
762:2020
723:and
499:7/10
342:Mojo
335:7/10
195:Bags
1289:EPs
1133:at
1074:NME
964:...
586:" (
549:NME
179:of
1315::
1100:.
1071:.
1023:.
985:.
869:.
843:.
824:.
806:.
779:.
751:.
739:^
727:"
715:,
711:,
552:.
227:.
197:.
149:EP
85:,
81:,
1164:e
1157:t
1150:v
1114:.
1085:.
1037:.
1002:.
935:Q
880:.
854:.
828:.
810:.
792:.
764:.
612:"
582:"
380:Q
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.