Miguel Ángel Asturias

624:

dictator, Manuel Estrada Cabrera's rule. Asturias's novel examines how evil spreads downward from a powerful political leader, into the streets and homes of the citizens. Many themes, such as justice and love, are mocked in the novel, and escape from the dictator's tyranny is seemingly impossible. Each character within the novel is deeply affected by the dictatorship and must struggle to survive in a terrifying reality. The story opens with the accidental murder of a high official, Colonel Parrales Sonriente. The President uses the Colonel's death to dispose of two men as he decides to frame them both for the murder. The tactics of the President are often viewed as sadistic, as he believes his word is the law which no one shall question. The novel then travels with several characters, some close to the President and some seeking escape from his regime. The dictator's trusted adviser, whom the reader knows as "Angel Face", falls in love with a General Canales's daughter, Camila. Also, Angel Face, under the direct order of the President, convinces General Canales that immediate flight is imperative. Unfortunately, the General is one of the two men the President is trying to frame for murder; the President's plan to make General Canales appear guilty is to have him shot while fleeing. The General is hunted for execution while his daughter is held under house arrest by Angel Face. Angel Face is torn between his love for her and his duty to the President. While the Dictator is never named, he has striking similarities to Manuel Estrada Cabrera.

661:

author was both passionate and knowledgeable. The novel draws on traditional legend, but the story is of Asturias's own creation. The plot revolves around an isolated Indian community (the men of maize or "people of corn") whose land is under threat by outsiders, with the intent of commercial exploitation. An indigenous leader, Gaspar Ilom, leads the community's resistance to the planters, who kill him in the hope of thwarting the rebellion. Beyond the grave Ilom lives on as a "folk-hero"; despite his efforts, the people still lose their land. In the second half of the novel, the central character is a postman, Nicho, and the story revolves around his search for his lost wife. In the course of his quest he abandons his duties, tied as they are to "white society", and transforms himself into a coyote, which represents his

800:, is loosely based on Maya mythology and legends. The author chose legends spanning from the creation of the Maya people to the arrival of the Spanish conquistadors hundreds of years later. Asturias introduces the Spanish colonizers in his story "Leyenda del tesoro del Lugar Florido" (Legend of the Treasure from the Flowering Place). In this story, a sacrificial ritual is interrupted by the unexpected arrival of "the white man" ("los hombres blancos"). The tribe scatters in fright of the intruders and their treasure is left behind in the hands of the white man. Jimena Sáenz argues that this story represents the fall of the Maya civilization at the hands of the Spanish conquistadors. 959:

into a stone. That is not a tangible reality but one that involves an understanding of supernatural forces. That is why when I have to give it a literary label I call it "magic realism." Similarly, scholar Lourdes Royano Gutiérrez argues that surrealist thought is not entirely different from the indigenous or mestizo worldview. Royano Gutiérrez describes this worldview as one in which the border between reality and dream is porous and not concrete. It is clear from both Asturias' and Gutiérrez' quotes that magical realism was seen as a suitable genre to represent an indigenous character's thoughts. The surrealist/magical realist style is exemplified in Asturias' works

3410: 991:, Asturias fuses surrealism with indigenous tradition in something called the "great language" ("la gran lengua"). In this Maya tradition, the people bestow magical power to certain words and phrases; similar to a witch's chant or curse. In his stories, Asturias restores this power to words and lets them speak for themselves: "Los toros toronegros, los toros torobravos, los toros torotumbos, los torostorostoros" ("the bulls bullsblack, the bulls bullsbrave, the bulls bullsshake, the bullsbullsbulls"). 1023: 861: 336:(Association of Law Students), in addition to actively participating in La Tribuna del Partido Unionista (Platform of the Unionist Party). It was ultimately the latter group which derailed the dictatorship of Estrada Cabrera. Both of the associations he founded have been recognized as being positively associated with Guatemalan patriotism. In reference to literature, Asturias' involvement in all of these organizations influenced many of his scenes in 410:. Asturias was asked following his work as an ambassador to help suppress the threat of rebels from El Salvador. The rebels ultimately succeeded in invading Guatemala and overthrew Jacobo Árbenz' rule in 1954 with the support of the U.S. government. Arbenz's policies were contrary to interests of United Fruit who lobbied heavily for his ousting. When the government of Jacobo Árbenz fell Asturias was expelled from the country by 1571: 63: 290:, who had come to power in February 1898. As Asturias later recalled, "My parents were quite persecuted, though they were not imprisoned or anything of the sort". Following an incident in 1904 which, in his capacity as judge, Asturias Sr. set free some students arrested for causing a disturbance, he clashed directly with the dictator, lost his job, and he and his family were forced to move in 1905 to the town of 951:. In an interview with his friend and biographer Günter W. Lorenz, Asturias discusses how these stories fit his view of magical realism and relate to surrealism, saying, "Between the "real" and the "magic" there is a third sort of reality. It is a melting of the visible and the tangible, the hallucination and the dream. It is similar to what the surrealists around Breton wanted and it is what we could call " 1557: 531:; 1930), is a collection of nine stories that explore Mayan myths from before the Spanish conquest as well as themes that relate to the development of a Guatemalan national identity. Asturias' fascination with pre-Columbian texts such as Popul Vuh and Anales de los Xahil, as well as his beliefs in popular myths and legends, have heavily influenced the work. Academic 575: 943:

two genres. Asturias discussed the idea of magical realism in his own works linking it explicitly to surrealism. He did not, however, use the term to describe his own material. He used it instead in reference to the Mayan stories written before the conquest of America by the Europeans, stories such as

298:, where Miguel Ángel Asturias lived on his grandparents' farm. It was here that Asturias first came into contact with Guatemala's indigenous people; his nanny, Lola Reyes, was a young indigenous woman who told him stories of their myths and legends that would later have a great influence on his work. 942:

Surrealism has contributed greatly to the works of Asturias. Characterized by its exploration of the subconscious mind, the genre allowed Asturias to cross boundaries of fantasy and reality. Although Asturias' works were seen as preceding magical realism, the author saw many similarities between the

462:

Asturias married his first wife, Clemencia Amado (1915-1979), in 1939. They had two sons, Miguel and Rodrigo Ángel, before divorcing in 1947. Asturias then met and married his second wife, Blanca Mora y Araujo (1904–2000), in 1950. Mora y Araujo was Argentinian, and so when Asturias was deported from

822:

manipulated Latin American politicians and exploited land, resources, and Guatemalan laborers. The effects of American companies in Guatemala inspired Asturias to write "The Banana Trilogy," a series of three novels published in 1950, 1954, and 1960 that revolve around the exploitation of indigenous

806:

does not explicitly identify its setting as early twentieth-century Guatemala, however, the novel's title character was inspired by the 1898–1920 presidency of Manuel Estrada Cabrera. The character of the President rarely appears in the story but Asturias employs a number of other characters to show

792:

Throughout Asturias' literary career, he was continually involved in politics. He was openly opposed to the Cabrera Dictatorship and worked as an ambassador in various Latin American countries. His political opinions come through in a number of his works. Some political themes found in his books are

958:

As mentioned above, Maya culture was an important inspiration for Asturias. He saw a direct relationship between magical realism and Indigenous mentality, saying, "...an Indian or a mestizo in a small village might describe how he saw an enormous stone turn into a person or a giant, or a cloud turn

933:

When asked about his method of interpreting the Mayan psyche, Asturias was quoted saying "I listened a lot, I imagined a little, and invented the rest" (Oí mucho, supuse un poco más e inventé el resto). In spite of his inventions, his ability to incorporate his knowledge in Mayan ethnology into his

912:

and admitted that his interpretations of the indigenous psyche were intuitive and speculative. In taking such liberties, there are many possibilities for error. However, Lourdes Royano Gutiérrez argues that his work remains valid because in this literary situation, intuition served as a better tool

868:

The Guatemala that exists today was founded on top of a substratus of Mayan culture. Before the arrival of the Spanish conquistadors, this civilization was very advanced politically, economically, and socially. This rich Mayan culture has had an undeniable influence on Asturias' literary works. He

975:

Asturias was one of the first Latin American novelists to realize the enormous potential of language in literature. He had a very profound linguistic style that he employed to convey his literary vision. In his works, language is more than a form of expression or a means to an end and can be quite

839:

Guatemala and America are, for Asturias, a country and a continent of nature. Nahum Megged in her article "Artificio y naturaleza en las obras de Miguel Angel Asturias," writes on how his work embodies the "captivating totality of nature" and how it does not use nature solely as a backdrop for the

826:

Asturias was very concerned with the marginalization and poverty of the Maya people in Guatemala. He believed that socio-economic development in Guatemala depended on better integration of indigenous communities, a more equal distribution of wealth in the country, and working to lower the rates of

673:

Written in the form of a myth, the novel is experimental, ambitious, and difficult to follow. For instance, its "time scheme is a mythic time in which many thousands of years may be compressed and seen as a single moment", and the book's language is also "structured so as to be analogous to Indian

660:

refers to the Maya Indians' belief that their flesh was made of corn. The novel is written in six parts, each exploring the contrast of traditional Indian customs and a progressive, modernizing society. Asturias's book explores the magical world of indigenous communities, a subject about which the

603:

showcased Asturias's talent and influence as a novelist. Zimmerman and Rojas describe his work as an "impassioned denunciation of the Guatemalan dictator Manuel Estrada Cabrera." The novel was written during Asturias's exile in Paris. While completing the novel, Asturias associated with members of

319:

In 1922, Asturias and other students founded the Popular University, a community project whereby "the middle class was encouraged to contribute to the general welfare by teaching free courses to the underprivileged." Asturias spent a year studying medicine before switching to the faculty of law at

282:

on 19 October 1899, the first child of Ernesto Asturias Girón, a lawyer and judge, and María Rosales de Asturias, a schoolteacher. Two years later, his brother, Marco Antonio, was born. Asturias's parents were of Spanish descent, and reasonably distinguished: his father could trace his family line

979:

For example, in his novel "Leyendas de Guatemala", there is a rhythmic, musical style to writing. In many of his works, he is known to have frequently used onomatopoeias, repetitions and symbolism, techniques which are also prevalent in pre-Columbian texts. His modern interpretation of the Mayan

757:

commented that it is "sufficiently obvious that the whole art of this novel rests upon its language". In general, Asturias matches the visual freedom of the cartoon by using every resource the Spanish language offers him. His use of color is striking and immeasurably more liberal than in earlier

749:

described it as "a carnival incarnated in the novel. It represents a collision between Mayan Mardi Gras and Hispanic baroque." The novel emerged as a major novel during the 1960s. The plot revolves around the battle between Catalina and Yumí to control Mulata (the moon spirit). Yumí and Catalina

351:

Asturias' university thesis, "The Social Problem of the Indian," was published in 1923. After receiving his law degree the same year, Asturias moved to Europe. He had originally planned to live in England and study political economy, but changed his mind. He soon transferred to Paris, where he

315:

In 1920, Asturias participated in the uprising against the dictator Manuel Estrada Cabrera. While enrolled in El Instituto Nacional de Varones (The National Institute for Boys) he took an active role, such as organizing strikes in his high school, in the overthrow of the dictatorship of Estrada

840:

drama. She explains that the characters in his books who are most in harmony with nature are the protagonists and those who disrupt the balance of nature are the antagonists. The theme of the erotic personification of nature in his novels is pervasive throughout his novels. An example being in

783:

and is a pervasive theme throughout his works. When asked by interviewer Günter W. Lorenz how he perceives his role as a Latin American writer, he responds, "...I felt it was my calling and my duty to write about America, which would someday be of interest to the world." Later in the interview

623:

uses surrealistic techniques and reflects Asturias' notion that Indian's non-rational awareness of reality is an expression of subconscious forces. Although the author never specifies where the novel takes place, it is clear that the plot is influenced by Guatemalan president, and well-known

219:. The novel influenced later Latin American novelists in its mixture of realism and fantasy. Asturias' very public opposition to dictatorial rule led to him spending much of his later life in exile, both in South America and in Europe. The book that is sometimes described as his masterpiece, 283:

back to colonists who had arrived in Guatemala in the 1660s; his mother, whose ancestry was more mixed, was the daughter of a colonel. In 1905, when the writer was six years old, the Asturias family moved to the house of Asturias' grandparents, where they lived a more comfortable lifestyle.

665:. This transformation is yet another reference to Mayan culture; the belief of nahualism, or a man's ability to assume the shape of his guardian animal, is one of the many essential aspects to understanding the hidden meanings in the novel. Through allegory, Asturias shows how European 616:

is one of many novels to explore life under a Latin American dictator and in fact, has been heralded by some as the first real novel exploring the subject of dictatorship. The book has also been called a study of fear because fear is the climate in which it unfolds.

271: 453:

announced that the family of Miguel Ángel Asturias had agreed to repatriate his remains to Guatemalan territory. That same day, the "year of Miguel Ángel Asturias" was inaugurated to commemorate the 125th anniversary of his birth and 50th anniversary of his death.

712:

banana industry. At first, the volumes were only published in small quantities in his native Guatemala. His critique of foreign control of the banana industry and how Guatemalan natives were exploited eventually earned him the Soviet Union's highest prize, the

669:

dominates and transforms native traditions in the Americas. By the novel's end, as Jean Franco notes, "the magic world of Indian legend has been lost"; but it concludes on a "Utopian note," as the people become ants to transport the maize they have harvested.

233:

and customs. Asturias combined his extensive knowledge of Mayan beliefs with his political convictions, channeling them into a life of commitment and solidarity. His work is often identified with the social and moral aspirations of the Guatemalan people.

1097:. This award caused some controversy at the time because of his relative anonymity outside of Latin America. Robert G. Mead criticized the choice because he thought that there were more well-known deserving candidates. In 1966, Asturias was awarded the 925:

as "Indianist" authors. She argues that all three of these writers were led to "break with realism precisely because of the limitations of the genre when it came to representing the Indian". For example, Asturias used a lyrical and experimental style in

892:

Certain aspects of indigenous life were of a unique interest to Asturias. Commonly known as corn, maize is an integral part of Mayan culture. It is not only a main staple in their diet but plays an important role in the Mayan creation story found in the

784:

Asturias identifies himself as a spokesman for Guatemala, saying, "...Among the Indians there's a belief in the Gran Lengua (Big Tongue). The Gran Lengua is the spokesman for the tribe. And in a way that's what I've been: the spokesman for my tribe."

434:

achieved power and Asturias was given back his Guatemalan citizenship. Montenegro appointed Asturias as ambassador to France, where he served until 1970, taking up a permanent residence in Paris. A year later, in 1967, English translations of

869:

believed in the sacredness of the Mayan traditions and worked to bring life back into its culture by integrating the Indian imagery and tradition into his novels. Asturias studied at the Sorbonne (the University of Paris at that time) with

807:

the terrible effects of living under a dictatorship. This book was a notable contribution to the dictator novel genre. Asturias was unable to publish the book in Guatemala for thirteen years because of the strict censorship laws of the

758:

novels." Asturias built the novel with this unique use of color, liberal theory, and his distinctive use of the Spanish language. His novel also received the Silla Monsegur Prize for the best Spanish-American novel published in France.

793:

the following: Spanish colonization of Latin America and the decline of the Maya civilization; the effects of political dictatorships on society; and the exploitation of the Guatemala people by foreign-owned agricultural companies.

1038:

After his death in 1974, his home country acknowledged his contribution to Guatemalan literature by establishing literary awards and scholarships in his name. One of these is the country's most distinguished literary prize, the

555:

has been described by some as "historia-sueño-poemas" (history-dream-poem). In each legend, Asturias draws the reader in with a fury of beauty and mystery without being able to comprehend the sense of space and time.

418:

and Chile, where he spent the next eight years of his life. When another change of government in Argentina meant that he once more had to seek a new home, Asturias moved to Europe. While living in exile in

198:. Some scholars view him as the first Latin American novelist to show how the study of anthropology and linguistics could affect the writing of literature. While in Paris, Asturias also associated with the 5279: 827:

illiteracy amongst other prevalent issues. Asturias' choice to publicize some of the political problems of Guatemala in his novels brought international attention to them. He was awarded the

340:. Asturias was thus involved in politics; working as a representative of the Asociación General de Estudiantes Universitarios (General Association of University Students), and traveling to 984:

with colourful, exuberant vocabulary. This unique style has been called "tropical baroque" ("barroquismo tropical") by scholar Lourdes Royano Gutiérrez in her analysis of his major works.

301:

In 1908, when Asturias was nine, his family returned to the suburbs of Guatemala City. Here they established a supply store where Asturias spent his adolescence. Asturias first attended

1058:" who, he argues, "really initiated Latin American modernism." His experimentation with style and language is considered by some scholars as a precursor to the magical realism genre. 551:

movement. Asturias used conventional writing and lyrical prose to tell a story about birds and other animals conversing with other archetypal human beings. Asturias' writing style in

442:

Later in Asturias' life he helped found the Popular University of Guatemala. Asturias spent his final years in Madrid, where he died in 1974. He is buried in the 10th division of the

5926: 1050:

Asturias is remembered as a man who believed strongly in recognizing indigenous culture in Guatemala. For Gerald Martin, Asturias is one of what he terms "the ABC writers—Asturias,

3515: 1981: 1584: 1093:

Asturias received many honors and literary awards over the course of his career. One of the more notable awards was the Nobel Prize for Literature, which he received in 1967 for

1040: 750:

become experts in sorcery and are criticized by the Church for their practices. The novel uses Mayan mythology and Catholic tradition to form a distinctive allegory of belief.

3548: 372:, and began writing poetry and fiction. During this time, Asturias developed a deep concern for Mayan culture and in 1925 he worked to translate the Mayan sacred text, the 5272: 5041: 3446: 852:

Asturias was greatly inspired by the Maya culture of Central America. It is an overarching theme in many of his works and greatly influenced the style of this writing.

5831: 3142: 547:

is, "The first major anthropological contribution to Spanish American literature." According to academic Francisco Solares-Larrave, the stories are a precursor to the

976:

abstract. Language does not give life to his work, rather the organic language Asturias uses has a life of its own within his work ("El lenguage tiene vida propia").

5826: 5906: 5265: 5846: 5886: 5876: 5288: 202:

movement, and he is credited with introducing many features of modernist style into Latin American letters. In this way, he is an important precursor of the

5841: 5836: 493: 3458: 5806: 324:

in Guatemala City. He obtained his law degree in 1923 and received the Gálvez Prize for his thesis on Indian problems. Asturias was also awarded the

5811: 1590: 1044: 5881: 3541: 779:

in its language, Mayan in its mythology). His quest to create an authentic Guatemalan national identity is central to his first published novel,

1073:

because of the stream-of-consciousness style he employed. His work has been translated into numerous languages such as English, French, German,

5916: 5816: 5034: 3439: 3260:

Solares-Lavarre, Francisco (2000). "El discurso del mito: respuesta a la modernidad en Leyendas de Guatemala". In Mario Roberto Morales (ed.).

321: 5155: 3557: 3344: 3301: 3205: 3069: 2828: 2809: 2790: 2696: 5921: 5896: 656:, 1949) is usually considered to be Asturias's masterpiece, yet remains one of the least understood novels produced by Asturias. The title 183:, novelist, playwright and journalist. Winning the Nobel Prize in Literature in 1967, his work helped bring attention to the importance of 5750: 237:

After decades of exile and marginalization, Asturias finally received broad recognition in the 1960s. In 1966, he won the Soviet Union's

5931: 5866: 684:

Asturias wrote an epic trilogy about the exploitation of the native Indians on banana plantations. This trilogy comprises three novels:

431: 5901: 5821: 3534: 1117: 1109:) in which he criticizes the presence of aggressive American companies such as The United Fruit Company in Latin American countries. 599:

was completed in 1933 but remained unpublished until 1946, where it was privately released in Mexico. As one of his earliest works,

5936: 5246: 5241: 5236: 5231: 5226: 5216: 5211: 5206: 5201: 5196: 5027: 3385: 3224: 3088: 1629: 3432: 5856: 1112:

Other prizes for Asturias' work include: el Premio Galvez (1923); Chavez Prize (1923); and the Prix Sylla Monsegur (1931), for

407: 5891: 5861: 5095: 5074: 5003: 4992: 4981: 4970: 4948: 4937: 4926: 4915: 4904: 4893: 4882: 4871: 4860: 4849: 4838: 4827: 4816: 4805: 4794: 4783: 4772: 4761: 4750: 4739: 4717: 4706: 4695: 4684: 4673: 4662: 4651: 4640: 4629: 4618: 4607: 4596: 4585: 4574: 4563: 4552: 4541: 4530: 4519: 4508: 4486: 4475: 4464: 4453: 4442: 4431: 4416: 4405: 4394: 4383: 4372: 4361: 4350: 4339: 4324: 4313: 4301: 4290: 4279: 4268: 4246: 4235: 4224: 4213: 4202: 4191: 4180: 4169: 4158: 4147: 4136: 4125: 4114: 4103: 4092: 4081: 4070: 4062: 4053: 4044: 4024: 4012: 4001: 3990: 3979: 3971: 3959: 3948: 3937: 3921: 3910: 3899: 3888: 3877: 3866: 3855: 3844: 3833: 3822: 3811: 3789: 3778: 3770: 3754: 3743: 3732: 3724: 3712: 3701: 3690: 3679: 3668: 3657: 3646: 3635: 3624: 3609: 3598: 3587: 3576: 2847: 242: 955:." Although the two genres shared much in common, magical realism is often considered as having been born in Latin America. 2937: 5871: 5851: 190:

Asturias was born and raised in Guatemala though he lived a significant part of his adult life abroad. He first lived in

4523: 674:

languages". Because of its unusual approach, it was some time before the novel was accepted by critics and the public.

4016: 3602: 2966: 3399: 1653: 253:

had won it in 1945). Asturias spent his final years in Madrid, where he died at the age of 74. He is buried in the

5732: 5091: 3561: 1827: 443: 254: 246: 155: 84: 1193: 922: 5911: 5060: 1508:/ translated by Maureen Ahern. – Tempe : Arizona State University Center for Latin American Studies, 1977) 930:, which Franco believed to be a more authentic way of representing the indigenous mind than traditional prose. 771:

Postcolonial Guatemalan identity is influenced by a mixture of Mayan and European culture. Asturias, himself a

4206: 316:

Cabrera. He and his classmates formed what is now known to be "La Generación del 20" (The Generation of 20).

309:. Asturias began writing as a student and wrote the first draft of a story that would later become his novel 5190: 3848: 3661: 881:, the sacred book of the Mayas. Fascinated by the mythology of the indigenous people of Guatemala, he wrote 1260: 994:

Asturias uses a significant amount of Mayan vocabulary in his works. A glossary can be found at the end of

564:

wrote of the book, "I found it brought about a tropical dream, which I experienced with singular delight."

5169: 5136: 5119: 4376: 3481: 1336:

El hombre que lo tenía todo, todo, todo; La leyenda del Sombrerón; La leyenda del tesoro del Lugar Florido

1139: 1027: 864:

Maya vase depicting a lord of the underworld stripped of clothes and headgear by the young maize divinity.

818:, the United States continually increased its presence in Latin American economies. Companies such as the 590: 580: 475:

to his wife, Blanca, after it was published in 1956. They remained married until Asturias' death in 1974.

287: 211: 134: 3613: 980:

writing style later became his trademark. Asturias synthesized the liturgic diction found in the ancient

4468: 3758: 3747: 3473: 3136: 1252: 1022: 523: 516: 411: 4820: 4677: 560:

brought Asturias critical praise in France as well as in Guatemala. The noted French poet and essayist

390:. Two years later, in Paris, Asturias received the Sylla Monsegur Prize for the French translations of 378:, into Spanish, a project which he spent 40 years on. He also founded a magazine while in Paris called 5801: 5796: 5601: 4853: 4490: 3994: 3392: 2857:

Henighan, Stephen (1999). "Two Paths to the Boom: Carpentier, Asturias, and the Performative Split".

874: 870: 819: 497: 414:

because of his support for Árbenz. He was stripped of his Guatemalan citizenship and went to live in

5577: 5565: 5416: 5404: 5386: 4897: 4600: 4239: 4162: 3925: 3859: 3716: 3694: 3378: 1181: 1078: 918: 905:), a mythological fable that introduces readers to the life, customs, and psyche of a Maya Indian. 860: 605: 450: 361: 357: 203: 1014:

in order to better understand the rich combination of colloquial Guatemalan and indigenous words.

5487: 5481: 4842: 4457: 4328: 4074: 3762: 3628: 3313:

I & L (Ideologies and Literature) Journal of Hispanic and Luso-Brazil Literatures Minneapolis

3167: 3124: 3046: 3006: 2919: 2874: 1647: 1624:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. 1985–1993. p. 25. 717:. This recognition marked Asturias as one of the few authors recognized in both the West and the 364:) and became a dedicated surrealist under the influence of the French poet and literary theorist 184: 5738: 5654: 5499: 4655: 4195: 3639: 1692:"Mis padres eran bastante perseguidos, pero no eran conjurados ni cosa que se parezca." Qtd. in 1274:/ translated by Gilbert Alter-Gilbert. – Pittsburgh : Latin American Literary Review, 1997) 1151: 5660: 5440: 5115: 4974: 4354: 4317: 4173: 4151: 3983: 3826: 3705: 3672: 3617: 3340: 3297: 3248: 3220: 3201: 3184: 3084: 3065: 2843: 2824: 2805: 2786: 2744: 1635: 1625: 1144: 1051: 831:

and the Nobel Prize for Literature because of the political criticisms included in his books.

828: 745:

while he and his wife were living in Genoa in 1963. His novel received many positive reviews;

714: 238: 151: 3526: 1344:. – Nanterre : ALLCA XX/Université Paris X, Centre de Recherches Latino-Américanes, 1993 535:

describes the book as, "lyrical recreations of Guatemalan folk-lore gaining inspiration from

5768: 5714: 5690: 5619: 5517: 5428: 5422: 5356: 5326: 5320: 4776: 4699: 4545: 4398: 4305: 4250: 4184: 4140: 4129: 4085: 3963: 3159: 3116: 3036: 2998: 2911: 2866: 1082: 1074: 1070: 1055: 815: 709: 609: 479: 403: 250: 175: 5613: 5607: 5392: 5374: 5350: 5314: 5308: 5302: 4886: 4622: 4534: 4479: 4435: 4424: 4294: 4228: 3941: 3650: 3591: 3580: 3269: 1576: 1170: 909: 548: 5535: 4952: 4831: 4754: 4710: 365: 328:

for being the top student in his faculty. It was at this university that he founded the

5762: 5744: 5702: 5678: 5666: 5589: 5571: 5541: 5523: 5493: 5452: 5257: 4930: 4919: 4589: 4578: 4420: 4365: 4283: 3914: 3870: 3815: 3782: 3736: 3409: 3280:(1957). "Carta de Paul Valéry a Francis de Miomandre". In Miguel Ángel Asturias (ed.). 3277: 2895: 2737: 718: 561: 279: 123: 3150:

Megged, Nahun (1976). "Artificio y naturaleza en las obras de Miguel Angel Asturias".

1570: 270: 62: 5790: 5726: 5708: 5595: 5511: 5464: 5458: 5368: 5362: 5344: 5163: 5080: 5068: 4809: 4787: 4765: 4743: 4666: 4644: 4633: 4512: 4409: 4272: 4107: 4096: 4005: 3892: 3881: 3497: 3334: 3289: 3083:. By Miguel Ángel Asturias (Critical ed.). Madrid: ALLCA XX. pp. xxxix–li. 3059: 3050: 2986: 2779: 1562: 1215: 952: 889:). This fictional work re-tells some of the Mayan folkloric stories of his homeland. 776: 736: 540: 536: 484: 230: 180: 119: 5774: 5720: 5672: 5553: 5547: 5529: 5505: 5446: 5410: 5338: 5332: 4985: 4941: 4721: 4567: 4556: 4387: 4217: 3489: 3419: 1098: 1031: 648: 642: 468: 415: 402:

Asturias devoted much of his political energy towards supporting the government of

369: 295: 225: 216: 140: 33: 1159:/ translated by Gerald Martin. – New York : Delacorte/Seymour Lawrence, 1975) 823:

farm laborers and the monopoly presence of the United Fruit Company in Guatemala.

574: 3262: 604:

the Surrealist movement as well as fellow future Latin American writers, such as

5648: 5642: 5583: 5559: 5175: 5051: 4875: 4798: 4611: 4446: 4332: 4118: 3903: 3837: 3793: 3424: 2974: 2949: 2774: 1177:/ translated by Darwin Flakoll and Claribel Alegría. – London : Owen, 1967) 1066: 1062: 914: 808: 666: 532: 471:. He lived in his wife's homeland for eight years. Asturias dedicated his novel 341: 3061:

Journeys through the Labyrinth: Latin American Fiction in the Twentieth Century

1272:

The Mirror of Lida Sal : Tales Based on Mayan Myths and Guatemalan Legends

17: 5696: 5625: 5398: 5380: 5144: 3952: 3683: 3366: 3361: 3107:

Mead, Jr., Robert G. (May 1968). "Miguel Ángel Asturias and the Nobel Prize".

3041: 3024: 2354: 1552: 1332:/ Compilación y prólogo Richard J. Callan . – Buenos Aires : Losada, 1981 708:; 1960). It is a fictional account of the results of foreign control over the 286:

Despite his relative privilege, Asturias's father opposed the dictatorship of

199: 5019: 2777:(1989). "Miguel Angel Asturias". In Solé, Carlos A.; Abreu, Maria I. (eds.). 368:. While there, he was influenced by the gathering of writers and artists in 5756: 5684: 4996: 4908: 3025:"On Dictatorship and Rhetoric in Latin American Writing: A Counter-Proposal" 1639: 464: 374: 353: 195: 3415: 3252: 3188: 1556: 291: 3404: 3115:(2). American Association of Teachers of Spanish and Portuguese: 326–331. 2978: 2748: 1211:/ translated by Martin Shuttleworth. – Garden City, N.Y.: Doubleday, 1971) 4688: 1619: 1297:/ translated by Beverly Koch. – Garden City, N.Y. : Doubleday, 1971) 722: 345: 1464:

Teatro : Chantaje, Dique seco, Soluna, La audiencia de los confines

1026:

Bust of Miguel Ángel Asturias. Paseo de los Poetas, Rosedal de Palermo,

488:

Gaspar Ilom, the name of an indigenous rebel in his father's own novel,

2878: 772: 394:. On July 14, 1933, he returned to Guatemala after ten years in Paris. 37: 3171: 3128: 3010: 2923: 4864: 3217:

Las novelas de Miguel Angel Asturias: desde la teoría de la recepción

662: 100: 2870: 2840:

Las novelas de Miguel Ángel Asturias desde la teoría de la recepción

3163: 3120: 3002: 2915: 1201:/ translated by Gregory Rabassa. – New York : Delacorte, 1973) 1189:/ translated by Gregory Rabassa. – New York : Delacorte, 1971) 811:

government, a dictatorship that ruled Guatemala from 1931 to 1944.

496:(URNG). The URNG was a rebel group active in the 1980s, during the 3181:

Miguel Angel Asturias: Semblanza para el estudio de su vida y obra

3016: 2929: 1021: 859: 573: 420: 269: 191: 3374: 1520:. – Buenos Aires : Casa impresora Francisco A. Colombo, 1952 3339:. Athens, OH: Ohio University Center for International Studies. 1439:

Miguel Ángel Asturias, raíz y destino: Poesía inédita, 1917–1924

423:

his reputation grew as an author with the release of his novel,

5261: 5023: 3530: 3428: 1982:"Restos de Miguel Ángel Asturias serán repatriados a Guatemala" 1393:. – Guatemala City : Talleres tipográficos de Cordón, 1943 1165:. – Buenos Aires : Ministerio de Educación Pública, 1950 ( 3079:

Martin, Gerald (2000). "Cronología". In Martin, Gerald (ed.).

1403:

Ejercicios poéticos en forma de sonetos sobre temas de Horacio

1350:. – Madrid, Allca XX, 2000 (Mario Roberto Morales Compilation) 897:. This particular story was the influence for Asturias' novel 1411:. – La Plata, Argentina : Talleres gráficos Moreno, 1952 3336:

Voices From the Silence: Guatemalan Literature of Resistance

1506:

Guatemalan Sociology : The Social Problem of the Indian

1223:/ translated by Gregory Rabassa. – London : Owen, 1963) 539:

and colonial sources." For Latin American literature critic

1452:

Soluna : Comedia prodigiosa en dos jornadas y un final

844:

in which he writes, "El tropico es el sexo de la tierra."

1883: 1881: 1879: 1877: 1593:, national theatre and cultural complex in Guatemala City 2989:(1973). "Mulata de tal: The Novel as Animated Cartoon". 1318:

Torotumbo; La audiencia de los confines; Mensajes indios

1248:. – Paris : Imprimerie Française de l'Edition, 1925 3268:. Madrid – París: ALLCA (Colección Archivos). pp. 2804:(3rd ed.). Cambridge: Cambridge University Press. 1435:. – Varese-Milán, Instituto Editoriale Cisalpino, 1965. 1143:. – Mexico City : Costa-Amic, 1946 (translated by 1101:'s Lenin Peace Prize. He received this recognition for 179:; 19 October 1899 – 9 June 1974) was a Guatemalan 3324:

Zamora, Lois Parkinson; Faris, Wendy B., eds. (1995).

1043:. In addition, Guatemala City's national theatre, the 1895: 1893: 1502:

Sociología guatemalteca: El problema social del indio

2595: 2593: 2591: 2589: 2587: 2454: 2452: 1792: 1790: 1788: 5635: 5474: 5295: 5154: 5135: 5114: 5090: 5059: 4962: 4731: 4500: 4260: 4035: 3803: 3568: 3508: 3465: 2565: 2563: 2561: 2551: 2549: 2547: 2442: 2440: 1423:. – La Habana, Talleres de Ocar, García, S.A., 1959 1417:. – San Salvador : Ministerio de Cultura, 1955 595:One of Asturias' most critically acclaimed novels, 147: 129: 115: 107: 90: 69: 53: 3516:Miguel Ángel Asturias National Prize in Literature 3261: 2938:"Myth and Social Realism in Miguel Angel Asturias" 2778: 2736: 2468: 2466: 2464: 2013: 2011: 1916: 1914: 1585:Miguel Ángel Asturias National Prize in Literature 1041:Miguel Ángel Asturias National Prize in Literature 3386:"The Latin American Novel, Testimony of an Epoch" 3098:McHenry, Robert (1993). "Miguel Angel Asturias". 2292: 2290: 2041: 2039: 2037: 2035: 1947: 775:, proposed a hybrid national soul for Guatemala ( 3296:. Illinois: Southern Illinois University Press. 2997:(2). University of Pennsylvania Press: 397–415. 2405: 2403: 2401: 2399: 2397: 2214: 2212: 2202: 2200: 2198: 1526:. – Xalapa : Universidad Veracruzana, 1964 1441:. – Guatemala City : Artemis Edinter, 1999 934:novels make his work authentic and convincing. 386:. In 1930, Asturias published his first novel 44: and the second or maternal family name is 27:Guatemalan writer and poet-diplomat (1899-1974) 2802:An Introduction to Spanish-American Literature 2134: 2132: 2123: 1667: 1665: 1663: 1270:. – Mexico City : Siglo Veintiuno, 1967 ( 5927:Universidad de San Carlos de Guatemala alumni 5273: 5035: 3542: 3440: 3393:Estudios críticos sobre Miguel Ángel Asturias 3198:Miguel Angel Asturias's Archaeology of Return 1587:, Guatemala's most prestigious literary prize 1544:. – Caracas : Monte Avila Editores, 1972 1504:. – Guatemala City Sánchez y de Guise, 1923 ( 332:(Association of University Students) and the 8: 3141:: CS1 maint: multiple names: authors list ( 2316: 2314: 1405:. – Buenos Aires : Botella al Mar, 1951 1385:Con el rehén en los dientes: Canto a Francia 1363:. – Imprimerie Française de l'Edition, 1929 1320:. – Barcelona : Plaza & Janés, 1967 877:. In 1926, he finished a translation of the 187:, especially those of his native Guatemala. 3328:. Durham and London: Duke University Press. 3326:Magical Realism: Theory, History, Community 2578: 494:Unidad Revolucionaria Nacional Guatemalteca 5280: 5266: 5258: 5042: 5028: 5020: 3549: 3535: 3527: 3447: 3433: 3425: 3408: 3362:Literature Nobel Prize Award Ceremony 1967 2077: 2075: 1931: 1929: 1542:América, fábula de fábulas y otros ensayos 1485:. – Guatemala City : Américana, 1935. 1409:Alto es el Sur : Canto a la Argentina 463:Guatemala in 1954, he went to live in the 430:In 1966, democratically elected President 50: 3311:Willis, Susan (1983). "Nobody's Mulata". 3238:. Buenos Airesa: Editorial Universitaria. 3219:. Valladolid: Universidad de Valladolid. 3040: 3019:subscription required for online access.) 2932:subscription required for online access.) 2842:. Valladolid: Universidad de Valladolid. 2277: 2275: 1869: 1381:. – Guatemala City : Américana, 1940 1375:. – Guatemala City : Américana, 1936 1369:. – Guatemala City : Américana, 1935 1207:. – Buenos Aires : Goyanarte, 1961 ( 913:than scientific analysis. In accordance, 3381:, with 154 library catalogue records 3200:. New York: Cambridge University Press. 2785:. New York: Scribner. pp. 865–873. 2505: 2341: 2248: 2138: 1818: 1816: 1814: 1779: 330:Asociación de Estudiantes Universitarios 241:. The following year he was awarded the 5832:Ambassadors of Guatemala to El Salvador 3236:Genio y Figura de Miguel Angel Asturias 3183:. Guatemala: Cultural Centroamericana. 2608: 2355:"Asturias, Miguel Angel, Viento Fuerte" 2180: 1848: 1805: 1720: 1602: 1514:. – Guatemala City : Goubaud, 1928 1061:Critics compare his fiction to that of 796:Asturias' collection of short stories, 500:, and after the peace accords in 1996. 478:Asturias' son from his first marriage, 3245:Miguel Angel Asturias en la Literatura 3134: 2651: 2529: 2517: 2493: 2472: 2379: 2367: 2320: 2296: 2281: 2159: 2102: 2057: 2045: 2017: 1959: 1920: 1775: 1773: 1771: 1762: 1732: 1705: 1693: 1680: 1645: 1280:. – Madrid : Closas-Orcoyen, 1971 1219:. – Buenos Aires : Losada, 1963 ( 1197:. – Buenos Aires : Losada, 1960 ( 1185:. – Buenos Aires : Losada, 1954 ( 1155:. – Buenos Aires : Losada, 1949 ( 521:Asturias' first book to be published, 322:Universidad de San Carlos de Guatemala 5827:Ambassadors of Guatemala to Argentina 3333:Zimmerman, Marc; Rojas, Raul (1998). 3294:Our Land is Made of Courage and Glory 3102:. Vol. 1. University of Chicago. 2902:: Antecedents, Sources and Reality". 2890:. New York: Eliseo Torres & Sons. 2728:La narrativa de Miguel Angel Asturias 1822: 1716: 1714: 1591:Centro Cultural Miguel Ángel Asturias 1460:. – Buenos Aires : Ariadna, 1957 1454:. – Buenos Aires : Losange, 1955 1429:. – Buenos Aires : Losada, 1965. 1387:. – Guatemala City : Zadik, 1942 1301:El Hombre que lo Tenía Todo Todo Todo 1173:. – New York : Delacorte, 1968; 1045:Centro Cultural Miguel Ángel Asturias 209:One of Asturias' most famous novels, 174: 7: 5907:Members of the Congress of Guatemala 5289:Cannes Film Festival jury presidents 3388:. Nobel lecture from NobelPrize.org. 2821:Nobel Lectures, Literature 1901–1967 2684: 2672: 2409: 2236: 2081: 2002: 1935: 1466:. – Buenos Aires : Losada, 1964 1264:. – Buenos Aires : Losada, 1956 1235:. – Buenos Aires : Losada, 1972 334:Asociación de estudiantes El Derecho 5887:Recipients of the Lenin Peace Prize 5877:Guatemalan male short story writers 2971:Books and Writers (kirjasto.sci.fi) 2967:"Miguel Ángel Asturias (1899–1974)" 1518:Carta aérea a mis amigos de América 1399:. – Buenos Aires : Argos, 1949 1338:. – Barcelona : Bruguera, 1981 1324:Antología de Miguel Ángel Asturias 585:one of Asturias's best-known works. 5842:Ambassadors of Guatemala to Mexico 5837:Ambassadors of Guatemala to France 3215:Royano Gutiérrez, Lourdes (1993). 2765:Castelpoggi, Atilio Jorge (1961). 1415:Bolívar : Canto al Libertador 873:, an expert in the culture of the 278:Miguel Ángel Asturias was born in 215:, describes life under a ruthless 25: 5847:Burials at Père Lachaise Cemetery 3179:Pilón de Pachecho, Marta (1968). 1421:Nombre custodio e imagen pasajera 1305:The Man that Had it All, All, All 627:Playwright Hugo Carrillo adapted 176:[mi(ˈ)ɣelˈaŋxelasˈtuɾjas] 5807:20th-century short story writers 3100:The New Encyclopaedia Britannica 2758:¿Cómo era Miguel Ángel Asturias? 1569: 1555: 1538:. – Barcelona : Lumen, 1969 1532:. – Madrid : Guadiana, 1968 1512:La arquitectura de la vida nueva 917:categorizes Asturias along with 247:the second Latin American author 61: 5812:20th-century Guatemalan writers 2760:. Guatemala: Editorial Cultura. 2756:Carrera, Mario Alberto (1999). 2717:Asturias, Miguel Angel (1957). 1621:Oxford illustrated encyclopedia 1256:. – Madrid : Oriente, 1930 1118:Prix du Meilleur Livre Étranger 5882:Guatemalan short story writers 5075:Ronald George Wreyford Norrish 3400:Arte y Literatura de Guatemala 3367:Recording of Asturias reading 3243:Sierra Franco, Aurora (1969). 3029:Latin American Research Review 2977:Public Library. Archived from 2942:Comparative Literature Studies 2769:. Buenos Aires: La Mandrágora. 1229:. – Buenos Aires, Losada, 1969 938:Surrealism and magical realism 294:, the departmental capital of 194:in the 1920s where he studied 1: 5917:Nobel laureates in Literature 5817:20th-century Guatemalan poets 1530:Latinoamérica y otros ensayos 1397:Poesía : Sien de alondra 1361:Rayito de estrella; fantomima 741:Asturias published his novel 432:Julio César Méndez Montenegro 168:Miguel Ángel Asturias Rosales 73:Miguel Ángel Asturias Rosales 2948:(3): 237–247. Archived from 1458:La audiencia de los confines 1326:. – México, Costa-Amic, 1968 1147:. New York: Macmillan, 1963) 36:, the first or paternal 5922:Writers from Guatemala City 5897:Guatemalan male journalists 5751:Alejandro González Iñárritu 1391:Anoche, 10 de marzo de 1543 1330:Viajes, ensayos y fantasías 908:Asturias did not speak any 5953: 5932:University of Paris alumni 5867:Guatemalan Nobel laureates 2886:Hill, Eladia Leon (1972). 2859:The Modern Language Review 2838:Gutiérrez, Royano (1993). 2726:Bellini, Giuseppe (1969). 2697:"A Tendency of Commitment" 2124:Zimmerman & Rojas 1998 1483:Emulo Lipolidón: fantomima 1367:Emulo Lipolidón: fantomima 1194:Los ojos de los enterrados 734: 702:Los ojos de los enterrados 640: 588: 514: 449:On 9 June 2024, President 439:were published in Boston. 243:Nobel Prize for Literature 31: 5902:Guatemalan male novelists 5822:20th-century male writers 5185: 3562:Nobel Prize in Literature 3042:10.1017/S0023879100033926 2965:Liukkonen, Petri (2002). 2642:Royano Gutiérrez, p. 115. 2620:Royano Gutiérrez, p. 113. 2599:Royano Gutiérrez, p. 112. 2458:Royano Gutiérrez, p. 101. 1984:(in Spanish). 9 June 2024 747:Ideologies and Literature 721:during the period of the 408:Juan José Arévalo Bermejo 156:Nobel Prize in Literature 85:Guatemala City, Guatemala 60: 5937:20th-century journalists 2735:Callan, Richard (1970). 2663:Royano Gutiérrez, p. 83. 2569:Royano Gutiérrez, p. 84. 2555:Royano Gutiérrez, p. 90. 2541:Royano Gutiérrez, p. 94. 2484:Royano Gutiérrez, p. 81. 2446:Royano Gutiérrez, p. 82. 2114:Callan, see 'Chronology' 2069:Solares-Larrave, pp. 682 1524:Rumania; su nueva imagen 1199:The Eyes of the Interred 725:for his literary works. 706:The Eyes of the Interred 398:Exile and rehabilitation 266:Early life and education 206:of the 1960s and 1970s. 3284:. Buenos Aires: Losada. 3058:Martin, Gerald (1989). 3023:Martin, Gerald (1982). 2823:. Amsterdam: Elsevier. 2730:. Buenos Aires: Losada. 2721:. Buenos Aires: Losada. 2579:Zamora & Faris 1995 1427:Clarivigilia primaveral 1221:The Mulatta and Mr. Fly 949:Los Anales de los Xahil 492:, was President of the 307:Colegio del Padre Solís 303:Colegio del Padre Pedro 249:to receive this honor ( 5857:Guatemalan journalists 5191:Nobel Prize recipients 5170:Haldan Keffer Hartline 5156:Physiology or Medicine 4524:Gabriel García Márquez 4377:Aleksandr Solzhenitsyn 3234:Sáenz, Jimena (1974). 2781:Latin American Writers 1948:Pilón de Pachecho 1968 1887:Callan, see Chronology 1652:: CS1 maint: others ( 1609:Royano Gutiérrez, 1993 1489:Imágenes de nacimiento 1470:El Rey de la Altaneria 1291:La Maquinita de hablar 1047:, is named after him. 1035: 1028:Parque Tres de Febrero 865: 781:Leyendas de Guatemala, 586: 444:Père Lachaise Cemetery 288:Manuel Estrada Cabrera 275: 255:Père Lachaise Cemetery 172:Spanish pronunciation: 5892:Magic realism writers 5862:Guatemalan male poets 5435:Miguel Ángel Asturias 5105:Miguel Ángel Asturias 4469:Isaac Bashevis Singer 4344:Miguel Ángel Asturias 4017:Frans Eemil Sillanpää 3748:Verner von Heidenstam 3603:Bjørnstjerne Bjørnson 3474:Leyendas de Guatemala 3456:Miguel Ángel Asturias 3416:Miguel Ángel Asturias 3405:Miguel Ángel Asturias 3375:Miguel Angel Asturias 3282:Leyendas de Guatemala 3196:Prieto, Rene (1993). 2888:Miguel Angel Asturias 2819:Frenz, Horst (1969). 2800:Franco, Jean (1994). 2767:Miguel Angel Asturias 2739:Miguel Angel Asturias 2719:Leyendas de Guatemala 2423:Leyendas de Guatemala 1971:Callan, see Chronolgy 1268:El espejo de Lida Sal 1261:Week-end en Guatemala 1253:Leyendas de Guatemala 1114:Leyendas de Guatemala 1025: 1000:Leyendas de Guatemala 883:Leyendas de Guatemala 863: 842:Leyendas de Guatemala 798:Leyendas de Guatemala 753:Gerald Martin in the 631:into a play in 1974. 577: 558:Leyendas de Guatemala 553:Leyendas de Guatemala 545:Leyendas de Guatemala 524:Leyendas de Guatemala 517:Leyendas de Guatemala 510:Leyendas de Guatemala 473:Week-end en Guatemala 412:Carlos Castillo Armas 392:Leyendas de Guatemala 388:Leyendas de Guatemala 273: 55:Miguel Ángel Asturias 5872:Guatemalan novelists 5852:Guatemalan diplomats 5602:Francis Ford Coppola 3995:Roger Martin du Gard 3247:. Guatemala: Istmo. 2743:. New York: Twayne. 1278:Tres de cuatro soles 1103:La trilogía bananera 887:Legends of Guatemala 820:United Fruit Company 529:Legends of Guatemala 498:Guatemalan Civil War 311:El Señor Presidente. 5727:Joel and Ethan Coen 5566:Bernardo Bertolucci 5417:Alessandro Blasetti 5405:Olivia de Havilland 4898:Svetlana Alexievich 4240:Salvatore Quasimodo 3926:Erik Axel Karlfeldt 3860:George Bernard Shaw 3717:Rabindranath Tagore 3695:Maurice Maeterlinck 3482:El Señor Presidente 3379:Library of Congress 3081:El Señor Presidente 2981:on 26 January 2008. 2936:Leal, Luis (1968). 2900:El Señor Presidente 2703:(October 27, 1967). 2150:Himelblau, 1973, 47 1536:Comiendo en Hungría 1379:Alclasán; fantomima 1342:El árbol de la cruz 1295:The Talking Machine 1140:El Señor Presidente 1122:El señor presidente 1004:El Señor Presidente 965:El señor Presidente 923:José María Arguedas 919:Rosario Castellanos 804:El Señor Presidente 629:El Señor Presidente 621:El Señor Presidente 614:El Señor Presidente 606:Arturo Uslar Pietri 601:El Señor Presidente 597:El Señor Presidente 591:El Señor Presidente 581:El Señor Presidente 569:El Señor Presidente 362:University of Paris 338:El Señor Presidente 229:), is a defense of 212:El Señor Presidente 204:Latin American Boom 185:indigenous cultures 135:El Señor Presidente 5488:Roberto Rossellini 5482:Tennessee Williams 4843:Mario Vargas Llosa 4821:J. M. G. Le Clézio 4678:Wisława Szymborska 4458:Vicente Aleixandre 4329:Shmuel Yosef Agnon 4207:Juan Ramón Jiménez 4075:Johannes V. Jensen 3763:Henrik Pontoppidan 3629:Henryk Sienkiewicz 3407:on Nobelprize.org 3264:Cuentos y leyendas 2332:Castelpoggi, p. 91 2093:Castelpoggi, p. 27 2029:Castelpoggi, p. 28 1908:Castelpoggi, p. 16 1899:Castelpoggi, p. 26 1753:Castelpoggi, p. 13 1744:Castelpoggi, p. 14 1683:, pp. 481–483 1348:Cuentos y leyendas 1246:Rayito de estrella 1233:Viernes de Dolores 1107:The Banana Trilogy 1036: 866: 679:The Banana Trilogy 587: 276: 5784: 5783: 5661:Quentin Tarantino 5255: 5254: 5017: 5016: 4975:Abdulrazak Gurnah 4854:Tomas Tranströmer 4355:Yasunari Kawabata 4318:Mikhail Sholokhov 4174:Winston Churchill 3849:Władysław Reymont 3827:Jacinto Benavente 3706:Gerhart Hauptmann 3524: 3523: 3346:978-0-89680-198-1 3303:978-0-8093-2625-9 3207:978-0-521-43412-6 3071:978-0-86091-952-0 3064:. London: Verso. 2830:978-981-02-3413-3 2811:978-0-521-44923-6 2792:978-0-684-18463-0 2391:Henighan, p. 1023 1796:Castelpoggi, p.15 1433:Sonetos de Italia 1240:Story Collections 1209:The Bejeweled Boy 1145:Frances Partridge 1116:; as well as the 829:Lenin Peace Prize 715:Lenin Peace Prize 578:A translation of 348:for his new job. 239:Lenin Peace Prize 165: 164: 152:Lenin Peace Prize 16:(Redirected from 5944: 5715:Steven Spielberg 5691:Isabelle Huppert 5620:David Cronenberg 5578:Gérard Depardieu 5518:Giorgio Strehler 5429:Luchino Visconti 5387:Tetsurō Furukaki 5327:Maurice Genevoix 5282: 5275: 5268: 5259: 5193: 5044: 5037: 5030: 5021: 5010: 4999: 4988: 4977: 4955: 4944: 4933: 4922: 4911: 4900: 4889: 4878: 4867: 4856: 4845: 4834: 4823: 4812: 4801: 4790: 4779: 4777:Elfriede Jelinek 4768: 4757: 4746: 4724: 4713: 4702: 4691: 4680: 4669: 4658: 4647: 4636: 4625: 4614: 4603: 4601:Camilo José Cela 4592: 4581: 4570: 4559: 4548: 4546:Jaroslav Seifert 4537: 4526: 4515: 4493: 4482: 4471: 4460: 4449: 4438: 4427: 4412: 4401: 4390: 4379: 4368: 4357: 4346: 4335: 4320: 4309: 4308:(declined award) 4306:Jean-Paul Sartre 4297: 4286: 4275: 4253: 4251:Saint-John Perse 4242: 4231: 4220: 4209: 4198: 4187: 4185:Ernest Hemingway 4176: 4165: 4163:François Mauriac 4154: 4143: 4141:Bertrand Russell 4132: 4130:William Faulkner 4121: 4110: 4099: 4088: 4086:Gabriela Mistral 4077: 4066: 4065: 4057: 4056: 4048: 4047: 4028: 4027: 4019: 4008: 3997: 3986: 3975: 3974: 3966: 3964:Luigi Pirandello 3955: 3944: 3933: 3917: 3906: 3895: 3884: 3873: 3862: 3851: 3840: 3829: 3818: 3796: 3785: 3774: 3773: 3765: 3750: 3739: 3728: 3727: 3719: 3708: 3697: 3686: 3675: 3664: 3653: 3642: 3631: 3620: 3614:Frédéric Mistral 3605: 3594: 3583: 3551: 3544: 3537: 3528: 3449: 3442: 3435: 3426: 3412: 3397: 3389: 3350: 3329: 3320: 3307: 3285: 3273: 3267: 3256: 3239: 3230: 3211: 3192: 3175: 3146: 3140: 3132: 3103: 3094: 3075: 3054: 3044: 3014: 2982: 2961: 2959: 2957: 2952:on 7 August 2008 2927: 2898:(Winter 1973). " 2891: 2882: 2865:(4): 1009–1024. 2853: 2834: 2815: 2796: 2784: 2770: 2761: 2752: 2742: 2731: 2722: 2704: 2694: 2688: 2682: 2676: 2670: 2664: 2661: 2655: 2649: 2643: 2640: 2634: 2627: 2621: 2618: 2612: 2606: 2600: 2597: 2582: 2576: 2570: 2567: 2556: 2553: 2542: 2539: 2533: 2532:, pp. 64–67 2527: 2521: 2520:, pp. 67–70 2515: 2509: 2503: 2497: 2491: 2485: 2482: 2476: 2470: 2459: 2456: 2447: 2444: 2435: 2432: 2426: 2419: 2413: 2407: 2392: 2389: 2383: 2377: 2371: 2365: 2359: 2358: 2351: 2345: 2339: 2333: 2330: 2324: 2318: 2309: 2306: 2300: 2294: 2285: 2279: 2270: 2267: 2261: 2258: 2252: 2246: 2240: 2234: 2228: 2225: 2219: 2216: 2207: 2204: 2193: 2190: 2184: 2178: 2172: 2169: 2163: 2157: 2151: 2148: 2142: 2136: 2127: 2121: 2115: 2112: 2106: 2100: 2094: 2091: 2085: 2079: 2070: 2067: 2061: 2055: 2049: 2043: 2030: 2027: 2021: 2015: 2006: 2000: 1994: 1993: 1991: 1989: 1978: 1972: 1969: 1963: 1957: 1951: 1945: 1939: 1933: 1924: 1918: 1909: 1906: 1900: 1897: 1888: 1885: 1872: 1867: 1861: 1858: 1852: 1846: 1840: 1839: 1837: 1835: 1830:. NobelPrize.org 1820: 1809: 1803: 1797: 1794: 1783: 1777: 1766: 1760: 1754: 1751: 1745: 1742: 1736: 1730: 1724: 1718: 1709: 1703: 1697: 1690: 1684: 1678: 1672: 1669: 1658: 1657: 1651: 1643: 1616: 1610: 1607: 1579: 1574: 1573: 1565: 1560: 1559: 1169:/ translated by 1071:William Faulkner 816:Second World War 710:Central American 610:Alejo Carpentier 480:Rodrigo Asturias 451:Bernardo Arévalo 274:Map of Guatemala 251:Gabriela Mistral 178: 173: 97: 81: 79: 65: 51: 21: 5952: 5951: 5947: 5946: 5945: 5943: 5942: 5941: 5912:Mestizo writers 5787: 5786: 5785: 5780: 5739:Pedro Almodóvar 5655:Patrice Chéreau 5631: 5614:Martin Scorsese 5608:Isabelle Adjani 5500:Françoise Sagan 5470: 5393:Armand Salacrou 5375:Georges Simenon 5351:Maurice Lehmann 5315:Georges Huisman 5309:Georges Huisman 5303:Georges Huisman 5291: 5286: 5256: 5251: 5189: 5181: 5178:(United States) 5172:(United States) 5150: 5147:(United States) 5131: 5110: 5086: 5083:(Great Britain) 5077:(Great Britain) 5055: 5048: 5018: 5013: 5008:to be announced 5002: 4991: 4980: 4969: 4958: 4947: 4936: 4925: 4914: 4903: 4892: 4887:Patrick Modiano 4881: 4870: 4859: 4848: 4837: 4826: 4815: 4804: 4793: 4782: 4771: 4760: 4749: 4738: 4727: 4716: 4705: 4694: 4683: 4672: 4661: 4650: 4639: 4628: 4623:Nadine Gordimer 4617: 4606: 4595: 4584: 4573: 4562: 4551: 4540: 4535:William Golding 4529: 4518: 4507: 4496: 4485: 4480:Odysseas Elytis 4474: 4463: 4452: 4441: 4436:Eugenio Montale 4430: 4425:Harry Martinson 4415: 4404: 4393: 4382: 4371: 4360: 4349: 4338: 4323: 4312: 4300: 4295:Giorgos Seferis 4289: 4278: 4267: 4256: 4245: 4234: 4229:Boris Pasternak 4223: 4212: 4201: 4196:Halldór Laxness 4190: 4179: 4168: 4157: 4146: 4135: 4124: 4113: 4102: 4091: 4080: 4069: 4061: 4060: 4052: 4051: 4043: 4042: 4031: 4023: 4022: 4011: 4000: 3989: 3978: 3970: 3969: 3958: 3947: 3942:John Galsworthy 3936: 3920: 3909: 3898: 3887: 3876: 3865: 3854: 3843: 3832: 3821: 3810: 3799: 3788: 3777: 3769: 3768: 3753: 3742: 3731: 3723: 3722: 3711: 3700: 3689: 3678: 3667: 3656: 3651:Rudyard Kipling 3645: 3640:Giosuè Carducci 3634: 3623: 3608: 3597: 3592:Theodor Mommsen 3586: 3581:Sully Prudhomme 3575: 3564: 3555: 3525: 3520: 3504: 3461: 3453: 3395: 3384: 3358: 3353: 3347: 3332: 3323: 3310: 3304: 3290:Westlake, E. J. 3288: 3276: 3259: 3242: 3233: 3227: 3214: 3208: 3195: 3178: 3149: 3133: 3106: 3097: 3091: 3078: 3072: 3057: 3022: 2991:Hispanic Review 2985: 2964: 2955: 2953: 2935: 2904:Hispanic Review 2896:Himelblau, Jack 2894: 2885: 2871:10.2307/3737234 2856: 2850: 2837: 2831: 2818: 2812: 2799: 2793: 2773: 2764: 2755: 2734: 2725: 2716: 2712: 2707: 2695: 2691: 2683: 2679: 2671: 2667: 2662: 2658: 2650: 2646: 2641: 2637: 2628: 2624: 2619: 2615: 2607: 2603: 2598: 2585: 2577: 2573: 2568: 2559: 2554: 2545: 2540: 2536: 2528: 2524: 2516: 2512: 2504: 2500: 2492: 2488: 2483: 2479: 2471: 2462: 2457: 2450: 2445: 2438: 2433: 2429: 2420: 2416: 2408: 2395: 2390: 2386: 2378: 2374: 2366: 2362: 2353: 2352: 2348: 2340: 2336: 2331: 2327: 2319: 2312: 2307: 2303: 2295: 2288: 2280: 2273: 2268: 2264: 2259: 2255: 2247: 2243: 2235: 2231: 2226: 2222: 2217: 2210: 2205: 2196: 2191: 2187: 2179: 2175: 2170: 2166: 2158: 2154: 2149: 2145: 2137: 2130: 2122: 2118: 2113: 2109: 2101: 2097: 2092: 2088: 2080: 2073: 2068: 2064: 2056: 2052: 2044: 2033: 2028: 2024: 2016: 2009: 2001: 1997: 1987: 1985: 1980: 1979: 1975: 1970: 1966: 1958: 1954: 1946: 1942: 1934: 1927: 1919: 1912: 1907: 1903: 1898: 1891: 1886: 1875: 1868: 1864: 1859: 1855: 1847: 1843: 1833: 1831: 1826: 1821: 1812: 1804: 1800: 1795: 1786: 1778: 1769: 1761: 1757: 1752: 1748: 1743: 1739: 1731: 1727: 1719: 1712: 1704: 1700: 1691: 1687: 1679: 1675: 1670: 1661: 1644: 1632: 1618: 1617: 1613: 1608: 1604: 1600: 1577:Politics portal 1575: 1568: 1561: 1554: 1551: 1285:Children's Book 1171:Gregory Rabassa 1152:Hombres de maíz 1130: 1095:Hombres de maiz 1091: 1085:and many more. 1020: 996:Hombres de maíz 973: 971:Use of language 940: 899:Hombres de maíz 871:Georges Raynaud 858: 856:Mayan influence 850: 837: 790: 769: 764: 755:Hispanic Review 739: 733: 682: 663:guardian spirit 658:Hombres de maíz 654:Hombres de maíz 645: 639: 593: 572: 549:magical realism 519: 513: 506: 460: 406:, successor to 400: 268: 263: 221:Hombres de maíz 171: 161: 154: 99: 95: 83: 82:19 October 1899 77: 75: 74: 56: 49: 28: 23: 22: 18:Miguel Asturias 15: 12: 11: 5: 5950: 5948: 5940: 5939: 5934: 5929: 5924: 5919: 5914: 5909: 5904: 5899: 5894: 5889: 5884: 5879: 5874: 5869: 5864: 5859: 5854: 5849: 5844: 5839: 5834: 5829: 5824: 5819: 5814: 5809: 5804: 5799: 5789: 5788: 5782: 5781: 5779: 5778: 5772: 5766: 5763:Vincent Lindon 5760: 5754: 5748: 5745:Cate Blanchett 5742: 5736: 5730: 5724: 5718: 5712: 5706: 5703:Robert De Niro 5700: 5694: 5688: 5682: 5679:Stephen Frears 5676: 5670: 5667:Emir Kusturica 5664: 5658: 5652: 5646: 5639: 5637: 5633: 5632: 5630: 5629: 5623: 5617: 5611: 5605: 5599: 5593: 5590:Clint Eastwood 5587: 5581: 5575: 5572:Roman Polanski 5569: 5563: 5557: 5551: 5545: 5542:Sydney Pollack 5539: 5533: 5527: 5524:William Styron 5521: 5515: 5509: 5503: 5497: 5494:Alan J. Pakula 5491: 5485: 5478: 5476: 5472: 5471: 5469: 5468: 5462: 5456: 5453:Ingrid Bergman 5450: 5444: 5441:Michèle Morgan 5438: 5432: 5426: 5420: 5414: 5408: 5402: 5396: 5390: 5384: 5378: 5372: 5366: 5360: 5354: 5348: 5342: 5336: 5330: 5324: 5318: 5312: 5306: 5299: 5297: 5293: 5292: 5287: 5285: 5284: 5277: 5270: 5262: 5253: 5252: 5250: 5249: 5244: 5239: 5234: 5229: 5224: 5219: 5214: 5209: 5204: 5199: 5194: 5186: 5183: 5182: 5180: 5179: 5173: 5167: 5160: 5158: 5152: 5151: 5149: 5148: 5141: 5139: 5133: 5132: 5130: 5129: 5125: 5123: 5112: 5111: 5109: 5108: 5101: 5099: 5088: 5087: 5085: 5084: 5078: 5072: 5065: 5063: 5057: 5056: 5049: 5047: 5046: 5039: 5032: 5024: 5015: 5014: 5012: 5011: 5000: 4989: 4978: 4966: 4964: 4960: 4959: 4957: 4956: 4945: 4934: 4931:Olga Tokarczuk 4923: 4920:Kazuo Ishiguro 4912: 4901: 4890: 4879: 4868: 4857: 4846: 4835: 4824: 4813: 4802: 4791: 4780: 4769: 4758: 4747: 4735: 4733: 4729: 4728: 4726: 4725: 4714: 4703: 4692: 4681: 4670: 4659: 4648: 4637: 4626: 4615: 4604: 4593: 4590:Naguib Mahfouz 4582: 4579:Joseph Brodsky 4571: 4560: 4549: 4538: 4527: 4516: 4504: 4502: 4498: 4497: 4495: 4494: 4491:Czesław Miłosz 4483: 4472: 4461: 4450: 4439: 4428: 4421:Eyvind Johnson 4413: 4402: 4391: 4380: 4369: 4366:Samuel Beckett 4358: 4347: 4336: 4321: 4310: 4298: 4287: 4284:John Steinbeck 4276: 4264: 4262: 4258: 4257: 4255: 4254: 4243: 4232: 4221: 4210: 4199: 4188: 4177: 4166: 4155: 4152:Pär Lagerkvist 4144: 4133: 4122: 4111: 4100: 4089: 4078: 4067: 4058: 4049: 4039: 4037: 4033: 4032: 4030: 4029: 4020: 4009: 3998: 3987: 3984:Eugene O'Neill 3976: 3967: 3956: 3945: 3934: 3918: 3915:Sinclair Lewis 3907: 3896: 3885: 3874: 3871:Grazia Deledda 3863: 3852: 3841: 3830: 3819: 3816:Anatole France 3807: 3805: 3801: 3800: 3798: 3797: 3786: 3783:Carl Spitteler 3775: 3766: 3759:Karl Gjellerup 3751: 3740: 3737:Romain Rolland 3729: 3720: 3709: 3698: 3687: 3676: 3673:Selma Lagerlöf 3665: 3654: 3643: 3632: 3621: 3618:José Echegaray 3606: 3595: 3584: 3572: 3570: 3566: 3565: 3556: 3554: 3553: 3546: 3539: 3531: 3522: 3521: 3519: 3518: 3512: 3510: 3506: 3505: 3503: 3502: 3494: 3486: 3478: 3469: 3467: 3463: 3462: 3454: 3452: 3451: 3444: 3437: 3429: 3423: 3422: 3413: 3402: 3390: 3382: 3372: 3364: 3357: 3356:External links 3354: 3352: 3351: 3345: 3330: 3321: 3319:(17): 146–162. 3308: 3302: 3286: 3274: 3257: 3240: 3231: 3225: 3212: 3206: 3193: 3176: 3164:10.2307/339512 3158:(2): 319–328. 3147: 3121:10.2307/338517 3104: 3095: 3089: 3076: 3070: 3055: 3035:(3): 207–227. 3020: 3003:10.2307/471993 2987:Martin, Gerald 2983: 2962: 2933: 2916:10.2307/471873 2892: 2883: 2854: 2848: 2835: 2829: 2816: 2810: 2797: 2791: 2771: 2762: 2753: 2732: 2723: 2713: 2711: 2708: 2706: 2705: 2689: 2677: 2665: 2656: 2644: 2635: 2622: 2613: 2601: 2583: 2571: 2557: 2543: 2534: 2522: 2510: 2498: 2486: 2477: 2475:, pp. 321 2460: 2448: 2436: 2427: 2414: 2393: 2384: 2372: 2360: 2346: 2334: 2325: 2310: 2301: 2286: 2271: 2262: 2253: 2241: 2229: 2220: 2208: 2194: 2185: 2173: 2164: 2152: 2143: 2128: 2116: 2107: 2095: 2086: 2071: 2062: 2050: 2031: 2022: 2007: 1995: 1973: 1964: 1952: 1940: 1925: 1910: 1901: 1889: 1873: 1870:Liukkonen 2002 1862: 1853: 1841: 1810: 1798: 1784: 1767: 1755: 1746: 1737: 1725: 1710: 1708:, pp. 483 1698: 1696:, pp. 482 1685: 1673: 1659: 1630: 1611: 1601: 1599: 1596: 1595: 1594: 1588: 1581: 1580: 1566: 1550: 1547: 1546: 1545: 1539: 1533: 1527: 1521: 1515: 1509: 1498: 1497: 1493: 1492: 1486: 1479: 1478: 1474: 1473: 1467: 1461: 1455: 1448: 1447: 1443: 1442: 1436: 1430: 1424: 1418: 1412: 1406: 1400: 1394: 1388: 1382: 1376: 1370: 1364: 1357: 1356: 1352: 1351: 1345: 1339: 1333: 1327: 1321: 1314: 1313: 1309: 1308: 1298: 1287: 1286: 1282: 1281: 1275: 1265: 1257: 1249: 1242: 1241: 1237: 1236: 1230: 1224: 1212: 1202: 1190: 1187:The Green Pope 1178: 1160: 1148: 1135: 1134: 1129: 1126: 1090: 1087: 1019: 1016: 972: 969: 939: 936: 910:Mayan language 857: 854: 849: 846: 836: 833: 814:Following the 789: 786: 768: 765: 763: 760: 735:Main article: 732: 727: 719:Communist bloc 698:The Green Pope 681: 676: 641:Main article: 638: 633: 608:and the Cuban 589:Main article: 571: 566: 515:Main article: 512: 507: 505: 502: 459: 456: 399: 396: 380:Tiempos Nuevos 280:Guatemala City 267: 264: 262: 259: 163: 162: 149: 148:Notable awards 145: 144: 131: 127: 126: 124:dictator novel 117: 113: 112: 109: 105: 104: 98:(aged 74) 92: 88: 87: 71: 67: 66: 58: 57: 54: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5949: 5938: 5935: 5933: 5930: 5928: 5925: 5923: 5920: 5918: 5915: 5913: 5910: 5908: 5905: 5903: 5900: 5898: 5895: 5893: 5890: 5888: 5885: 5883: 5880: 5878: 5875: 5873: 5870: 5868: 5865: 5863: 5860: 5858: 5855: 5853: 5850: 5848: 5845: 5843: 5840: 5838: 5835: 5833: 5830: 5828: 5825: 5823: 5820: 5818: 5815: 5813: 5810: 5808: 5805: 5803: 5800: 5798: 5795: 5794: 5792: 5776: 5773: 5770: 5769:Ruben Östlund 5767: 5764: 5761: 5758: 5755: 5752: 5749: 5746: 5743: 5740: 5737: 5734: 5733:George Miller 5731: 5728: 5725: 5722: 5719: 5716: 5713: 5710: 5709:Nanni Moretti 5707: 5704: 5701: 5698: 5695: 5692: 5689: 5686: 5683: 5680: 5677: 5674: 5671: 5668: 5665: 5662: 5659: 5656: 5653: 5650: 5647: 5644: 5641: 5640: 5638: 5634: 5627: 5624: 5621: 5618: 5615: 5612: 5609: 5606: 5603: 5600: 5597: 5596:Jeanne Moreau 5594: 5591: 5588: 5585: 5582: 5579: 5576: 5573: 5570: 5567: 5564: 5561: 5558: 5555: 5552: 5549: 5546: 5543: 5540: 5537: 5534: 5531: 5528: 5525: 5522: 5519: 5516: 5513: 5512:Jacques Deray 5510: 5507: 5504: 5501: 5498: 5495: 5492: 5489: 5486: 5483: 5480: 5479: 5477: 5473: 5466: 5465:Jeanne Moreau 5463: 5460: 5457: 5454: 5451: 5448: 5445: 5442: 5439: 5436: 5433: 5430: 5427: 5424: 5423:André Chamson 5421: 5418: 5415: 5412: 5409: 5406: 5403: 5400: 5397: 5394: 5391: 5388: 5385: 5382: 5379: 5376: 5373: 5370: 5369:Marcel Achard 5367: 5364: 5363:Marcel Achard 5361: 5358: 5357:André Maurois 5355: 5352: 5349: 5346: 5345:Marcel Pagnol 5343: 5340: 5337: 5334: 5331: 5328: 5325: 5322: 5321:André Maurois 5319: 5316: 5313: 5310: 5307: 5304: 5301: 5300: 5298: 5294: 5290: 5283: 5278: 5276: 5271: 5269: 5264: 5263: 5260: 5248: 5245: 5243: 5240: 5238: 5235: 5233: 5230: 5228: 5225: 5223: 5220: 5218: 5215: 5213: 5210: 5208: 5205: 5203: 5200: 5198: 5195: 5192: 5188: 5187: 5184: 5177: 5174: 5171: 5168: 5165: 5164:Ragnar Granit 5162: 5161: 5159: 5157: 5153: 5146: 5143: 5142: 5140: 5138: 5134: 5127: 5126: 5124: 5121: 5117: 5113: 5106: 5103: 5102: 5100: 5097: 5093: 5089: 5082: 5081:George Porter 5079: 5076: 5073: 5070: 5069:Manfred Eigen 5067: 5066: 5064: 5062: 5058: 5053: 5045: 5040: 5038: 5033: 5031: 5026: 5025: 5022: 5009: 5005: 5001: 4998: 4994: 4990: 4987: 4983: 4979: 4976: 4972: 4968: 4967: 4965: 4961: 4954: 4950: 4946: 4943: 4939: 4935: 4932: 4928: 4924: 4921: 4917: 4913: 4910: 4906: 4902: 4899: 4895: 4891: 4888: 4884: 4880: 4877: 4873: 4869: 4866: 4862: 4858: 4855: 4851: 4847: 4844: 4840: 4836: 4833: 4829: 4825: 4822: 4818: 4814: 4811: 4810:Doris Lessing 4807: 4803: 4800: 4796: 4792: 4789: 4788:Harold Pinter 4785: 4781: 4778: 4774: 4770: 4767: 4766:J. M. Coetzee 4763: 4759: 4756: 4752: 4748: 4745: 4744:V. S. Naipaul 4741: 4737: 4736: 4734: 4730: 4723: 4719: 4715: 4712: 4708: 4704: 4701: 4700:José Saramago 4697: 4693: 4690: 4686: 4682: 4679: 4675: 4671: 4668: 4667:Seamus Heaney 4664: 4660: 4657: 4653: 4649: 4646: 4645:Toni Morrison 4642: 4638: 4635: 4634:Derek Walcott 4631: 4627: 4624: 4620: 4616: 4613: 4609: 4605: 4602: 4598: 4594: 4591: 4587: 4583: 4580: 4576: 4572: 4569: 4565: 4561: 4558: 4554: 4550: 4547: 4543: 4539: 4536: 4532: 4528: 4525: 4521: 4517: 4514: 4513:Elias Canetti 4510: 4506: 4505: 4503: 4499: 4492: 4488: 4484: 4481: 4477: 4473: 4470: 4466: 4462: 4459: 4455: 4451: 4448: 4444: 4440: 4437: 4433: 4429: 4426: 4422: 4418: 4414: 4411: 4410:Patrick White 4407: 4403: 4400: 4399:Heinrich Böll 4396: 4392: 4389: 4385: 4381: 4378: 4374: 4370: 4367: 4363: 4359: 4356: 4352: 4348: 4345: 4341: 4337: 4334: 4330: 4326: 4322: 4319: 4315: 4311: 4307: 4303: 4299: 4296: 4292: 4288: 4285: 4281: 4277: 4274: 4270: 4266: 4265: 4263: 4259: 4252: 4248: 4244: 4241: 4237: 4233: 4230: 4226: 4222: 4219: 4215: 4211: 4208: 4204: 4200: 4197: 4193: 4189: 4186: 4182: 4178: 4175: 4171: 4167: 4164: 4160: 4156: 4153: 4149: 4145: 4142: 4138: 4134: 4131: 4127: 4123: 4120: 4116: 4112: 4109: 4105: 4101: 4098: 4097:Hermann Hesse 4094: 4090: 4087: 4083: 4079: 4076: 4072: 4068: 4064: 4059: 4055: 4050: 4046: 4041: 4040: 4038: 4034: 4026: 4021: 4018: 4014: 4010: 4007: 4006:Pearl S. Buck 4003: 3999: 3996: 3992: 3988: 3985: 3981: 3977: 3973: 3968: 3965: 3961: 3957: 3954: 3950: 3946: 3943: 3939: 3935: 3931: 3927: 3923: 3919: 3916: 3912: 3908: 3905: 3901: 3897: 3894: 3893:Sigrid Undset 3890: 3886: 3883: 3882:Henri Bergson 3879: 3875: 3872: 3868: 3864: 3861: 3857: 3853: 3850: 3846: 3842: 3839: 3835: 3831: 3828: 3824: 3820: 3817: 3813: 3809: 3808: 3806: 3802: 3795: 3791: 3787: 3784: 3780: 3776: 3772: 3767: 3764: 3760: 3756: 3752: 3749: 3745: 3741: 3738: 3734: 3730: 3726: 3721: 3718: 3714: 3710: 3707: 3703: 3699: 3696: 3692: 3688: 3685: 3681: 3677: 3674: 3670: 3666: 3663: 3662:Rudolf Eucken 3659: 3655: 3652: 3648: 3644: 3641: 3637: 3633: 3630: 3626: 3622: 3619: 3615: 3611: 3607: 3604: 3600: 3596: 3593: 3589: 3585: 3582: 3578: 3574: 3573: 3571: 3567: 3563: 3559: 3552: 3547: 3545: 3540: 3538: 3533: 3532: 3529: 3517: 3514: 3513: 3511: 3507: 3500: 3499: 3498:Mulata de tal 3495: 3492: 3491: 3487: 3484: 3483: 3479: 3476: 3475: 3471: 3470: 3468: 3464: 3460: 3457: 3450: 3445: 3443: 3438: 3436: 3431: 3430: 3427: 3421: 3417: 3414: 3411: 3406: 3403: 3401: 3394: 3391: 3387: 3383: 3380: 3376: 3373: 3371: 3370: 3369:The President 3365: 3363: 3360: 3359: 3355: 3348: 3342: 3338: 3337: 3331: 3327: 3322: 3318: 3314: 3309: 3305: 3299: 3295: 3291: 3287: 3283: 3279: 3275: 3271: 3266: 3265: 3258: 3254: 3250: 3246: 3241: 3237: 3232: 3228: 3226:84-7762-363-5 3222: 3218: 3213: 3209: 3203: 3199: 3194: 3190: 3186: 3182: 3177: 3173: 3169: 3165: 3161: 3157: 3153: 3148: 3144: 3138: 3130: 3126: 3122: 3118: 3114: 3110: 3105: 3101: 3096: 3092: 3090:84-89666-51-2 3086: 3082: 3077: 3073: 3067: 3063: 3062: 3056: 3052: 3048: 3043: 3038: 3034: 3030: 3026: 3021: 3018: 3012: 3008: 3004: 3000: 2996: 2992: 2988: 2984: 2980: 2976: 2972: 2968: 2963: 2951: 2947: 2943: 2939: 2934: 2931: 2925: 2921: 2917: 2913: 2909: 2905: 2901: 2897: 2893: 2889: 2884: 2880: 2876: 2872: 2868: 2864: 2860: 2855: 2851: 2845: 2841: 2836: 2832: 2826: 2822: 2817: 2813: 2807: 2803: 2798: 2794: 2788: 2783: 2782: 2776: 2772: 2768: 2763: 2759: 2754: 2750: 2746: 2741: 2740: 2733: 2729: 2724: 2720: 2715: 2714: 2709: 2702: 2698: 2693: 2690: 2687:, p. 326 2686: 2681: 2678: 2675:, p. 237 2674: 2669: 2666: 2660: 2657: 2654:, p. 223 2653: 2648: 2645: 2639: 2636: 2632: 2626: 2623: 2617: 2614: 2610: 2605: 2602: 2596: 2594: 2592: 2590: 2588: 2584: 2581:, p. 191 2580: 2575: 2572: 2566: 2564: 2562: 2558: 2552: 2550: 2548: 2544: 2538: 2535: 2531: 2526: 2523: 2519: 2514: 2511: 2507: 2506:Westlake 2005 2502: 2499: 2495: 2490: 2487: 2481: 2478: 2474: 2469: 2467: 2465: 2461: 2455: 2453: 2449: 2443: 2441: 2437: 2431: 2428: 2424: 2418: 2415: 2412:, p. 330 2411: 2406: 2404: 2402: 2400: 2398: 2394: 2388: 2385: 2382:, p. 413 2381: 2376: 2373: 2370:, p. 146 2369: 2364: 2361: 2356: 2350: 2347: 2343: 2342:Westlake 2005 2338: 2335: 2329: 2326: 2323:, p. 869 2322: 2317: 2315: 2311: 2308:Callan, p. 58 2305: 2302: 2299:, p. 252 2298: 2293: 2291: 2287: 2284:, p. 251 2283: 2278: 2276: 2272: 2269:Callan, p. 54 2266: 2263: 2260:Callan, p. 53 2257: 2254: 2250: 2249:Westlake 2005 2245: 2242: 2239:, p. 242 2238: 2233: 2230: 2227:Callan, p. 20 2224: 2221: 2218:Callan, p. 19 2215: 2213: 2209: 2206:Callan, p. 18 2203: 2201: 2199: 2195: 2192:Callan, p. 25 2189: 2186: 2182: 2177: 2174: 2171:Callan, p. 21 2168: 2165: 2162:, p. 151 2161: 2156: 2153: 2147: 2144: 2141:, p. 165 2140: 2139:Westlake 2005 2135: 2133: 2129: 2126:, p. 123 2125: 2120: 2117: 2111: 2108: 2104: 2099: 2096: 2090: 2087: 2084:, p. 246 2083: 2078: 2076: 2072: 2066: 2063: 2060:, p. 146 2059: 2054: 2051: 2048:, p. 250 2047: 2042: 2040: 2038: 2036: 2032: 2026: 2023: 2020:, p. 871 2019: 2014: 2012: 2008: 2005:, p. 238 2004: 1999: 1996: 1983: 1977: 1974: 1968: 1965: 1962:, p. 866 1961: 1956: 1953: 1949: 1944: 1941: 1938:, p. 245 1937: 1932: 1930: 1926: 1923:, p. 867 1922: 1917: 1915: 1911: 1905: 1902: 1896: 1894: 1890: 1884: 1882: 1880: 1878: 1874: 1871: 1866: 1863: 1860:Callan, p. 12 1857: 1854: 1851:, p. 657 1850: 1845: 1842: 1829: 1824: 1819: 1817: 1815: 1811: 1807: 1802: 1799: 1793: 1791: 1789: 1785: 1781: 1780:Westlake 2005 1776: 1774: 1772: 1768: 1764: 1759: 1756: 1750: 1747: 1741: 1738: 1735:, p. 865 1734: 1729: 1726: 1722: 1717: 1715: 1711: 1707: 1702: 1699: 1695: 1689: 1686: 1682: 1677: 1674: 1668: 1666: 1664: 1660: 1655: 1649: 1641: 1637: 1633: 1631:0-19-869129-7 1627: 1623: 1622: 1615: 1612: 1606: 1603: 1597: 1592: 1589: 1586: 1583: 1582: 1578: 1572: 1567: 1564: 1563:Poetry portal 1558: 1553: 1548: 1543: 1540: 1537: 1534: 1531: 1528: 1525: 1522: 1519: 1516: 1513: 1510: 1507: 1503: 1500: 1499: 1495: 1494: 1490: 1487: 1484: 1481: 1480: 1476: 1475: 1471: 1468: 1465: 1462: 1459: 1456: 1453: 1450: 1449: 1445: 1444: 1440: 1437: 1434: 1431: 1428: 1425: 1422: 1419: 1416: 1413: 1410: 1407: 1404: 1401: 1398: 1395: 1392: 1389: 1386: 1383: 1380: 1377: 1374: 1371: 1368: 1365: 1362: 1359: 1358: 1354: 1353: 1349: 1346: 1343: 1340: 1337: 1334: 1331: 1328: 1325: 1322: 1319: 1316: 1315: 1311: 1310: 1306: 1302: 1299: 1296: 1292: 1289: 1288: 1284: 1283: 1279: 1276: 1273: 1269: 1266: 1263: 1262: 1258: 1255: 1254: 1250: 1247: 1244: 1243: 1239: 1238: 1234: 1231: 1228: 1225: 1222: 1218: 1217: 1216:Mulata de tal 1213: 1210: 1206: 1205:El alhajadito 1203: 1200: 1196: 1195: 1191: 1188: 1184: 1183: 1182:El papa verde 1179: 1176: 1172: 1168: 1164: 1163:Viento fuerte 1161: 1158: 1154: 1153: 1149: 1146: 1142: 1141: 1137: 1136: 1132: 1131: 1127: 1125: 1123: 1119: 1115: 1110: 1108: 1104: 1100: 1096: 1088: 1086: 1084: 1080: 1076: 1072: 1068: 1064: 1059: 1057: 1053: 1048: 1046: 1042: 1033: 1029: 1024: 1017: 1015: 1013: 1012:El Papa verde 1009: 1008:Viento Fuerte 1005: 1001: 997: 992: 990: 989:Mulata de tal 985: 983: 977: 970: 968: 966: 962: 961:Mulata de tal 956: 954: 953:magic realism 950: 946: 937: 935: 931: 929: 924: 920: 916: 911: 906: 904: 900: 896: 890: 888: 884: 880: 876: 872: 862: 855: 853: 848:Writing style 847: 845: 843: 834: 832: 830: 824: 821: 817: 812: 810: 805: 801: 799: 794: 787: 785: 782: 778: 774: 766: 761: 759: 756: 751: 748: 744: 743:Mulata de tal 738: 737:Mulata de tal 731: 730:Mulata de tal 728: 726: 724: 720: 716: 711: 707: 703: 700:; 1954), and 699: 695: 694:El Papa Verde 691: 687: 686:Viento fuerte 680: 677: 675: 671: 668: 664: 659: 655: 651: 650: 644: 637: 634: 632: 630: 625: 622: 618: 615: 611: 607: 602: 598: 592: 584: 582: 576: 570: 567: 565: 563: 559: 554: 550: 546: 542: 541:Gerald Martin 538: 537:pre-Columbian 534: 530: 526: 525: 518: 511: 508: 503: 501: 499: 495: 491: 487: 486: 485:nom de guerre 481: 476: 474: 470: 466: 457: 455: 452: 447: 445: 440: 438: 437:Mulata de Tal 433: 428: 426: 425:Mulata de Tal 422: 417: 413: 409: 405: 404:Jacobo Árbenz 397: 395: 393: 389: 385: 381: 377: 376: 371: 367: 363: 359: 355: 349: 347: 343: 339: 335: 331: 327: 323: 317: 313: 312: 308: 304: 299: 297: 293: 289: 284: 281: 272: 265: 260: 258: 256: 252: 248: 244: 240: 235: 232: 231:Mayan culture 228: 227: 222: 218: 214: 213: 207: 205: 201: 197: 193: 188: 186: 182: 181:poet-diplomat 177: 169: 160: 157: 153: 150: 146: 143: 142: 137: 136: 132: 130:Notable works 128: 125: 121: 120:Magic realism 118: 114: 110: 106: 102: 93: 89: 86: 72: 68: 64: 59: 52: 47: 43: 39: 35: 30: 19: 5775:Greta Gerwig 5721:Jane Campion 5673:Wong Kar-wai 5636:2001–present 5554:Ettore Scola 5548:Yves Montand 5536:Miloš Forman 5530:Dirk Bogarde 5506:Kirk Douglas 5447:Joseph Losey 5434: 5411:Sophia Loren 5339:Jean Cocteau 5333:Jean Cocteau 5221: 5104: 5007: 4986:Annie Ernaux 4963:2021–present 4953:Louise Glück 4942:Peter Handke 4832:Herta Müller 4755:Imre Kertész 4722:Gao Xingjian 4711:Günter Grass 4656:Kenzaburō Ōe 4568:Wole Soyinka 4557:Claude Simon 4388:Pablo Neruda 4343: 4218:Albert Camus 3930:posthumously 3929: 3496: 3490:Men of Maize 3488: 3480: 3472: 3455: 3420:Find a Grave 3396:(in Spanish) 3368: 3335: 3325: 3316: 3312: 3293: 3281: 3278:Valéry, Paul 3263: 3244: 3235: 3216: 3197: 3180: 3155: 3151: 3137:cite journal 3112: 3108: 3099: 3080: 3060: 3032: 3028: 2994: 2990: 2979:the original 2970: 2954:. Retrieved 2950:the original 2945: 2941: 2910:(1): 43–78. 2907: 2903: 2899: 2887: 2862: 2858: 2839: 2820: 2801: 2780: 2775:Franco, Jean 2766: 2757: 2738: 2727: 2718: 2700: 2692: 2680: 2668: 2659: 2647: 2638: 2630: 2625: 2616: 2611:, p. 21 2609:Bellini 1969 2604: 2574: 2537: 2525: 2513: 2501: 2496:, p. 16 2489: 2480: 2434:Sáenz, p.81. 2430: 2422: 2417: 2387: 2375: 2363: 2357:. Ilab Lila. 2349: 2344:, p. 66 2337: 2328: 2304: 2265: 2256: 2251:, p. 40 2244: 2232: 2223: 2188: 2183:, p. 58 2181:Bellini 1969 2176: 2167: 2155: 2146: 2119: 2110: 2105:, p. 10 2098: 2089: 2065: 2053: 2025: 1998: 1986:. Retrieved 1976: 1967: 1955: 1950:, p. 35 1943: 1904: 1865: 1856: 1849:McHenry 1993 1844: 1832:. Retrieved 1808:, p. 16 1806:Carrera 1999 1801: 1782:, p. 65 1765:, p. 11 1758: 1749: 1740: 1728: 1723:, p. 14 1721:Carrera 1999 1701: 1688: 1676: 1671:Callan, p.11 1620: 1614: 1605: 1541: 1535: 1529: 1523: 1517: 1511: 1505: 1501: 1488: 1482: 1469: 1463: 1457: 1451: 1438: 1432: 1426: 1420: 1414: 1408: 1402: 1396: 1390: 1384: 1378: 1372: 1366: 1360: 1347: 1341: 1335: 1329: 1323: 1317: 1304: 1300: 1294: 1290: 1277: 1271: 1267: 1259: 1251: 1245: 1232: 1226: 1220: 1214: 1208: 1204: 1198: 1192: 1186: 1180: 1174: 1166: 1162: 1157:Men of Maize 1156: 1150: 1138: 1121: 1113: 1111: 1106: 1102: 1099:Soviet Union 1094: 1092: 1060: 1049: 1037: 1032:Buenos Aires 1011: 1007: 1003: 999: 995: 993: 988: 986: 981: 978: 974: 964: 960: 957: 948: 944: 941: 932: 928:Men of Maize 927: 907: 903:Men of Maize 902: 898: 894: 891: 886: 882: 878: 867: 851: 841: 838: 825: 813: 803: 802: 797: 795: 791: 780: 770: 754: 752: 746: 742: 740: 729: 705: 701: 697: 693: 689: 685: 683: 678: 672: 657: 653: 649:Men of Maize 647: 646: 643:Men of Maize 636:Men of Maize 635: 628: 626: 620: 619: 613: 600: 596: 594: 579: 568: 557: 552: 544: 528: 522: 520: 509: 490:Men of Maize 489: 483: 482:, under the 477: 472: 469:Buenos Aires 461: 448: 441: 436: 429: 424: 416:Buenos Aires 401: 391: 387: 383: 379: 373: 370:Montparnasse 366:André Breton 350: 337: 333: 329: 326:Premio Falla 325: 318: 314: 310: 306: 302: 300: 296:Baja Verapaz 285: 277: 236: 226:Men of Maize 224: 220: 210: 208: 189: 167: 166: 158: 141:Men of Maize 139: 133: 96:(1974-06-09) 45: 41: 34:Spanish name 29: 5802:1974 deaths 5797:1899 births 5649:David Lynch 5643:Liv Ullmann 5584:Louis Malle 5560:Wim Wenders 5176:George Wald 5107:(Guatemala) 5052:Nobel Prize 4876:Alice Munro 4799:Orhan Pamuk 4612:Octavio Paz 4447:Saul Bellow 4333:Nelly Sachs 4119:T. S. Eliot 3904:Thomas Mann 3838:W. B. Yeats 3794:Knut Hamsun 2975:Kuusankoski 2973:. Finland: 2652:Martin 1982 2530:Prieto 1993 2518:Prieto 1993 2508:, p. 7 2494:Prieto 1993 2473:Megged 1976 2425:. p. 52-58. 2380:Martin 1973 2368:Willis 1983 2321:Franco 1989 2297:Franco 1994 2282:Franco 1994 2160:Martin 1989 2103:Valéry 1957 2058:Martin 1989 2046:Franco 1994 2018:Franco 1989 1960:Franco 1989 1921:Franco 1989 1828:"Biography" 1763:Callan 1970 1733:Franco 1989 1706:Martin 2000 1694:Martin 2000 1681:Martin 2000 1312:Anthologies 1167:Strong Wind 1077:, Italian, 1067:James Joyce 1063:Franz Kafka 915:Jean Franco 875:Quiché Maya 690:Strong Wind 667:imperialism 562:Paul Valéry 533:Jean Franco 504:Major works 467:capital of 465:Argentinian 342:El Salvador 245:, becoming 94:9 June 1974 5791:Categories 5697:Tim Burton 5626:Luc Besson 5459:René Clair 5399:Fritz Lang 5381:Jean Giono 5145:Hans Bethe 5092:Literature 4273:Ivo Andrić 4108:André Gide 3953:Ivan Bunin 3684:Paul Heyse 2849:8477623635 2710:References 2629:Asturias, 2421:Asturias, 1823:Frenz 1969 1303:. – 1973 ( 1293:. – 1971 ( 1079:Portuguese 1056:Carpentier 446:in Paris. 305:and then, 257:in Paris. 200:Surrealist 108:Occupation 78:1899-10-19 5757:Spike Lee 5685:Sean Penn 5475:1976–2000 5296:1946–1975 5071:(Germany) 5061:Chemistry 5054:laureates 4997:Jon Fosse 4909:Bob Dylan 4732:2001–2020 4501:1981–2000 4261:1961–1980 4036:1941–1960 3804:1921–1940 3569:1901–1920 3558:Laureates 3051:253131581 2685:Mead 1968 2673:Leal 1968 2631:Torotumbo 2410:Mead 1968 2237:Leal 1968 2082:Leal 1968 2003:Leal 1968 1936:Leal 1968 1648:cite book 1477:Librettos 982:Popul Vuh 945:Popul Vuh 895:Popul Vuh 879:Popol Vuh 692:; 1950), 384:New Times 375:Popol Vuh 354:ethnology 261:Biography 196:ethnology 5166:(Sweden) 4689:Dario Fo 3292:(2005). 3152:Hispania 3109:Hispania 2956:28 March 1834:11 March 1640:11814265 1549:See also 1491:. – 1935 1472:. – 1968 1227:Maladrón 1124:(1952). 788:Politics 767:Identity 723:Cold War 427:(1963). 358:Sorbonne 352:studied 346:Honduras 217:dictator 111:Novelist 42:Asturias 32:In this 5137:Physics 3560:of the 3509:Related 3459:(books) 3398:, from 3270:675–705 3253:2546463 3189:2779332 2879:3737234 2633:, 1971. 1988:22 June 1446:Theatre 1373:Sonetos 1175:Cyclone 1083:Russian 1075:Swedish 773:mestizo 356:at the 103:, Spain 46:Rosales 38:surname 5777:(2024) 5771:(2023) 5765:(2022) 5759:(2021) 5753:(2019) 5747:(2018) 5741:(2017) 5735:(2016) 5729:(2015) 5723:(2014) 5717:(2013) 5711:(2012) 5705:(2011) 5699:(2010) 5693:(2009) 5687:(2008) 5681:(2007) 5675:(2006) 5669:(2005) 5663:(2004) 5657:(2003) 5651:(2002) 5645:(2001) 5628:(2000) 5622:(1999) 5616:(1998) 5610:(1997) 5604:(1996) 5598:(1995) 5592:(1994) 5586:(1993) 5580:(1992) 5574:(1991) 5568:(1990) 5562:(1989) 5556:(1988) 5550:(1987) 5544:(1986) 5538:(1985) 5532:(1984) 5526:(1983) 5520:(1982) 5514:(1981) 5508:(1980) 5502:(1979) 5496:(1978) 5490:(1977) 5484:(1976) 5467:(1975) 5461:(1974) 5455:(1973) 5449:(1972) 5443:(1971) 5437:(1970) 5431:(1969) 5425:(1968) 5419:(1967) 5413:(1966) 5407:(1965) 5401:(1964) 5395:(1963) 5389:(1962) 5383:(1961) 5377:(1960) 5371:(1959) 5365:(1958) 5359:(1957) 5353:(1956) 5347:(1955) 5341:(1954) 5335:(1953) 5329:(1952) 5323:(1951) 5317:(1949) 5311:(1947) 5305:(1946) 4865:Mo Yan 3501:(1963) 3493:(1949) 3485:(1946) 3477:(1930) 3343: 3300: 3251: 3223: 3204: 3187: 3172:339512 3170: 3129:338517 3127: 3087: 3068: 3049: 3011:471993 3009: 2924:471873 2922: 2877: 2846: 2827: 2808: 2789: 2749:122016 2747: 1825:. See 1638: 1628: 1496:Essays 1355:Poetry 1133:Novels 1089:Awards 1069:, and 1052:Borges 1018:Legacy 1010:, and 835:Nature 777:ladino 762:Themes 458:Family 292:Salamá 101:Madrid 5222:1967 5116:Peace 5050:1967 3466:Books 3168:JSTOR 3125:JSTOR 3047:S2CID 3017:JSTOR 3007:JSTOR 2930:JSTOR 2920:JSTOR 2875:JSTOR 1598:Notes 1128:Works 809:Ubico 421:Genoa 192:Paris 116:Genre 5247:1972 5242:1971 5237:1970 5232:1969 5227:1968 5217:1966 5212:1965 5207:1964 5202:1963 5197:1962 5128:None 5120:1967 5096:1967 5004:2024 4993:2023 4982:2022 4971:2021 4949:2020 4938:2019 4927:2018 4916:2017 4905:2016 4894:2015 4883:2014 4872:2013 4861:2012 4850:2011 4839:2010 4828:2009 4817:2008 4806:2007 4795:2006 4784:2005 4773:2004 4762:2003 4751:2002 4740:2001 4718:2000 4707:1999 4696:1998 4685:1997 4674:1996 4663:1995 4652:1994 4641:1993 4630:1992 4619:1991 4608:1990 4597:1989 4586:1988 4575:1987 4564:1986 4553:1985 4542:1984 4531:1983 4520:1982 4509:1981 4487:1980 4476:1979 4465:1978 4454:1977 4443:1976 4432:1975 4417:1974 4406:1973 4395:1972 4384:1971 4373:1970 4362:1969 4351:1968 4340:1967 4325:1966 4314:1965 4302:1964 4291:1963 4280:1962 4269:1961 4247:1960 4236:1959 4225:1958 4214:1957 4203:1956 4192:1955 4181:1954 4170:1953 4159:1952 4148:1951 4137:1950 4126:1949 4115:1948 4104:1947 4093:1946 4082:1945 4071:1944 4063:1943 4054:1942 4045:1941 4025:1940 4013:1939 4002:1938 3991:1937 3980:1936 3972:1935 3960:1934 3949:1933 3938:1932 3922:1931 3911:1930 3900:1929 3889:1928 3878:1927 3867:1926 3856:1925 3845:1924 3834:1923 3823:1922 3812:1921 3790:1920 3779:1919 3771:1918 3755:1917 3744:1916 3733:1915 3725:1914 3713:1913 3702:1912 3691:1911 3680:1910 3669:1909 3658:1908 3647:1907 3636:1906 3625:1905 3610:1904 3599:1903 3588:1902 3577:1901 3341:ISBN 3298:ISBN 3249:OCLC 3221:ISBN 3202:ISBN 3185:OCLC 3143:link 3085:ISBN 3066:ISBN 2958:2008 2844:ISBN 2825:ISBN 2806:ISBN 2787:ISBN 2745:OCLC 2701:Time 1990:2024 1836:2008 1654:link 1636:OCLC 1626:ISBN 1120:for 963:and 921:and 344:and 320:the 159:1967 91:Died 70:Born 3418:at 3377:at 3160:doi 3117:doi 3037:doi 2999:doi 2912:doi 2867:doi 987:In 947:or 382:or 40:is 5793:: 5006:: 4995:: 4984:: 4973:: 4951:: 4940:: 4929:: 4918:: 4907:: 4896:: 4885:: 4874:: 4863:: 4852:: 4841:: 4830:: 4819:: 4808:: 4797:: 4786:: 4775:: 4764:: 4753:: 4742:: 4720:: 4709:: 4698:: 4687:: 4676:: 4665:: 4654:: 4643:: 4632:: 4621:: 4610:: 4599:: 4588:: 4577:: 4566:: 4555:: 4544:: 4533:: 4522:: 4511:: 4489:: 4478:: 4467:: 4456:: 4445:: 4434:: 4423:/ 4419:: 4408:: 4397:: 4386:: 4375:: 4364:: 4353:: 4342:: 4331:/ 4327:: 4316:: 4304:: 4293:: 4282:: 4271:: 4249:: 4238:: 4227:: 4216:: 4205:: 4194:: 4183:: 4172:: 4161:: 4150:: 4139:: 4128:: 4117:: 4106:: 4095:: 4084:: 4073:: 4015:: 4004:: 3993:: 3982:: 3962:: 3951:: 3940:: 3924:: 3913:: 3902:: 3891:: 3880:: 3869:: 3858:: 3847:: 3836:: 3825:: 3814:: 3792:: 3781:: 3761:/ 3757:: 3746:: 3735:: 3715:: 3704:: 3693:: 3682:: 3671:: 3660:: 3649:: 3638:: 3627:: 3616:/ 3612:: 3601:: 3590:: 3579:: 3315:. 3166:. 3156:59 3154:. 3139:}} 3135:{{ 3123:. 3113:51 3111:. 3045:. 3033:17 3031:. 3027:. 3005:. 2995:41 2993:. 2969:. 2944:. 2940:. 2918:. 2908:40 2906:. 2873:. 2863:94 2861:. 2699:. 2586:^ 2560:^ 2546:^ 2463:^ 2451:^ 2439:^ 2396:^ 2313:^ 2289:^ 2274:^ 2211:^ 2197:^ 2131:^ 2074:^ 2034:^ 2010:^ 1928:^ 1913:^ 1892:^ 1876:^ 1813:^ 1787:^ 1770:^ 1713:^ 1662:^ 1650:}} 1646:{{ 1634:. 1081:, 1065:, 1054:, 1030:, 1006:, 1002:, 998:, 967:. 612:. 543:, 138:, 122:, 5281:e 5274:t 5267:v 5122:) 5118:( 5098:) 5094:( 5043:e 5036:t 5029:v 3932:) 3928:( 3550:e 3543:t 3536:v 3448:e 3441:t 3434:v 3349:. 3317:4 3306:. 3272:. 3255:. 3229:. 3210:. 3191:. 3174:. 3162:: 3145:) 3131:. 3119:: 3093:. 3074:. 3053:. 3039:: 3015:( 3013:. 3001:: 2960:. 2946:5 2928:( 2926:. 2914:: 2881:. 2869:: 2852:. 2833:. 2814:. 2795:. 2751:. 1992:. 1838:. 1656:) 1642:. 1307:) 1105:( 1034:. 901:( 885:( 704:( 696:( 688:( 652:( 583:, 527:( 360:( 223:( 170:( 80:) 76:( 48:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Miguel Ángel Asturias

Index