354:, on the brothers' own label, Music70, while Boards of Canada was still a band (it was later re-pressed in 1997 on CD on the same label). By 1989, the band had been reduced to Mike and Marcus, and they released Acid Memories in the same year. Both albums have only been heard by the band's friends and family, except for a 24-second excerpt of "Duffy", released on the EHX website in the late 1990s. Acid Memories is the only early album the brothers have mentioned in interviews. Later, in the early 1990s, the band had a number of collaborations and the band put on small shows among the
622:. When questioned about their aims in making such references, Boards of Canada have expressed themselves in neutral terms (saying "We're not religious at all and if we're spiritual at all it's purely in the sense of caring about art and inspiring people with ideas.") while remaining fascinated with the ability of music to influence the minds of others (saying, with irony, that " do actually believe that there are powers in music that are almost supernatural. I think you actually manipulate people with music...").
2106:
44:
953:
642:
598:
allegedly involved the creation of 400 song fragments and 64 complete songs, of which 22 were selected (possibly 23, if the final track of complete silence is included). Eoin has said about the duo's discography that "the idea of the perfect album is this amorphous thing that we're always aiming at
534:
described their style as "a hazy sound of smeared synth-tones and analog-decayed production, carried by patient, sleepwalking beats, and aching with nostalgia" while crediting them with "reinvent" elements of psychedelia through the deliberate misuse of technology. Their distinctive style is a
591:
Brief interludes or vignettes feature prominently in the duo's music, often lasting less than two minutes; Sandison has said that "we write far more of than the so-called 'full-on' tracks, and, in a way, they are our own favourites". Boards of Canada have written an enormous number of such
539:
equipment, mix of electronic and conventional instrumentation, use of distorted samples, and their layering and blending of these elements. To achieve their evocative and "worn down" sound, the duo have made use of outdated brands of recording equipment, such as tape machines manufactured by
478:
on 22 February. On 17 February 2017, an instrumental version of the "Mr
Mistake" remix was released. In 2017 Boards of Canada released a remix of "Sometimes" by The Sexual Objects. On July 3, 2021, Boards of Canada released a remix of a second Nevermen song, "Treat Em Right".
592:
fragments as well as full-length tracks, most of which have been held back from release, and it does not appear that their music is made exclusively for commercial release; rather, albums seem to be the result of selecting complementary songs from current work. For instance,
338:
of found sounds over compositions of their own. In their teens they participated in a number of amateur bands. However, it was not until 1986 when Marcus was invited to join Mike's band that Boards of Canada was born. The band's name was inspired by the
1197:
564:
and sinister musical hauntology based on cut-up samples, vintage synthesiser technology and a faded modernism arising from mid-twentieth-century television, science, public education, childhood and spirituality."
448:. After much speculation, the official website for the band redirected users to another website which asked for the user to enter a password. Once all six unique codes are entered, a video is shown announcing
317:, where Michael studied music and Marcus studied artificial intelligence. Marcus dropped out before completing his degree. The duo did not reveal that they are brothers until a 2005 interview with
414:
It was described by
Sandison as "a record for some sort of trial-by-fire, a claustrophobic, twisting journey that takes you into some pretty dark experiences before you reach the open air again."
282:-inspired beats. It has been described by critics as exploring themes related to nostalgia, as well as childhood memory, science, environmental concerns and esoteric subjects. In 2012,
43:
1560:
1795:
1187:
1678:
1515:
366:, both in 1994, which, similarly to Acid Memories, were only released to friends and family and had sub-1 minute excerpts of two songs ("Wouldn't You Like To Be Free" from
2418:
568:
Interviews with the
Sandison brothers have variously provided insight into their creative process: they have cited several acts that have influenced their work including
330:
Growing up in a musical family, the brothers first played instruments at a young age. They experimented with recording techniques from around the age of 10, using
1540:
1485:
548:
from 1970s television shows and other media prevalent in the era of the brothers' shared childhood, especially the nature-inspired documentaries produced by the
1403:
391:, was released in April 1998. The album consists of longer tracks mixed with song vignettes. It also includes one of the duo's most popular songs, "Roygbiv".
2448:
1645:
1452:
494:, featuring mixes, radio shows and unreleased music from a number of artists on their roster. This included a 2-hour mixtape from Boards of Canada titled
2148:
1914:
1738:
231:
duo consisting of the brothers
Michael Sandison and Marcus Eoin, formed initially as a trio in 1986 before becoming a duo in the 1990s. Signing first to
2458:
1094:
2413:
1033:
2239:
788:
429:
2013, a vinyl record containing a short clip of music which was believed to be the work of Boards of Canada surfaced at the New York record store
301:
Brothers
Michael Sandison (born Michael Peter Sandison, 14 July 1971) and Marcus Eoin (born Marcus Eoin Sandison, 27 May 1973) were brought up in
490:
In 2019, Warp
Records kicked off the celebrations for their 30th anniversary, entitled WXAXRXP, with a 100-hour takeover of online radio station
2453:
1272:
1247:
1159:
2423:
1068:
2478:
2443:
1972:
986:
1557:
2428:
2266:
1871:
1131:
689:
663:
2039:
1787:
1952:
1851:
1826:
1668:
1507:
1425:
1361:
2172:
1347:
1333:
1315:
1222:
714:
387:
241:
2463:
2438:
2141:
667:
2468:
966:
584:(saying "even if we don't sound like them, there's a connection in terms of the approach to music"). They have also named
549:
340:
2433:
2382:
2020:
1475:
1375:
631:
119:
2075:
1537:
1761:
1117:
1393:
1708:
780:
581:
573:
436:
The rest of the codes were hidden through various websites and online communities, as well as being broadcast over
2408:
2247:
2134:
1998:
796:
1637:
1442:
2473:
936:
652:
343:(NFB), the government agency whose award-winning documentary films and animation they had watched as children.
1730:
526:
music often sounding as though produced on malfunctioning equipment excavated from the ruins of an early-'70s
1888:
1123:
671:
656:
314:
106:
1086:
510:, spliced with spoken word samples and music that is rumoured to be unreleased work from the group itself.
2188:
730:
507:
253:
1019:
2092:
310:
2196:
738:
474:'s "Mr Mistake", was released on 12 January, and was followed shortly after by a remix of "Sisters" by
450:
259:
1188:"Why Boards of Canada's Music Has the Right to Children Is the Greatest Psychedelic Album of the '90s"
1151:
2083:
1673:
1511:
1399:
1090:
585:
553:
319:
236:
150:
1065:
288:
described them as "one of the best-known and best-loved electronic acts of the last two decades."
2285:
1623:
1605:
1586:
603:
557:
284:
198:
1969:
992:
462:, 10 June 2013 in Europe, and 11 June 2013 in the United States to widespread critical acclaim.
309:, Canada, while their father, who worked in construction, took part in the project to build the
2115:
1908:
1127:
96:
1029:
619:
561:
426:
335:
275:
267:
228:
86:
2088:
1868:
2079:
2043:
1976:
1956:
1875:
1855:
1564:
1544:
1429:
1192:
1072:
958:
396:
606:, and subsequently their work has incorporated cryptic messages, including references to
576:(saying "we have all the String Band records our rural sensibilities are similar"), the
2105:
2036:
531:
519:
324:
271:
1949:
1848:
1818:
1423:
498:, aired on 23 June 2019 at 9:00 PM BST, and featured music from other artists such as
239:
in the 1990s, the duo received recognition following the release of their debut album
2402:
2356:
2231:
1319:
772:
569:
536:
437:
351:
331:
302:
101:
599:
the whole point of making music is at least to aim at your own idea of perfection."
1480:
1447:
615:
545:
527:
455:
232:
155:
560:. Theorist and music critic Adam Harper described their work as "a simultaneously
433:. Shortly after the release, Warp Records vouched for the record's authenticity.
2387:
641:
577:
499:
430:
355:
2364:
2337:
1619:
1601:
1578:
948:
607:
475:
445:
1379:
17:
2329:
2223:
1508:"Boards of Canada Released a Mysterious 12" on Record Store Day | News"
1443:"Does Boards of Canada's record-store clue point to new album? | Music"
1119:
Listening through the Noise: The
Aesthetics of Experimental Electronic Music
864:
852:
810:
764:
523:
491:
91:
72:
2072:
580:(saying " really became enthralling to us through their psychedelism") and
323:, as they wanted to avoid comparisons with another electronic sibling duo,
1929:
Albiez, Sean (2013). "Sounds of Future Past: the
Poetics of Electronica".
518:
The music of Boards of Canada has been described as "evocative, mournful,
2180:
1822:
1669:"Boards of Canada Share New Remix of Nevermen's "Treat Em Right": Listen"
1025:
722:
594:
471:
247:
1700:
2111:
2101:
1582:
1476:"Boards of Canada: 'We've become a lot more nihilistic over the years'"
541:
306:
305:, on the northeast coast of Scotland. From 1979 to 1980, they lived in
279:
1990:
1558:
Boards of Canada
Mystery Continues with New Password Protected Website
2215:
2097:
1979:" (Jun 1998), Virgin Megaweb magazine. Retrieved on 20 February 2007.
753:
245:
on Warp in 1998. They followed with the critically acclaimed albums
2126:
395:
received widespread acclaim upon release. It featured at No. 35 on
2047:
459:
1892:
2065:
611:
503:
2130:
2021:
What the hell is up with Boards of Canada? Shorter analysis of
635:
470:
In 2016, Boards of Canada released two remixes. The first, of
441:
1620:"NEVERMEN β Mr Mistake (Boards of Canada Remix Instrumental)"
2120:
1878:" (Jul 2002), Remix magazine. Retrieved on 20 February 2007.
552:. The duo's preoccupation with memory, past aesthetics, and
213:
1959:" (Mar 2002), OOR magazine. Retrieved on 20 February 2007.
1858:" (Feb 2002), HMV magazine. Retrieved on 20 February 2007.
1626:
from the original on 11 December 2021 – via YouTube.
1608:
from the original on 11 December 2021 – via YouTube.
1788:"Boards of Canada debut new two-hour mix Societas x Tape"
266:
The duo's work, largely influenced by outdated media and
270:
from the 1970s, incorporates vintage synthesiser tones,
1152:"The genius of Boards of Canada in 10 essential tracks"
759:(released on Music70 in 1995, reissued by Warp in 2002)
1567:" (April 2013) Pitchfork. Retrieved on 28 April 2013.
1547:" (April 2013) Pitchfork. Retrieved on 28 April 2013.
1300:
Warren, Emma (January 2001), "Breaking Into Heaven",
2375:
2348:
2295:
2277:
2258:
2207:
2164:
1538:
Boards of Canada
Commercial Airs on Cartoon Network
1087:"Boards of Canada: Music Has the Right to Children"
923:------ / ------ / ------ / XXXXXX / ------ / ------
208:
204:
192:
188:
171:
167:
143:
125:
115:
79:
68:
58:
53:
34:
1013:
1011:
1009:
588:as a chief influence, citing their synth sounds.
1579:"NEVERMEN β Mr Mistake (Boards of Canada Remix)"
556:presaged the 2000s electronic movement known as
374:) released from both albums on the EHX website.
1602:"Odd Nosdam β Sisters (Boards of Canada remix)"
1181:
1179:
1177:
1991:"The Last Unexplored Area of Boards of Canada"
358:collective, along with the releases of albums
2142:
602:The duo have expressed interest in themes of
8:
1989:Sato, Joe; Hiroyuni, Nakamoto (March 2002).
1376:"EHX - Artists - Boards of Canada - Sounds"
1060:
1058:
1056:
1054:
1052:
1050:
670:. Unsourced material may be challenged and
458:. The album was released on 5 June 2013 in
2149:
2135:
2127:
2104:
1304:, vol. 3, no. 48, pp. 94β98
1295:
1293:
31:
2419:1986 establishments in the United Kingdom
1217:
1215:
690:Learn how and when to remove this message
2050:Issue 47. Retrieved on 21 February 2007.
1638:"The Sexual Objects - Sometimes Remixes"
2240:In a Beautiful Place Out in the Country
1968:Kyrou, Ariel & Leloup, Jean-Yves. "
1066:Pitchfork: Interviews: Boards of Canada
978:
789:In a Beautiful Place Out in the Country
399:'s "Top 100 Albums of the 1990s" list.
1944:
1942:
1940:
1919:Vol. 7 No. 12 (December 2005), pp26-30
1913:: CS1 maint: archived copy as title (
1906:
1589:from the original on 11 December 2021.
1200:from the original on 26 September 2018
1145:
1143:
2001:from the original on 28 November 2021
1829:from the original on 10 December 2015
1648:from the original on 26 February 2021
7:
1731:"Boards of Canada - Societas x Tape"
1455:from the original on 10 January 2014
1348:"Boards of Canada - Play by Numbers"
668:adding citations to reliable sources
48:Mike Sandison and Marcus Eoin (2000)
1600:LeavingRecords (22 February 2016).
1277:Find and update company information
1252:Find and update company information
2449:Musical groups established in 1986
1334:"Boards of Canada - Acid Memories"
1097:from the original on 18 March 2009
1085:Richardson, Mark (26 April 2004).
25:
2123:β unofficial wiki at bocpages.org
1970:Two Aesthetes of Electronic Music
1798:from the original on 28 June 2019
1741:from the original on 23 June 2019
1711:from the original on 30 June 2019
1518:from the original on 27 June 2013
1488:from the original on 21 July 2014
1406:from the original on 7 March 2023
991:, Matador Records, archived from
2459:Scottish electronic music groups
1760:Christian, Eede (24 June 2019).
1681:from the original on 2 July 2021
1667:Strauss, Matthew (3 July 2021).
1186:Reynolds, Simon (3 April 2018).
1162:from the original on 25 May 2012
1150:Morpurgo, Joseph (20 May 2012).
951:
640:
42:
2414:1986 establishments in Scotland
2173:Music Has the Right to Children
1474:Pattison, Louis (6 June 2013).
1441:Sean Michaels (22 April 2013).
1362:"Boards of Canada - Hooper Bay"
1223:"Boards Of Canada β Boc Maxima"
1116:Demers, Joanna (October 2010).
1036:from the original on 4 May 2014
715:Music Has the Right to Children
393:Music Has the Right to Children
388:Music Has the Right to Children
379:Music Has the Right to Children
242:Music Has the Right to Children
2026:". Retrieved on 23 March 2006.
1316:"Boards of Canada - Hi Scores"
900:(unknown, presumed to be 1995)
417:
346:Their first known release was
1:
2454:Musical groups from Edinburgh
1819:"Geogaddi β Boards of Canada"
967:List of ambient music artists
550:National Film Board of Canada
341:National Film Board of Canada
27:Scottish electronic music duo
2424:British ambient music groups
1786:Young, Alex (24 June 2019).
1762:"LISTEN: WXAXRXP Highlights"
1577:NEVERMEN (12 January 2016).
632:Boards of Canada discography
313:. The brothers attended the
120:Boards of Canada discography
2479:Warp (record label) artists
2444:Intelligent dance musicians
1950:Play Twice Before Listening
1395:Top 100 Albums of the 1990s
2495:
1021:Boards of Canada Biography
988:Boards of Canada Biography
808:
781:Peel Session TX 21/07/1998
629:
2429:British male musical duos
2078:29 September 2019 at the
917:Geogaddi (Promotional LP)
41:
937:We Are Reasonable People
544:. They also make use of
535:product of their use of
385:The debut studio album,
2349:Live bootleg recordings
2042:24 October 2008 at the
1975:24 October 2008 at the
1874:24 October 2008 at the
1854:24 October 2008 at the
1124:Oxford University Press
315:University of Edinburgh
297:Early years (1986β1994)
2189:The Campfire Headphase
731:The Campfire Headphase
574:Incredible String Band
508:Yellow Magic Orchestra
408:The Campfire Headphase
254:The Campfire Headphase
54:Background information
2464:Scottish musical duos
2439:Electronic music duos
2298:studio albums and EPs
1849:The Colour & The
1543:30 April 2013 at the
898:Random 35 Tracks Tape
2469:Sibling musical duos
2248:Trans Canada Highway
1955:27 July 2011 at the
1792:Consequence of Sound
1622:. 17 February 2017.
1428:27 July 2011 at the
1402:, 17 November 2003,
1071:6 March 2016 at the
797:Trans Canada Highway
664:improve this section
604:subliminal messaging
2434:Downtempo musicians
911:Telephasic Workshop
586:Meat Beat Manifesto
582:My Bloody Valentine
554:public broadcasting
2286:Reach for the Dead
2197:Tomorrow's Harvest
2035:Nicholls, Steve. "
1997:. pp. 12β16.
1895:on 17 January 2015
1563:1 May 2013 at the
1248:"Michael SANDISON"
1126:. pp. 49β50.
1075:" (September 2005)
1064:Hoffmann, Heiko. "
805:Early/non-official
739:Tomorrow's Harvest
451:Tomorrow's Harvest
419:Tomorrow's Harvest
370:and "Circle" from
260:Tomorrow's Harvest
2396:
2395:
1869:Northern Exposure
1514:. 21 April 2013.
1273:"Marcus SANDISON"
885:Unreleased Tracks
816:Unreleased albums
700:
699:
692:
514:Style and methods
222:
221:
199:Christopher Horne
16:(Redirected from
2486:
2409:Boards of Canada
2376:Related articles
2158:Boards of Canada
2151:
2144:
2137:
2128:
2121:Boards of Canada
2112:Boards of Canada
2108:
2098:Boards of Canada
2089:Boards of Canada
2073:Boards of Canada
2069:
2068:
2066:Official website
2051:
2046:" (March 2001),
2033:
2027:
2017:
2011:
2010:
2008:
2006:
1986:
1980:
1966:
1960:
1948:Poolman, Koen. "
1946:
1935:
1934:
1926:
1920:
1918:
1912:
1904:
1902:
1900:
1891:. Archived from
1885:
1879:
1867:Micallef, Ken. "
1865:
1859:
1845:
1839:
1838:
1836:
1834:
1814:
1808:
1807:
1805:
1803:
1783:
1777:
1776:
1774:
1772:
1757:
1751:
1750:
1748:
1746:
1727:
1721:
1720:
1718:
1716:
1697:
1691:
1690:
1688:
1686:
1664:
1658:
1657:
1655:
1653:
1634:
1628:
1627:
1616:
1610:
1609:
1597:
1591:
1590:
1574:
1568:
1554:
1548:
1536:Minsker, Evan. "
1534:
1528:
1527:
1525:
1523:
1504:
1498:
1497:
1495:
1493:
1471:
1465:
1464:
1462:
1460:
1438:
1432:
1421:
1415:
1414:
1413:
1411:
1390:
1384:
1383:
1382:on 1 March 2000.
1378:. Archived from
1372:
1366:
1365:
1358:
1352:
1351:
1344:
1338:
1337:
1330:
1324:
1323:
1322:on 19 June 2001.
1318:. Archived from
1312:
1306:
1305:
1297:
1288:
1287:
1285:
1283:
1269:
1263:
1262:
1260:
1258:
1244:
1238:
1237:
1235:
1233:
1219:
1210:
1209:
1207:
1205:
1183:
1172:
1171:
1169:
1167:
1147:
1138:
1137:
1113:
1107:
1106:
1104:
1102:
1082:
1076:
1062:
1045:
1044:
1043:
1041:
1030:Rovi Corporation
1015:
1004:
1003:
1002:
1000:
995:on 18 April 2012
983:
961:
956:
955:
954:
865:Old Tunes Vol. 2
853:Old Tunes Vol. 1
760:
695:
688:
684:
681:
675:
644:
636:
620:Branch Davidians
614:figures such as
427:Record Store Day
334:to layer cut-up
268:electronic music
229:electronic music
225:Boards of Canada
218:
215:
195:
138:
136:
128:
61:
46:
36:Boards of Canada
32:
21:
2494:
2493:
2489:
2488:
2487:
2485:
2484:
2483:
2474:Trip hop groups
2399:
2398:
2397:
2392:
2371:
2344:
2317:Play by Numbers
2297:
2296:Limited release
2291:
2273:
2254:
2203:
2160:
2155:
2100:discography at
2080:Wayback Machine
2064:
2063:
2060:
2055:
2054:
2044:Wayback Machine
2034:
2030:
2019:Brown, Colin. "
2018:
2014:
2004:
2002:
1988:
1987:
1983:
1977:Wayback Machine
1967:
1963:
1957:Wayback Machine
1947:
1938:
1928:
1927:
1923:
1905:
1898:
1896:
1889:"Archived copy"
1887:
1886:
1882:
1876:Wayback Machine
1866:
1862:
1856:Wayback Machine
1847:Pytlik, Mark. "
1846:
1842:
1832:
1830:
1816:
1815:
1811:
1801:
1799:
1785:
1784:
1780:
1770:
1768:
1759:
1758:
1754:
1744:
1742:
1729:
1728:
1724:
1714:
1712:
1699:
1698:
1694:
1684:
1682:
1666:
1665:
1661:
1651:
1649:
1636:
1635:
1631:
1618:
1617:
1613:
1599:
1598:
1594:
1576:
1575:
1571:
1565:Wayback Machine
1555:
1551:
1545:Wayback Machine
1535:
1531:
1521:
1519:
1506:
1505:
1501:
1491:
1489:
1473:
1472:
1468:
1458:
1456:
1440:
1439:
1435:
1430:Wayback Machine
1422:
1418:
1409:
1407:
1392:
1391:
1387:
1374:
1373:
1369:
1360:
1359:
1355:
1346:
1345:
1341:
1332:
1331:
1327:
1314:
1313:
1309:
1299:
1298:
1291:
1281:
1279:
1271:
1270:
1266:
1256:
1254:
1246:
1245:
1241:
1231:
1229:
1221:
1220:
1213:
1203:
1201:
1193:Pitchfork Media
1185:
1184:
1175:
1165:
1163:
1149:
1148:
1141:
1134:
1115:
1114:
1110:
1100:
1098:
1084:
1083:
1079:
1073:Wayback Machine
1063:
1048:
1039:
1037:
1017:
1016:
1007:
998:
996:
985:
984:
980:
975:
959:Scotland portal
957:
952:
950:
947:
932:
907:
894:
881:
858:A Few Old Tunes
856:(also known as
846:Play By Numbers
818:
813:
807:
758:
749:
710:
705:
696:
685:
679:
676:
661:
645:
634:
628:
516:
496:Societas x Tape
488:
468:
454:, their fourth
423:
412:
383:
368:Play By Numbers
360:Play By Numbers
299:
294:
278:equipment, and
227:are a Scottish
212:
193:
184:
163:
134:
132:
126:
111:
59:
49:
37:
28:
23:
22:
15:
12:
11:
5:
2492:
2490:
2482:
2481:
2476:
2471:
2466:
2461:
2456:
2451:
2446:
2441:
2436:
2431:
2426:
2421:
2416:
2411:
2401:
2400:
2394:
2393:
2391:
2390:
2385:
2379:
2377:
2373:
2372:
2370:
2369:
2361:
2352:
2350:
2346:
2345:
2343:
2342:
2334:
2326:
2320:
2314:
2308:
2301:
2299:
2293:
2292:
2290:
2289:
2281:
2279:
2275:
2274:
2272:
2271:
2262:
2260:
2256:
2255:
2253:
2252:
2244:
2236:
2228:
2220:
2211:
2209:
2205:
2204:
2202:
2201:
2193:
2185:
2177:
2168:
2166:
2162:
2161:
2156:
2154:
2153:
2146:
2139:
2131:
2125:
2124:
2118:
2109:
2095:
2086:
2070:
2059:
2058:External links
2056:
2053:
2052:
2028:
2012:
1981:
1961:
1936:
1921:
1880:
1860:
1840:
1809:
1778:
1752:
1722:
1692:
1659:
1629:
1611:
1592:
1569:
1556:Pelly, Jenn. "
1549:
1529:
1499:
1466:
1433:
1416:
1385:
1367:
1353:
1339:
1325:
1307:
1289:
1264:
1239:
1211:
1173:
1139:
1132:
1108:
1077:
1046:
1018:Cooper, Sean,
1005:
977:
976:
974:
971:
970:
969:
963:
962:
946:
943:
942:
941:
931:
928:
927:
926:
920:
914:
906:
903:
902:
901:
893:
890:
889:
888:
880:
877:
876:
875:
869:
861:
849:
843:
837:
831:
825:
817:
814:
809:Main article:
806:
803:
802:
801:
793:
785:
777:
769:
761:
748:
745:
744:
743:
735:
727:
719:
709:
706:
704:
703:Major releases
701:
698:
697:
648:
646:
639:
630:Main article:
627:
624:
532:Simon Reynolds
515:
512:
487:
481:
467:
464:
422:
416:
411:
401:
382:
376:
298:
295:
293:
290:
220:
219:
214:boardsofcanada
210:
206:
205:
202:
201:
196:
190:
189:
186:
185:
183:
182:
179:
175:
173:
169:
168:
165:
164:
162:
161:
158:
153:
147:
145:
141:
140:
129:
123:
122:
117:
113:
112:
110:
109:
104:
99:
94:
89:
83:
81:
77:
76:
70:
66:
65:
64:Hell Interface
62:
56:
55:
51:
50:
47:
39:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2491:
2480:
2477:
2475:
2472:
2470:
2467:
2465:
2462:
2460:
2457:
2455:
2452:
2450:
2447:
2445:
2442:
2440:
2437:
2435:
2432:
2430:
2427:
2425:
2422:
2420:
2417:
2415:
2412:
2410:
2407:
2406:
2404:
2389:
2386:
2384:
2381:
2380:
2378:
2374:
2367:
2366:
2362:
2359:
2358:
2357:Live @ Warp10
2354:
2353:
2351:
2347:
2340:
2339:
2335:
2332:
2331:
2327:
2324:
2321:
2318:
2315:
2312:
2311:Acid Memories
2309:
2306:
2303:
2302:
2300:
2294:
2287:
2283:
2282:
2280:
2276:
2269:
2268:
2264:
2263:
2261:
2257:
2250:
2249:
2245:
2242:
2241:
2237:
2234:
2233:
2229:
2226:
2225:
2221:
2218:
2217:
2213:
2212:
2210:
2206:
2199:
2198:
2194:
2191:
2190:
2186:
2183:
2182:
2178:
2175:
2174:
2170:
2169:
2167:
2165:Studio albums
2163:
2159:
2152:
2147:
2145:
2140:
2138:
2133:
2132:
2129:
2122:
2119:
2117:
2113:
2110:
2107:
2103:
2099:
2096:
2094:
2090:
2087:
2085:
2081:
2077:
2074:
2071:
2067:
2062:
2061:
2057:
2049:
2045:
2041:
2038:
2032:
2029:
2025:
2024:
2016:
2013:
2000:
1996:
1992:
1985:
1982:
1978:
1974:
1971:
1965:
1962:
1958:
1954:
1951:
1945:
1943:
1941:
1937:
1932:
1925:
1922:
1916:
1910:
1894:
1890:
1884:
1881:
1877:
1873:
1870:
1864:
1861:
1857:
1853:
1850:
1844:
1841:
1828:
1824:
1820:
1813:
1810:
1797:
1793:
1789:
1782:
1779:
1767:
1763:
1756:
1753:
1740:
1736:
1732:
1726:
1723:
1710:
1706:
1702:
1696:
1693:
1680:
1676:
1675:
1670:
1663:
1660:
1647:
1643:
1639:
1633:
1630:
1625:
1621:
1615:
1612:
1607:
1603:
1596:
1593:
1588:
1584:
1580:
1573:
1570:
1566:
1562:
1559:
1553:
1550:
1546:
1542:
1539:
1533:
1530:
1517:
1513:
1509:
1503:
1500:
1487:
1483:
1482:
1477:
1470:
1467:
1454:
1450:
1449:
1444:
1437:
1434:
1431:
1427:
1424:
1420:
1417:
1405:
1401:
1397:
1396:
1389:
1386:
1381:
1377:
1371:
1368:
1363:
1357:
1354:
1349:
1343:
1340:
1335:
1329:
1326:
1321:
1317:
1311:
1308:
1303:
1296:
1294:
1290:
1278:
1274:
1268:
1265:
1253:
1249:
1243:
1240:
1228:
1224:
1218:
1216:
1212:
1199:
1195:
1194:
1189:
1182:
1180:
1178:
1174:
1161:
1157:
1153:
1146:
1144:
1140:
1135:
1133:9780199774487
1129:
1125:
1121:
1120:
1112:
1109:
1096:
1092:
1088:
1081:
1078:
1074:
1070:
1067:
1061:
1059:
1057:
1055:
1053:
1051:
1047:
1035:
1031:
1027:
1023:
1022:
1014:
1012:
1010:
1006:
994:
990:
989:
982:
979:
972:
968:
965:
964:
960:
949:
944:
939:
938:
934:
933:
929:
924:
921:
918:
915:
912:
909:
908:
904:
899:
896:
895:
891:
886:
883:
882:
878:
873:
870:
867:
866:
862:
859:
855:
854:
850:
847:
844:
841:
838:
835:
834:Closes Vol. 1
832:
829:
828:Acid Memories
826:
823:
820:
819:
815:
812:
804:
799:
798:
794:
791:
790:
786:
783:
782:
778:
775:
774:
770:
767:
766:
762:
756:
755:
751:
750:
746:
741:
740:
736:
733:
732:
728:
725:
724:
720:
717:
716:
712:
711:
708:Studio albums
707:
702:
694:
691:
683:
673:
669:
665:
659:
658:
654:
649:This section
647:
643:
638:
637:
633:
625:
623:
621:
617:
613:
609:
605:
600:
597:
596:
589:
587:
583:
579:
575:
571:
570:Joni Mitchell
566:
563:
559:
555:
551:
547:
543:
538:
533:
529:
525:
521:
513:
511:
509:
505:
501:
497:
493:
485:
482:
480:
477:
473:
465:
463:
461:
457:
453:
452:
447:
443:
439:
438:BBC Radio One
434:
432:
428:
420:
415:
409:
405:
402:
400:
398:
394:
390:
389:
380:
377:
375:
373:
369:
365:
361:
357:
353:
352:cassette tape
350:, in 1987 on
349:
344:
342:
337:
333:
332:tape machines
328:
326:
322:
321:
316:
312:
308:
304:
303:Cullen, Moray
296:
291:
289:
287:
286:
281:
277:
273:
269:
264:
262:
261:
256:
255:
250:
249:
244:
243:
238:
234:
230:
226:
217:
211:
207:
203:
200:
197:
191:
187:
180:
178:Mike Sandison
177:
176:
174:
170:
166:
159:
157:
154:
152:
149:
148:
146:
142:
130:
124:
121:
118:
114:
108:
105:
103:
100:
98:
95:
93:
90:
88:
85:
84:
82:
78:
74:
71:
67:
63:
60:Also known as
57:
52:
45:
40:
33:
30:
19:
18:Mike Sandison
2363:
2355:
2336:
2328:
2322:
2316:
2310:
2304:
2267:Peel Session
2265:
2246:
2238:
2230:
2222:
2214:
2195:
2187:
2179:
2171:
2157:
2084:Warp Records
2031:
2022:
2015:
2003:. Retrieved
1994:
1984:
1964:
1930:
1924:
1897:. Retrieved
1893:the original
1883:
1863:
1843:
1831:. Retrieved
1817:Bush, John.
1812:
1800:. Retrieved
1791:
1781:
1769:. Retrieved
1765:
1755:
1743:. Retrieved
1734:
1725:
1713:. Retrieved
1704:
1695:
1683:. Retrieved
1672:
1662:
1650:. Retrieved
1641:
1632:
1614:
1595:
1572:
1552:
1532:
1520:. Retrieved
1502:
1492:12 September
1490:. Retrieved
1481:The Guardian
1479:
1469:
1457:. Retrieved
1448:The Guardian
1446:
1436:
1419:
1408:, retrieved
1394:
1388:
1380:the original
1370:
1356:
1342:
1328:
1320:the original
1310:
1301:
1280:. Retrieved
1276:
1267:
1255:. Retrieved
1251:
1242:
1230:. Retrieved
1226:
1202:. Retrieved
1191:
1164:. Retrieved
1155:
1118:
1111:
1099:. Retrieved
1080:
1038:, retrieved
1020:
997:, retrieved
993:the original
987:
981:
935:
922:
916:
910:
897:
884:
871:
863:
857:
851:
845:
839:
833:
827:
821:
795:
787:
779:
771:
763:
752:
737:
729:
721:
713:
686:
677:
662:Please help
650:
616:David Koresh
601:
593:
590:
567:
528:computer lab
517:
495:
489:
483:
469:
456:studio album
449:
435:
424:
418:
413:
407:
403:
392:
386:
384:
378:
371:
367:
363:
359:
347:
345:
329:
318:
300:
283:
265:
258:
252:
246:
240:
237:Warp Records
235:followed by
224:
223:
194:Past members
127:Years active
29:
2388:Hexagon Sun
2383:Discography
2037:Big Country
2005:28 November
1766:The Quietus
1642:Discogs.com
1156:Factmag.com
930:Features On
905:Promotional
680:August 2024
626:Discography
500:Grace Jones
431:Other Music
410:(2002β2009)
381:(1995β2002)
356:Hexagon Sun
257:(2005) and
181:Marcus Eoin
116:Discography
97:psychedelia
2403:Categories
2365:Live @ ATP
2338:Boc Maxima
2323:Hooper Bay
1899:19 January
1833:2 December
1652:1 December
1101:28 October
1040:31 January
973:References
872:Boc Maxima
840:Hooper Bay
608:numerology
558:hauntology
530:." Critic
476:Odd Nosdam
446:Adult Swim
372:Hooper Bay
364:Hooper Bay
311:Saddledome
87:Electronic
75:, Scotland
2330:Old Tunes
2305:Catalog 3
2224:Hi Scores
1701:"WXAXRXP"
1674:Pitchfork
1512:Pitchfork
1400:Pitchfork
1091:Pitchfork
822:Catalog 3
811:Old Tunes
765:Hi Scores
651:does not
524:downtempo
492:NTS Radio
397:Pitchfork
348:Catalog 3
320:Pitchfork
92:downtempo
73:Edinburgh
2288:" (2013)
2232:Aquarius
2181:Geogaddi
2093:AllMusic
2076:Archived
2040:Archived
2023:Geogaddi
1999:Archived
1973:Archived
1953:Archived
1931:Bath Spa
1909:cite web
1872:Archived
1852:Archived
1827:Archived
1823:AllMusic
1796:Archived
1739:Archived
1709:Archived
1679:Archived
1646:Archived
1624:Archived
1606:Archived
1587:Archived
1561:Archived
1541:Archived
1516:Archived
1486:Archived
1453:Archived
1426:Archived
1404:archived
1302:The Face
1198:Archived
1160:Archived
1095:Archived
1069:Archived
1034:archived
1026:AllMusic
945:See also
892:Mixtapes
879:Bootlegs
773:Aquarius
723:Geogaddi
595:Geogaddi
562:Arcadian
537:analogue
472:Nevermen
404:Geogaddi
263:(2013).
251:(2002),
248:Geogaddi
139:βpresent
2278:Singles
2259:Live EP
2102:Discogs
1802:21 July
1771:21 July
1745:21 July
1715:21 July
1583:YouTube
1522:15 June
1459:15 June
1410:16 June
1282:4 April
1257:4 April
1232:4 April
1227:Discogs
1204:3 April
860:, 1996)
757:(1995)
672:removed
657:sources
618:of the
578:Beatles
546:samples
542:Grundig
522:-laden
484:WXAXRXP
466:Remixes
336:samples
325:Orbital
307:Calgary
292:History
280:hip hop
272:samples
209:Website
172:Members
160:Music70
133: (
102:ambient
2368:(2001)
2360:(1999)
2341:(1996)
2333:(1996)
2325:(1994)
2319:(1994)
2313:(1989)
2307:(1987)
2270:(1999)
2251:(2006)
2243:(2000)
2235:(1998)
2227:(1996)
2219:(1995)
2216:Twoism
2200:(2013)
2192:(2005)
2184:(2002)
2176:(1998)
1685:3 July
1166:31 May
1130:
940:(1998)
925:(2013)
919:(2002)
913:(1998)
887:(2007)
874:(1996)
868:(1996)
848:(1994)
842:(1994)
836:(1992)
830:(1989)
824:(1987)
800:(2006)
792:(2000)
784:(1999)
776:(1998)
768:(1996)
754:Twoism
742:(2013)
734:(2005)
726:(2002)
718:(1998)
572:, the
520:sample
486:(2019)
444:, and
421:(2013)
276:analog
144:Labels
80:Genres
69:Origin
2048:XLR8R
999:4 May
460:Japan
2116:IMDb
2007:2021
1995:Buzz
1915:link
1901:2015
1835:2015
1804:2019
1773:2019
1747:2019
1717:2019
1687:2021
1654:2019
1524:2013
1494:2014
1461:2013
1412:2023
1284:2024
1259:2024
1234:2024
1206:2018
1168:2017
1128:ISBN
1103:2014
1042:2014
1001:2012
655:any
653:cite
612:cult
610:and
506:and
504:Devo
406:and
362:and
285:Fact
233:Skam
216:.com
156:Skam
151:Warp
135:1986
131:1986
2208:EPs
2114:at
2091:at
2082:at
1735:NTS
1705:NTS
747:EPs
666:by
442:NPR
425:On
107:IDM
2405::
1993:.
1939:^
1911:}}
1907:{{
1825:.
1821:.
1794:.
1790:.
1764:.
1737:.
1733:.
1707:.
1703:.
1677:.
1671:.
1644:.
1640:.
1604:.
1585:.
1581:.
1510:.
1484:.
1478:.
1451:.
1445:.
1398:,
1292:^
1275:.
1250:.
1225:.
1214:^
1196:.
1190:.
1176:^
1158:.
1154:.
1142:^
1122:.
1093:.
1089:.
1049:^
1032:,
1028:.
1024:,
1008:^
502:,
440:,
327:.
274:,
2284:"
2150:e
2143:t
2136:v
2009:.
1933:.
1917:)
1903:.
1837:.
1806:.
1775:.
1749:.
1719:.
1689:.
1656:.
1526:.
1496:.
1463:.
1364:.
1350:.
1336:.
1286:.
1261:.
1236:.
1208:.
1170:.
1136:.
1105:.
693:)
687:(
682:)
678:(
674:.
660:.
137:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.