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Female
Factory, 7 hour performance, 25.4 Australian Centre for Contemporary Art, Melbourne Blood Box, 24-hour performance, 6.9/7.9, Artspace, Sydney Boubialla Couta, (performance), College of Fine Arts, Sydney The Rest of Time, Sherman Galleries Goodhope, Sydney Mike Parr, Sherman Galleries Hargrave,
639:
Southern
Reflections: An Exhibition of Contemporary Australian Art to Northern Europe, Kulturhaus, Stockholm, Sweden; Konathallen Götsberg, Gothenburg, Sweden; Arhus Konstmuseum, Arhus, Denmark; Museum Tamminiementle (City Art Museum), Helsinki; Neues Museum, Bremen, Germany; Staatliche Sammlung für
410:
Echolalia (the road): Prints from the Self
Portrait Project: Mike Parr 1987–1994, National Gallery of Victoria, Melbourne 100 Breaths/100 Songs from (ALPHABET/ HAEMORRHAGE) Black Box of 100 Self Portrait Etchings 5, 1993–1994, performance, Art Gallery of South Australia, Adelaide Fathers 11 (The Law
259:
In 2003, one of Parr's extended performances was as live web broadcast received more than 250,000 hits in the first 24 hours alone. For 30 hours Parr sat in a gallery (again at
Artspace) with his non-prosthetic arm nailed to the wall in opposition to the Australia government's treatment of refugees
243:, in which he recorded grotesque performance ideas, including letting a dog drink the performer's blood and sewing a fish onto one's skin. By 1973, he had listed over 150 different ideas, performing the actions as he wrote them down, and it became the basis for his activity for more than a decade.
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National
Gallery of Australia, the Museum of Contemporary Art in Sydney, all state and many regional galleries, tertiary collections, the National Library in Canberra, Parliament House, Canberra, Chartwell Collection in New Zealand, Chase Manhattan Bank in New York, First National Bank in Chicago,
339:
Cloacal
Corridor (O Vio Prote/O Vio Proto/O Vio Loto/O Thethe) Self Portrait as a Pair or Self Portrait as a Pun, drawing installation; Identification Number 1 (Rib Markings in the Carnarvon Ranges, North-West Queensland), January 1975, photoseries Screenings of Rules and Displacement Activities
225:
Parr's early works were designed to get a reaction from the audience, though he also focused on exploring questions of identity, memory, and states of being. He particularly used his body as a performative tool, often using his prosthetic arm and testing the physical limits of his body through
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An
Australian Accent, Three Artists, Mike Parr, Imants Tillers, Ken Unsworth, P.S.1 (Project Studios One), The Institute of Art and Urban Resources, Inc., New York; Corcoran Gallery of Art, Washington; Art Gallery of Western Australia, Perth; Art Gallery of New South Wales,
207:, issued a statement later saying "Sadly I ended the association between Anna Schwartz Gallery and Mike Parr due to a serious breach of trust and difference of values". The action has led to a wider debate about censoring artists. Speaking on
253:– a work of ten whole days where Parr was isolated in a room with no human contact, and nothing but water to keep him alive. His every action was surveyed by surveillance cameras and broadcast live on the Internet for 24 hours a day.
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Alphabet/Haemorrhage, 17 performances, Arthouse, Perth, 3 April; 4 performances, Institute of Modern Art, Brisbane, 6 May; 4 performances, City
Gallery, Melbourne, 13 June; 9 performances, Museum of Contemporary Art, Sydney, 4
213:, Schwarz said that she thought Parr was "the greatest artist this country has ever and perhaps will ever produce", and that she was not censoring his work. What she had objected to in particular was using the word "
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1988 Australian
Biennale. From the Southern Cross: A View of World Art c.1940–1988, The Seventh Biennale of Sydney, Art Gallery of New South Wales; Pier 2/3, Walsh Bay, Sydney; National Gallery of Victoria,
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The
Australian Bicentennial Perspecta, Art Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth; Frankfurter Kunstverein, Steirnernes Haus, Frankfurt; Württemburgischer Kunstverein,
655:, Mexico City Gallery, Mexico The Liverpool Biennale, Liverpool, UK Global Conceptualism: Points of Origin, Queens Museum, The Walker Art Centre, Miami Art Centre and other American Museums, 1999/00
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Tall Poppies, an exhibition of five pictures, University Art Gallery, University of Melbourne D'un autre continent 'L'Australie, Le réve et le réel', ARC/Musée d'Art Moderne de la Ville de Paris
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Stiles, Kristine, and Peter Howard Selz. "Performance Art." 'Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. 2nd ed. Berkeley, CA: U of California, 2012. Print.
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3 Installations, City Gallery, Melbourne; Mike Parr, Roslyn Oxley9 Gallery, Sydney Survey of Recent Work, Art Gallery of New South Wales, Sydney; Perth Institute of Contemporary Art, Perth
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For one of Parr's earlier works, he sat in front of his audience and began talking to them in a conversational manner, then very suddenly brandishes an axe and begins hacking into his
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Head on a Plate, New York Studio School, New York The White Hybrid (Fading), performance, Artspace, Cowper Wharf/Artspace, Sydney Unword, performance, University of Western Australia
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and Painter. Parr's works have been exhibited in Australia and internationally, including in Brazil, Cuba, France, Germany, Hungary, Japan, Korea, Taiwan, and the United States.
187:, on 16 December 2023. His contract was terminated in an email on the morning following a performance called "Going Home" on Saturday 2 December, in which he referenced the
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Parts I, II and III; Performance presentation from George Brecht's WaterYam, Institute of Modern Art, Brisbane. Curator: Barbara Campbell Drawings, Art Projects, Melbourne
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John Kaldor Art Project 2: Szeemann: I want to leave a nice welldone child here (20 Australian Artists), Bonython Gallery, Sydney; National Gallery of Victoria, Melbourne
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arm which he had filled with minced meat and fake blood. Most of the people in the audience were not aware of his disability, and therefore shock factor was the main aim.
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Edge to Edge: Australian Contemporary Art to Japan, National Museum of Art, Osaka; Old and New Hara Museums, Tokyo; Nagoya City Museum, Nagoya; Hokkaido Museum, Sapporo
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Southern Reflections: Ten Contemporary Australian Artists, touring Northern Europe Other Stories: Five Australian Artists, Hokkaido Museum of Modern Art, Sapporo, Japan
256:"A stitch in time" was another of his performances, a live web cam showing Parr having his lips and face extensively stitched with thread into a caricature of shame.
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Body, Art Gallery of New South Wales In Place (Out of Time): Contemporary Art in Australia, Museum of Modern Art, Oxford; Art Gallery of Western Australia, Perth
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In the late 60s, Parr's performances were started with "psychotic" episodes in which he cut and attacked his body, which he cites as "psychotic operation(s)".
279:, among other issues. Metaphorically, the issues (as represented by Parr) are buried but are still there, ready to resurface at inconvenient times; including
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I think of Drypoint in terms of Braille and Excavation, survey of prints from 1988 to 1990, The Drill Hall Gallery, National Gallery of Australia, Canberra
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Trans-Art 1: Idea Demonstrations (with Peter Kennedy), Inhibodress Gallery, Sydney; Veste Sagrada and Museo de Arte Moderna, Rio de Janeiro, Brazil
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Towards the Other Side (Self Quotations), three drawing series, Royal Melbourne Institute of Technology Gallery, Melbourne. Curator: John Smithies
191:. The four-and-a-half-hour performance involved Parr painting words on the gallery walls with his eyes shut. His painted text was drawn from the
763:(Interview). Art Gallery of New South Wales Archive: Balnaves Foundation Australian Sculpture Archive Project. Interviewed by Edwards, Deborah.
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The 12th Biennale of Sydney, Sydney Biennale 2000, Art Gallery of New South Wales; Museum of Contemporary Art; Artspace and other venues
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Black Mirror/Pale Fire, Various Routes, Whistle/White, 3 performances, Ivan Dougherty Gallery, University of New South Wales, Sydney
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Screening of Rules and Displacement Activities Parts I and II, lectures, Bela Balaczs Studio for Experimental Film, Budapest, Hungary
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of the Image), installation, Experimental Art Foundation, Adelaide The Bridge, performance, Art Gallery of New South Wales, Sydney
118:(formerly Julie Brown-Rrap). He was born with a misshapen arm, and this physical characteristic has featured within his art work.
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884:"Prominent Australian artist Mike Parr dropped by Anna Schwartz Gallery over performance that referenced the Israel-Gaza War"
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Origins, Originality & Beyond, The Sixth Biennale of Sydney, Art Gallery of New South Wales; Pier 2/3, Walsh Bay, Sydney
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Systems End: Contemporary Art in Australia, OXY Gallery, Osaka; Hakone Open-Air Museum, Tokyo; Dong-Ah Gallery, Seoul, Korea
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Presence & Absence: Survey of Contemporary Australian Art, No. 1, installation, Art Gallery of Western Australia, Perth
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Deep Sleep , Nixon/Parr, 72-hour performance, 17.6–20.6, National Portrait Gallery & Lake Burley Griffin, Canberra
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Prospect '86, An International Exhibition of Contemporary Art, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt
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Dead Sun, Art Gallery of New South Wales. Curator: Mike Parr; Dead Sun, performance, Art Gallery of New South Wales
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Australian Perspecta 1981: A biennial survey of contemporary Australian art, Art Gallery of New South Wales, Sydney
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In 1981 Parr stopped performing and began painting and printmaking, later returning to performance art in the 90s.
217:" and the word "Israel" on the wall together, which made her feel sick, and she also felt personally hurt by Parr.
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Mike Parr, Artist in Residence 1990–1991, Ian Potter Gallery, The University of Melbourne Museum of Art, Melbourne
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Mike Parr, Roslyn Oxley9 Gallery, Sydney, June; City Gallery, Melbourne, July; Milburn + Arté Gallery, Brisbane
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Kunst, Chemnitz, East Germany Telling Tales, Ivan Dougherty Gallery, University of New South Wales, Sydney
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Shallow Grave, 3-day performance, 7.7–9.7 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney
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910:"Anna Schwartz says Mike Parr's use of 'Israel' and 'Nazi' in performance work led her to sever ties"
828:"Melbourne's Anna Schwartz gallery drops artist Mike Parr after political piece on Israel-Gaza war"
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Performance, Actions, Videosystems, Galerie Impact, Lausanne; Galerie Media, Neuchâtel, Switzerland
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Wrong Face, Anna Schwartz Gallery, Melbourne Three Collaborations, Sarah Cottier Gallery, Sydney
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In 2002, Parr's most challenging performance, "For Water from the Mouth" was held at the gallery
199:
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183:) since around 1987, but she terminated the relationship from after the close of his exhibition
994:"The monsters under the bed: Exhibition reveals our worst nightmares are those closest to home"
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Wounds: Between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden
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955:"75 Programmes & Investigations." Art Gallery of New South Wales, Web. 29 Mar. 2017. <
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Antipodean Currents: 10 Contemporary Artists from Australia, Guggenheim Museum SoHo, New York
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An International Survey of Recent Painting and Sculpture, The Museum of Modern Art, New York
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a r t s p a c e – a description of one of his performance artworks with audience interaction
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Eureka! Artists from Australia, Institute of Contemporary Art and Serpentine Gallery, London
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had paved the way for such spaces. It was an important space for artists from 1971 to 1972.
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Print Matters 30 Years of the Shell Fremantle Print Award"' Holly Story ..et al 2005 FAC
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The Infinity Machine, Sherman Galleries Goodhope, Sydney Anna Schwartz Gallery, Melbourne
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Portage, Roslyn Oxley9 Gallery, Sydney; Fine Art Gallery, University of Tasmania, Hobart
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Parr's performances explore physical limits, memory and subjectivity. They often depict
180:
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275:, for 72 hours, sustained only by water and soup. This was to highlight the fate of
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The Michael Buxton Contemporary Australian Art Collection, Art Gallery of Ballarat
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Spirit & Place: Art in Australia 1861–1996, Museum of Contemporary Art, Sydney
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149:, Parr established "Inhibodress", an artist cooperative and alternative space for
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3rd Biennale of Sydney: European Dialogue, Art Gallery of New South Wales, Sydney
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Black Box: The Theatre of Self Correction, Part 2, The Performance Space, Sydney
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In June, 2018, he had himself interred in a room constructed below a street in
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Adelaide Installations, the 1994 Adelaide Biennial of Australian Art, Adelaide
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ARCO, International Contemporary Art Fair, Parque Serial Juan Carosl, Madrid
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Day Break, performance, Scene Shop at the Cultural Centre of Manila, Manila
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The Situation Now, Contemporary Art Society, Central Street Gallery, Sydney
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The Illusion of the End, Sherman Galleries Goodhope and Hargrave, Sydney
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in 1965, but discontinued his studies the following year. He moved to
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Parr has been represented by the Anna Schwartz Gallery (owned by the
126:
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Anna Schwartz Gallery, Melbourne Michael Milburn Galleries, Brisbane
801:"Unregistered OCEE installation!!!Mike Parr | College of Fine Arts"
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The Parting of the Red Sea, Siegal Contemporary Art Inc., New York
176:). The performances are documented photographically and on video.
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10th biennale de Paris, Musée d'Art Moderne de la Ville de Paris
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Light Pieces & Painted Constructions, Reid Gallery, Brisbane
214:
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https://www.artgallery.nsw.gov.au/collection/works/98.2001.a-j/
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Australian Perspecta 85,Art Gallery of New South Wales, Sydney
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Recent Australian Art, Art Gallery of New South Wales, Sydney
203:, as well as various unattributed quotes. Schwartz, who is
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Description of Malevich (A political arm), with photos.
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Sydney Photo-Realism, Anna Schwartz Gallery, Melbourne
971:"Monster 2020 Adelaide Biennial set to create a buzz"
788:
This is an edited transcript of a recorded interview.
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Art Gallery Of New South Wales – interview with Parr
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Mike Parr, Roslyn Oxley9 Gallery, Sydney, September
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172:or extreme physical feats (as in the case of
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1064:Design & Art Australia Online- Mike Parr
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519:XXXIX Biennale di Venezia, Giardini, Venice
406:Mike Parr, Anna Schwartz Gallery, Melbourne
560:5/5, Fünf Vom Fünften, daadgalerie, Berlin
496:Artists' Books, Philadelphia Museum of Art
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121:Parr commenced an arts/law degree at the
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286:His work was included in the March 2020
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651:Five Continents and One City. Curator:
1044:short bio – National Gallery Australia
294:, which is titled "Monster Theatres".
129:and, in 1968, briefly enrolled at the
863:from the original on 11 December 2023
672:1990 Joint acquisitive Winner of the
283:and communal and personal histories.
260:and asylum seekers. This was called "
7:
98:with Peter Kennedy and Tim Johnson.
288:Adelaide Biennial of Australian Art
239:In 1971 he began to write his book
882:Freeland, Anna (9 December 2023).
106:Parr spent his childhood in rural
14:
908:Burke, Kelly (11 December 2023).
1049:Art Gallery Of Western Australia
969:Keen, Suzie (6 September 2019).
826:Burke, Kelly (8 December 2023).
440:Anna Schwartz Gallery, Melbourne
181:wife of publisher Morry Schwartz
91:In the 1970s, he co-founded the
1118:20th-century Australian artists
1113:Australian contemporary artists
992:Jefferson, Dee (5 April 2020).
756:Grounds, Marr (30 March 2015).
241:Programmes & Investigations
1103:Australian performance artists
292:Art Gallery of South Australia
1:
758:"Interview with Marr Grounds"
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478:Selected Group Exhibitions
303:Selected Solo Exhibitions
123:University of Queensland
102:Early life and education
110:. He is the brother of
1108:Australian printmakers
226:endurance challenges.
194:London Review of Books
857:Anna Schwartz Gallery
674:Fremantle Print Award
277:Aboriginal Tasmanians
114:/photography artist,
264:(A Political Arm)".
1098:Artists from Sydney
765:Balnaves Foundation
133:to study painting.
131:National Art School
35:National Art School
778:on 31 January 2023
769:Art Gallery of NSW
708:. 26 February 2021
200:Guardian Australia
93:artist cooperative
82:performance artist
80:is an Australian
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1093:1945 births
977:6 September
921:11 December
893:11 December
867:11 December
680:Collections
298:Exhibitions
281:colonialism
174:100 Breaths
147:Tim Johnson
96:Inhibodress
45:Performance
37:, Australia
1082:Categories
837:8 December
782:31 January
741:31 January
712:31 January
689:References
653:Gao Minglu
231:prosthetic
116:Julie Rrap
108:Queensland
86:printmaker
67:/biography
65:/mike-parr
1069:Mike Parr
973:. InDaily
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262:Malevich
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1003:5 April
811:30 June
290:at the
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761:(PDF)
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157:and
84:and
63:/bio
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61:.au
55:www
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