132:
265:
647:, Craig P. Bloom similarly notes that Tyson's tattoo has no utilitarian function. Both stress that Tyson's face tattoo is conceptually separable from his body. Bradley concludes that tattoos are copyrightable and that Whitmill owns the copyright to Tyson's face tattoo. Bradley further argues, however, that Tyson has an implied license that mitigates a number of aspects of Whitmill's copyright. Yolanda M. King in the
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2031:"y its very nature, 'parody must be able to "conjure up" at least enough of original to make the object of its critical wit recognizable.' ... Applying this factor to Whitmill, Warner Bros. took too muchāthe entire tattoo. Further, the nontransformative use weighs against using any more of the tattoo than necessary to make a parody" (p.
1739:'Well, sure. You have got this powerful figure, Mike Tyson, in the original film with the tattoo on his face. What does he do? He knocks someone out when he is angry at them. He is the epitome of male aggression. Instead, now you have this milquetoast character with the same tattoo on his face. It's a real spoof on men and their misadventures.
541:, from using the tattoo in the movie or its promotional materials. Describing the face tattoo as "one of the most distinctive tattoos in the nation", Whitmill did not challenge "Tyson's right to use or control his identity" but challenged Warner Bros.' use of the design itself, without having asked his permission or given him credit.
605:
denied
Whitmill's request to enjoin the film's release, citing a potential $ 100 million in damages to Warner Bros. and disruption to related businesses. However, she found that Whitmill had "a strong likelihood of success" on his copyright claim and characterized most of Warner Bros.' arguments
615:
She also described the tattoo used in the movie as "an exact copy" rather than a parody. On June 6, Warner Bros. told the court that, in the event the dispute was not resolved, it would alter the appearance of the tattoo in the movie's home release. On June 20 it announced a settlement with
Whitmill
660:
Bradley and King agree that any license to Tyson would not extend to Warner Bros. recreating the tattoo on another person's face, but
Bradley concludes that Warner Bros.' actions were nonetheless likely fair use, while King argues that the replication of the tattoo on Price's face was satire rather
344:
and was created directly on Tyson's face. Tyson saw the tattoo as representing the MÄori, whom he described as a "warrior tribe", and approved of the design, which consists of monochrome spiral shapes above and below his left eye. According to Tyson, it was his idea to use two curved figures rather
610:
Of course tattoos can be copyrighted. I don't think there is any reasonable dispute about that. They are not copyrighting Mr. Tyson's face, or restricting Mr. Tyson's use of his own face, as the defendant argues, or saying that someone who has a tattoo can't remove the tattoo or change it, but the
118:
artists defend
Whitmill. Legal scholars have highlighted how the case juxtaposes MÄori and Anglo-American attitudes on ownership of images. Despite never making it to trial, the case has been widely discussed in the context of the copyrightability of tattoos, a matter which has never been fully
699:
tattooist who inscribes an
African American's flesh with what he considers to be a MÄori design has the gall to claim ... that design as his intellectual property" and accused Whitmill of having "never consulted with MÄori" and having "stole the design". Bloom suggests that Te Awekotuku's
1025:'I flew through it, then read it again. I felt a kinship to . He was very intelligent and he held back that intelligence, he was just nonconfrontational. I respect that. I wish I could be nonconfrontational but it just wasn't meant to be. I felt a kinship there, so I put a tattoo there.
632:. They were also significant in drawing a distinction between the tattoo's design and application. Despite the case settling, it prompted further discussion of the topic and speculation as to how the case might have proceeded if it had gone to trial.
657:'s proposal of a public display right for people with copyrighted tattoos. King is dismissive of Nimmer's Thirteenth Amendment argument in terms of tattoos' copyrightability, but agrees that it may have relevance to tattoo copyright enforcement.
544:
Warner Bros. asserted about 16 defenses. They acknowledged that the tattoos were similar but denied that theirs was a copy. They further argued that "tattoos on the skin are not copyrightable". They reasoned that a human body is a
733:
as belonging to a single person. While Warner Bros. initially said they would investigate whether the tattoo was a derivative of any MÄori works, there was no further discussion of the matter prior to the case settling.
2943:
248:. Tyson maintained positive views of both revolutionaries subsequently: In 1999 he described Guevara as "Someone who had so much but sacrificed it all for the benefit of other people." In 2006 he visited the
499:
When Tyson got the face tattoo, he agreed in writing that all drawings, artwork, and photographs of it belonged to
Whitmill's Paradox-Studio of Dermagraphics, an uncommon step in the tattoo industry. In
3237:
68:, was designed and inked by S. Victor Whitmill in 2003. Tyson associates it with the MÄori being warriors and has called it his "warrior tattoo", a name that has also been used in the news media.
2327:
Carmen, Rachael A.; Guitar, Amanda E.; Dillon, Haley M. (June 2012). "Ultimate
Answers to Proximate Questions: The Evolutionary Motivations Behind Tattoos and Body Piercings in Popular Culture".
3047:
203:. Tyson was moved by the book and respected Ashe's ability to be nonconfrontational and admired his political views and his success as a black athlete in a white-dominated world. Tyson got
322:. Tyson had originally wanted hearts (which he "just thought ... were cool"), but, according to Tyson, Whitmill refused and worked for a few days on a new design. Whitmill proposed a
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426:, in which it is prominent on Tyson, who appears as a fictionalized version of himself. The tattoo has become strongly associated with Tyson and has made his persona more distinctive.
590:
98:
989:. "Of his prison belongings, the only things that returned home to Ohio with him were more than 20 banana boxes full of booksāVoltaire, Maya Angelou, Machiavelli, Alexandre Dumas."
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Etienne in under a minute.) The workāwhich Tyson and others have referred to as his "warrior tattoo"āwas also met with criticism from the outset by MÄori activists who saw it as
352:
would later say was a contributing factor to the fight being rescheduled by a week. Some questioned Tyson's physical and mental fitness to fight. Experts including dermatologist
2909:
750:
Tyson also has a tattoo of a tiger on his right forearm, a portrait of his ex-wife Monica Turner on his left, and a portrait of his late daughter Exodus on his left breast. The
211:
views the Mao and Ashe tattoos as together "symboliz both newfound self-control and his revision of black cool", with Mao representing strength and authority. Clifton Brown in
2809:
2038:"Even without relying on the parody/satire distinction, an analysis of the fair use factors weighs against finding that Warner Bros.' use of the tattoo is fair use" (p.
756:
in May 1997 described the tiger and Turner tattoos as new at that time; however, the Turner tattoo dates to August 1995 at the latest. The tattoo of Exodus was inked in 2023.
2458:
1003:. " newfound appetite for reading literature. Diverse literature too: from the works of Tolstoy to that of Mao Zedong, the latter the inspiration for a new tattoo" (p.
774:, Tyson says, "When I was in prison, I was so angry at society. I put a tattoo of Mao on me. I put a tattoo of Che on me. Because I just had no faith in our government." In
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of both men on his biceps: A portrait of Mao, captioned with "Mao" in all-caps, on the left; a portrait of Ashe beneath the words "Days of Grace" on the right.
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but affirming that tattoos are copyrightable, Whitmill and Warner Bros. settled for undisclosed terms, without disruption to the release of the film.
71:
Tyson's face tattoo quickly proved iconic and has become strongly associated with him. Its MÄori influence has been controversial, spurring claims of
2674:
Zhitny, Vladislav
Pavlovich; Iftekhar, Noama; Sombilon, Elizabeth Viernes (2021). "History, Folklore, and Current Significance of Facial Tattooing".
416:, writes that the tattoo "has been described as one of the most distinctive tattoos in North America". Its stature has increased over time, aided by
228:
to reflect his anger at society and the government while in prison. The
Guevara tattoo, located on the left side of Tyson's abdomen, is derived from
3138:
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1376:'We sat down and spoke and he didn't really want to fight and he wasn't prepared to and that was one of the reasons he got the tattoo. ...
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790:
article describes the
Guevara tattoo as new at that time, but says the same about the tiger tattoo, which was inked no later than May 1997.
649:
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posit that Tyson's face tattoo may be an example of "body ornamentation as a form of intimidation". Charlie Connell and Edmund Sullivan in
2778:
264:
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is a privilege reserved for respected cultural insiders, and it represents and embodies the wearer's sacred genealogy and social status."
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671:, as he had only registered the copyright after the alleged infringement began and could thus only collect on compensatory damages.
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expressed concerns about Tyson boxing while the tattoo healed; Etienne said that he would not go after the tattoo. (Tyson ultimately
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637:
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Tan, Leon (May 2013). "Intellectual Property Law and the Globalization of Indigenous Cultural Expressions: MÄori Tattoo and the
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saw no MÄori elements at all. The perspective of those like Te Awekotuku highlights the conflict between MÄori conception of
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Many MÄori took issue with Whitmill suing for copyright infringement when the work was, in their view, appropriative of
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tattoo itself and the design itself can be copyrighted, and I think it's entirely consistent with the copyright law.
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589:, participating an expert witness for Warner Bros., argued that treating tattoos as copyrightable would violate the
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316:(which would be his 50th and last victory), having previously suggested that he would get a face tattoo if he won
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The tattoo drew significant attention before the fight. Tyson took time off of training to get it, which trainer
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701:
101:āwhich prohibits slaveryāto give Whitmill copyright over part of Tyson's body. After initial comments by Judge
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517:) gets a face tattoo almost identical to Tyson's. After seeing a poster depicting the tattooed Stu, Whitmill
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2209:
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Ultimately, Bradley writes that, even if a fair use defense failed, Whitmill would not have won significant
654:
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responded with a number of defenses, including that tattoos are not copyrightable; supporting them, scholar
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and thus not copyrightable. The question of a tattoo's copyrightability had never been determined by the
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1223:'If I win the title, I might tattoo my face', said. / I think he was joking, but I'm not sure."
1041:, p. 59. Early says that Ashe was, according to Tyson, "not a man would have liked personally".
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included that Tyson, by allowing them to use his likeness and not objecting to the plot device in
3601:: A Report into Claims Concerning New Zealand Law and Policy Affecting MÄori Culture and Identity
3202:
3034:
2997:
2938:
2833:
2735:
2705:
2662:
2532:
2505:
Hadley, Marie (April 17, 2019). "Mike Tyson Tattoo". In Op den Kamp, Claudy; Hunter, Dan (eds.).
2421:
2364:"Creative Expression and the Human Canvas: An Examination of Tattoos as a Copyrightable Art Form"
2350:
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602:
562:
491:
217:
describes the Ashe tattoo as "a contradiction" with Tyson's "fits of rage". Early and biographer
213:
102:
1000:
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1004:
996:
221:
cast the two bicep tattoos as an unusual combination of, in Hoffer's words, "alternate icons".
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as a badge of slavery; Nimmer's declaration was then excluded because it was a legal opinion.
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240:
3364:
Wellington, Elizabeth (February 22, 2003). "Tyson's Tattoo a Rite of PassageāFor the MÄori".
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57:
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3069:
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2197:
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case failed to provide a written precedent in support of the copyrightability of tattoos."
653:
agrees that there was an implied license for Tyson to appear in various media and invokes
570:
401:
375:
353:
408:
Mitchell Sunderland ranks it as one of the two things Tyson is best known for, alongside
2601:
4195:
4131:
3256:(February 19, 2003). "Tyson's Actions Spark Debate: Is He Fit to Get in Ring or Not?".
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779:
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37:
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147:
2005:
2003:
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4173:
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2399:
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628:, Perry's comments were the first time that a government official commented on the
586:
538:
422:
208:
94:
90:
80:
786:) was inked in prison, but makes no mention of the Guevara tattoo. A January 1999
700:
argument could have formed the basis for a defense that the tattoo fell below the
696:
582:
185:, Tyson read a large number of books, including works by Chinese communist leader
112:
The legal action renewed claims of cultural appropriation but also saw some MÄori
3375:
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4203:
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720:
329:
186:
106:
63:
49:
33:
2658:
2476:"Copyrighting Tattoos: Artist vs. Client in the Battle of the (Waiver) Forms"
3559:
3479:"USA: BoxingāMike Tyson and Clifford Etienne Weigh in for Heavyweight Fight"
3308:
3281:
3258:
625:
305:
252:
and said that he "felt really insignificant" in the presence of Mao's body.
190:
3555:
2701:
2242:
Bloom, Craig P. (2013). "Hangover Effect: May I See Your Tattoo, Please?".
2167:
2268:
Bradley, Timothy C. (Fall 2011). "The Copyright Implications of Tattoos".
2201:
782:
affirms that the Mao tattoo (as well as the Ashe tattoo, not mentioned in
581:
because it juxtaposed Tyson as "the epitome of male aggression" with the "
4165:
3639:
574:
514:
357:
2214:
The Soul of Creativity: Forging a Moral Rights Law for the United States
3482:
3443:
2804:
2425:
668:
2693:
3752:
3702:
3686:
3662:
2346:
578:
528:
2417:
1495:
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729:āwhich reflect a person's genealogyāas collective property and the
3277:"Mike Tyson Mao Tattoo: What Does It Mean and Why Did He Get It?"
1554:
1552:
2769:
4221:
4217:
4172:; co-trainers: Aaron Snowell, Jay Bright and Stacey McKinley ā
3766:
2300:"The Efficacy of the Virtual: From Che as Sign to Che as Agent"
799:
Tyson often refers to Whitmill as "Victor Paradox" or similar.
3181:
1420:
1418:
641:
finds Warner Bros.' useful article argument meritless; in the
3762:
378:
or large non-MÄori companies from wearing and exploiting the
3029:"With Luster Faded, Tyson Places Career On the Line Tonight"
1800:
459:
S. Victor Whitmill v. Warner Bros. Entertainment Inc.
3065:"The Controversial Reason Behind Mike Tyson's Face Tattoo"
2563:"The Challenges 'Facing' Copyright Protection for Tattoos"
2180:
A Savage Business: The Comeback and Comedown of Mike Tyson
813:
is the style of tattoo; the individual tattoos are called
1231:
1229:
889:
887:
3451:
Connell, Charlie; Sullivan, Edmund (November 15, 2022).
1921:, Ā§ "What rights are covered by tattoo copyright?".
1337:
1335:
1333:
1292:
1290:
2900:"Mike Tyson Tells His Tales of Redemption in Hong Kong"
2765:"Tyson Displays Old Power in First-round KO of Etienne"
399:
describe it as having become "instantly iconic", while
374:
called for "a law that would prevent a Mike Tyson or a
1263:
591:
Thirteenth Amendment to the United States Constitution
338:
tattoo style. The design is not based on any specific
244:, Tyson brags that the tattoo predated the widespread
99:
Thirteenth Amendment to the United States Constitution
3631:
S. Victor Whitmill v. Warner Bros. Entertainment Inc.
2436:"Tattoo Artists Are Asserting Their Copyright Claims"
1712:
1710:
661:
than parody and thus not protected by fair use under
224:
Tyson chose tattoos of Mao and Marxist revolutionary
36:
has four tattoos of note. Threeāat least two of them
3647:"Complaint Verified for Injunctive and Other Relief"
964:
962:
713:
artists differed, seeing it not as appropriative of
4181:
4159:
4125:
4116:
4059:
4013:
3986:
3800:
487:
482:
472:
464:
454:
444:
439:
83:for using the design on the character Stu Price in
2862:
2602:"The Enforcement Challenges for Tattoo Copyrights"
2561:
2434:
1609:
1590:
1499:
3556:"I had one of the best days of my life yesterday"
1476:
40:āare portraits of men he respects: tennis player
2507:A History of Intellectual Property in 50 Objects
521:for the tattoo and then on April 28, 2011 filed
414:A History of Intellectual Property in 50 Objects
1663:
1636:
1424:
1251:
1200:
1154:
1018:
573:, and that their use of the tattoo constituted
719:but rather a hybrid of several tattoo styles;
4233:
4206:; co-trainers: Stacey McKinley and Jay Bright
3778:
3422:"Mike Tyson: The Real Story Behind My Tattoo"
8:
4022:Fallen Champ: The Untold Story of Mike Tyson
3572:"Engrossing Portrait, Not Entirely Credible"
2245:Cardozo Arts & Entertainment Law Journal
644:Cardozo Arts & Entertainment Law Journal
1279:
814:
808:
724:
714:
708:
680:
524:Whitmill v. Warner Bros. Entertainment Inc.
440:Whitmill v. Warner Bros. Entertainment Inc.
379:
365:
339:
327:
181:From 1992 to 1995, while in prison for the
113:
61:
4240:
4226:
4218:
4122:
3785:
3771:
3763:
3498:Sunderland, Mitchell (November 22, 2013).
1393:
1235:
1212:
878:
854:
436:
410:biting off part of Evander Holyfield's ear
263:
130:
2930:"Citing Public Interest, Judge Rules for
2730:"Translating Tyson Raises More Questions"
2317:
2076:
2057:
1353:
1278:, p. 401. "In MÄori culture, facial
1247:
1177:
269:Tyson's face tattoo, photographed in 2013
3733:"Warner Bros.' Memorandum in Opposition
3091:"Mike Tyson's Planning to Tattoo It All"
1893:, Ā§ "Copyrightability of tattoos";
1862:
1796:
1697:
1655:
1628:
1582:
1558:
1448:
1216:
1142:
992:
933:
921:
850:
764:
762:
370:artist Mark Kopua in a statement to the
3735:to Plaintiff's Proposed Scheduling Plan
2781:from the original on September 15, 2012
2009:
1989:, Ā§ "Warner Brothers' liability";
1986:
1918:
1906:
1890:
1858:
1814:
1688:, Ā§ "Copyrightability of tattoos".
1685:
1543:
1515:
1369:
1169:
836:
743:
304:from artist S. Victor Whitmill of
3500:"Mike Tyson Is a Living Greek Tragedy"
3465:from the original on February 28, 2023
3434:from the original on February 28, 2023
3383:Williams, Richard (January 13, 1999).
3289:from the original on February 26, 2023
3103:from the original on February 26, 2023
2386:from the original on December 25, 2022
2119:
2103:
1842:
1760:
1716:
1566:
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1189:
1173:
1126:
1106:
1050:
982:
945:
905:
893:
866:
638:Entertainment & Sports Lawyer
624:While the outcome of the case was not
259:
126:
3337:Schuyler, Ed Jr. (January 14, 1999).
3304:"Tyson Shows Good-guy Side with Kids"
3121:"Tyson Looks to Be in Fighting Shape"
2091:
1954:
1894:
1878:
1866:
1784:
1193:
1102:
1090:
1078:
1066:
1038:
968:
843:
513:, the character Stu Price (played by
7:
2898:Choi, Christy (September 13, 2012).
2828:"Tyson Enters the Fight of His Life"
2607:Journal of Intellectual Property Law
2298:Cambre, Carolina (October 1, 2012).
2021:
1990:
1970:
1966:
1946:
1930:
1826:
1772:
1752:
1728:
1527:
1456:
1308:
1264:Zhitny, Iftekhar & Sombilon 2021
650:Journal of Intellectual Property Law
596:
238:photograph. In the 2008 documentary
29:Tattoos of the American former boxer
3743:from the original on March 24, 2023
3617:from the original on March 25, 2023
3512:from the original on March 23, 2023
3461:(Profile). Photos by Mark Clennon.
3351:from the original on March 23, 2023
3324:from the original on March 15, 2022
3141:from the original on March 23, 2023
2992:"Tattooed Tyson At Center Of Storm"
2959:Gildea, William (August 17, 1995).
2946:from the original on March 24, 2023
2849:from the original on March 23, 2023
2622:from the original on March 24, 2023
2616:University of Georgia School of Law
2474:Grassi, Brayndi (January 1, 2016).
2461:from the original on March 23, 2023
2402:(1996). "Mike's Brilliant Career".
2115:
2053:
1511:
1472:
1452:
1324:
689:, an expert on MÄori tattoos, told
193:sent Tyson a copy of tennis player
123:Portraits of Ashe, Guevara, and Mao
4154:(1982ā1988); cutman: Matt Baranski
3677:from the original on March 2, 2023
3653:from the original on March 1, 2023
3584:from the original on March 2, 2023
3397:from the original on March 2, 2023
3275:Roche, Calum (November 29, 2020).
3240:from the original on March 1, 2023
3210:from the original on March 1, 2023
3172:from the original on March 2, 2023
3077:from the original on March 2, 2023
3050:from the original on March 1, 2023
3013:from the original on March 1, 2023
2961:"Tyson Talks on Life, Love, Islam"
2912:from the original on March 2, 2023
2885:from the original on March 2, 2023
2812:from the original on March 1, 2023
2794:Belloni, Matthew (June 21, 2011).
2751:from the original on March 2, 2023
2492:from the original on March 1, 2023
2339:American Psychological Association
1829:, p. 142. "As a result , the
1735:, quoting counsel to Warner Bros.
1436:
1365:
664:Campbell v. Acuff-Rose Music, Inc.
559:Supreme Court of the United States
246:commodification of Guevara's image
25:
3026:Glier, Ray (February 22, 2003b).
2989:Glier, Ray (February 20, 2003a).
2372:University of Illinois Law Review
2271:Entertainment & Sports Lawyer
3728:(pp. 15ā24, Ā¶Ā¶ 52ā72).
3154:Labreque, Jeff (June 10, 2011).
3063:Hamdani, Adam (April 10, 2020).
2600:King, Yolanda M. (August 2014).
2549:
1642:, Additional Defenses (pp.
1500:Carmen, Guitar & Dillon 2012
731:Anglo-American view of copyright
387:Rachael A. Carmen et al. in the
287:
275:
168:
156:
3717:(pp. 1ā14, Ā¶Ā¶ 1ā51);
2825:Brown, Clifton (June 8, 2005).
140:is derived from the photograph
119:resolved in the United States.
48:, and Chinese communist leader
3671:"Verified Answer to Complaint"
3427:In Depth with Graham Bensinger
3302:Saraceno, Jon (June 6, 2002).
2433:Etter, Lauren (January 2014).
1669:, Additional Defenses, Ā¶
1:
4088:I Think I Can Beat Mike Tyson
3481:(Interview and raw footage).
3156:"Warner Bros. Plans to Alter
2642:Theory, Culture & Society
695:that "t is astounding that a
18:Mike Tyson's face tattoo
2864:"Chairman Mao Humbles Tyson"
2637:Whitmill versus Warner Bros.
2330:Review of General Psychology
2035:, second brackets original).
597:Perry's comments; settlement
449:Eastern District of Missouri
390:Review of General Psychology
97:argued that it violated the
75:. In 2011, Whitmill filed a
3699:Declaration of David Nimmer
2481:Mitchell Hamline Law Review
2362:Cummings, David M. (2013).
2305:Public Journal of Semiotics
2146:Tyson: Nurture of the Beast
1969:, p. 159 n. 184;
1425:Connell & Sullivan 2022
1252:Connell & Sullivan 2022
1201:Connell & Sullivan 2022
1019:Connell & Sullivan 2022
819:(both singular and plural).
778:(1998), Tyson's biographer
630:copyrightability of tattoos
319:Lennox Lewis vs. Mike Tyson
293:Tyson looking in the mirror
4354:
4338:The Hangover (film series)
4160:mid-career (King's stable)
3236:. Auckland. May 24, 2011.
2511:Cambridge University Press
250:Chairman Mao Memorial Hall
183:rape of Desiree Washington
32:The American former boxer
4257:
3577:The Philadelphia Inquirer
3367:The Philadelphia Inquirer
2560:King, Yolanda M. (2013).
2519:10.1017/9781108325806.050
2319:10.37693/pjos.2012.4.8839
2218:Stanford University Press
616:under undisclosed terms.
468:June 22, 2011 (dismissed)
308:, Nevada, shortly before
286:
274:
262:
167:
155:
129:
4126:initial (D'Amato stable)
4102:Mike Tyson's Punch-Out!!
4043:Mike Tyson: The Knockout
3493:– via Screenocean.
2905:South China Morning Post
2659:10.1177/0263276412474328
2410:Indiana University Press
2280:American Bar Association
2210:Kwall, Roberta Rosenthal
702:threshold of originality
606:as "just silly", saying:
281:Whitmill tattooing Tyson
162:Ashe and Guevara tattoos
44:, Marxist revolutionary
3724:March 24, 2023, at the
3713:March 24, 2023, at the
3411:Interviews and profiles
3339:"Tyson, Botha Weigh In"
2800:Tattoo Lawsuit Settled"
2733:. Sports of The Times.
2063:. Ellipses original to
1804:memo in opposition 2011
655:Roberta Rosenthal Kwall
601:On May 24, 2011, Judge
4328:Cultural appropriation
3918:Holyfield vs. Tyson II
3536:Sony Pictures Classics
3385:"Tyson Does Las Vegas"
3233:The New Zealand Herald
3228:Draws Fire from MÄori"
3194:"Judge OKs Release of
2777:. February 23, 2003 .
2148:. Cambridge, England:
2056:, p. 66, quoting
1477:Waitangi Tribunal 2011
1475:, p. 66, quoting
1280:
879:Bissi & Tyson 2023
855:Bissi & Tyson 2023
815:
809:
725:
715:
709:
692:The New Zealand Herald
681:
635:Timothy C. Bradley in
613:
519:registered a copyright
380:
366:
362:cultural appropriation
340:
328:
114:
73:cultural appropriation
62:
4296:The Hangover Part III
4108:Iron Mike Productions
3963:Tyson vs. D. Williams
3863:Tyson vs. C. Williams
2727:(February 24, 2003).
1909:, Ā§ "Ownership".
608:
4277:The Hangover Part II
4036:Mike Tyson Mysteries
3888:Tyson vs. Ruddock II
3636: No. 4:11-CV-752
3554:(December 6, 2023).
3534:(Documentary film).
3165:Entertainment Weekly
2513:. pp. 400ā407.
2184:Simon & Schuster
1463:, pp. 401, 407.
1029:" Brackets original.
687:Ngahuia Te Awekotuku
569:, had given them an
567:The Hangover Part II
510:The Hangover Part II
431:The Hangover Part II
420:and the 2009 comedy
197:'s deathbed memoir,
86:The Hangover Part II
3913:Tyson vs. Holyfield
3528:(director) (2008).
3485:. February 25, 2003
3430:(Video interview).
2966:The Washington Post
2106:, pp. 402ā403.
2012:, Ā§ "Damages".
1897:, pp. 447ā448.
1219:. From the latter:
620:Impact and analysis
412:. Marie Hadley, in
235:Guerrillero Heroico
143:Guerrillero Heroico
4067:In popular culture
3938:Tyson vs. Savarese
3903:Bruno vs. Tyson II
3893:Tyson vs. McNeeley
3649:. April 28, 2011.
3453:"The Tao of Tyson"
3099:. April 20, 2020.
3035:The New York Times
2998:The New York Times
2939:The New York Times
2834:The New York Times
2736:The New York Times
2118:, pp. 66ā67;
1372:, quoting Fenech:
603:Catherine D. Perry
563:in the alternative
492:Catherine D. Perry
310:Tyson's 2003 fight
214:The New York Times
136:Tyson's tattoo of
103:Catherine D. Perry
56:influenced by the
4318:Tattooing and law
4305:
4304:
4215:
4214:
4211:
4210:
3968:Tyson vs. McBride
3958:Tyson vs. Etienne
3948:Tyson vs. Nielsen
3933:Tyson vs. Francis
3883:Tyson vs. Ruddock
3878:Tyson vs. Stewart
3873:Tyson vs. Tillman
3868:Tyson vs. Douglas
3818:Berbick vs. Tyson
3813:Tyson vs. Frazier
3608:Waitangi Tribunal
3599:Ko Aotearoa TÄnei
3420:(March 3, 2016).
3418:Bensinger, Graham
3160:Tattoo for Video"
3126:Los Angeles Times
2936:. Media Decoder.
2873:. April 4, 2006.
2694:10.1159/000505647
2569:Oregon Law Review
2182:. New York City:
1546:, Ā§ Damages.
1021:, quoting Tyson:
776:A Savage Business
753:Los Angeles Times
585:" Price. Scholar
497:
496:
372:Waitangi Tribunal
298:
297:
179:
178:
16:(Redirected from
4345:
4242:
4235:
4228:
4219:
4170:Richie Giachetti
4123:
4095:Tyson vs Douglas
3943:Tyson vs. Golota
3928:Tyson vs. Norris
3908:Seldon vs. Tyson
3898:Tyson vs. Mathis
3853:Tyson vs. Spinks
3843:Tyson vs. Holmes
3833:Tyson vs. Tucker
3828:Tyson vs. Thomas
3787:
3780:
3773:
3764:
3756:
3750:
3748:
3739:. June 6, 2011.
3706:
3697:(May 20, 2011).
3690:
3684:
3682:
3673:. May 20, 2011.
3666:
3660:
3658:
3633:
3626:
3624:
3622:
3616:
3605:
3593:
3591:
3589:
3563:
3550:@noahbissi and @
3539:
3521:
3519:
3517:
3494:
3492:
3490:
3474:
3472:
3470:
3447:
3441:
3439:
3406:
3404:
3402:
3379:
3360:
3358:
3356:
3344:Associated Press
3333:
3331:
3329:
3298:
3296:
3294:
3271:
3249:
3247:
3245:
3219:
3217:
3215:
3192:(May 24, 2011).
3185:
3179:
3177:
3150:
3148:
3146:
3119:(May 24, 1997).
3112:
3110:
3108:
3086:
3084:
3082:
3059:
3057:
3055:
3031:
3022:
3020:
3018:
2994:
2985:
2983:
2981:
2955:
2953:
2951:
2928:(May 24, 2011).
2921:
2919:
2917:
2894:
2892:
2890:
2866:
2858:
2856:
2854:
2830:
2821:
2819:
2817:
2790:
2788:
2786:
2775:Associated Press
2760:
2758:
2756:
2732:
2713:
2670:
2631:
2629:
2627:
2596:
2590:
2588:
2565:
2556:
2554:
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2501:
2499:
2497:
2470:
2468:
2466:
2438:
2429:
2395:
2393:
2391:
2385:
2368:
2358:
2347:10.1037/a0027908
2323:
2321:
2294:
2264:
2236:Academic sources
2231:
2205:
2171:
2123:
2113:
2107:
2101:
2095:
2089:
2083:
2074:
2068:
2051:
2045:
2019:
2013:
2007:
1998:
1984:
1978:
1964:
1958:
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1938:
1928:
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978:
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876:
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864:
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841:
820:
818:
812:
806:
800:
797:
791:
788:Associated Press
766:
757:
748:
728:
718:
712:
684:
536:
506:
483:Court membership
437:
407:
383:
369:
343:
333:
314:Clifford Etienne
291:
290:
279:
278:
267:
260:
172:
171:
160:
159:
134:
127:
117:
67:
52:. The fourth, a
21:
4353:
4352:
4348:
4347:
4346:
4344:
4343:
4342:
4308:
4307:
4306:
4301:
4253:
4246:
4216:
4207:
4177:
4155:
4134:; co-managers:
4118:
4112:
4055:
4029:Taking On Tyson
4009:
3982:
3973:Tyson vs. Jones
3953:Lewis vs. Tyson
3923:Tyson vs. Botha
3858:Tyson vs. Bruno
3848:Tyson vs. Tubbs
3838:Tyson vs. Biggs
3823:Tyson vs. Smith
3808:Tyson vs. Green
3796:
3791:
3761:
3746:
3744:
3731:
3726:Wayback Machine
3715:Wayback Machine
3693:
3680:
3678:
3669:
3656:
3654:
3645:
3629:
3620:
3618:
3614:
3603:
3596:
3587:
3585:
3580:(Film review).
3570:(May 7, 2009).
3566:
3549:
3546:
3524:
3515:
3513:
3497:
3488:
3486:
3477:
3468:
3466:
3450:
3437:
3435:
3416:
3413:
3400:
3398:
3390:The Independent
3382:
3363:
3354:
3352:
3336:
3327:
3325:
3301:
3292:
3290:
3274:
3252:
3243:
3241:
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3213:
3211:
3188:
3175:
3173:
3153:
3144:
3142:
3115:
3106:
3104:
3089:
3080:
3078:
3070:The Independent
3062:
3053:
3051:
3025:
3016:
3014:
2988:
2979:
2977:
2958:
2949:
2947:
2924:
2915:
2913:
2897:
2888:
2886:
2870:Chicago Tribune
2861:
2852:
2850:
2824:
2815:
2813:
2793:
2784:
2782:
2763:
2754:
2752:
2723:
2720:
2673:
2634:
2625:
2623:
2599:
2586:
2584:
2559:
2548:
2529:
2504:
2495:
2493:
2473:
2464:
2462:
2432:
2418:10.2307/2935271
2398:
2389:
2387:
2383:
2366:
2361:
2326:
2297:
2267:
2241:
2238:
2228:
2208:
2194:
2176:Hoffer, Richard
2174:
2160:
2142:Cashmore, Ellis
2140:
2137:
2131:
2126:
2114:
2110:
2102:
2098:
2090:
2086:
2075:
2071:
2052:
2048:
2020:
2016:
2008:
2001:
1985:
1981:
1965:
1961:
1945:
1941:
1929:
1925:
1917:
1913:
1905:
1901:
1889:
1885:
1877:
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1857:
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1771:
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1740:
1736:
1727:
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1708:
1696:
1692:
1684:
1677:
1654:
1650:
1627:
1623:
1608:
1604:
1581:
1577:
1557:
1550:
1542:
1538:
1526:
1522:
1518:, Introduction.
1510:
1506:
1498:
1491:
1471:
1467:
1447:
1443:
1435:
1431:
1423:
1416:
1404:
1400:
1394:Wellington 2003
1388:
1384:
1377:
1373:
1364:
1360:
1352:
1348:
1340:
1331:
1319:
1315:
1307:
1303:
1295:
1288:
1274:
1270:
1262:
1258:
1246:
1242:
1236:Sunderland 2013
1234:
1227:
1220:
1213:Wellington 2003
1211:
1207:
1188:
1184:
1168:
1164:
1156:Chicago Tribune
1153:
1149:
1141:
1137:
1125:
1121:
1101:
1097:
1089:
1085:
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1049:
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1026:
1022:
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1013:
979:
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944:
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932:
928:
920:
916:
904:
900:
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885:
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842:
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829:
824:
823:
807:
803:
798:
794:
767:
760:
749:
745:
740:
677:
622:
599:
571:implied license
534:
504:
435:
405:
376:Robbie Williams
354:Robert A. Weiss
288:
276:
270:
258:
169:
157:
151:
125:
30:
23:
22:
15:
12:
11:
5:
4351:
4349:
4341:
4340:
4335:
4333:Tattoo designs
4330:
4325:
4320:
4310:
4309:
4303:
4302:
4300:
4299:
4292:
4291:
4290:
4288:copyright suit
4285:
4273:
4272:
4271:
4258:
4255:
4254:
4247:
4245:
4244:
4237:
4230:
4222:
4213:
4212:
4209:
4208:
4196:Ronnie Shields
4185:
4183:
4179:
4178:
4163:
4161:
4157:
4156:
4150:(1980ā1982) ā
4146:(1978ā1980) ā
4129:
4127:
4120:
4114:
4113:
4111:
4110:
4105:
4098:
4091:
4084:
4079:
4074:
4069:
4063:
4061:
4057:
4056:
4054:
4053:
4046:
4039:
4032:
4025:
4017:
4015:
4011:
4010:
4008:
4007:
3999:
3990:
3988:
3984:
3983:
3981:
3980:
3978:Paul vs. Tyson
3975:
3970:
3965:
3960:
3955:
3950:
3945:
3940:
3935:
3930:
3925:
3920:
3915:
3910:
3905:
3900:
3895:
3890:
3885:
3880:
3875:
3870:
3865:
3860:
3855:
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3845:
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3825:
3820:
3815:
3810:
3804:
3802:
3798:
3797:
3792:
3790:
3789:
3782:
3775:
3767:
3760:
3759:
3758:
3757:
3729:
3691:
3667:
3627:
3594:
3564:
3545:
3542:
3541:
3540:
3522:
3495:
3475:
3448:
3412:
3409:
3408:
3407:
3380:
3361:
3334:
3299:
3272:
3250:
3220:
3186:
3151:
3113:
3087:
3060:
3023:
2986:
2956:
2922:
2895:
2859:
2822:
2791:
2761:
2725:Anderson, Dave
2719:
2716:
2715:
2714:
2671:
2632:
2597:
2576:(1): 129ā162.
2557:
2527:
2502:
2471:
2430:
2396:
2359:
2324:
2295:
2265:
2252:(2): 435ā471.
2237:
2234:
2233:
2232:
2226:
2206:
2192:
2172:
2158:
2136:
2133:
2132:
2130:
2127:
2125:
2124:
2122:, p. 403.
2108:
2096:
2094:, p. 438.
2084:
2069:
2046:
2044:
2043:
2040:61 n. 189
2036:
2014:
1999:
1979:
1959:
1957:, p. 107.
1939:
1923:
1911:
1899:
1883:
1881:, p. 447.
1871:
1851:
1835:
1819:
1807:
1789:
1777:
1775:, p. 130.
1765:
1745:
1721:
1706:
1690:
1675:
1648:
1621:
1613:complaint 2011
1602:
1594:complaint 2011
1575:
1548:
1536:
1520:
1514:, p. 64;
1504:
1502:, p. 141.
1489:
1485:101 n. 12
1465:
1441:
1429:
1414:
1398:
1382:
1358:
1354:Bensinger 2016
1346:
1344:, p. 401.
1329:
1313:
1311:, p. 140.
1301:
1299:, p. 402.
1286:
1268:
1256:
1248:Bensinger 2016
1240:
1225:
1205:
1182:
1178:Bensinger 2016
1162:
1147:
1135:
1119:
1105:, p. 59;
1095:
1083:
1071:
1043:
1031:
1011:
1009:
1008:
990:
973:
958:
938:
926:
914:
898:
883:
871:
859:
835:
833:
830:
828:
825:
822:
821:
801:
792:
780:Richard Hoffer
758:
742:
741:
739:
736:
676:
675:MÄori response
673:
621:
618:
598:
595:
551:17 U.S.C.
547:useful article
495:
494:
489:
485:
484:
480:
479:
474:
470:
469:
466:
462:
461:
456:
455:Full case name
452:
451:
446:
442:
441:
434:
433:copyright suit
428:
300:Tyson got his
296:
295:
284:
283:
272:
271:
268:
257:
254:
219:Richard Hoffer
205:prison tattoos
177:
176:
165:
164:
153:
152:
135:
124:
121:
77:copyright suit
38:prison tattoos
28:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4350:
4339:
4336:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4315:
4313:
4298:
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4293:
4289:
4286:
4284:
4281:
4280:
4279:
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4274:
4270:
4267:
4266:
4265:
4264:
4260:
4259:
4256:
4252:
4251:
4243:
4238:
4236:
4231:
4229:
4224:
4223:
4220:
4205:
4201:
4200:Freddie Roach
4197:
4193:
4189:
4188:Shelly Finkel
4184:
4180:
4175:
4171:
4167:
4162:
4158:
4153:
4149:
4145:
4144:Bobby Stewart
4141:
4137:
4133:
4128:
4124:
4121:
4115:
4109:
4106:
4104:
4103:
4099:
4096:
4092:
4089:
4085:
4083:
4080:
4078:
4075:
4073:
4070:
4068:
4065:
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4062:
4058:
4052:
4051:
4047:
4045:
4044:
4040:
4038:
4037:
4033:
4031:
4030:
4026:
4024:
4023:
4019:
4018:
4016:
4012:
4006:
4004:
4000:
3998:
3996:
3992:
3991:
3989:
3985:
3979:
3976:
3974:
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3959:
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3899:
3896:
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3886:
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3879:
3876:
3874:
3871:
3869:
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3861:
3859:
3856:
3854:
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3849:
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3836:
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3826:
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3821:
3819:
3816:
3814:
3811:
3809:
3806:
3805:
3803:
3799:
3795:
3788:
3783:
3781:
3776:
3774:
3769:
3768:
3765:
3754:
3742:
3738:
3736:
3730:
3727:
3723:
3720:
3716:
3712:
3709:
3704:
3700:
3696:
3695:Nimmer, David
3692:
3688:
3676:
3672:
3668:
3664:
3652:
3648:
3644:
3643:
3641:
3637:
3632:
3628:
3613:
3609:
3602:
3600:
3595:
3583:
3579:
3578:
3573:
3569:
3565:
3561:
3557:
3553:
3548:
3547:
3544:Other sources
3543:
3537:
3533:
3532:
3527:
3526:Toback, James
3523:
3511:
3508:(Interview).
3507:
3506:
3501:
3496:
3484:
3480:
3476:
3464:
3460:
3459:
3454:
3449:
3445:
3433:
3429:
3428:
3423:
3419:
3415:
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3410:
3396:
3392:
3391:
3386:
3381:
3377:
3373:
3369:
3368:
3362:
3350:
3346:
3345:
3340:
3335:
3323:
3319:
3315:
3311:
3310:
3305:
3300:
3288:
3284:
3283:
3278:
3273:
3269:
3265:
3261:
3260:
3255:
3251:
3239:
3235:
3234:
3229:
3227:
3221:
3209:
3205:
3204:
3199:
3197:
3191:
3187:
3183:
3171:
3167:
3166:
3161:
3159:
3152:
3140:
3136:
3132:
3128:
3127:
3122:
3118:
3117:Kawakami, Tim
3114:
3102:
3098:
3097:
3092:
3088:
3076:
3072:
3071:
3066:
3061:
3049:
3045:
3041:
3037:
3036:
3030:
3024:
3012:
3008:
3004:
3000:
2999:
2993:
2987:
2976:
2972:
2968:
2967:
2962:
2957:
2945:
2941:
2940:
2935:
2933:
2927:
2923:
2911:
2907:
2906:
2901:
2896:
2884:
2880:
2876:
2872:
2871:
2865:
2860:
2848:
2844:
2840:
2836:
2835:
2829:
2823:
2811:
2807:
2806:
2801:
2799:
2792:
2780:
2776:
2772:
2771:
2766:
2762:
2750:
2746:
2742:
2738:
2737:
2731:
2726:
2722:
2721:
2718:News coverage
2717:
2711:
2707:
2703:
2699:
2695:
2691:
2687:
2683:
2679:
2678:
2672:
2668:
2664:
2660:
2656:
2652:
2648:
2644:
2643:
2638:
2633:
2621:
2617:
2613:
2609:
2608:
2603:
2598:
2594:
2583:
2579:
2575:
2571:
2570:
2564:
2558:
2552:
2546:
2542:
2538:
2534:
2530:
2528:9781108325806
2524:
2520:
2516:
2512:
2508:
2503:
2491:
2487:
2483:
2482:
2477:
2472:
2460:
2456:
2452:
2448:
2444:
2443:
2437:
2431:
2427:
2423:
2419:
2415:
2411:
2407:
2406:
2401:
2400:Early, Gerald
2397:
2382:
2378:
2374:
2373:
2365:
2360:
2356:
2352:
2348:
2344:
2340:
2336:
2332:
2331:
2325:
2320:
2315:
2312:(1): 83ā107.
2311:
2307:
2306:
2301:
2296:
2292:
2288:
2287:
2281:
2277:
2273:
2272:
2266:
2262:
2258:
2257:
2251:
2247:
2246:
2240:
2239:
2235:
2229:
2227:9780804773416
2223:
2219:
2215:
2211:
2207:
2203:
2199:
2195:
2193:9780684809083
2189:
2185:
2181:
2177:
2173:
2169:
2165:
2161:
2159:9780745630700
2155:
2151:
2147:
2143:
2139:
2138:
2134:
2128:
2121:
2117:
2112:
2109:
2105:
2100:
2097:
2093:
2088:
2085:
2081:
2079:
2073:
2070:
2066:
2062:
2060:
2055:
2050:
2047:
2041:
2037:
2034:
2030:
2029:
2027:
2023:
2018:
2015:
2011:
2006:
2004:
2000:
1996:
1992:
1988:
1983:
1980:
1976:
1972:
1968:
1963:
1960:
1956:
1952:
1948:
1943:
1940:
1936:
1932:
1927:
1924:
1920:
1915:
1912:
1908:
1903:
1900:
1896:
1892:
1887:
1884:
1880:
1875:
1872:
1868:
1864:
1863:Cummings 2013
1860:
1855:
1852:
1848:
1844:
1839:
1836:
1832:
1828:
1823:
1820:
1816:
1811:
1808:
1805:
1803:
1798:
1797:Labreque 2011
1793:
1790:
1786:
1781:
1778:
1774:
1769:
1766:
1762:
1758:
1754:
1749:
1746:
1734:
1730:
1725:
1722:
1718:
1713:
1711:
1707:
1703:
1699:
1698:Cummings 2013
1694:
1691:
1687:
1682:
1680:
1676:
1672:
1668:
1666:
1661:
1657:
1656:Cummings 2013
1652:
1649:
1645:
1641:
1639:
1634:
1630:
1629:Cummings 2013
1625:
1622:
1618:
1614:
1612:
1606:
1603:
1599:
1595:
1593:
1588:
1584:
1583:Cummings 2013
1579:
1576:
1572:
1568:
1564:
1560:
1559:Cummings 2013
1555:
1553:
1549:
1545:
1540:
1537:
1533:
1529:
1524:
1521:
1517:
1513:
1508:
1505:
1501:
1496:
1494:
1490:
1486:
1482:
1478:
1474:
1469:
1466:
1462:
1458:
1454:
1450:
1449:Anderson 2003
1445:
1442:
1438:
1433:
1430:
1426:
1421:
1419:
1415:
1411:
1407:
1402:
1399:
1395:
1391:
1386:
1383:
1371:
1367:
1362:
1359:
1355:
1350:
1347:
1343:
1338:
1336:
1334:
1330:
1327:, p. 64.
1326:
1322:
1317:
1314:
1310:
1305:
1302:
1298:
1293:
1291:
1287:
1282:
1277:
1272:
1269:
1266:, p. 79.
1265:
1260:
1257:
1253:
1249:
1244:
1241:
1237:
1232:
1230:
1226:
1218:
1217:Saraceno 2002
1214:
1209:
1206:
1202:
1198:
1196:
1191:
1186:
1183:
1179:
1175:
1171:
1166:
1163:
1159:
1157:
1151:
1148:
1144:
1143:Williams 1999
1139:
1136:
1132:
1128:
1123:
1120:
1116:
1112:
1108:
1104:
1099:
1096:
1092:
1087:
1084:
1081:, p. 59.
1080:
1075:
1072:
1068:
1064:
1060:
1056:
1052:
1047:
1044:
1040:
1035:
1032:
1020:
1015:
1012:
1006:
1002:
998:
994:
993:Cashmore 2005
991:
988:
984:
981:
980:
977:
974:
970:
965:
963:
959:
955:
951:
947:
942:
939:
935:
934:Kawakami 1997
930:
927:
923:
922:Schuyler 1999
918:
915:
911:
907:
902:
899:
895:
890:
888:
884:
880:
875:
872:
868:
863:
860:
856:
852:
851:Kawakami 1997
848:
846:
840:
837:
831:
826:
817:
811:
805:
802:
796:
793:
789:
785:
781:
777:
773:
772:
765:
763:
759:
755:
754:
747:
744:
737:
735:
732:
727:
722:
717:
711:
705:
703:
698:
694:
693:
688:
683:
674:
672:
670:
666:
665:
658:
656:
652:
651:
646:
645:
640:
639:
633:
631:
627:
619:
617:
612:
607:
604:
594:
592:
588:
584:
580:
576:
572:
568:
564:
560:
556:
552:
548:
542:
540:
537:distributor,
533:
530:
527:, seeking to
526:
525:
520:
516:
512:
511:
507:2011 sequel,
503:
493:
490:
488:Judge sitting
486:
481:
478:
477:4:2011cv00752
475:
471:
467:
463:
460:
457:
453:
450:
447:
443:
438:
432:
429:
427:
425:
424:
419:
415:
411:
404:
403:
398:
397:
392:
391:
385:
382:
377:
373:
368:
363:
359:
355:
351:
346:
342:
337:
332:
331:
325:
324:tribal design
321:
320:
315:
311:
307:
303:
294:
285:
282:
273:
266:
261:
255:
253:
251:
247:
243:
242:
237:
236:
231:
230:Alberto Korda
227:
222:
220:
216:
215:
210:
206:
202:
201:
200:Days of Grace
196:
192:
188:
184:
175:
166:
163:
154:
149:
148:Alberto Korda
145:
144:
139:
133:
128:
122:
120:
116:
110:
108:
104:
100:
96:
92:
88:
87:
82:
78:
74:
69:
66:
65:
59:
55:
51:
47:
43:
39:
35:
27:
19:
4294:
4275:
4263:The Hangover
4261:
4250:The Hangover
4248:
4192:Tommy Brooks
4174:Tommy Brooks
4152:Kevin Rooney
4136:Jimmy Jacobs
4100:
4071:
4048:
4041:
4034:
4027:
4020:
4002:
3994:
3751:– via
3745:. Retrieved
3734:
3701:– via
3698:
3685:– via
3679:. Retrieved
3661:– via
3655:. Retrieved
3630:
3619:. Retrieved
3598:
3586:. Retrieved
3575:
3558:– via
3529:
3514:. Retrieved
3503:
3489:February 28,
3487:. Retrieved
3469:February 28,
3467:. Retrieved
3456:
3442:– via
3438:February 28,
3436:. Retrieved
3425:
3399:. Retrieved
3388:
3365:
3353:. Retrieved
3342:
3326:. Retrieved
3307:
3293:February 26,
3291:. Retrieved
3280:
3257:
3242:. Retrieved
3231:
3225:
3212:. Retrieved
3201:
3195:
3190:McNary, Dave
3180:– via
3174:. Retrieved
3163:
3157:
3143:. Retrieved
3124:
3107:February 26,
3105:. Retrieved
3094:
3079:. Retrieved
3068:
3052:. Retrieved
3033:
3015:. Retrieved
2996:
2978:. Retrieved
2964:
2948:. Retrieved
2937:
2931:
2914:. Retrieved
2903:
2887:. Retrieved
2868:
2851:. Retrieved
2832:
2814:. Retrieved
2803:
2797:
2783:. Retrieved
2768:
2753:. Retrieved
2734:
2681:
2675:
2646:
2640:
2636:
2624:. Retrieved
2611:
2605:
2591:– via
2585:. Retrieved
2573:
2567:
2506:
2494:. Retrieved
2488:(1): 43ā69.
2485:
2479:
2463:. Retrieved
2446:
2440:
2403:
2388:. Retrieved
2376:
2370:
2334:
2328:
2309:
2303:
2285:
2275:
2269:
2255:
2249:
2243:
2213:
2179:
2145:
2111:
2099:
2087:
2077:
2072:
2064:
2058:
2049:
2017:
2010:Bradley 2011
1987:Bradley 2011
1982:
1962:
1942:
1926:
1919:Bradley 2011
1914:
1907:Bradley 2011
1902:
1891:Bradley 2011
1886:
1874:
1859:Bradley 2011
1854:
1838:
1830:
1822:
1815:Belloni 2011
1810:
1801:
1792:
1780:
1768:
1763:, Ā¶ 16.
1748:
1724:
1693:
1686:Bradley 2011
1664:
1651:
1637:
1624:
1610:
1605:
1591:
1578:
1544:Bradley 2011
1539:
1523:
1516:Bradley 2011
1507:
1468:
1444:
1432:
1401:
1385:
1370:Hamdani 2020
1361:
1349:
1316:
1304:
1271:
1259:
1243:
1208:
1194:
1185:
1170:Reuters 2003
1165:
1155:
1150:
1138:
1122:
1098:
1086:
1074:
1046:
1034:
1014:
976:
941:
929:
917:
901:
874:
862:
844:
839:
804:
795:
783:
775:
769:
751:
746:
706:
690:
678:
662:
659:
648:
642:
636:
634:
626:precedential
623:
614:
609:
600:
587:David Nimmer
566:
561:. Arguments
543:
539:Warner Bros.
532:The Hangover
531:
523:
522:
508:
502:The Hangover
501:
498:
458:
430:
423:The Hangover
421:
417:
413:
400:
394:
388:
386:
347:
326:inspired by
317:
299:
239:
233:
223:
212:
209:Gerald Early
198:
180:
141:
111:
95:David Nimmer
91:Warner Bros.
84:
81:Warner Bros.
70:
31:
26:
4204:Jeff Fenech
4190:; trainer:
4182:late career
4176:(1999ā2001)
4168:; trainer:
4148:Teddy Atlas
4142:; trainer:
4140:Bill Cayton
4132:Cus D'Amato
3568:Rea, Steven
3254:Rafael, Dan
2932:Hangover II
2926:Cohen, Noam
2677:Dermatology
2442:ABA Journal
2379:: 279ā318.
2341:: 134ā143.
2120:Hadley 2019
2104:Hadley 2019
2024:, pp.
1993:, pp.
1949:, pp.
1843:Grassi 2016
1761:Nimmer 2011
1755:, pp.
1717:McNary 2011
1667:answer 2011
1640:answer 2011
1569:, pp.
1567:Grassi 2016
1479:, pp.
1461:Hadley 2019
1410:Glier 2003b
1406:Glier 2003a
1390:Rafael 2003
1342:Hadley 2019
1321:Toback 2008
1297:Hadley 2019
1276:Hadley 2019
1190:Toback 2008
1174:Toback 2008
1127:Cambre 2012
1109:, pp.
1107:Hoffer 1998
1053:, pp.
1051:Hoffer 1998
995:, pp.
983:Hoffer 1998
946:Nimmer 2011
906:Hoffer 1998
894:Toback 2008
867:Gildea 1995
583:milquetoast
364:. In 2006,
358:knocked out
350:Jeff Fenech
302:face tattoo
256:Face tattoo
226:Che Guevara
195:Arthur Ashe
138:Che Guevara
105:denying an
54:face tattoo
46:Che Guevara
42:Arthur Ashe
4323:Mike Tyson
4312:Categories
4283:soundtrack
4269:soundtrack
4077:Peek-a-boo
4014:Television
3794:Mike Tyson
3606:(Report).
3393:. London.
3376:1896486110
3196:Hangover 2
3073:. London.
3032:. Boxing.
2995:. Boxing.
2843:2227423483
2767:. Boxing.
2593:HeinOnline
2455:1477403875
2405:Transition
2092:Bloom 2013
1973:, p.
1955:Kwall 2010
1933:, p.
1895:Bloom 2013
1879:Bloom 2013
1867:Etter 2014
1845:, p.
1785:Cohen 2011
1731:, p.
1700:, p.
1662:, quoting
1658:, p.
1631:, p.
1589:, quoting
1585:, p.
1561:, p.
1530:, p.
1129:, p.
1103:Early 1996
1091:Brown 2005
1079:Early 1996
1067:Roche 2020
1039:Early 1996
985:, p.
969:Roche 2020
948:, Ā¶Ā¶
908:, p.
827:References
721:Rangi Kipa
555:Ā§ 101
345:than one.
232:'s iconic
187:Mao Zedong
174:Mao tattoo
107:injunction
50:Mao Zedong
34:Mike Tyson
4186:manager:
4164:manager:
3621:March 25,
3560:Instagram
3552:miketyson
3516:March 23,
3355:March 23,
3328:March 23,
3318:408916425
3309:USA Today
3282:Diario AS
3268:408912383
3259:USA Today
3224:"Tyson's
3145:March 23,
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2078:NZ Herald
2059:NZ Herald
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1991:King 2014
1971:King 2014
1967:King 2013
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