121:
254:
636:, Craig P. Bloom similarly notes that Tyson's tattoo has no utilitarian function. Both stress that Tyson's face tattoo is conceptually separable from his body. Bradley concludes that tattoos are copyrightable and that Whitmill owns the copyright to Tyson's face tattoo. Bradley further argues, however, that Tyson has an implied license that mitigates a number of aspects of Whitmill's copyright. Yolanda M. King in the
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2020:"y its very nature, 'parody must be able to "conjure up" at least enough of original to make the object of its critical wit recognizable.' ... Applying this factor to Whitmill, Warner Bros. took too muchāthe entire tattoo. Further, the nontransformative use weighs against using any more of the tattoo than necessary to make a parody" (p.
1728:'Well, sure. You have got this powerful figure, Mike Tyson, in the original film with the tattoo on his face. What does he do? He knocks someone out when he is angry at them. He is the epitome of male aggression. Instead, now you have this milquetoast character with the same tattoo on his face. It's a real spoof on men and their misadventures.
530:, from using the tattoo in the movie or its promotional materials. Describing the face tattoo as "one of the most distinctive tattoos in the nation", Whitmill did not challenge "Tyson's right to use or control his identity" but challenged Warner Bros.' use of the design itself, without having asked his permission or given him credit.
594:
denied
Whitmill's request to enjoin the film's release, citing a potential $ 100 million in damages to Warner Bros. and disruption to related businesses. However, she found that Whitmill had "a strong likelihood of success" on his copyright claim and characterized most of Warner Bros.' arguments
604:
She also described the tattoo used in the movie as "an exact copy" rather than a parody. On June 6, Warner Bros. told the court that, in the event the dispute was not resolved, it would alter the appearance of the tattoo in the movie's home release. On June 20 it announced a settlement with
Whitmill
649:
Bradley and King agree that any license to Tyson would not extend to Warner Bros. recreating the tattoo on another person's face, but
Bradley concludes that Warner Bros.' actions were nonetheless likely fair use, while King argues that the replication of the tattoo on Price's face was satire rather
333:
and was created directly on Tyson's face. Tyson saw the tattoo as representing the MÄori, whom he described as a "warrior tribe", and approved of the design, which consists of monochrome spiral shapes above and below his left eye. According to Tyson, it was his idea to use two curved figures rather
599:
Of course tattoos can be copyrighted. I don't think there is any reasonable dispute about that. They are not copyrighting Mr. Tyson's face, or restricting Mr. Tyson's use of his own face, as the defendant argues, or saying that someone who has a tattoo can't remove the tattoo or change it, but the
107:
artists defend
Whitmill. Legal scholars have highlighted how the case juxtaposes MÄori and Anglo-American attitudes on ownership of images. Despite never making it to trial, the case has been widely discussed in the context of the copyrightability of tattoos, a matter which has never been fully
688:
tattooist who inscribes an
African American's flesh with what he considers to be a MÄori design has the gall to claim ... that design as his intellectual property" and accused Whitmill of having "never consulted with MÄori" and having "stole the design". Bloom suggests that Te Awekotuku's
1014:'I flew through it, then read it again. I felt a kinship to . He was very intelligent and he held back that intelligence, he was just nonconfrontational. I respect that. I wish I could be nonconfrontational but it just wasn't meant to be. I felt a kinship there, so I put a tattoo there.
621:. They were also significant in drawing a distinction between the tattoo's design and application. Despite the case settling, it prompted further discussion of the topic and speculation as to how the case might have proceeded if it had gone to trial.
646:'s proposal of a public display right for people with copyrighted tattoos. King is dismissive of Nimmer's Thirteenth Amendment argument in terms of tattoos' copyrightability, but agrees that it may have relevance to tattoo copyright enforcement.
533:
Warner Bros. asserted about 16 defenses. They acknowledged that the tattoos were similar but denied that theirs was a copy. They further argued that "tattoos on the skin are not copyrightable". They reasoned that a human body is a
722:
as belonging to a single person. While Warner Bros. initially said they would investigate whether the tattoo was a derivative of any MÄori works, there was no further discussion of the matter prior to the case settling.
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237:. Tyson maintained positive views of both revolutionaries subsequently: In 1999 he described Guevara as "Someone who had so much but sacrificed it all for the benefit of other people." In 2006 he visited the
488:
When Tyson got the face tattoo, he agreed in writing that all drawings, artwork, and photographs of it belonged to
Whitmill's Paradox-Studio of Dermagraphics, an uncommon step in the tattoo industry. In
3226:
57:, was designed and inked by S. Victor Whitmill in 2003. Tyson associates it with the MÄori being warriors and has called it his "warrior tattoo", a name that has also been used in the news media.
2316:
Carmen, Rachael A.; Guitar, Amanda E.; Dillon, Haley M. (June 2012). "Ultimate
Answers to Proximate Questions: The Evolutionary Motivations Behind Tattoos and Body Piercings in Popular Culture".
3036:
192:. Tyson was moved by the book and respected Ashe's ability to be nonconfrontational and admired his political views and his success as a black athlete in a white-dominated world. Tyson got
311:. Tyson had originally wanted hearts (which he "just thought ... were cool"), but, according to Tyson, Whitmill refused and worked for a few days on a new design. Whitmill proposed a
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415:, in which it is prominent on Tyson, who appears as a fictionalized version of himself. The tattoo has become strongly associated with Tyson and has made his persona more distinctive.
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978:. "Of his prison belongings, the only things that returned home to Ohio with him were more than 20 banana boxes full of booksāVoltaire, Maya Angelou, Machiavelli, Alexandre Dumas."
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349:
Etienne in under a minute.) The workāwhich Tyson and others have referred to as his "warrior tattoo"āwas also met with criticism from the outset by MÄori activists who saw it as
341:
would later say was a contributing factor to the fight being rescheduled by a week. Some questioned Tyson's physical and mental fitness to fight. Experts including dermatologist
2898:
739:
Tyson also has a tattoo of a tiger on his right forearm, a portrait of his ex-wife Monica Turner on his left, and a portrait of his late daughter Exodus on his left breast. The
200:
views the Mao and Ashe tattoos as together "symboliz both newfound self-control and his revision of black cool", with Mao representing strength and authority. Clifton Brown in
2798:
2027:"Even without relying on the parody/satire distinction, an analysis of the fair use factors weighs against finding that Warner Bros.' use of the tattoo is fair use" (p.
745:
in May 1997 described the tiger and Turner tattoos as new at that time; however, the Turner tattoo dates to August 1995 at the latest. The tattoo of Exodus was inked in 2023.
2447:
992:. " newfound appetite for reading literature. Diverse literature too: from the works of Tolstoy to that of Mao Zedong, the latter the inspiration for a new tattoo" (p.
763:, Tyson says, "When I was in prison, I was so angry at society. I put a tattoo of Mao on me. I put a tattoo of Che on me. Because I just had no faith in our government." In
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of both men on his biceps: A portrait of Mao, captioned with "Mao" in all-caps, on the left; a portrait of Ashe beneath the words "Days of Grace" on the right.
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but affirming that tattoos are copyrightable, Whitmill and Warner Bros. settled for undisclosed terms, without disruption to the release of the film.
60:
Tyson's face tattoo quickly proved iconic and has become strongly associated with him. Its MÄori influence has been controversial, spurring claims of
2663:
Zhitny, Vladislav
Pavlovich; Iftekhar, Noama; Sombilon, Elizabeth Viernes (2021). "History, Folklore, and Current Significance of Facial Tattooing".
405:, writes that the tattoo "has been described as one of the most distinctive tattoos in North America". Its stature has increased over time, aided by
217:
to reflect his anger at society and the government while in prison. The
Guevara tattoo, located on the left side of Tyson's abdomen, is derived from
3127:
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1365:'We sat down and spoke and he didn't really want to fight and he wasn't prepared to and that was one of the reasons he got the tattoo. ...
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779:
article describes the
Guevara tattoo as new at that time, but says the same about the tiger tattoo, which was inked no later than May 1997.
638:
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posit that Tyson's face tattoo may be an example of "body ornamentation as a form of intimidation". Charlie Connell and Edmund Sullivan in
2767:
253:
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is a privilege reserved for respected cultural insiders, and it represents and embodies the wearer's sacred genealogy and social status."
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660:, as he had only registered the copyright after the alleged infringement began and could thus only collect on compensatory damages.
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expressed concerns about Tyson boxing while the tattoo healed; Etienne said that he would not go after the tattoo. (Tyson ultimately
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626:
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Tan, Leon (May 2013). "Intellectual Property Law and the Globalization of Indigenous Cultural Expressions: MÄori Tattoo and the
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saw no MÄori elements at all. The perspective of those like Te Awekotuku highlights the conflict between MÄori conception of
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Many MÄori took issue with Whitmill suing for copyright infringement when the work was, in their view, appropriative of
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tattoo itself and the design itself can be copyrighted, and I think it's entirely consistent with the copyright law.
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578:, participating an expert witness for Warner Bros., argued that treating tattoos as copyrightable would violate the
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305:(which would be his 50th and last victory), having previously suggested that he would get a face tattoo if he won
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The tattoo drew significant attention before the fight. Tyson took time off of training to get it, which trainer
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90:āwhich prohibits slaveryāto give Whitmill copyright over part of Tyson's body. After initial comments by Judge
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506:) gets a face tattoo almost identical to Tyson's. After seeing a poster depicting the tattooed Stu, Whitmill
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Ultimately, Bradley writes that, even if a fair use defense failed, Whitmill would not have won significant
643:
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responded with a number of defenses, including that tattoos are not copyrightable; supporting them, scholar
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and thus not copyrightable. The question of a tattoo's copyrightability had never been determined by the
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1212:'If I win the title, I might tattoo my face', said. / I think he was joking, but I'm not sure."
1030:, p. 59. Early says that Ashe was, according to Tyson, "not a man would have liked personally".
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included that Tyson, by allowing them to use his likeness and not objecting to the plot device in
3590:: A Report into Claims Concerning New Zealand Law and Policy Affecting MÄori Culture and Identity
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3023:
2986:
2927:
2822:
2724:
2694:
2651:
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Hadley, Marie (April 17, 2019). "Mike Tyson Tattoo". In Op den Kamp, Claudy; Hunter, Dan (eds.).
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2353:"Creative Expression and the Human Canvas: An Examination of Tattoos as a Copyrightable Art Form"
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591:
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480:
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describes the Ashe tattoo as "a contradiction" with Tyson's "fits of rage". Early and biographer
202:
91:
989:
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cast the two bicep tattoos as an unusual combination of, in Hoffer's words, "alternate icons".
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as a badge of slavery; Nimmer's declaration was then excluded because it was a legal opinion.
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229:
3353:
Wellington, Elizabeth (February 22, 2003). "Tyson's Tattoo a Rite of PassageāFor the MÄori".
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case failed to provide a written precedent in support of the copyrightability of tattoos."
642:
agrees that there was an implied license for Tyson to appear in various media and invokes
559:
390:
364:
342:
397:
Mitchell Sunderland ranks it as one of the two things Tyson is best known for, alongside
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4120:
3245:(February 19, 2003). "Tyson's Actions Spark Debate: Is He Fit to Get in Ring or Not?".
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617:, Perry's comments were the first time that a government official commented on the
575:
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411:
197:
83:
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775:) was inked in prison, but makes no mention of the Guevara tattoo. A January 1999
689:
argument could have formed the basis for a defense that the tattoo fell below the
685:
571:
174:, Tyson read a large number of books, including works by Chinese communist leader
101:
The legal action renewed claims of cultural appropriation but also saw some MÄori
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38:
22:
2647:
2465:"Copyrighting Tattoos: Artist vs. Client in the Battle of the (Waiver) Forms"
3548:
3468:"USA: BoxingāMike Tyson and Clifford Etienne Weigh in for Heavyweight Fight"
3297:
3270:
3247:
614:
294:
241:
and said that he "felt really insignificant" in the presence of Mao's body.
179:
3544:
2690:
2231:
Bloom, Craig P. (2013). "Hangover Effect: May I See Your Tattoo, Please?".
2156:
2257:
Bradley, Timothy C. (Fall 2011). "The Copyright Implications of Tattoos".
2190:
771:
affirms that the Mao tattoo (as well as the Ashe tattoo, not mentioned in
570:
because it juxtaposed Tyson as "the epitome of male aggression" with the "
4154:
3628:
563:
503:
346:
2203:
The Soul of Creativity: Forging a Moral Rights Law for the United States
3471:
3432:
2793:
2414:
657:
2682:
3741:
3691:
3675:
3651:
2335:
567:
517:
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718:āwhich reflect a person's genealogyāas collective property and the
3266:"Mike Tyson Mao Tattoo: What Does It Mean and Why Did He Get It?"
1543:
1541:
2758:
4210:
4206:
4161:; co-trainers: Aaron Snowell, Jay Bright and Stacey McKinley ā
3755:
2289:"The Efficacy of the Virtual: From Che as Sign to Che as Agent"
788:
Tyson often refers to Whitmill as "Victor Paradox" or similar.
3170:
1409:
1407:
630:
finds Warner Bros.' useful article argument meritless; in the
3751:
367:
or large non-MÄori companies from wearing and exploiting the
3018:"With Luster Faded, Tyson Places Career On the Line Tonight"
1789:
448:
S. Victor Whitmill v. Warner Bros. Entertainment Inc.
3054:"The Controversial Reason Behind Mike Tyson's Face Tattoo"
2552:"The Challenges 'Facing' Copyright Protection for Tattoos"
2169:
A Savage Business: The Comeback and Comedown of Mike Tyson
802:
is the style of tattoo; the individual tattoos are called
1220:
1218:
878:
876:
3440:
Connell, Charlie; Sullivan, Edmund (November 15, 2022).
1910:, Ā§ "What rights are covered by tattoo copyright?".
1326:
1324:
1322:
1281:
1279:
2889:"Mike Tyson Tells His Tales of Redemption in Hong Kong"
2754:"Tyson Displays Old Power in First-round KO of Etienne"
388:
describe it as having become "instantly iconic", while
363:
called for "a law that would prevent a Mike Tyson or a
1252:
580:
Thirteenth Amendment to the United States Constitution
327:
tattoo style. The design is not based on any specific
233:, Tyson brags that the tattoo predated the widespread
88:
Thirteenth Amendment to the United States Constitution
3620:
S. Victor Whitmill v. Warner Bros. Entertainment Inc.
2425:"Tattoo Artists Are Asserting Their Copyright Claims"
1701:
1699:
650:
than parody and thus not protected by fair use under
213:
Tyson chose tattoos of Mao and Marxist revolutionary
25:
has four tattoos of note. Threeāat least two of them
3636:"Complaint Verified for Injunctive and Other Relief"
953:
951:
702:
artists differed, seeing it not as appropriative of
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4105:
4048:
4002:
3975:
3789:
476:
471:
461:
453:
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428:
72:for using the design on the character Stu Price in
2851:
2591:"The Enforcement Challenges for Tattoo Copyrights"
2550:
2423:
1598:
1579:
1488:
3545:"I had one of the best days of my life yesterday"
1465:
29:āare portraits of men he respects: tennis player
2496:A History of Intellectual Property in 50 Objects
510:for the tattoo and then on April 28, 2011 filed
403:A History of Intellectual Property in 50 Objects
1652:
1625:
1413:
1240:
1189:
1143:
1007:
562:, and that their use of the tattoo constituted
708:but rather a hybrid of several tattoo styles;
4222:
4195:; co-trainers: Stacey McKinley and Jay Bright
3767:
3411:"Mike Tyson: The Real Story Behind My Tattoo"
8:
4011:Fallen Champ: The Untold Story of Mike Tyson
3561:"Engrossing Portrait, Not Entirely Credible"
2234:Cardozo Arts & Entertainment Law Journal
633:Cardozo Arts & Entertainment Law Journal
1268:
803:
797:
713:
703:
697:
669:
513:Whitmill v. Warner Bros. Entertainment Inc.
429:Whitmill v. Warner Bros. Entertainment Inc.
368:
354:
328:
316:
170:From 1992 to 1995, while in prison for the
102:
50:
4229:
4215:
4207:
4111:
3774:
3760:
3752:
3487:Sunderland, Mitchell (November 22, 2013).
1382:
1224:
1201:
867:
843:
425:
399:biting off part of Evander Holyfield's ear
252:
119:
2919:"Citing Public Interest, Judge Rules for
2719:"Translating Tyson Raises More Questions"
2306:
2065:
2046:
1342:
1267:, p. 401. "In MÄori culture, facial
1236:
1166:
258:Tyson's face tattoo, photographed in 2013
3722:"Warner Bros.' Memorandum in Opposition
3080:"Mike Tyson's Planning to Tattoo It All"
1882:, Ā§ "Copyrightability of tattoos";
1851:
1785:
1686:
1644:
1617:
1571:
1547:
1437:
1205:
1131:
981:
922:
910:
839:
753:
751:
359:artist Mark Kopua in a statement to the
3724:to Plaintiff's Proposed Scheduling Plan
2770:from the original on September 15, 2012
1998:
1978:, Ā§ "Warner Brothers' liability";
1975:
1907:
1895:
1879:
1847:
1803:
1677:, Ā§ "Copyrightability of tattoos".
1674:
1532:
1504:
1358:
1158:
825:
732:
293:from artist S. Victor Whitmill of
3489:"Mike Tyson Is a Living Greek Tragedy"
3454:from the original on February 28, 2023
3423:from the original on February 28, 2023
3372:Williams, Richard (January 13, 1999).
3278:from the original on February 26, 2023
3092:from the original on February 26, 2023
2375:from the original on December 25, 2022
2108:
2092:
1831:
1749:
1705:
1555:
1449:
1398:
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1162:
1115:
1095:
1039:
971:
934:
894:
882:
855:
627:Entertainment & Sports Lawyer
613:While the outcome of the case was not
248:
115:
3326:Schuyler, Ed Jr. (January 14, 1999).
3293:"Tyson Shows Good-guy Side with Kids"
3110:"Tyson Looks to Be in Fighting Shape"
2080:
1943:
1883:
1867:
1855:
1773:
1182:
1091:
1079:
1067:
1055:
1027:
957:
832:
502:, the character Stu Price (played by
7:
2887:Choi, Christy (September 13, 2012).
2817:"Tyson Enters the Fight of His Life"
2596:Journal of Intellectual Property Law
2287:Cambre, Carolina (October 1, 2012).
2010:
1979:
1959:
1955:
1935:
1919:
1815:
1761:
1741:
1717:
1516:
1445:
1297:
1253:Zhitny, Iftekhar & Sombilon 2021
639:Journal of Intellectual Property Law
585:
227:photograph. In the 2008 documentary
18:Tattoos of the American former boxer
3732:from the original on March 24, 2023
3606:from the original on March 25, 2023
3501:from the original on March 23, 2023
3450:(Profile). Photos by Mark Clennon.
3340:from the original on March 23, 2023
3313:from the original on March 15, 2022
3130:from the original on March 23, 2023
2981:"Tattooed Tyson At Center Of Storm"
2948:Gildea, William (August 17, 1995).
2935:from the original on March 24, 2023
2838:from the original on March 23, 2023
2611:from the original on March 24, 2023
2605:University of Georgia School of Law
2463:Grassi, Brayndi (January 1, 2016).
2450:from the original on March 23, 2023
2391:(1996). "Mike's Brilliant Career".
2104:
2042:
1500:
1461:
1441:
1313:
678:, an expert on MÄori tattoos, told
182:sent Tyson a copy of tennis player
112:Portraits of Ashe, Guevara, and Mao
4143:(1982ā1988); cutman: Matt Baranski
3666:from the original on March 2, 2023
3642:from the original on March 1, 2023
3573:from the original on March 2, 2023
3386:from the original on March 2, 2023
3264:Roche, Calum (November 29, 2020).
3229:from the original on March 1, 2023
3199:from the original on March 1, 2023
3161:from the original on March 2, 2023
3066:from the original on March 2, 2023
3039:from the original on March 1, 2023
3002:from the original on March 1, 2023
2950:"Tyson Talks on Life, Love, Islam"
2901:from the original on March 2, 2023
2874:from the original on March 2, 2023
2801:from the original on March 1, 2023
2783:Belloni, Matthew (June 21, 2011).
2740:from the original on March 2, 2023
2481:from the original on March 1, 2023
2328:American Psychological Association
1818:, p. 142. "As a result , the
1724:, quoting counsel to Warner Bros.
1425:
1354:
653:Campbell v. Acuff-Rose Music, Inc.
548:Supreme Court of the United States
235:commodification of Guevara's image
14:
3015:Glier, Ray (February 22, 2003b).
2978:Glier, Ray (February 20, 2003a).
2361:University of Illinois Law Review
2260:Entertainment & Sports Lawyer
3717:(pp. 15ā24, Ā¶Ā¶ 52ā72).
3143:Labreque, Jeff (June 10, 2011).
3052:Hamdani, Adam (April 10, 2020).
2589:King, Yolanda M. (August 2014).
2538:
1631:, Additional Defenses (pp.
1489:Carmen, Guitar & Dillon 2012
720:Anglo-American view of copyright
376:Rachael A. Carmen et al. in the
276:
264:
157:
145:
3706:(pp. 1ā14, Ā¶Ā¶ 1ā51);
2814:Brown, Clifton (June 8, 2005).
129:is derived from the photograph
108:resolved in the United States.
37:, and Chinese communist leader
3660:"Verified Answer to Complaint"
3416:In Depth with Graham Bensinger
3291:Saraceno, Jon (June 6, 2002).
2422:Etter, Lauren (January 2014).
1658:, Additional Defenses, Ā¶
1:
4077:I Think I Can Beat Mike Tyson
3470:(Interview and raw footage).
3145:"Warner Bros. Plans to Alter
2631:Theory, Culture & Society
684:that "t is astounding that a
2853:"Chairman Mao Humbles Tyson"
2626:Whitmill versus Warner Bros.
2319:Review of General Psychology
2024:, second brackets original).
586:Perry's comments; settlement
438:Eastern District of Missouri
379:Review of General Psychology
86:argued that it violated the
64:. In 2011, Whitmill filed a
3688:Declaration of David Nimmer
2470:Mitchell Hamline Law Review
2351:Cummings, David M. (2013).
2294:Public Journal of Semiotics
2135:Tyson: Nurture of the Beast
1958:, p. 159 n. 184;
1414:Connell & Sullivan 2022
1241:Connell & Sullivan 2022
1190:Connell & Sullivan 2022
1008:Connell & Sullivan 2022
808:(both singular and plural).
767:(1998), Tyson's biographer
619:copyrightability of tattoos
308:Lennox Lewis vs. Mike Tyson
282:Tyson looking in the mirror
4343:
4327:The Hangover (film series)
4149:mid-career (King's stable)
3225:. Auckland. May 24, 2011.
2500:Cambridge University Press
239:Chairman Mao Memorial Hall
172:rape of Desiree Washington
21:The American former boxer
4246:
3566:The Philadelphia Inquirer
3356:The Philadelphia Inquirer
2549:King, Yolanda M. (2013).
2508:10.1017/9781108325806.050
2308:10.37693/pjos.2012.4.8839
2207:Stanford University Press
605:under undisclosed terms.
457:June 22, 2011 (dismissed)
297:, Nevada, shortly before
275:
263:
251:
156:
144:
118:
4115:initial (D'Amato stable)
4091:Mike Tyson's Punch-Out!!
4032:Mike Tyson: The Knockout
3482:– via Screenocean.
2894:South China Morning Post
2648:10.1177/0263276412474328
2399:Indiana University Press
2269:American Bar Association
2199:Kwall, Roberta Rosenthal
691:threshold of originality
595:as "just silly", saying:
270:Whitmill tattooing Tyson
151:Ashe and Guevara tattoos
33:, Marxist revolutionary
3713:March 24, 2023, at the
3702:March 24, 2023, at the
3400:Interviews and profiles
3328:"Tyson, Botha Weigh In"
2789:Tattoo Lawsuit Settled"
2722:. Sports of The Times.
2052:. Ellipses original to
1793:memo in opposition 2011
644:Roberta Rosenthal Kwall
590:On May 24, 2011, Judge
4317:Cultural appropriation
3907:Holyfield vs. Tyson II
3525:Sony Pictures Classics
3374:"Tyson Does Las Vegas"
3222:The New Zealand Herald
3217:Draws Fire from MÄori"
3183:"Judge OKs Release of
2766:. February 23, 2003 .
2137:. Cambridge, England:
2045:, p. 66, quoting
1466:Waitangi Tribunal 2011
1464:, p. 66, quoting
1269:
868:Bissi & Tyson 2023
844:Bissi & Tyson 2023
804:
798:
714:
704:
698:
681:The New Zealand Herald
670:
624:Timothy C. Bradley in
602:
508:registered a copyright
369:
355:
351:cultural appropriation
329:
317:
103:
62:cultural appropriation
51:
4285:The Hangover Part III
4097:Iron Mike Productions
3952:Tyson vs. D. Williams
3852:Tyson vs. C. Williams
2716:(February 24, 2003).
1898:, Ā§ "Ownership".
597:
4266:The Hangover Part II
4025:Mike Tyson Mysteries
3877:Tyson vs. Ruddock II
3625: No. 4:11-CV-752
3543:(December 6, 2023).
3523:(Documentary film).
3154:Entertainment Weekly
2502:. pp. 400ā407.
2173:Simon & Schuster
1452:, pp. 401, 407.
1018:" Brackets original.
676:Ngahuia Te Awekotuku
558:, had given them an
556:The Hangover Part II
499:The Hangover Part II
420:The Hangover Part II
409:and the 2009 comedy
186:'s deathbed memoir,
75:The Hangover Part II
3902:Tyson vs. Holyfield
3517:(director) (2008).
3474:. February 25, 2003
3419:(Video interview).
2955:The Washington Post
2095:, pp. 402ā403.
2001:, Ā§ "Damages".
1886:, pp. 447ā448.
1208:. From the latter:
609:Impact and analysis
401:. Marie Hadley, in
224:Guerrillero Heroico
132:Guerrillero Heroico
4056:In popular culture
3927:Tyson vs. Savarese
3892:Bruno vs. Tyson II
3882:Tyson vs. McNeeley
3638:. April 28, 2011.
3442:"The Tao of Tyson"
3088:. April 20, 2020.
3024:The New York Times
2987:The New York Times
2928:The New York Times
2823:The New York Times
2725:The New York Times
2107:, pp. 66ā67;
1361:, quoting Fenech:
592:Catherine D. Perry
552:in the alternative
481:Catherine D. Perry
299:Tyson's 2003 fight
203:The New York Times
125:Tyson's tattoo of
92:Catherine D. Perry
45:influenced by the
4307:Tattooing and law
4294:
4293:
4204:
4203:
4200:
4199:
3957:Tyson vs. McBride
3947:Tyson vs. Etienne
3937:Tyson vs. Nielsen
3922:Tyson vs. Francis
3872:Tyson vs. Ruddock
3867:Tyson vs. Stewart
3862:Tyson vs. Tillman
3857:Tyson vs. Douglas
3807:Berbick vs. Tyson
3802:Tyson vs. Frazier
3597:Waitangi Tribunal
3588:Ko Aotearoa TÄnei
3409:(March 3, 2016).
3407:Bensinger, Graham
3149:Tattoo for Video"
3115:Los Angeles Times
2925:. Media Decoder.
2862:. April 4, 2006.
2683:10.1159/000505647
2558:Oregon Law Review
2171:. New York City:
1535:, Ā§ Damages.
1010:, quoting Tyson:
765:A Savage Business
742:Los Angeles Times
574:" Price. Scholar
486:
485:
361:Waitangi Tribunal
287:
286:
168:
167:
4334:
4231:
4224:
4217:
4208:
4159:Richie Giachetti
4112:
4084:Tyson vs Douglas
3932:Tyson vs. Golota
3917:Tyson vs. Norris
3897:Seldon vs. Tyson
3887:Tyson vs. Mathis
3842:Tyson vs. Spinks
3832:Tyson vs. Holmes
3822:Tyson vs. Tucker
3817:Tyson vs. Thomas
3776:
3769:
3762:
3753:
3745:
3739:
3737:
3728:. June 6, 2011.
3695:
3686:(May 20, 2011).
3679:
3673:
3671:
3662:. May 20, 2011.
3655:
3649:
3647:
3622:
3615:
3613:
3611:
3605:
3594:
3582:
3580:
3578:
3552:
3539:@noahbissi and @
3528:
3510:
3508:
3506:
3483:
3481:
3479:
3463:
3461:
3459:
3436:
3430:
3428:
3395:
3393:
3391:
3368:
3349:
3347:
3345:
3333:Associated Press
3322:
3320:
3318:
3287:
3285:
3283:
3260:
3238:
3236:
3234:
3208:
3206:
3204:
3181:(May 24, 2011).
3174:
3168:
3166:
3139:
3137:
3135:
3108:(May 24, 1997).
3101:
3099:
3097:
3075:
3073:
3071:
3048:
3046:
3044:
3020:
3011:
3009:
3007:
2983:
2974:
2972:
2970:
2944:
2942:
2940:
2917:(May 24, 2011).
2910:
2908:
2906:
2883:
2881:
2879:
2855:
2847:
2845:
2843:
2819:
2810:
2808:
2806:
2779:
2777:
2775:
2764:Associated Press
2749:
2747:
2745:
2721:
2702:
2659:
2620:
2618:
2616:
2585:
2579:
2577:
2554:
2545:
2543:
2542:
2490:
2488:
2486:
2459:
2457:
2455:
2427:
2418:
2384:
2382:
2380:
2374:
2357:
2347:
2336:10.1037/a0027908
2312:
2310:
2283:
2253:
2225:Academic sources
2220:
2194:
2160:
2112:
2102:
2096:
2090:
2084:
2078:
2072:
2063:
2057:
2040:
2034:
2008:
2002:
1996:
1987:
1973:
1967:
1953:
1947:
1933:
1927:
1917:
1911:
1905:
1899:
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1845:
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1829:
1823:
1813:
1807:
1801:
1795:
1783:
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1733:
1731:
1727:
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1709:
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1524:
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1508:
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1234:
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1211:
1199:
1193:
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1129:
1123:
1113:
1107:
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1037:
1031:
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1005:
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961:
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946:
932:
926:
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914:
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902:
892:
886:
880:
871:
865:
859:
853:
847:
830:
809:
807:
801:
795:
789:
786:
780:
777:Associated Press
755:
746:
737:
717:
707:
701:
673:
525:
495:
472:Court membership
426:
396:
372:
358:
332:
322:
303:Clifford Etienne
280:
279:
268:
267:
256:
249:
161:
160:
149:
148:
123:
116:
106:
56:
41:. The fourth, a
4342:
4341:
4337:
4336:
4335:
4333:
4332:
4331:
4297:
4296:
4295:
4290:
4242:
4235:
4205:
4196:
4166:
4144:
4123:; co-managers:
4107:
4101:
4044:
4018:Taking On Tyson
3998:
3971:
3962:Tyson vs. Jones
3942:Lewis vs. Tyson
3912:Tyson vs. Botha
3847:Tyson vs. Bruno
3837:Tyson vs. Tubbs
3827:Tyson vs. Biggs
3812:Tyson vs. Smith
3797:Tyson vs. Green
3785:
3780:
3750:
3735:
3733:
3720:
3715:Wayback Machine
3704:Wayback Machine
3682:
3669:
3667:
3658:
3645:
3643:
3634:
3618:
3609:
3607:
3603:
3592:
3585:
3576:
3574:
3569:(Film review).
3559:(May 7, 2009).
3555:
3538:
3535:
3513:
3504:
3502:
3486:
3477:
3475:
3466:
3457:
3455:
3439:
3426:
3424:
3405:
3402:
3389:
3387:
3379:The Independent
3371:
3352:
3343:
3341:
3325:
3316:
3314:
3290:
3281:
3279:
3263:
3241:
3232:
3230:
3211:
3202:
3200:
3177:
3164:
3162:
3142:
3133:
3131:
3104:
3095:
3093:
3078:
3069:
3067:
3059:The Independent
3051:
3042:
3040:
3014:
3005:
3003:
2977:
2968:
2966:
2947:
2938:
2936:
2913:
2904:
2902:
2886:
2877:
2875:
2859:Chicago Tribune
2850:
2841:
2839:
2813:
2804:
2802:
2782:
2773:
2771:
2752:
2743:
2741:
2712:
2709:
2662:
2623:
2614:
2612:
2588:
2575:
2573:
2548:
2537:
2518:
2493:
2484:
2482:
2462:
2453:
2451:
2421:
2407:10.2307/2935271
2387:
2378:
2376:
2372:
2355:
2350:
2315:
2286:
2256:
2230:
2227:
2217:
2197:
2183:
2165:Hoffer, Richard
2163:
2149:
2131:Cashmore, Ellis
2129:
2126:
2120:
2115:
2103:
2099:
2091:
2087:
2079:
2075:
2064:
2060:
2041:
2037:
2009:
2005:
1997:
1990:
1974:
1970:
1954:
1950:
1934:
1930:
1918:
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1874:
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1846:
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1814:
1810:
1802:
1798:
1784:
1780:
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1768:
1760:
1756:
1740:
1736:
1729:
1725:
1716:
1712:
1704:
1697:
1685:
1681:
1673:
1666:
1643:
1639:
1616:
1612:
1597:
1593:
1570:
1566:
1546:
1539:
1531:
1527:
1515:
1511:
1507:, Introduction.
1499:
1495:
1487:
1480:
1460:
1456:
1436:
1432:
1424:
1420:
1412:
1405:
1393:
1389:
1383:Wellington 2003
1377:
1373:
1366:
1362:
1353:
1349:
1341:
1337:
1329:
1320:
1308:
1304:
1296:
1292:
1284:
1277:
1263:
1259:
1251:
1247:
1235:
1231:
1225:Sunderland 2013
1223:
1216:
1209:
1202:Wellington 2003
1200:
1196:
1177:
1173:
1157:
1153:
1145:Chicago Tribune
1142:
1138:
1130:
1126:
1114:
1110:
1090:
1086:
1078:
1074:
1066:
1062:
1038:
1034:
1026:
1022:
1015:
1011:
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1002:
968:
964:
956:
949:
933:
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921:
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909:
905:
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866:
862:
854:
850:
831:
827:
823:
818:
813:
812:
796:
792:
787:
783:
756:
749:
738:
734:
729:
666:
611:
588:
560:implied license
523:
493:
424:
394:
365:Robbie Williams
343:Robert A. Weiss
277:
265:
259:
247:
158:
146:
140:
114:
19:
12:
11:
5:
4340:
4338:
4330:
4329:
4324:
4322:Tattoo designs
4319:
4314:
4309:
4299:
4298:
4292:
4291:
4289:
4288:
4281:
4280:
4279:
4277:copyright suit
4274:
4262:
4261:
4260:
4247:
4244:
4243:
4236:
4234:
4233:
4226:
4219:
4211:
4202:
4201:
4198:
4197:
4185:Ronnie Shields
4174:
4172:
4168:
4167:
4152:
4150:
4146:
4145:
4139:(1980ā1982) ā
4135:(1978ā1980) ā
4118:
4116:
4109:
4103:
4102:
4100:
4099:
4094:
4087:
4080:
4073:
4068:
4063:
4058:
4052:
4050:
4046:
4045:
4043:
4042:
4035:
4028:
4021:
4014:
4006:
4004:
4000:
3999:
3997:
3996:
3988:
3979:
3977:
3973:
3972:
3970:
3969:
3967:Paul vs. Tyson
3964:
3959:
3954:
3949:
3944:
3939:
3934:
3929:
3924:
3919:
3914:
3909:
3904:
3899:
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3889:
3884:
3879:
3874:
3869:
3864:
3859:
3854:
3849:
3844:
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3834:
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3814:
3809:
3804:
3799:
3793:
3791:
3787:
3786:
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3779:
3778:
3771:
3764:
3756:
3749:
3748:
3747:
3746:
3718:
3680:
3656:
3616:
3583:
3553:
3534:
3531:
3530:
3529:
3511:
3484:
3464:
3437:
3401:
3398:
3397:
3396:
3369:
3350:
3323:
3288:
3261:
3239:
3209:
3175:
3140:
3102:
3076:
3049:
3012:
2975:
2945:
2911:
2884:
2848:
2811:
2780:
2750:
2714:Anderson, Dave
2708:
2705:
2704:
2703:
2660:
2621:
2586:
2565:(1): 129ā162.
2546:
2516:
2491:
2460:
2419:
2385:
2348:
2313:
2284:
2254:
2241:(2): 435ā471.
2226:
2223:
2222:
2221:
2215:
2195:
2181:
2161:
2147:
2125:
2122:
2121:
2119:
2116:
2114:
2113:
2111:, p. 403.
2097:
2085:
2083:, p. 438.
2073:
2058:
2035:
2033:
2032:
2029:61 n. 189
2025:
2003:
1988:
1968:
1948:
1946:, p. 107.
1928:
1912:
1900:
1888:
1872:
1870:, p. 447.
1860:
1840:
1824:
1808:
1796:
1778:
1766:
1764:, p. 130.
1754:
1734:
1710:
1695:
1679:
1664:
1637:
1610:
1602:complaint 2011
1591:
1583:complaint 2011
1564:
1537:
1525:
1509:
1503:, p. 64;
1493:
1491:, p. 141.
1478:
1474:101 n. 12
1454:
1430:
1418:
1403:
1387:
1371:
1347:
1343:Bensinger 2016
1335:
1333:, p. 401.
1318:
1302:
1300:, p. 140.
1290:
1288:, p. 402.
1275:
1257:
1245:
1237:Bensinger 2016
1229:
1214:
1194:
1171:
1167:Bensinger 2016
1151:
1136:
1124:
1108:
1094:, p. 59;
1084:
1072:
1060:
1032:
1020:
1000:
998:
997:
979:
962:
947:
927:
915:
903:
887:
872:
860:
848:
824:
822:
819:
817:
814:
811:
810:
790:
781:
769:Richard Hoffer
747:
731:
730:
728:
725:
665:
664:MÄori response
662:
610:
607:
587:
584:
540:17 U.S.C.
536:useful article
484:
483:
478:
474:
473:
469:
468:
463:
459:
458:
455:
451:
450:
445:
444:Full case name
441:
440:
435:
431:
430:
423:
422:copyright suit
417:
289:Tyson got his
285:
284:
273:
272:
261:
260:
257:
246:
243:
208:Richard Hoffer
194:prison tattoos
166:
165:
154:
153:
142:
141:
124:
113:
110:
66:copyright suit
27:prison tattoos
17:
13:
10:
9:
6:
4:
3:
2:
4339:
4328:
4325:
4323:
4320:
4318:
4315:
4313:
4310:
4308:
4305:
4304:
4302:
4287:
4286:
4282:
4278:
4275:
4273:
4270:
4269:
4268:
4267:
4263:
4259:
4256:
4255:
4254:
4253:
4249:
4248:
4245:
4241:
4240:
4232:
4227:
4225:
4220:
4218:
4213:
4212:
4209:
4194:
4190:
4189:Freddie Roach
4186:
4182:
4178:
4177:Shelly Finkel
4173:
4169:
4164:
4160:
4156:
4151:
4147:
4142:
4138:
4134:
4133:Bobby Stewart
4130:
4126:
4122:
4117:
4113:
4110:
4104:
4098:
4095:
4093:
4092:
4088:
4085:
4081:
4078:
4074:
4072:
4069:
4067:
4064:
4062:
4059:
4057:
4054:
4053:
4051:
4047:
4041:
4040:
4036:
4034:
4033:
4029:
4027:
4026:
4022:
4020:
4019:
4015:
4013:
4012:
4008:
4007:
4005:
4001:
3995:
3993:
3989:
3987:
3985:
3981:
3980:
3978:
3974:
3968:
3965:
3963:
3960:
3958:
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3948:
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3935:
3933:
3930:
3928:
3925:
3923:
3920:
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3915:
3913:
3910:
3908:
3905:
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3900:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3865:
3863:
3860:
3858:
3855:
3853:
3850:
3848:
3845:
3843:
3840:
3838:
3835:
3833:
3830:
3828:
3825:
3823:
3820:
3818:
3815:
3813:
3810:
3808:
3805:
3803:
3800:
3798:
3795:
3794:
3792:
3788:
3784:
3777:
3772:
3770:
3765:
3763:
3758:
3757:
3754:
3743:
3731:
3727:
3725:
3719:
3716:
3712:
3709:
3705:
3701:
3698:
3693:
3689:
3685:
3684:Nimmer, David
3681:
3677:
3665:
3661:
3657:
3653:
3641:
3637:
3633:
3632:
3630:
3626:
3621:
3617:
3602:
3598:
3591:
3589:
3584:
3572:
3568:
3567:
3562:
3558:
3554:
3550:
3546:
3542:
3537:
3536:
3533:Other sources
3532:
3526:
3522:
3521:
3516:
3515:Toback, James
3512:
3500:
3497:(Interview).
3496:
3495:
3490:
3485:
3473:
3469:
3465:
3453:
3449:
3448:
3443:
3438:
3434:
3422:
3418:
3417:
3412:
3408:
3404:
3403:
3399:
3385:
3381:
3380:
3375:
3370:
3366:
3362:
3358:
3357:
3351:
3339:
3335:
3334:
3329:
3324:
3312:
3308:
3304:
3300:
3299:
3294:
3289:
3277:
3273:
3272:
3267:
3262:
3258:
3254:
3250:
3249:
3244:
3240:
3228:
3224:
3223:
3218:
3216:
3210:
3198:
3194:
3193:
3188:
3186:
3180:
3176:
3172:
3160:
3156:
3155:
3150:
3148:
3141:
3129:
3125:
3121:
3117:
3116:
3111:
3107:
3106:Kawakami, Tim
3103:
3091:
3087:
3086:
3081:
3077:
3065:
3061:
3060:
3055:
3050:
3038:
3034:
3030:
3026:
3025:
3019:
3013:
3001:
2997:
2993:
2989:
2988:
2982:
2976:
2965:
2961:
2957:
2956:
2951:
2946:
2934:
2930:
2929:
2924:
2922:
2916:
2912:
2900:
2896:
2895:
2890:
2885:
2873:
2869:
2865:
2861:
2860:
2854:
2849:
2837:
2833:
2829:
2825:
2824:
2818:
2812:
2800:
2796:
2795:
2790:
2788:
2781:
2769:
2765:
2761:
2760:
2755:
2751:
2739:
2735:
2731:
2727:
2726:
2720:
2715:
2711:
2710:
2707:News coverage
2706:
2700:
2696:
2692:
2688:
2684:
2680:
2676:
2672:
2668:
2667:
2661:
2657:
2653:
2649:
2645:
2641:
2637:
2633:
2632:
2627:
2622:
2610:
2606:
2602:
2598:
2597:
2592:
2587:
2583:
2572:
2568:
2564:
2560:
2559:
2553:
2547:
2541:
2535:
2531:
2527:
2523:
2519:
2517:9781108325806
2513:
2509:
2505:
2501:
2497:
2492:
2480:
2476:
2472:
2471:
2466:
2461:
2449:
2445:
2441:
2437:
2433:
2432:
2426:
2420:
2416:
2412:
2408:
2404:
2400:
2396:
2395:
2390:
2389:Early, Gerald
2386:
2371:
2367:
2363:
2362:
2354:
2349:
2345:
2341:
2337:
2333:
2329:
2325:
2321:
2320:
2314:
2309:
2304:
2301:(1): 83ā107.
2300:
2296:
2295:
2290:
2285:
2281:
2277:
2276:
2270:
2266:
2262:
2261:
2255:
2251:
2247:
2246:
2240:
2236:
2235:
2229:
2228:
2224:
2218:
2216:9780804773416
2212:
2208:
2204:
2200:
2196:
2192:
2188:
2184:
2182:9780684809083
2178:
2174:
2170:
2166:
2162:
2158:
2154:
2150:
2148:9780745630700
2144:
2140:
2136:
2132:
2128:
2127:
2123:
2117:
2110:
2106:
2101:
2098:
2094:
2089:
2086:
2082:
2077:
2074:
2070:
2068:
2062:
2059:
2055:
2051:
2049:
2044:
2039:
2036:
2030:
2026:
2023:
2019:
2018:
2016:
2012:
2007:
2004:
2000:
1995:
1993:
1989:
1985:
1981:
1977:
1972:
1969:
1965:
1961:
1957:
1952:
1949:
1945:
1941:
1937:
1932:
1929:
1925:
1921:
1916:
1913:
1909:
1904:
1901:
1897:
1892:
1889:
1885:
1881:
1876:
1873:
1869:
1864:
1861:
1857:
1853:
1852:Cummings 2013
1849:
1844:
1841:
1837:
1833:
1828:
1825:
1821:
1817:
1812:
1809:
1805:
1800:
1797:
1794:
1792:
1787:
1786:Labreque 2011
1782:
1779:
1775:
1770:
1767:
1763:
1758:
1755:
1751:
1747:
1743:
1738:
1735:
1723:
1719:
1714:
1711:
1707:
1702:
1700:
1696:
1692:
1688:
1687:Cummings 2013
1683:
1680:
1676:
1671:
1669:
1665:
1661:
1657:
1655:
1650:
1646:
1645:Cummings 2013
1641:
1638:
1634:
1630:
1628:
1623:
1619:
1618:Cummings 2013
1614:
1611:
1607:
1603:
1601:
1595:
1592:
1588:
1584:
1582:
1577:
1573:
1572:Cummings 2013
1568:
1565:
1561:
1557:
1553:
1549:
1548:Cummings 2013
1544:
1542:
1538:
1534:
1529:
1526:
1522:
1518:
1513:
1510:
1506:
1502:
1497:
1494:
1490:
1485:
1483:
1479:
1475:
1471:
1467:
1463:
1458:
1455:
1451:
1447:
1443:
1439:
1438:Anderson 2003
1434:
1431:
1427:
1422:
1419:
1415:
1410:
1408:
1404:
1400:
1396:
1391:
1388:
1384:
1380:
1375:
1372:
1360:
1356:
1351:
1348:
1344:
1339:
1336:
1332:
1327:
1325:
1323:
1319:
1316:, p. 64.
1315:
1311:
1306:
1303:
1299:
1294:
1291:
1287:
1282:
1280:
1276:
1271:
1266:
1261:
1258:
1255:, p. 79.
1254:
1249:
1246:
1242:
1238:
1233:
1230:
1226:
1221:
1219:
1215:
1207:
1206:Saraceno 2002
1203:
1198:
1195:
1191:
1187:
1185:
1180:
1175:
1172:
1168:
1164:
1160:
1155:
1152:
1148:
1146:
1140:
1137:
1133:
1132:Williams 1999
1128:
1125:
1121:
1117:
1112:
1109:
1105:
1101:
1097:
1093:
1088:
1085:
1081:
1076:
1073:
1070:, p. 59.
1069:
1064:
1061:
1057:
1053:
1049:
1045:
1041:
1036:
1033:
1029:
1024:
1021:
1009:
1004:
1001:
995:
991:
987:
983:
982:Cashmore 2005
980:
977:
973:
970:
969:
966:
963:
959:
954:
952:
948:
944:
940:
936:
931:
928:
924:
923:Kawakami 1997
919:
916:
912:
911:Schuyler 1999
907:
904:
900:
896:
891:
888:
884:
879:
877:
873:
869:
864:
861:
857:
852:
849:
845:
841:
840:Kawakami 1997
837:
835:
829:
826:
820:
815:
806:
800:
794:
791:
785:
782:
778:
774:
770:
766:
762:
761:
754:
752:
748:
744:
743:
736:
733:
726:
724:
721:
716:
711:
706:
700:
694:
692:
687:
683:
682:
677:
672:
663:
661:
659:
655:
654:
647:
645:
641:
640:
635:
634:
629:
628:
622:
620:
616:
608:
606:
601:
596:
593:
583:
581:
577:
573:
569:
565:
561:
557:
553:
549:
545:
541:
537:
531:
529:
526:distributor,
522:
519:
516:, seeking to
515:
514:
509:
505:
501:
500:
496:2011 sequel,
492:
482:
479:
477:Judge sitting
475:
470:
467:
466:4:2011cv00752
464:
460:
456:
452:
449:
446:
442:
439:
436:
432:
427:
421:
418:
416:
414:
413:
408:
404:
400:
393:
392:
387:
386:
381:
380:
374:
371:
366:
362:
357:
352:
348:
344:
340:
335:
331:
326:
321:
320:
314:
313:tribal design
310:
309:
304:
300:
296:
292:
283:
274:
271:
262:
255:
250:
244:
242:
240:
236:
232:
231:
226:
225:
220:
219:Alberto Korda
216:
211:
209:
205:
204:
199:
195:
191:
190:
189:Days of Grace
185:
181:
177:
173:
164:
155:
152:
143:
138:
137:Alberto Korda
134:
133:
128:
122:
117:
111:
109:
105:
99:
97:
93:
89:
85:
81:
77:
76:
71:
67:
63:
58:
55:
54:
48:
44:
40:
36:
32:
28:
24:
16:
4283:
4264:
4252:The Hangover
4250:
4239:The Hangover
4237:
4181:Tommy Brooks
4163:Tommy Brooks
4141:Kevin Rooney
4125:Jimmy Jacobs
4089:
4060:
4037:
4030:
4023:
4016:
4009:
3991:
3983:
3740:– via
3734:. Retrieved
3723:
3690:– via
3687:
3674:– via
3668:. Retrieved
3650:– via
3644:. Retrieved
3619:
3608:. Retrieved
3587:
3575:. Retrieved
3564:
3547:– via
3518:
3503:. Retrieved
3492:
3478:February 28,
3476:. Retrieved
3458:February 28,
3456:. Retrieved
3445:
3431:– via
3427:February 28,
3425:. Retrieved
3414:
3388:. Retrieved
3377:
3354:
3342:. Retrieved
3331:
3315:. Retrieved
3296:
3282:February 26,
3280:. Retrieved
3269:
3246:
3231:. Retrieved
3220:
3214:
3201:. Retrieved
3190:
3184:
3179:McNary, Dave
3169:– via
3163:. Retrieved
3152:
3146:
3132:. Retrieved
3113:
3096:February 26,
3094:. Retrieved
3083:
3068:. Retrieved
3057:
3041:. Retrieved
3022:
3004:. Retrieved
2985:
2967:. Retrieved
2953:
2937:. Retrieved
2926:
2920:
2903:. Retrieved
2892:
2876:. Retrieved
2857:
2840:. Retrieved
2821:
2803:. Retrieved
2792:
2786:
2772:. Retrieved
2757:
2742:. Retrieved
2723:
2670:
2664:
2635:
2629:
2625:
2613:. Retrieved
2600:
2594:
2580:– via
2574:. Retrieved
2562:
2556:
2495:
2483:. Retrieved
2477:(1): 43ā69.
2474:
2468:
2452:. Retrieved
2435:
2429:
2392:
2377:. Retrieved
2365:
2359:
2323:
2317:
2298:
2292:
2274:
2264:
2258:
2244:
2238:
2232:
2202:
2168:
2134:
2100:
2088:
2076:
2066:
2061:
2053:
2047:
2038:
2006:
1999:Bradley 2011
1976:Bradley 2011
1971:
1951:
1931:
1915:
1908:Bradley 2011
1903:
1896:Bradley 2011
1891:
1880:Bradley 2011
1875:
1863:
1848:Bradley 2011
1843:
1827:
1819:
1811:
1804:Belloni 2011
1799:
1790:
1781:
1769:
1757:
1752:, Ā¶ 16.
1737:
1713:
1682:
1675:Bradley 2011
1653:
1640:
1626:
1613:
1599:
1594:
1580:
1567:
1533:Bradley 2011
1528:
1512:
1505:Bradley 2011
1496:
1457:
1433:
1421:
1390:
1374:
1359:Hamdani 2020
1350:
1338:
1305:
1293:
1260:
1248:
1232:
1197:
1183:
1174:
1159:Reuters 2003
1154:
1144:
1139:
1127:
1111:
1087:
1075:
1063:
1035:
1023:
1003:
965:
930:
918:
906:
890:
863:
851:
833:
828:
793:
784:
772:
764:
758:
740:
735:
695:
679:
667:
651:
648:
637:
631:
625:
623:
615:precedential
612:
603:
598:
589:
576:David Nimmer
555:
550:. Arguments
532:
528:Warner Bros.
521:The Hangover
520:
512:
511:
497:
491:The Hangover
490:
487:
447:
419:
412:The Hangover
410:
406:
402:
389:
383:
377:
375:
336:
315:inspired by
306:
288:
228:
222:
212:
201:
198:Gerald Early
187:
169:
130:
100:
84:David Nimmer
80:Warner Bros.
73:
70:Warner Bros.
59:
20:
15:
4193:Jeff Fenech
4179:; trainer:
4171:late career
4165:(1999ā2001)
4157:; trainer:
4137:Teddy Atlas
4131:; trainer:
4129:Bill Cayton
4121:Cus D'Amato
3557:Rea, Steven
3243:Rafael, Dan
2921:Hangover II
2915:Cohen, Noam
2666:Dermatology
2431:ABA Journal
2368:: 279ā318.
2330:: 134ā143.
2109:Hadley 2019
2093:Hadley 2019
2013:, pp.
1982:, pp.
1938:, pp.
1832:Grassi 2016
1750:Nimmer 2011
1744:, pp.
1706:McNary 2011
1656:answer 2011
1629:answer 2011
1558:, pp.
1556:Grassi 2016
1468:, pp.
1450:Hadley 2019
1399:Glier 2003b
1395:Glier 2003a
1379:Rafael 2003
1331:Hadley 2019
1310:Toback 2008
1286:Hadley 2019
1265:Hadley 2019
1179:Toback 2008
1163:Toback 2008
1116:Cambre 2012
1098:, pp.
1096:Hoffer 1998
1042:, pp.
1040:Hoffer 1998
984:, pp.
972:Hoffer 1998
935:Nimmer 2011
895:Hoffer 1998
883:Toback 2008
856:Gildea 1995
572:milquetoast
353:. In 2006,
347:knocked out
339:Jeff Fenech
291:face tattoo
245:Face tattoo
215:Che Guevara
184:Arthur Ashe
127:Che Guevara
94:denying an
43:face tattoo
35:Che Guevara
31:Arthur Ashe
4312:Mike Tyson
4301:Categories
4272:soundtrack
4258:soundtrack
4066:Peek-a-boo
4003:Television
3783:Mike Tyson
3595:(Report).
3382:. London.
3365:1896486110
3185:Hangover 2
3062:. London.
3021:. Boxing.
2984:. Boxing.
2832:2227423483
2756:. Boxing.
2582:HeinOnline
2444:1477403875
2394:Transition
2081:Bloom 2013
1962:, p.
1944:Kwall 2010
1922:, p.
1884:Bloom 2013
1868:Bloom 2013
1856:Etter 2014
1834:, p.
1774:Cohen 2011
1720:, p.
1689:, p.
1651:, quoting
1647:, p.
1620:, p.
1578:, quoting
1574:, p.
1550:, p.
1519:, p.
1118:, p.
1092:Early 1996
1080:Brown 2005
1068:Early 1996
1056:Roche 2020
1028:Early 1996
974:, p.
958:Roche 2020
937:, Ā¶Ā¶
897:, p.
816:References
710:Rangi Kipa
544:Ā§ 101
334:than one.
221:'s iconic
176:Mao Zedong
163:Mao tattoo
96:injunction
39:Mao Zedong
23:Mike Tyson
4175:manager:
4153:manager:
3610:March 25,
3549:Instagram
3541:miketyson
3505:March 23,
3344:March 23,
3317:March 23,
3307:408916425
3298:USA Today
3271:Diario AS
3257:408912383
3248:USA Today
3213:"Tyson's
3134:March 23,
3124:421131987
2969:March 23,
2964:307893517
2939:March 24,
2868:420426750
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