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European stages at the time (Eight
Inventions for percussions). In the 1960s, which gave him wide recognition in the form of the State Prize and Foreign Orders, he received a number of stimuli from foreign avant-garde, which he had organically incorporated into his compositional morphology. He also excelled in pedagogical activities and interest in non-European cultures. He was one of the first promoters of
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opuses (Wind Sextet, Sonata for cello and piano, Two pieces for violin and piano) and
Symphonic (1st and 2nd symphonies). Over time, work with large occupation (8th symphony, Mysterium of Time, Reflections), which are his most significant works - along with songs for drums that have already come on
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and the consistent architecture of both small and large compositions are typical. His utmost expression was his conscious work with the intervals in which he emerged from non-European musical cultures. Kabeláč used here, for example, artificially numbered scale - modеs whose internal course has a
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135:. In 1932–54 Kabeláč was employed by Prague Radio. From 1957 to 1968 he worked as a teacher at the Prague Conservatory. During his life Kabeláč was active in
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111:'s. In the communist period, his work was on the periphery of official attention and was performed sporadically and in a limited choice of compositions.
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Miloslav Kabeláč belongs to the most distinguished Czech composers of the 20th century. He soon created a distinctive style for which the auspicious
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456:. Cantata for male voice choir, wind and percussion instruments on folk texts and the words of the chorale "Ye Warriors of God", Op. 7 (1939)
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and other practices brought to the music by the so-called 2nd
Viennese school. The first mature compositions of this style include the
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Six
Lullabies on text folk poetry for alto solo, small female choir and instrumental ensemble, or for alto and piano, Op. 29 (1955)
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Numerous choreographers have also taken up his work "Eight
Inventions for Percussion Instruments. ", Alvin Ailey with the
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of the oldest Czech chorale for mixed choir, solo baritone, male voice choir and solo higher female voice), Op. 57 (1979)
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Three
Melodramas to accompany the play Kuo Mo-jo "Master of Nine Songs" for reciter and chamber orchestra, Op. 34b (1957)
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Fated Dramas of Man. Sonata for trumpet, piano and percussion instruments with recitation, Op. 56 (1975–76)
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are the most prominent among them, his choreography titled
Streams, was performed in Prague too in 1979.
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Symphony No. 7 for orchestra and reciter on the composer's text after the Bible, Op. 52 (1967–68)
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In the 1960s he tried to revive contacts with
Western modern music and composers, but after the 1968
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Symphony No. 5 in B flat minor, "Dramatic", for soprano without text, and orchestra, Op. 41 (1960)
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462:(Mystery of Silence), for soprano and chamber orchestra to Greek words, Op. 50 (1964–65)
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Moravian
Lullabies for soprano and chamber orchestra, on texts from folk poetry, Op. 20 (1951)
204:(1939), performed for the first time after the end of the Second World War (28 October 1945).
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music, especially for the musical theoretical justification of his economical melody. In the
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103:. Kabeláč belongs to the foremost Czech symphonists, whose work is sometimes compared with
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443:. Cycle of children's choruses on the words of folk poetry, Op. 35 (1957–58)
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Symphony No. 6 "Concertante", for clarinet and orchestra, Op. 44 (1961–62)
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Symphony No. 3 in F for organ, brass and timpani, Op. 33 (1948–57)
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Symphony No. 1 in D for strings and percussion, Op. 11 (1941–42)
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structure, he also explored the possibilities of so-called interval
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he was silenced. His works were performed only abroad from then on.
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Lamenti e risolini 8 bagatelles, for flute and harp, Op. 53 (1969)
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Otto ricercari, for percussion instruments, Op. 51 (1966–67)
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Fantasies for organ in G minor and D minor, Op. 32 (1957–58)
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Hunters' Songs for baritone and 4 horns, Op. 37 (1958–59)
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8 Invenzioni for percussion instruments, Op. 45 (1962–63)
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Symphony No. 4 in A, "Chamber
Symphony", Op. 36 (1954–58)
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Symphony No. 2 in C for large orchestra, Op. 15 (1942–46)
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At the beginning and in the years of war, Kabeláč focused on
409:. 5 songs for alto and piano, without words, Op. 47 (1963)
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Love Songs for soprano, baritone and piano, Op. 25 (1955)
291:. Passacaglia for large orchestra, Op. 31 (1953–57)
92:(1 August 1908 – 17 September 1979) was a distinguished
481:(6 tableaux from Czech annals), Op. 55 (1965–72)
306:. Nine miniatures for orchestra, Op. 49 (1963–64)
131:, simultaneously (in 1930–31) he was a pupil of
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for alto, female choir and orchestra, Op. 28a (1956)
266:Overture No. 2 for large orchestra, Op. 17 (1947)
325:7 compositions for piano, Op. 14 (1944–47)
389:Compositions for solo voice with accompaniment
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372:Suite for saxophone and piano, Op. 39 (1959)
340:Small Suite for piano 4 hands, Op. 42 (1960)
331:8 preludes for piano, Op. 30 (1955–56)
300:for large orchestra, Op. 46 (1962–63)
369:Ballad for violin and piano, Op. 27 (1956)
366:Sonatina for oboe and piano, Op. 24 (1955)
602:Academic staff of the Prague Conservatory
69:Learn how and when to remove this message
312:, for piano and orchestra, Op. 58 (1979)
272:. Little orchestral suite, Op. 22 (1955)
177:. He also denounced the term artificial
32:This article includes a list of general
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429:. Children's choruses on the poetry by
419:6 choruses for male choir on words by
123:. In 1928–31 he studied at the
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143:Federation of Czechoslovak Composers
353:4 preludes for organ, Op. 48 (1963)
479:E fontibus Bohemicis. Visiones sex
38:it lacks sufficient corresponding
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617:20th-century Czech male musicians
150:Soviet invasion of Czechoslovakia
612:20th-century classical composers
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607:20th-century conductors (music)
524:Hudební slovník pro každého II.
433:, after the pictorial cycle of
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592:Czech male conductors (music)
322:Passacaglia TGM, Op. 3 (1937)
328:Easy Preludes, Op. 26 (1955)
254:Symphony No. 8 "Antiphonies"
85:Portrait of Miloslav Kabeláč
16:Czech composer and conductor
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597:Prague Conservatory alumni
358:Other chamber compositions
577:Czech classical composers
363:Wind Sextet, Op. 8 (1940)
145:and other organisations.
587:Czech conductors (music)
423:, Op. 10 (1939–40)
275:Suite from the music to
261:Further orchestral works
53:more precise citations.
506:(in Czech). 2012-04-24
473:Electro-acoustic music
221:American Dance Theater
214:electro-acoustic music
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572:Composers from Prague
173:larger range than an
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407:Echoes from Far Away
298:Hamlet Improvisation
129:Karel Boleslav Jirák
119:Kabeláč was born in
547:Extensive biography
216:in Czechoslovakia.
125:Prague Conservatory
500:"Miloslav Kabeláč"
460:Eufemias mysterion
345:Organ compositions
317:Piano compositions
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567:1979 deaths
562:1908 births
435:Josef Čapek
421:Jiří Wolker
304:Reflections
51:introducing
556:Categories
510:2020-04-10
486:References
227:Symphonies
191:diminution
133:Alois Hába
59:March 2015
34:references
441:To Nature
277:Sophocles
195:inversion
170:polyphony
141:, in the
101:conductor
527:Vizovice
448:Cantatas
427:Blue Sky
414:Choruses
183:interval
97:composer
282:Electra
209:chamber
166:harmony
107:'s and
47:improve
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504:Vltava
175:octave
162:melody
121:Prague
36:, but
179:tonal
156:Works
94:Czech
531:ISBN
189:and
164:and
115:Life
99:and
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