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424:. Beato's photographs of the Second Opium War were the first to document a military campaign as it unfolded, doing so through a sequence of dated and related images. His photographs of the Taku Forts formed a narrative recreation of the battle, showing the approach to the forts, the effects of bombardments on the exterior walls and fortifications, and finally the devastation within the forts, including the bodies of dead Chinese soldiers.
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108:, in 1847 by an unknown photographer, although not for the purpose of journalism. The photographs taken by the unknown photographer during the Mexican war do not show the wounded, dead bodies, nor live combat zones, with no glorification of warfare being evident. What they do show are portraits of military men, landscapes, street scenes, and post-battle burial grounds.
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Mass-produced images did have consequences. Besides informing the public, the glut of images in distribution over-saturated the market, allowing viewers to develop the ability to disregard the immediate value and historical importance of certain photographs. Despite this, photojournalists continue to
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Due to the size and cumbersome nature of his photographic equipment, Fenton was limited in his choice of motifs. Because the photographic material of his time needed long exposures, he was only able to produce pictures of stationary objects, mostly posed pictures; he avoided making pictures of dead,
1357:
Until 1997 it was believed, wrongly, that the author of the Bate & CÄ«a photographs was
Esteban GarcĂa. The identity of the real author was discovered by Alberto del Pino Menck ("Javier LĂłpez, fotĂłgrafo de Bate y CĂa. en la Guerra del Paraguay", BoletĂn HistĂłrico del EjĂ©rcito 294–297, 1997). See
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Also during the Civil War, George S. Cook captured what is likely and sometimes believed to be the world's first photographs of actual combat, during the Union bombardment of
Confederate fortifications near Charleston – his wet-plate photographs taken under fire show explosions and Union ships
668:
Journalists and photographers are protected by international conventions of armed warfare, but history shows that they are often considered targets by warring groups — sometimes to show hatred of their opponents and other times to prevent the facts shown in the photographs from being known. War
643:
Unlike paintings, which presented a single illustration of a specific event, photography offered the opportunity for an extensive amount of imagery to enter circulation. The proliferation of the photographic images allowed the public to be well informed in the discourses of war. The advent of
518:, making and developing his plates in a portable darkroom. The plates were sensitive to blue light only; his darkroom was an orange tent. This was the first time photography had covered South American warfare and his images became iconic. The firm did send a photographer to cover the
477:
being commercially available, most photographers took older cameras in the field as they had less delicate components, and so had to forfeit the ability to capture motion. Their reconfigured scenes were designed to intensify the visual and emotional effects of battle.
88:
Since early photographers were not able to create images of moving subjects, they recorded more sedentary aspects of war, such as fortifications, soldiers, and land before and after battle along with the re-creation of action scenes. Similar to battle photography,
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54:
involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena.
96:
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With the invention of photography in the 1830s, the possibility of capturing the events of war to enhance public awareness was first explored. Although ideally photographers would have liked to accurately record the rapid action of
111:
677:, 36 photographers and camera operators were abducted or killed during the conflict from 2003 to 2009. Several were killed by US fire: two Iraqi journalists working for Reuters were notably strafed by a helicopter during the
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forces, he published not only numerous pictures of the Anglo-Egyptian troops and their officers, but also photographs of Anglo-Egyptian troops looting dead enemies and defeated
Sudanese, like the commander at the
93:
images of soldiers were also often staged. In order to produce a photograph, the subject had to be perfectly still for a matter of minutes, so they were posed to be comfortable and minimize movement.
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and five monitor-class warships engaging Forts Wagner and Gregg in
Charleston harbor, S.C., in what is one of the world's first combat action photographs, taken in (September 7 1863.Haas & Peale
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in 1854. His photographs were probably intended to offset the general aversion of the
British people to the war's unpopularity, and to counteract the occasionally critical reporting of correspondent
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383:. During this time they produced possibly the first-ever photographic images of corpses. It is believed that for at least one of the photographs taken at the palace of
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Cuarterolo, Miguel Angel (2004). "Images of War: Photographers and Sketch
Artists of the Triple Alliance Conflict". In Kraay, Hendrik; Whigham, Thomas L. (eds.).
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from 1848 to 1849. These consisted of portraits of fellow officers, key figures from the campaigns, administrators and their wives and daughters, including
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Gardner and Brady rearranged bodies of dead soldiers during the Civil War in order to create a clear picture of the atrocities associated with battle. In
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104:
The
Mexican-American War was the first one to be captured by a camera. A number of daguerreotypes were taken of the occupation of Saltillo during the
473:
began recreating scenes of battle in order to overcome the limitations of early photography with regard to the recording of moving objects. Despite
1959:
556:, taken during the Anglo-Egyptian military campaign in Sudan from 1896 – 98. Documenting the advance of British troops and their victory over the
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War photographers need not necessarily work near active fighting; instead they may document the aftermath of conflict. The German photographer
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353:. In contrast to Fenton's depiction of the dignified aspects of war, Beato and Robertson showed the destruction. They photographed the fall of
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mass-reproduced images of war were not only used to inform the public but they served as imprints of the time and as historical recordings.
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1665:
Heart of Spain: Robert Capa's photographs of the
Spanish Civil War: from the collection of the Museo Nacional Centro de Arte Reina SofĂa
610:
In the 20th century, professional photographers covered all the major conflicts, and many were killed as a consequence, among which was
485:, Brady produced a controversial tableau of the dead within a desolate landscape. This work, along with Alexander Gardner's 1863 work,
146:, is considered by some historians to be the first war photographer known by name. He produced a series of photographs documenting the
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George Cook, half stereo of
Federal ironclads firing on Fort Moultrie, Sept 8, 1863 (click to enlarge) – The Valentine, Richmond, Va.
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General Wool and staff in the Calle Real, Saltillo, Mexico, taken by an unknown photographer during the
Mexican-American war, ca.1847
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The valley, called the "North Valley" by the British military, was just less than a mile wide and about a mile and a quarter long:
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landings and the fall of Paris, and conflicts in the 1950s until his death by a landmine in Indochina in May 1954. Photojournalist
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firing at southern positions September 8, 1863. By coincidence, northern photographers Haas and Peale made a photographic plate of
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World War I was one of the first conflicts during which cameras were small enough to be carried on one's person. Canadian soldier
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1792:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains much of Fenton's war photography
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the year before, but he arrived after the fighting was over. He captured images of the ruined town and corpses in a street.
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was the first official war photographer and the first to attempt a systematic coverage of war for the benefit of the public.
260:. In March 1854, Gilbert Elliott was commissioned to photograph views of the Russian fortifications along the coast of the
3445:
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1423:"Mahmoud in his bloodstained Jibba, just captured at Battle of the Atbara, April 8th. Escort of 10th Sondanese Battalion"
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who traveled with the British forces. This was a commercial venture with the hope of selling albums of war photographs.
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391:, the skeletal remains of Indian rebels were disinterred or rearranged to heighten the photograph's dramatic impact.
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1954:
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1296:
Marien, Mary Warner, Photography: A Cultural History second edition (NJ: Pearson Prentice Hall, 2006), pp. 99, 111.
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588:
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327:, so when in September 1855 Thomas Agnew put the picture on show as one of a series of eleven collectively titled
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firm of Bate y CompañĂa commissioned the Uruguayan photographer Javier LĂłpez to travel to the field of battle.
380:
175:
73:, the technical insufficiency of early photographic equipment in recording movement made this impossible. The
178:(1852–53) where he photographed colleagues, captured guns, temple architecture in Yangon and Burmese people.
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2006:
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1307:"Antietam, Maryland. Allan Pinkerton, President Lincoln, and Major General John A. McClernand: Another View"
526:
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In 1860 Beato left the partnership and documented the progress of the Anglo-French campaign during the
360:
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The first official attempts at war photography were made by the British government at the start of the
1707:
Witness to an era: the life and photographs of Alexander Gardner: the Civil War, Lincoln, and the West
1510:
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Fenton also photographed the landscape – his most famous image was of the area near to where the
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Includes war photographs by Roger Fenton, Felice Beato, Alexander Gardner, Mathew Brady and others.
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of 1865–1870. It was also the first occasion for South American war photography. In June 1866, the
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1332:
Stokstad, Marylyn, Art History vol 2 revised 2nd edition (NJ: Pearson Prentice Hall, 2005), 1009.
1027:
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1442:"Viewing Violence in the British Empire: Images of Atrocity from the Battle of Omdurman, 1898"
1401:
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plate, took a very long time for the image to develop and could not be processed immediately.
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An Eyemo camera used in 1942 by Damien Parer filming the Academy Award-winning documentary,
1453:
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182:
116:
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2028:
1986:
1275:
Felice Beato: A Photographer on the Eastern Road. Los Angeles: J. Paul Getty Museum, 2010.
1005:
http://archweb.cimec.ro/scripts/PCN/Clasate/detaliu.asp?k=60BD72B84B1846309395BB55F437C925
1001:
http://archweb.cimec.ro/scripts/PCN/Clasate/detaliu.asp?k=0F09ED4E21424AA580A2C07E81236E42
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627:
537:
411:
189:
186:
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815:
489:, were images which, when shown to the public, brought home the horrific reality of war.
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1152:
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384:
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220:
132:
74:
17:
1775:
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552:. Gregson is believed to have been the author of an album of 232 photographs called
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3273:
3268:
3263:
3213:
3099:
3094:
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2203:
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1875:
1865:
1855:
1646:"Exceptional Young Photographer – Frauke Eigen at the Berlin Gallery "Camera Work""
1566:
Kriebel, Sabine, "Theories of Photography: A Short History", in James Elkins, ed.,
704:
466:
369:
350:
288:
281:
265:
245:
205:
163:
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in armed conflict as some terrorists target journalists and photographers. In the
970:
911:
879:
852:
591:
secretly and illegally brought a camera to the battlefront and made photographs.
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3243:
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2921:
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2726:
2721:
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2053:
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1976:
1944:
1939:
1905:
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656:
611:
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257:
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201:
193:
143:
139:
120:
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1949:
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261:
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1136:
1086:
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2856:
2818:
2780:
2676:
2038:
2001:
1996:
1981:
1934:
1922:
1735:
The camera at war: a history of war photography from 1848 to the present day
686:
682:
670:
301:
292:
171:
715:, rather than on their corpses. Eigen's photographs were taken during the
174:
emplacements and the destructive aftermath. McCosh later photographed the
2876:
2691:
2193:
2123:
1991:
1917:
1912:
674:
230:
197:
128:
90:
1458:
1441:
2916:
2070:
2016:
1050:"Crimean War: First Conflict to Be Documented in Detail by Photography"
972:
Impressed by Light: British Photographs from Paper Negatives, 1840–1860
604:
573:
388:
376:
345:
Fenton left the Crimea in 1855, and was replaced by the partnership of
2468:
1890:
1840:
167:
82:
78:
77:, an early form of photography that generated a single image using a
70:
1364:
I Die with My Country: Perspectives on the Paraguayan War, 1864–1870
331:
in a London exhibition, he took the troops' epithet, expanded it as
323:
took place. In letters home soldiers had called the original valley
192:
took photographs of various officers in 1853 and of war scenes near
3131:
2551:
2011:
1482:
P.E.I. photographer's secret documentation of WW I goes on display
655:
623:
593:
572:
452:
440:
426:
393:
359:
270:
248:
was one of the first war photographers. He captured images of the
240:
110:
95:
36:
1721:
Crimea 1854-56: the war with Russia from contemporary photographs
1184:
All the Mighty World: The Photographs of Roger Fenton, 1852–1860.
225:
between 1849 and 1859 took photos of the battle locations of the
1789:
All the Mighty World: The Photographs of Roger Fenton, 1852–1860
1306:
1205:
International Center of Photography Encyclopedia of Photography.
1799:
1781:
Shooting War: Photography and the American Experience of Combat
711:
which focused on the clothing and belongings of the victims of
1795:
1761:
Anne S. K. Brown Military Collection, Brown University Library
1154:
Framing the Victorians: Photography and the Culture of Realism
1771:, in New Guinea is held at National Museum Australia Canberra
1606:"Army combat photographer's last picture is of her own death"
1592:
Video posted of Apache strike which killed Reuters employees
630:
was killed by a landmine in Vietnam, in November 1965. The
306:
The photos were converted into woodblocks and published in
1681:. Santa Barbara, California: Santa Barbara Museum of Art.
1226:
Of Battle and Beauty: Felice Beato's Photographs of China.
420:, he accompanied the attack force travelling north to the
1679:
Of battle and beauty: Felice Beato's photographs of China
1398:
FotografĂa en Uruguay: historia y usos sociales 1840–1930
725:
International Criminal Tribunal for the former Yugoslavia
669:
photography has become more dangerous with the advent of
813:
Hudson, Berkley (2009). Sterling, Christopher H. (ed.).
1158:. Ithaca, New York: Cornell University Press. pp.
1512:
Video: Cameramen Ready For Invasion, 1944/05/25 (1944)
1400:, (2011, Montevideo), Centro Municipal de FotografĂa,
1182:
Baldwin, Gordon, Malcolm Daniel, and Sarah Greenough.
503:
The most lethal war in South American history was the
170:. He also photographed local people and architecture,
329:
Panorama of the Plateau of Sebastopol in Eleven Parts
204:. He personally offered some 200 pictures albums to
3355:
3297:
3197:
3140:
3046:
2930:
2842:
2794:
2539:
2306:
2106:
1833:
1228:Santa Barbara: Santa Barbara Museum of Art, 1999.
1151:
1570:(New York and London: Routledge, 2007), pp. 7–8.
1081:. London: Secker & Warburg. pp. 13–17.
857:. London: Laurence King Publishing. p. 49.
127:in the aftermath of the Second Anglo-Sikh War,
1540:"Joe Rosenthal; Shot Flag-Raising at Iwo Jima"
913:Encyclopedia of Nineteenth-century Photography
905:
903:
901:
1811:
1079:Roger Fenton, photographer of the Crimean War
964:
962:
846:
844:
842:
700:she was photographing accidentally exploded.
357:in September 1855, producing about 60 images.
8:
778:"Seeing is believing: early war photography"
3363:Conservation and restoration of photographs
999:Carol Popp de SzathmĂ ri's 1854 war photos:
3090:Comparison of digital and film photography
1818:
1804:
1796:
1269:
1267:
3315:Photographs considered the most important
1628:"FundstĂĽcke (Found Objects), Kosovo 2000"
1457:
1368:. University of Nebraska Press. pp.
1292:
1290:
802:Daguerrotypes of the Mexican–American War
723:, and were later used as evidence by the
1257:Venice: Ikona Photo Gallery, 1983.
1186:New Haven: Yale University Press, 2004.
969:Roger Taylor; Larry John Schaaf (2007).
821:. Thousand Oaks, Calif.: SAGE. pp.
707:created a photographic exhibition about
1131:. London: John Constable. p. 238.
763:
685:published the video of the gun camera.
636:in 1945 was taken by photojournalist
42:Bodies on the battlefield at Antietam
7:
1207:New York: Pound Press; Crown, 1984.
771:
769:
767:
158:; the British commander General Sir
3310:Museums devoted to one photographer
1723:. New York: Van Nostrand Reinhold.
1594:, Agence France-Presse, Apr 5, 2010
1052:. Vintage Works Ltd. Archived from
776:O’Hearn, Megan (11 November 2016).
2852:Timeline of photography technology
1344:Bombardment of Fort Sumter in 1863
648:cover conflicts around the world.
375:In February 1858, they arrived in
27:Photographic documentation of wars
25:
1421:? Gregson, Francis (2004-11-05).
529:of 1878–1880 was photographed by
379:to document the aftermath of the
334:The Valley of the Shadow of Death
135:by John McCosh, circa April 1849.
3413:
3403:
3402:
1779:interview with Susan Moeller on
1580:Committee to Protect Journalists
1028:"Fenton Crimean War Photographs"
878:Kari Andén-Papadopoulos (2011).
679:July 12, 2007, Baghdad airstrike
432:The Home of a rebel Sharpshooter
32:War photography (disambiguation)
3414:
1446:Journal of Perpetrator Research
1440:Gordon, Michelle (2019-10-18).
884:. Intellect Books. p. 45.
854:Photography: A Cultural History
316:injured or mutilated soldiers.
212:of the United Kingdom in 1855.
1695:. Reading: Osprey Publishing.
1667:. : Aperture Foundation, Inc.
1538:Bernstein, Adam (2006-08-22).
1150:Green-Lewis, Jennifer (1996).
881:Amateur Images and Global News
337:and assigned it to the piece.
156:Hugh Gough, 1st Viscount Gough
1:
2902:Painted photography backdrops
2834:Golden triangle (composition)
2114:35 mm equivalent focal length
1604:Martin, David (May 3, 2017).
1484:, November 10, 2015, CBC News
500:in combat September 7, 1863.
277:Valley of the Shadow of Death
1102:Regarding the Pain of Others
1077:; Gernsheim, Alison (1954).
633:Raising the Flag on Iwo Jima
544:troops under the command of
487:Home of a Rebel Sharpshooter
152:Patrick Alexander Vans Agnew
2612:Intentional camera movement
851:Mary Warner Marien (2006).
483:Soldiers on the Battlefield
417:The Illustrated London News
321:Charge of the Light Brigade
309:The Illustrated London News
3462:
3305:Most expensive photographs
2657:Multi-exposure HDR capture
1709:. New York, N.Y.: Viking.
1632:National Gallery of Canada
1203:Broecker, William L., ed.
1030:. U.S. Library of Congress
977:Metropolitan Museum of Art
817:Encyclopedia of Journalism
681:, yielding a scandal when
29:
3398:
536:British war photographer
514:LĂłpez used the wet-plate
475:instantaneous photography
3239:Digital image processing
1733:Lewinski, Jorge (1978).
1719:James, Lawrence (1981).
946:University of St Andrews
620:Second Sino-Japanese War
381:Indian Rebellion of 1857
176:Second Anglo-Burmese War
3347:Photography periodicals
2907:Photography and the law
1737:. London: W. H. Allen.
1499:. Time Inc. 1938-05-23.
1255:Antonio e Felice Beato.
550:reconquest of the Sudan
527:Second Anglo-Afghan War
402:, 1860, by Felice Beato
3259:Gelatin silver process
2283:Science of photography
2268:Photographic processes
2246:Perspective distortion
1756:PBS on war photography
1705:Katz, D. Mark (1991).
1677:Harris, David (1999).
1261:OCLC 27711779. p. 447.
920:. pp. 1467–1471.
665:
607:
584:
458:
450:
438:
414:, a correspondent for
403:
372:
297:William Howard Russell
284:
253:
136:
101:
48:
2712:Schlieren photography
2256:Photographic printing
2179:Exposure compensation
1693:Early war photographs
1691:Hodgson, Pat (1974).
1663:Capa, Robert (1999).
1312:World Digital Library
910:John Hannavy (2007).
659:
597:
576:
456:
444:
430:
397:
363:
274:
244:
190:Károly Szathmáry Papp
148:Second Anglo-Sikh War
114:
99:
40:
18:Military photographer
3446:Photography by topic
2501:Straight photography
2139:Chromatic aberration
1125:Woodham-Smith, Cecil
979:. pp. 121–124.
918:Taylor & Francis
709:war crimes in Kosovo
696:was killed when the
689:combat photographer
578:Battle of Vimy Ridge
540:was attached to the
200:in 1854, during the
160:Charles James Napier
106:Mexican–American War
30:For other uses, see
3373:photographic plates
3048:Digital photography
2231:Hyperfocal distance
2144:Circle of confusion
1568:Photographic Theory
1459:10.21039/jpr.2.2.10
1347:, sonofthesouth.net
737:Embedded journalism
341:Further development
325:The Valley of Death
142:, a surgeon in the
2867:Autochrome Lumière
2862:Analog photography
2687:Pigeon photography
2481:Social documentary
1960:discontinued films
1769:Kokoda Front Line!
1517:Universal Newsreel
1408:; accessed online
1394:FotografĂa Militar
666:
614:, who covered the
608:
585:
463:American Civil War
459:
451:
439:
410:. Teaming up with
404:
373:
285:
254:
166:, the governor of
137:
102:
49:
3428:
3427:
3219:Collodion process
3155:Chromogenic print
3142:Color photography
2652:Multiple exposure
2627:Lo-fi photography
2159:Color temperature
1783:, April 23, 1989.
1648:. Deutsche Welle.
1075:Gernsheim, Helmut
1016:Memory documented
832:978-0-7619-2957-4
752:War correspondent
660:War Photographer
616:Spanish Civil War
600:The Terror of War
546:Herbert Kitchener
520:Siege of PaysandĂş
516:collodion process
471:Alexander Gardner
436:Alexander Gardner
125:Ambala Cantonment
46:Alexander Gardner
16:(Redirected from
3453:
3417:
3416:
3406:
3405:
3279:Print permanence
3224:Cross processing
3182:CMYK color model
3167:Color management
3120:Foveon X3 sensor
3115:Three-CCD camera
2759:Miniature faking
2717:Sabattier effect
2334:Astrophotography
2189:Zebra patterning
1820:
1813:
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1392:Mauricio Bruno,
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788:
773:
713:ethnic cleansing
652:Profession today
565:, Emir Mahmoud.
563:Battle of Atbara
408:Second Opium War
224:
21:
3461:
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3452:
3451:
3450:
3441:War photography
3431:
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3424:
3394:
3351:
3293:
3284:Push processing
3200:
3193:
3187:RGB color model
3136:
3042:
2926:
2838:
2804:Diagonal method
2790:
2535:
2439:Photojournalism
2302:
2134:Black-and-white
2102:
2081:Slide projector
2076:Movie projector
1955:available films
1829:
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1747:
1659:
1657:Further reading
1654:
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1582:, July 23, 2008
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1273:Lacoste, Anne.
1272:
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1224:Harris, David.
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742:Photojournalism
733:
654:
628:Dickey Chapelle
571:
554:"Khartoum 1898"
538:Francis Gregson
412:Charles Wirgman
347:James Robertson
343:
291:, he landed at
239:
218:
66:
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52:War photography
35:
28:
23:
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2169:Depth of focus
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1750:External links
1748:
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1413:
1411:, 21 May 2015.
1385:
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1142:
1129:The Reason Why
1115:
1099:Susan Sontag,
1092:
1066:
1041:
1019:
1008:
992:
986:978-0300124057
985:
958:
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864:978-1856694933
863:
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662:Andrii Dubchak
653:
650:
570:
567:
542:Anglo-Egyptian
505:Paraguayan War
342:
339:
238:
235:
227:Roman Republic
216:Stefano Lecchi
210:Queen Victoria
208:of France and
65:
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3320:Photographers
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3209:Bleach bypass
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3185:
3183:
3180:
3178:
3177:primary color
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3162:Reversal film
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3127:Image sharing
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2887:Daguerreotype
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2697:Rephotography
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1743:0-491-02485-1
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1730:
1729:0-442-24569-6
1726:
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1056:on 2014-01-12
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978:
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947:
943:
942:"John McCosh"
937:
934:
929:
927:9781135873264
923:
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891:9781841506005
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694:Hilda Clayton
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638:Joe Rosenthal
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385:Sikandar Bagh
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366:Sikandar Bagh
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237:Establishment
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133:daguerreotype
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80:
76:
75:daguerreotype
72:
63:
58:
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53:
47:
43:
39:
33:
19:
3385:Polaroid art
3274:K-14 process
3269:Instant film
3264:Gum printing
3214:C-41 process
3199:Photographic
3100:Image sensor
3095:Film scanner
2749:Sun printing
2682:Print toning
2474:space selfie
2444:Pictorialism
2374:Ethnographic
2354:Conservation
2226:Guide number
2221:Focal length
1788:
1780:
1776:
1768:
1734:
1720:
1706:
1692:
1678:
1664:
1640:
1622:
1610:. Retrieved
1599:
1587:
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1551:. Retrieved
1533:
1523:February 21,
1521:. Retrieved
1511:
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1337:
1328:
1317:. Retrieved
1315:. 1862-10-03
1310:
1301:
1284:. pp. 10–11.
1274:
1259:(in Italian)
1254:
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1225:
1220:
1204:
1199:
1183:
1178:
1153:
1145:
1128:
1118:
1100:
1095:
1078:
1069:
1058:. Retrieved
1054:the original
1044:
1032:. Retrieved
1022:
1011:
995:
971:
949:. Retrieved
936:
912:
880:
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853:
816:
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797:
785:. Retrieved
781:
705:Frauke Eigen
702:
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569:20th century
553:
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496:
491:
486:
482:
480:
467:Mathew Brady
460:
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398:Interior of
374:
370:Felice Beato
351:Felice Beato
344:
332:
328:
324:
318:
314:
307:
300:
289:Thomas Agnew
286:
282:Roger Fenton
275:
266:Roger Fenton
255:
246:Roger Fenton
214:
206:Napoleon III
180:
164:Dewan Mulraj
138:
103:
87:
67:
51:
50:
41:
3390:Stereoscopy
3249:E-6 process
3244:Dye coupler
3172:color space
3085:Digiscoping
3078:camera back
2993:Philippines
2922:Visual arts
2912:Glass plate
2897:Heliography
2796:Composition
2771:Ultraviolet
2727:Stereoscopy
2722:Slow motion
2707:Scanography
2622:Kite aerial
2567:Contre-jour
2459:Post-mortem
2449:Pornography
2429:Neues Sehen
2364:Documentary
2298:Zone System
2273:Reciprocity
2199:Film format
2129:Backscatter
2107:Terminology
1977:beauty dish
1881:rangefinder
1846:light-field
1827:Photography
721:mass graves
612:Robert Capa
603:, 1972, by
589:Jack Turner
582:Jack Turner
580:, 1917, by
548:during the
461:During the
434:, 1863, by
368:, 1858, by
280:, 1855, by
258:Crimean War
252:(1853–1856)
250:Crimean War
219: [
202:Crimean War
144:Bengal Army
140:John McCosh
121:Sikh Empire
3435:Categories
3380:Lomography
3201:processing
3150:Print film
3066:comparison
3033:Uzbekistan
2983:Luxembourg
2943:Bangladesh
2892:Dufaycolor
2872:Box camera
2829:Simplicity
2786:Zoom burst
2781:Xerography
2776:Vignetting
2766:Time-lapse
2754:Tilt–shift
2647:Mordançage
2637:Luminogram
2602:Holography
2597:High-speed
2577:Fill flash
2562:Burst mode
2540:Techniques
2521:Vernacular
2516:Underwater
2511:Toy camera
2491:Still life
2419:Monochrome
2409:High-speed
2359:Cloudscape
2349:Conceptual
2251:Photograph
2236:Lens flare
2216:Film speed
2098:Zone plate
2044:wide-angle
2029:long-focus
1608:. CBS News
1553:2017-11-06
1480:CBC News,
1319:2013-06-10
1060:2014-01-12
1034:5 February
758:References
747:War artist
717:exhumation
691:Specialist
531:John Burke
509:Montevideo
422:Taku Forts
355:Sevastopol
262:Baltic Sea
229:using the
123:parked in
3325:Norwegian
3289:Stop bath
3234:Developer
3229:Cyanotype
2857:Ambrotype
2819:Lead room
2742:Slit-scan
2677:Photogram
2672:Panoramic
2582:Fireworks
2414:Landscape
2059:telephoto
2007:reflector
2002:monolight
1997:lens hood
1982:cucoloris
1923:safelight
1834:Equipment
1777:Booknotes
1548:0190-8286
1468:2514-7897
1452:(2): 70.
1137:504665313
1087:250629696
951:1 October
687:U.S. Army
683:WikiLeaks
671:terrorism
495:USS
400:Fort Taku
364:Ruins of
302:The Times
293:Balaclava
287:Hired by
233:process.
183:Hungarian
172:artillery
117:Sikh guns
115:Captured
3409:Category
3105:CMOS APS
3003:Slovenia
2931:Regional
2877:Calotype
2814:Headroom
2692:Redscale
2607:Infrared
2557:Brenizer
2531:Wildlife
2454:Portrait
2399:Forensic
2389:Fine-art
2324:Aircraft
2314:Abstract
2194:F-number
2174:Exposure
2149:Clipping
2124:Aperture
1992:hot shoe
1918:enlarger
1913:Darkroom
1215:. p. 58.
1127:(1953).
731:See also
675:Iraq War
377:Calcutta
231:Calotype
198:Silistra
194:OlteniĹŁa
187:Romanian
129:calotype
91:portrait
81:-coated
44:, 1862,
3420:Outline
3356:Related
3038:Vietnam
3023:Ukraine
2958:Denmark
2938:Albania
2917:Tintype
2844:History
2809:Framing
2702:Rollout
2667:Panning
2617:Kirlian
2526:Wedding
2404:Glamour
2384:Fashion
2369:Eclipse
2339:Banquet
2261:Albumen
2071:Monopod
2049:fisheye
2017:softbox
1871:pinhole
1861:instant
1851:digital
1244:. p. 23
1194:. p. 21
1105:(2003;
787:10 July
605:Nick Ut
558:Mahdist
389:Lucknow
185:–
119:of the
64:Origins
59:History
3418:
3407:
3335:street
3330:Polish
3018:Turkey
3013:Taiwan
2998:Serbia
2988:Norway
2963:Greece
2948:Canada
2547:Afocal
2506:Street
2486:Sports
2469:Selfie
2424:Nature
2379:Erotic
2344:Candid
2319:Aerial
2307:Genres
2209:medium
2086:Tripod
2054:swivel
1967:Filter
1945:holder
1940:format
1841:Camera
1741:
1727:
1713:
1699:
1685:
1671:
1546:
1519:. 1944
1466:
1404:
1376:
1372:–178.
1280:
1240:
1232:
1211:
1190:
1166:
1162:–127.
1135:
1109:
1085:
983:
924:
888:
861:
829:
698:mortar
622:, the
618:, the
168:Multan
162:; and
83:copper
79:silver
71:combat
3340:women
3298:Lists
3254:Fixer
3132:Pixel
3061:D-SLR
3008:Sudan
2978:Korea
2973:Japan
2968:India
2953:China
2737:Strip
2662:Night
2642:Macro
2552:Bokeh
2496:Stock
2464:Ruins
2204:large
2034:prime
2012:snoot
1972:Flash
1950:stock
1891:still
1876:press
1866:phone
1856:field
1612:3 May
1396:, in
1358:also
825:-67.
782:JSTOR
624:D-Day
223:]
3368:film
3073:MILC
2572:ETTR
2434:Nude
2394:Fire
2293:Sync
2091:head
2039:zoom
2024:Lens
1987:gobo
1935:base
1930:Film
1906:view
1739:ISBN
1725:ISBN
1711:ISBN
1697:ISBN
1683:ISBN
1669:ISBN
1614:2017
1544:ISSN
1525:2012
1496:LIFE
1464:ISSN
1402:ISBN
1374:ISBN
1278:ISBN
1238:ISBN
1230:ISBN
1209:ISBN
1188:ISBN
1164:ISBN
1133:OCLC
1107:ISBN
1083:OCLC
1036:2018
981:ISBN
953:2015
922:ISBN
886:ISBN
859:ISBN
827:ISBN
823:1060
789:2024
525:The
469:and
445:USS
349:and
196:and
181:The
3110:CCD
1901:toy
1896:TLR
1886:SLR
1454:doi
1370:154
1160:126
719:of
387:in
299:of
131:or
3437::
1630:.
1542:.
1515:.
1462:.
1448:.
1444:.
1425:.
1309:.
1289:^
1266:^
1236:;
1003:–
975:.
961:^
944:.
916:.
900:^
841:^
780:.
766:^
727:.
640:.
465:,
312:.
264:.
221:it
154:,
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1812:t
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1634:.
1616:.
1556:.
1527:.
1470:.
1456::
1450:2
1429:.
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1322:.
1172:.
1139:.
1113:)
1089:.
1063:.
1038:.
989:.
955:.
930:.
894:.
867:.
835:.
791:.
664:.
304:.
34:.
20:)
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