33:, which debuted in New York in September 1866. The song's music was by George Bickwell, with lyrics by Theodore Kennick. Though Cavendish's role in the piece was minor, and the song had no relation to the play's plot, her performance was a highlight. It was also an early example of sex exploitation, as music writer David Ewen has noted: "When Milly Cavendish stepped lightly in front of the footlights, wagged a provocative finger at the men in her audience, and sang in her high-pitched baby voice, 'You Naughty, Naughty Men' … the American musical theater and the American popular song both started their long and active careers in sex exploitation."
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She died in New York on 23 January 1867 from a cranial injury sustained during an epileptic seizure. She was buried at
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From
Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830–1910
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213:"composed for and sung by Miss Millie Cavendish" (Library of Congress)
23:, was a British singer and actress, best remembered for performing
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115:, Kurt of Gerolstein, October 8, 2016, accessed June 18, 2018
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Lost Chords: The
Diverting Story of American Popular Songs
19:(died 23 January 1867), previously credited as
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27:in the role of Carline in the musical
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36:Cavendish had played in British
232:19th-century English actresses
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92:, p. 65 (Paperback ed. 2010)
166:(September 1, 1879), p. 106
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197:Internet Broadway Database
90:Musical Theatre: A History
211:You naughty, naughty, men
113:: Demystification Part 2"
25:You Naughty, Naughty Men
237:English stage actresses
144:Miss Millie Cavendish
142:(26 January 18670.
124:(25 January 1867).
45:Green-Wood Cemetery
175:Huggett, Richard.
131:The New York Times
75:Gilbert, Douglas.
148:Evening Telegraph
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221:Categories
160:En Passant
51:References
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195:at the
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126:Died
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